Catering to Nobody (Goldy Schulz Series)
( Goldy Schulz - 1 )
Diane Mott Davidson
MEET THE CATERER WHO WHIPPED UP THE
MULTIMILLION-COPY MYSTERY SERIES–
AS GOLDY SOLVES HER FIRST MURDER!
Diane Mott Davidson’s winning recipe of first-class suspense and five-star fare has won her and caterer Goldy critical raves and a regular place on major bestseller lists across the country. In Goldy’s tantalizing debut, she serves up a savory dish of secrets, suspicions, and murder....
INCLUDING NEVER-BEFORE-PUBLISHED RECIPES
Catering a wake is not Goldy’s idea of fun. Yet the Colorado caterer throws herself into preparing a savory feast including Poached Salmon and Strawberry Shortcake Buffet designed to soothe forty mourners. And her culinary efforts seem to be exactly what the doctor ordered...until her ex-father-in-law gynecologist Fritz Korman is struck down and Goldy is accused of adding poison to the menu. Now, with the Department of Health impounding her leftovers, her ex-husband proclaiming her guilt, and her business about to be shut down, Goldy knows she can’t wait for the police to serve up the answers. She’ll soon uncover more than one family skeleton and a veritable stew of unpalatable secrets–the kind that could make Goldy the main course in an unsavory killer’s next murder!
From Publishers Weekly
Davidson's debut is as embarrassing as a fallen souffle would be to her narrator, divorced culinary artist Goldy Korman of Goldilocks'ok?yep Catering in Aspen Meadows, Colo. Goldy, in business to support herself and her 11-year-old son, Arch, caters the gathering after the funeral of Arch's teacher, at which her former father-in-law, gynecologist Fritz Korman, drinks from a poisoned cup. While the police make sure that Goldy is now "catering to nobody," she begins her own investigation to clear herself. As amorous detective Tom Schulz courts her, Goldy courts danger, seeking connections among the recovered Fritz, the teacher and nearly everyone else in the rustic town, including her teenage lodger, Patty Sue. The only rewards of the mystery are recipes for tasty dishes and the endearing Arch, who outwits the killer and is the sole credible character in the overstuffed cast.
More Five-Star Praise for the Nationally Bestselling Mysteries of Diane Mott Davidson
“The Julia Child of mystery writers.” —Colorado Springs Gazette Telegraph
“Mouthwatering.” —The Denver Post
“Hearty fare for those who like their murder with a bit of nosh on the side.” —Publishers Weekly
“A surprisingly tart and savory reading experience.” —The Washington Post Book World
“If devouring Diane Mott Davidson’s newest whodunit in a single sitting is any reliable indicator, then this was a delicious hit.” —Los Angeles Times
“You don’t have to be a cook or a mystery fan to love Diane Mott Davidson’s books. But if you’re either—her tempting recipes and elaborate plots add up to a literary feast!” —The San Diego Union-Tribune
“Mixes recipes and mayhem to perfection.” —Sunday Denver Post
“Davidson is one of the few authors who has been able to seamlessly stir in culinary scenes without losing the focus of the mystery … [she] has made the culinary mystery more than just a passing phase.” —Sun-Sentinel, Fort Lauderdale
“Goldy and her collection of friends and family continue to mix up dandy mysteries and add tempting recipes to the readers’ cookbooks at the same time.” —The Dallas Morning News
Also by
Diane Mott Davidson
Dying for Chocolate
The Cereal Murders
The Last Suppers
Killer Pancake
The Main Corpse
The Grilling Season
Prime Cut
Tough Cookie
Sticks & Scones
Chopping Spree
Catering
to
Nobody
Diane Mott
Davidson
Copyright © 1992, 2002 by Diane Mott Davidson. All rights reserved.
