Murder On Christmas Eve

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Murder On Christmas Eve Page 9

by G. K. Chesterton


  ‘It’s going to snow.’

  Through a low ornamental iron gateway of the Italianate pattern he entered a garden having something of that desolation which only belongs to the disorder of orderly things. Deep-green growths were grey with the faint powder of the frost, large weeds had fringed the fading pattern of the flower-beds as if in a ragged frame;

  and the house stood as if waist-high in a stunted forest of shrubs and bushes. The vegetation consisted largely of evergreens or very hardy plants; and though it was thus thick and heavy, it was too northern to be called luxuriant. It might be described as an Arctic jungle. So it was in some sense with the house itself, which had a row of columns and a classical facade, which might have looked out on the Mediterranean; but which seemed now to be withering in the wind of the North Sea. Classical ornament here and there accentuated the contrast; caryatides and carved masks of comedy or tragedy looked down from corners of the building upon the grey confusion of the garden paths; but the faces seemed to be frost-bitten. The very volutes of the capitals might have curled up with the cold.

  Father Brown went up the grassy steps to a square porch flanked by big pillars and knocked at the door. About four minutes afterwards he knocked again. Then he stood still patiently waiting with his back to the door and looked out on the slowly darkening landscape. It was darkening under the shadow of that one great continent of cloud that had come flying out of the north; and even as he looked out beyond the pillars of the porch, which seemed huge and black above him in the twilight, he saw the opalescent crawling rim of the great cloud as it sailed over the roof and bowed over the porch like a canopy. The grey canopy with its faintly coloured fringes seemed to sink lower and lower upon the garden beyond, until what had recently been a clear and pale-hued winter sky was left in a few silver ribbons and rags like a sickly sunset. Father Brown waited, and there was no sound within.

  Then he betook himself briskly down the steps and round the house to look for another entrance. He eventually found one, a side door in the flat wall, and on this also he hammered and outside this also he waited. Then he tried the handle and found the door apparently bolted or fastened in some fashion; and then he moved along that side of the house, musing on the possibilities of the position, and wondering whether the eccentric Mr Aylmer had barricaded himself too deep in the house to hear any kind of summons; or whether perhaps he would barricade himself all the more, on the assumption that any summons must be the challenge of the avenging Strake. It might be that the decamping servants had only unlocked one door when they left in the morning, and that their master had locked that; but whatever he might have done it was unlikely that they, in the mood of that moment, had looked so carefully to the defences. He continued his prowl round the place; it was not really a large place, though perhaps a little pretentious; and in a few moments he found he had made the complete circuit. A moment after he found what he suspected and sought. The french window of one room, curtained and shadowed with creeper, stood open by a crack, doubtless accidentally left ajar, and he found himself in a central room, comfortably upholstered in a rather old-fashioned way, with a staircase leading up from it on one side and a door leading out of it on the other. Immediately opposite him was another door with red glass let into it, a little gaudily for later tastes; something that looked like a red-robed figure in cheap stained glass. On a round table to the right stood a sort of aquarium – a great bowl full of greenish water, in which fishes and similar things moved about as in a tank; and just opposite it a plant of the palm variety with very large green leaves. All this looked so very dusty and Early Victorian that the telephone, visible in the curtained alcove, was almost a surprise.

  ‘Who is that?’ a voice called out sharply and rather suspiciously from behind the stained-glass door.

  ‘Could I see Mr Aylmer?’ asked the priest apologetically. The door opened and a gentleman in a peacock-green dressing-gown came out with an inquiring look. His hair was rather rough and untidy, as if he had been in bed or lived in a state of slowly getting up, but his eyes were not only awake but alert, and some would have said alarmed. Father Brown knew that the contradiction was likely enough in a man who had rather run to seed under the shadow either of a delusion or a danger. He had a fine aquiline face when seen in profile, but when seen full face the first impression was of the untidiness and even the wilderness of his loose brown beard.

  ‘I am Mr Aylmer,’ he said, ‘but I have got out of the way of expecting visitors.’

