Wall of Serpents

Home > Other > Wall of Serpents > Page 13
Wall of Serpents Page 13

by L. Sprague De Camp


  "Ah, nuts," said Brodsky. "I'll level with them. The force is so loused up with harps that are always cutting up touches about how hot Ireland is that they'll give it a play whether they believe me or not."

  Belphebe said in a small voice, "But I would be at home."

  "I know, kid," said Shea. "So would I. If I only knew how."

  Morning showed mountains on the right, with a round peak in the midst of them. The journey went more slowly than on the previous day, principally because all three had not developed riding callouses. They pulled up that evening at the hut of a peasant rather more prosperous than the rest, and Brodsky more than paid for their food and lodging with tales out of Celtic lore. The pseudo-Irishman certainly had his uses.

  The next day woke in rain, and though the peasant assured them that Rath Cruachan was no more than a couple hours' ride distant, the group became involved in fog and drizzle, so that it was not till afternoon that they skirted Loch Key and came to Magh Ai, the Plain of Livers. The cloaks with which Cuchulainn had furnished them were of fine wool, but all three were soaked and silent by time a group of houses came into sight through air slightly clearing.

  There were about as many of the buildings as would constitute an incorporated village in their own universe, surrounded by the usual stockade and wide gate— unmistakably Cruachan of the Poets, the capital of Connacht.

  As they approached along an avenue of trees and shrubbery, a boy of about thirteen, in shawl and kilt and carrying a miniature spear, popped out of the bushes and cried: "Stand there! Who is it you are and where are you going?"

  It might be important not to smile at this diminutive warrior. Shea identified himself gravely and asked in turn, "And who are you, sir?"

  "I am Goistan mac Idha, of the boy troop of Cruachan, and it is better not to interfere with me."

  Shea said, "We have come from a far country to see your King and Queen and the druid Ollgaeth."

  He turned and waved his spear toward where a building like that at Muirthemne, but more ornate, loomed over the stockade, then marched ahead of them down the road.

  At the gate of the stockade was a pair of hairy soldiers, but their spears were leaning against the posts and they were too engrossed in a game of knuckle-bones even to look up as the party rode through. The clearing weather seemed to have brought activity to the town, A number of people were moving about, most of whom paused to stare at Brodsky, who had flatly refused to discard the pants of his brown business-suit and was evidently not dressed for the occasion.

  The big house was built of heavy oak beams and had wooden shingles instead of the usual thatch. Shea stared with interest at windows with real glass in them, even though the panes were little diamond-shaped pieces half the size of a hand and far too irregular to see through.

  There was a doorkeeper with a beard badly in need of trimming and lopsided to the right. Shea got off his horse and advanced to him, saying, "I am Mac Shea, a traveler from beyond the island of the Fomorians, with my wife and bodyguard. May we have an audience with their majesties, and their great druid, Ollgaeth?"

  The doorkeeper inspected the party with care and then grinned. "I am thinking," he said, "that your honor will please the Queen with your looks, and your lady will please himself, so you had best go along in. But this ugly lump of a bodyguard will please neither, and as they are very sensitive and this is judgment day, he will no doubt be made a head shorter for the coming, so he had best stay with your mounts."

  Shea glanced round in time to see Brodsky replace his expression of fury with the carefully cultivated blank that policemen use;, and helped Belphebe off her horse.

  Inside, the main hall stretched away with the usual swords and spears in the usual places on the wall, and a rack of heads, not as large as Cuchulainn's. In the middle of the hall, surrounded at a respectful distance by retainers and armed soldiers, stood an oaken dais, ornamented with strips of bronze and silver. It held two big carven armchairs, in which lounged, rather than sat, the famous sovereigns of Connacht.

  Maev might have been in her early forties, still strikingly beautiful, with a long, pale, unlined face, pale blue eyes and yellow hair, hanging in long braids. For a blonde without the aid of cosmetics, she had remarkably red lips.

  King Ailill was a less impressive figure than his consort, some inches shorter, fat and paunchy, with small close-set eyes constantly moving and a straggly pepper-and-salt beard. He seemed unable to keep his fingers still. An ulcer type, thought Shea; would be a chain smoker if tobacco existed in this part of the space-time continuum.

  A young man in a blue kilt, wearing a silver-hilted shortsword over a tunic embroidered with gold thread, seemed to be acting as usher to make sure that nobody got to the royal couple out of turn. He spotted the newcomers at once, and worked his way toward them.

  "Will you be seeking an audience, or have you come merely to look at the greatest King in Ireland?" he asked. His eyes ran appreciatively over Belphebe's contours.

  Shea identified himself, adding, "We have come to pay our respects to the King and Queen ... ah ..."

  "Maine mac Aililla, Maine mo Epert," said the young man.

  This would be one of the numerous sons of Ailill and Maev, who had all been given the same name. But he stood in their path without moving.

  "Can we speak to them?" Shea said.

  Maine mo Epert put back his head and looked down an aristocratic nose. "Since you are foreigners, you are evidently not knowing that it is the custom in Connacht to have a present for the man who brings you before a King. But I will be forgiving your ignorance." He smiled a charming smile.