ACKNOWLEDGMENTS
The author wishes to acknowledge the assistance of the following people: Jim Davidson; Jeffrey Davidson; Sandra Dijkstra; Katherine Goodwin; John William Schenk, J. William’s Catering, Bergen Park, Colorado; John B. New-kirk, D.Sc.; William Harbridge; Charles Blakeslee; Emerson Harvey, M.D.; John Hutto, M.D.; Alan Rapaport, M.D.; Doug Palczynski, R.Ph.; Deidre Elliot, Karen Sbrockey, and Elizabeth Green; Kitty Hirs and the writing group that assembled at her house; and Investigator Richard Millsapps, Jefferson County Sheriff’s Department, Golden, Colorado.
INTRODUCTION
Catering a wake was not my idea of fun, Goldy the caterer reflects as she shapes dill-speckled bread dough into pillow-shaped rolls. Thus Goldy announces herself at the outset of Catering to Nobody. She has no inkling as to how the events at that wake will close down her business and force her to investigate a murder. Nor did I have any inkling that Goldy would become a member of my family, a person who speaks her mind, writes me letters, and embarks on culinary and sleuthing expeditions that I find both scary and amazing.
Some years ago, I pulled over onto the shoulder of one of our narrow mountain roads. About twenty yards away, a pickup looked as if it had vaulted into the enormous roadside meadow, and then stalled. Its front wheels were precariously perched over a creekbank. Wanting to see if the driver needed help, I approached. “Is anyone in there?” I called. “Do you need help?” When I was six feet away, a mane of frizzy blond hair came into view. The head with the hair was stuck at an impossible horizontal angle. My body chilled; I could not find my voice. I raced back to my car and hit the accelerator hard. (This was before the widespread use of cell phones.) At home four minutes later, I phoned the Jefferson County Sheriff’s Department (a fabulous, dedicated group of law enforcement officers). I explained what I’d seen, then begged them to call me back once they knew what had happened. The young woman driver was okay, a cop told me later. She’d spun the truck’s wheels and lost control. She was on some kind of medication (!), and she’d blacked out.
I was relieved the woman was not dead or injured. Still, I chastised myself. Goldy, I thought, would have done much better.
Goldy’s background emerged from my years of volunteer work. Back then, I was continually startled by the number of middle- and upper-class women—women who labored beside me in volunteering—who were physically abused by their husbands. (In the years before the arrest and trial of O.J. Simpson, this demographic aspect of domestic abuse was not well known.) The idea for Goldy came out of what I call the “emotional refrigerator.” The emotional refrigerator provides ingredients for books, and foremost among these was this caterer who survives abuse, dumps her cruel husband, and thrives. When life handed Goldy the lemon of Doctor John Richard Korman, she determined to make not only lemonade, but also lemon meringue pie, lemon bars, lemon pound cake, lemon sorbet. … To the surprise of the small town of Aspen Meadow, Goldy abandoned the role of rich doctor’s wife, and put her considerable energies into starting the town’s first catering business. Goldy also does her best to raise her much-loved son, Arch, who begins the saga here at age eleven. (As I work on the eleventh Goldy book, Arch is fifteen and just beginning to come out of his emotional and physical timidity.) In Catering to Nobody, Goldy has not yet gone back to the church, nor has she figured out where her social life might be heading. But she knows what she’s good at—cooking—and she’s determined to make her new catering business a success. She doesn’t yet know she’ll be good at sleuthing… but she figures that out!
The first response to the manuscript was mixed. Scores of editors rejected it. Vir
ginia Rich had written three culinary mysteries in the early eighties, but she had been dead for several years. Who would buy a culinary mystery in 1989? When my wonderful agent, Sandra Dijkstra, pointed out to editors that no one—not a single author—had ever had a caterer (who offered recipes!) as a main character, the response was equally negative. Even more damning, the fact that Goldy had survived spousal abuse was seen as “too dark.” The recipes were viewed as “intrusive.” I felt strongly that both were necessary to explain who Goldy was, so the excellent Hope Dellon of St. Martin’s Press, who bought the book, allowed them to stay.
Catering to Nobody, published in 1990 along with hundreds of other new hardcover mysteries, received a 4500-copy first print run. A press release was the only publicity, and so my agent urged me to do my own publicity. I balked, telling her, “Episcopalians don’t do publicity.” But she convinced me.