  Something about Mr Aylmer’s unrestful eye prompted the priest to go straight to the point. If the man’s persecution was only a monomania, he would be the less likely to resent it.

  ‘I was wondering,’ said Father Brown softly, ‘whether it is quite true that you never expect visitors.’

  ‘You are right,’ replied his host steadily. ‘I always expect one visitor. And he may be the last.’

  ‘I hope not,’ said Father Brown, ‘but at least I am relieved to infer that I do not look very like him.’

  Mr Aylmer shook himself with a sort of savage laugh. ‘You certainly do not,’ he said.

  ‘Mr Aylmer,’ said Father Brown frankly, ‘I apologize for the liberty, but some friends of mine have told me about your trouble, and asked me to see if I could do anything for you. The truth is, I have some little experience in affairs like this.’

  ‘There are no affairs like this,’ said Aylmer.

  ‘You mean,’ observed Father Brown, ‘that the tragedies in your unfortunate family were not normal deaths?’

  ‘I mean they were not even normal murders,’ answered the other. ‘The man who is hounding us all to death is a hell-hound, and his power is from hell.’

  ‘All evil has one origin,’ said the priest gravely. ‘But how do you know they were not normal murders?’

  Aylmer answered with a gesture which offered his guest a chair; then he seated himself slowly in another, frowning, with his hands on his knees; but when he looked up his expression had grown milder and more thoughtful, and his voice was quite cordial and composed.

  ‘Sir,’ he said, ‘I don’t want you to imagine that I’m in the least an unreasonable person. I have come to these conclusions by reason, because unfortunately reason really leads there. I have read a great deal on these subjects; for I was the only one who inherited my father’s scholarship in somewhat obscure matters, and I have since inherited his library. But what I tell you does not rest on what I have read but on what I have seen.’

  Father Brown nodded, and the other proceeded, as if picking his words:

  ‘In my elder brother’s case I was not certain at first. There were no marks or footprints where he was found shot, and the pistol was left beside him. But he had just received a threatening letter, certainly from our enemy, for it was marked with a sign like a winged dagger, which was one of his infernal cabalistic tricks. And a servant said she had seen something moving along the garden wall in the twilight that was much too large to be a cat. I leave it there; all I can say is that if the murderer came, he managed to leave no traces of his coming. But when my brother Stephen died it was different; and since then I have known. A machine was working in an open scaffolding under the factory tower; I scaled the platform a moment after he had fallen under the iron hammer that struck him; I did not see anything else strike him, but I saw what I saw.

  ‘A great drift of factory smoke was rolling between me and the factory tower; but through a rift of it I saw on the top of it a dark human figure wrapped in what looked like a black cloak. Then the sulphurous smoke drove between us again; and when it cleared I looked up at the distant chimney – there was nobody there. I am a rational man, and I will ask all rational men how he had reached that dizzy unapproachable turret, and how he left it.

  He stared across at the priest with a sphinx-like challenge; then after a silence he said abruptly:

  ‘My brother’s brains were knocked out, but his body was not much damaged. And in his pocket we found one of those warning messa
ges dated the day before and stamped with the flying dagger.

  ‘I am sure,’ he went on gravely, ‘that the symbol of the winged dagger is not merely arbitrary or accidental. Nothing about that abominable man is accidental. He is all design; though it is indeed a most dark and intricate design. His mind is woven not only out of elaborate schemes but out of all sorts of secret languages and signs, and dumb signals and wordless pictures which are the names of nameless things. He is the worst sort of man that the world knows: he is the wicked mystic. Now, I don’t pretend to penetrate all that is conveyed by this symbol; but it seems surely that it must have a relation to all that was most remarkable, or even incredible, in his movements as he had hovered round my unfortunate family. Is there no connexion between the idea of a winged weapon and the mystery by which Philip was struck dead on his own lawn without the lightest touch of any footprint having disturbed the dust or grass? Is there no connexion between the plumed poignard flying like a feathered arrow and that figure which hung on the far top of the toppling chimney, clad in a cloak for pinions?’

  ‘You mean,’ said Father Brown thoughtfully, ‘that he is in a perpetual state of levitation’.

  ‘Simon Magus did it,’ replied Aylmer, ‘and it was one of the commonest predictions of the Dark Ages that Antichrist would be able to fly. Anyhow, there was the flying dagger on the document; and whether or no it could fly, it could certainly strike.’

  ‘Did you notice what sort of paper it was on?’ asked Father Brown. ‘Common paper?’

  The sphinx-like face broke abruptly into a harsh laugh. ‘You can see what they’re like,’ said Aylmer grimly, ‘for I got one myself this morning.’

  He was leaning back in his chair now, with his long legs thrust out from under the green dressing-gown, which was a little short for him, and his bearded chin pillowed on his chest. Without moving otherwise, he thrust his hand deep in the dressing-gown pocket and held out a fluttering scrap of paper at the end of a rigid arm. His whole attitude was suggestive of a sort of paralysis, that was both rigidity and collapse. But the next remark of the priest had a curious effect of rousing him.

  Father Brown was blinking in his short-sighted way at the paper presented to him. It was a singular sort of paper, rough without being common, as from an artist’s sketchbook; and on it was drawn boldly in red ink a dagger decorated with wings like the rod of Hermes, with the written words, ‘Death comes the day after this, as it came to your brothers.’

  Father Brown tossed the paper on the floor and sat bolt upright in his chair.

  ‘You mustn’t let that sort of stuff stupefy you,’ he said sharply. ‘These devils always try to make us helpless by making us hopeless.’

  Rather to his surprise, an awakening wave went over the prostrate figure, which sprang from its chair as if startled out of a dream.

  ‘You’re right, you’re right!’ cried Aylmer with a rather uncanny animation; ‘and the devils shall find I’m not so hopeless after all, nor so helpless either. Perhaps I have more hope and better help than you fancy.’

  He stood with his hands in his pockets, frowning down at the priest, who had a momentary doubt, during that strained silence, about whether the man’s long peril had not touched his brain. But when he spoke it was quite soberly.

  ‘I believe my unfortunate brothers failed because they used the wrong weapons. Philip carried a revolver, and that was how his death came to be called suicide. Stephen had police protection, but he also had a sense of what made him ridiculous; and he could not allow a policeman to climb up a ladder after him to a scaffolding where he stood only a moment. They were both scoffers, reacting into scepticism from the strange mysticism of my father’s last days. But I always knew there was more in my father than they understood. It is true that by studying magic he fell at last under the blight of black magic; the black magic of this scoundrel Strake. But my brothers were wrong about the antidote. The antidote to black magic is not brute materialism or worldly wisdom. The antidote to black magic is white magic.’

  ‘It rather depends,’ said Father Brown, ‘what you mean by white magic.’

  ‘I mean silver magic,’ said the other, in a low voice, like one speaking of a secret revelation. Then after a silence, he said: ‘Do you know what I mean by silver magic? Excuse me a moment.’

  He turned and opened the central door with the red glass and went into a passage beyond it. The house had less depth than Brown had supposed; instead of the door opening into interior rooms, the corridor it revealed ended in another door on the garden. The door of one room was on one side of the passage; doubtless, the priest told himself, the proprietor’s bedroom whence he had rushed out in his dressing-gown. There was nothing else on that side but an ordinary hat-stand with the ordinary dingy cluster of old hats and overcoats; but on the other side was something more interesting: a very dark old oak sideboard laid out with some old silver, and overhung by a trophy or ornament of old weapons. It was by that that Arnold Aylmer halted, looking up at a long, antiquated pistol with a bell-shaped mouth.

  The door at the end of the passage was barely open, and through the crack came a streak of white daylight. The priest had very quick instincts about natural things, and something in the unusual brilliancy of that white line told him what had happened outside. It was indeed what he had prophesied when he was approaching the house. He ran past his rather startled host and opened the door, to face something that was at once a blank and a blaze. What he had seen shining through the crack was not only the most negative whiteness of daylight but the positive whiteness of snow. All round, the sweeping fall of the country was covered with that shining pallor that seems at once hoary and innocent.