I printed up a card for Dungeon Bars, one of the recipes in the book, and sent it to bookstores. I went on the road with three other members of Sisters In Crime, and we did our presentations at a dozen bookstores. To each store, I took platters of Dungeon Bars. If readers liked the cookie, I figured, they might buy the book.
Twelve years after it was first published, Catering to Nobody has sold over a million copies, in this country and overseas. I was ecstatic when Bantam Books bought the rights to reprint the book in this new paperback edition. With Bantam, I am blessed to have not only the brilliant Kate Miciak as an editor, but also an entire team of diligent artists, publicists, salespeople, and businesspeople working to ensure that each Goldy book is more successful than the last. For this, too, I am thankful.
Why do people feel connected to Goldy? Despite Catering to Nobody’s original publication as a “women’s book,” the marvelous mail I’ve received about it is equally split between men and women. These readers identify with Goldy, they are pulling for Arch, they despise the Jerk, or they just love cooking … or reading about it!
And so on to the other characters and recipes.
Regarding the Jerk: Doctor John Richard Korman strode into my mind with all his arrogance, money, good looks, and apparent invulnerability intact. He is not based on any one man. He is every egotistical clergyman, nasty boss, spiteful boyfriend, arrogant doctor, cruel professor, malevolent friend, wicked husband, etc., that any one of us could ever have—all rolled into a tall, blond, glib, athletic, powerful, much-admired man—the übermensch we love to hate.
(Just please don’t send me any more mail asking me to kill him. My agent won’t let me. After hearing this, one Colorado librarian suggested, “Well, could you maim him?”)
Regarding Arch: My husband and I have three sons, all of whom have provided “Arch material” over the years. Still, not one of our sons wears glasses; they wouldn’t be caught dead in Arch-style clothes; they find his various science, art, and literary projects bizarre. Arch is just Arch.
Regarding Tom: Women frequently ask me, “Where did you get him?” No matter what my response, the follow-up question is: “Do you know any single men who are like Tom?” No, sorry, I don’t. Like Arch, Tom is a composite. He is a good, kind, knowledgeable man—in those ways, he is very similiar to my husband (who is not the Jerk … please don’t ask him anymore, it upsets him). Tom also possesses a single-minded dedication to law enforcement, like the wonderfully helpful Sergeant Richard Millsapps of the Jefferson County Sheriff’s Department. Most importantly, though, Tom—with his charisma, his caring, his love of cooking, and his great affection for Goldy—just knocked on the door of my mind when I was structuring the first crime scene in Catering to Nobody. When I opened the door to Tom, he strode in and took charge.
Marla, Goldy’s best friend and the other ex-wife of the Jerk, did not knock on my mental entryway. She blasted through it, her ample brown hair twinkling with preciousgem barrettes, her equally ample body swathed in expensive seasonal clothes, her voice exuberant as she delivered gossip, opinions, and advice. She flopped onto an instantly imagined kitchen chair, snagged a handful of cookies, and informed me she was rich as blazes. Moreover, she announced, she was here to stay.
The only other ongoing series character, Julian Teller, is introduced in the book that followed Catering to Nobody, Dying For Chocolate. Unlike Goldy, Marla, Tom, and Arch, I had no idea Julian Teller would be such a strong presence in the life of Goldy’s extended family. But when I sent Julian off to college, I received such a barrage of complaining letters, I brought him back. Julian, like the others, is here to stay.
Regarding the recipes: People often ask me where I “get” them. The answer is, from tasting, experimenting, trials, and many, many errors. Most of the recipes are ones I’ve worked on, reworked, and experimented with since my husband and I were married in 1969. At that time, I had to start from scratch, since I had no idea of how to cook or even how to learn to cook I put our first steak into the oven at 350°—for an hour. That was what you did with everything else, I figured, so why not? And bless my husband—he proclaimed the resultant leather delicious. (I do much better now.)
With the other recipes in Goldy’s books, I sometimes will taste a dish at a restaurant, or some delicacy made by my phenomenally talented catering mentor, John William Schenk, and then try repeatedly to replicate it. This works until the family cries, “Enough!” (They finally announced, when I’d served them weeks of variations on “Julian’s Cheese Manicotti”—from Dying for Chocolate—“No more manicotti! Ever!”)
My sisters, Lucy Mott Faison and Sally Mott Freeman, and my brother, Bill Mott, Jr., have given me wonderful ideas and done much low-altitude testing and tasting, for which I am deeply grateful. Lucy has produced an endless stream of Goldy’s cookies, cakes, and muffins, and given all of them to her neighbors, her friends, and her son Will’s teachers at the Gilman School in Baltimore. In Bethesda, Maryland, Sally—herself a superb cook; some day I hope to learn to make her incredible chutney—and her sons Christopher and Bobby have been my unflagging publicists. (Some Episcopalians are good at publicity, after all!) And Billy, a tireless vice-president at Goldman Sachs, has not only given me numerous insights into the business world, he is also a fabulous cook who helps his wife, Cathie, cook for their children Torry, Gracie, Billy, and Olivia. It was Billy who came up with the terrific idea to grill “Snow-boarder’s Pork Tenderloin” (from Tough Cookie). (It’s great, try it!) Needless to say, I am deeply grateful to my siblings, their spouses, and all their wonderful children.
Finally, I wish to all you readers, that you enjoy Bantam’s new paperback edition of Catering to Nobody. Since (again, unexpectedly) the recipes emerged as one of readers’ favorite aspects of the Goldy books, four new ones appear here. I have extensively revamped the honey-spice cookie, renamed it Honey-I’m-Home Ginger Snaps, and placed the recipes in a new format. I hope you enjoy them all, and will fix them for someone you love.
Good reading, and bon appétit!
DIANE MOTT DAVIDSON,
October 2001
COLD BUFFET FOR FORTY
Poached salmon
♦
Mayonnaise mixed with wild Maine blueberries
♦
Asparagus vinaigrette with minced tomatoes
♦
Wild rice salad
♦
Herb rolls and honey muffins
♦
Strawberry shortcake buffet
♦
Vouvray, lemonade, coffee and tea
CHAPTER 1
Catering a wake was not my idea of fun.
First of all, there was the short notice. A person died. Three days later there was a funeral. In this case the body had been discovered on a Monday, autopsy Tuesday, funeral Saturday, seven days after the presumed day of death. In Colorado we didn’t call the buffet after the funeral a wake. But whether you called it a reception or coming over for a bite to eat afterward, it still meant food for forty mourners.
I dumped a mound of risen dough as soft as flesh onto the oak countertop. Eating
, I reflected, was a way of denying death.
I had known her. I did not want to think about it now. My fingers modeled soft dough around dill sprigs, then dropped the little rolls onto a baking sheet, where they looked like rows of miniature green-and-white sofa pillows. This was the last two dozen. I rubbed bits of yeasty mixture off my hands and let cold water gush over them.
A professional caterer has to keep her mind on the job, not the reason for the job. October was generally a slow month for parties in Aspen Meadow. Despite the fact that Goldilocks’ Catering, Where Everything Is Just Right! provided the town’s only professional food service, making a living here was always a precarious enterprise. Like it or not, I needed the income from this postfuneral meal.
Still. I would rather have had Laura Smiley alive. She had been Arch’s fifth-grade teacher last year. She also had taught him third, when he was recovering from the divorce. They had become special friends, had worked on games and outdoor projects. They had written letters over the summers. I could picture Laura Smiley with my son, her arm around his slender shoulders, her cascade of brown-blond curls just touching the top of his head.
Psychologists and social workers had come into the elementary school to work with the students after the news of Ms. Smiley’s death broke on Monday. Arch had not spoken much about it. I did not know what the counselors had said to him, nor he to them. All during the week he had come home from school, taken snack food into his room, and closed the door. Sometimes I could hear him on the phone, acting as dungeon master or playing television trivia games. Perhaps losing Ms. Smiley was not much on his mind. It was hard to tell.
But now because of her death we had this job, which would help pay the bills for October. Laura Smiley’s aunt from Illinois, acting in place of parents long dead, had ordered the food and sent me an express mail cheque for eight hundred dollars. This covered my second problem, usually my first, and that was money.
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