  ‘Here is white magic anyhow,’ said Father Brown in his cheerful voice. Then, as he turned back into the hall, he murmured, ‘And silver magic too, I suppose,’ for the white lustre touched the silver with splendour and lit up the old steel here and there in the darkling armoury. The shaggy head of the brooding Aylmer seemed to have a halo of silver fire, as he turned with his face in shadow and the outlandish pistol in his hand.

  ‘Do you know why I choose this sort of old blunderbuss?’ he asked. ‘Because I can load it with this sort of bullet.’

  He had picked up a small apostle spoon from the sideboard, and by sheer violence broke off the small figure at the top. ‘Let us go back into the other room,’ he added.

  ‘Did you ever read about the death of Dundee?’ he asked when they had reseated themselves. He had recovered from his momentary annoyance at the priest’s restlessness. ‘Graham of Claverhouse, you know, who persecuted the Covenanters and had a black horse that could ride straight up a precipice. Don’t you know he could only be shot with a silver bullet, because he had sold himself to the Devil? That’s one comfort about you; at least you know enough to believe in the Devil.’

  ‘Oh, yes,’ replied Father Brown, I believe in the Devil. What I don’t believe in is the Dundee. I mean the Dundee of Covenanting legends, with his nightmare of a horse. John Graham was simply a seventeenth-century professional soldier, rather better than most. If he dragooned them it was because he was a dragoon, but not a dragon. Now my experience is that it’s not that sort of swaggering blade who sells himself to the Devil. The devil-worshippers I’ve known were quite different. Not to mention names, which might cause a social flutter, I’ll take a man in Dundee’s own day. Have you ever heard of Dalrymple of Stair?’

  ‘No,’ replied the other gruffly.

  ‘You’ve heard of what he did,’ said Father Brown, ‘and it was worse than anything Dundee ever did; yet he escapes the infamy by oblivion. He was the man who made the Massacre of Glencoe. He was a very learned man and lucid lawyer, a statesman with very serious and enlarged ideas of statesmanship, a quiet man with a very refined and intellectual face. That’s the sort of man who sells himself to the Devil.’

  Aylmer half started from his chair with an enthusiasm of eager assent.

  ‘By God! you are right,’ he cried. ‘A
refined intellectual face! That is the face of John Strake.’

  Then he raised himself and stood looking at the priest with a curious concentration. ‘If you will wait here a little while,’ he said, ‘I will show you something.’

  He went back through the central door, closing it after him; going, the priest presumed, to the old side-board or possibly to his bedroom. Father Brown remained seated, gazing abstractedly at the carpet, where a faint red glimmer shone from the glass in the doorway. Once it seemed to brighten like a ruby and then darkened again, as if the sun of that stormy day had passed from cloud to cloud. Nothing moved except the aquatic creatures which floated to and fro in the dim green bowl. Father Brown was thinking hard.

  A minute or two afterwards he got up and slipped quietly to the alcove of the telephone, where he rang up his friend Dr Boyne, at the official headquarters. ‘I wanted to tell you about Aylmer and his affairs,’ he said quietly. ‘It’s a queer story, but I rather think there’s something in it. If I were you I’d send some men up here straight away; four or five men, I think, and surround the house. If anything does happen there’ll probably be something startling in the way of an escape.’

  Then he went back and sat down again, staring at the dark carpet, which again glowed blood-red with the light from the glass door. Something in that filtered light set his mind drifting on certain borderlands of thought, with the first white daybreak before the coming of colour, and all that mystery which is alternately veiled and revealed in the symbol of windows and of doors.

  An inhuman howl in a human voice came from beyond the closed doors, almost simultaneously with the noise of firing. Before the echoes of the shot had died away the door was violently flung open and his host staggered into the room, the dressing-gown half torn from his shoulder and the long pistol smoking in his hand. He seemed to be shaking in every limb, yet he was shaken in part with an unnatural laughter.

 

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