  Shea glanced at Belphebe and she looked back in dismay. Their total possessions consisted of what they stood in. "But we have to see them," he said. "It may be as important to them as to us."

  Maine mo Epert smiled again.

  Shea said, "How about a nice broadsword?" and pushed forward his hilt.

  "I have a better one," said Maine mo Epert, exasperatingly, and pushed forward his. "If it were a jewel, now ..."

  "How about seeing Ollgaeth the druid?"

  "It is a rule that he will see none but those the Queen sends him."

  Shea felt like whipping out the broadsword and taking a crack at him, but that would probably not be considered polite. Suddenly Belphebe beside him said:

  "Jewels have we none, sirrah, but from your glances, there is something you would prize more. I am sure that in accordance with your custom, my husband would be glad to lend me to you for the night."

  Shea gasped, and then remembered. That geas she had acquired could be handy as well as troublesome. But it had better not be taken off till morning.

  Maine mo Epert's smile turned into a grin that made Shea want more than ever to swat him, but he clapped his hands and began to push people aside. Shea had just time to whisper, "Nice work, kid," when the usher pushed a couple of people from the end of a bench and sat them down in the front row, facing the royal pair. At the moment a couple of spearmen were holding a serf and giving evidence that he had stolen a pork chop.

  Maev looked at Ailill, who said, "Ahem—since the lout was starving, perhaps we ought to exercise mercy and let him off with the loss of a hand."

  "Do not be a fool," said Maev, "when it is not necessary at all. What! A man in Connacht of the heroes who is so weak-witted that he must starve? Hang him or burn him, would be my decision if I were king."

  "Very well, darling," said Ailill. "Let the man be hung."

  Two little groups stepped forward next, glaring at each other. Maine mo Epert began to introduce them, but before he got halfway through, Maev said, "I know of this case and it promises to be a long one. Before we hear it I would willingly learn something of the business of the handsome pair of strangers you have brought in."

  Maine mo Epert said, "This is a pair from the distant island called America. The Mac Shea and his wife, Belphebe. They wish to pay their respects."

  "Let him speak," said Maev.

&
nbsp; Shea wondered whether he ought to make an obeisance, but as no one else seemed to be doing it, he merely stepped forward and said, "Queen, you have become so famous that even in America we have heard of you, and we could not restrain the desire to see you. Also, I would like to see your famous druid, Ollgaeth, since my wife is suffering from a most unpleasant geas, and I am told he is an expert at removing them. Also, I have a message for you and the King, but that had better be private."

  Maev rested her chin on her hand and surveyed him. "Handsome man," she said, "it is easy to see that you are not much used to deceiving your people. Your embroidery is in the style of Ulster, and now you will be telling me at once what this message is and from whom it comes there."

  "It doesn't come from there," said Shea. "It's true I have been in Ulster, in fact at Cuchulainn's house of Muirthemne. And the message is that your plan against him will bring disaster."

  King Ailill's fingers stopped their restless twitching and his mouth came open, while Maev's eyebrows formed a straight line. She said in a high voice, "And who told you of the plans of the King of Connacht?"

  Look out, said Shea to himself, this is thin ice. Aloud he said, "Why, it's just that in my own country, I'm something of a magician, and I learned of it through spells."

  The tension appeared to relax. "Magic," said Maev. "Handsome man, you have said a true word that this message should be private. We will hear more on it later. You will be at our table tonight, and there you will meet Ollgaeth. For the now, our son, Maine Mingor, will show you to a place."

  She waved her hand, and Maine Mingor, a somewhat younger edition of Maine mo Epert, stepped out of the group and beckoned them to follow him. At the door Belphebe giggled and said, "Handsome man."

  Shea said, "Listen ..."

  "That I did," said Belphebe, "and heard her say that the message should be private. You're going to need a geas as much as I do tonight."

  The rain had stopped, and the setting sun was shooting beams of gold and crimson through the low clouds. The horses had been tied to rings in the wall of the building, and Pete was waiting, with an expression of boredom. As Shea turned to follow Maine Mingor, he bumped into a tall, dark man, who was apparently waiting around for just that purpose.

  "Is it a friend of Cuchulainn of Muirthemne you are now?" asked this individual, ominously.

  "I've met him, but we're not intimates," said Shea. "Have you any special reason for asking?"

  "I have that. He killed my father in his own house, he did. And I am thinking it is time he had one friend the less." His hand went to his hilt.

  Maine Mingor said, "You will be leaving off with that, Lughaid. These people are messengers and under the protection of the Queen, my mother, so that if you touch them it will be both gods and men you must deal with."

  "We will talk of this later, Mac Shea dear," said Lughaid, and turned back to the palace.

  Belphebe said, "I like that not."

  Shea said, "Darling, I still know how to fence, and they don't."

  Chapter Fourteen

  Dinner followed a pattern only slightly different from that at Muirthemne, with Maev and Ailill sitting on a dais facing each other across a small table. Shea and Belphebe were not given places so lofty as they had been at Cuchulainn's board, but this was partly compensated for by the presence of Ollgaeth the druid just across the board.

  Only partly, however; it became quite clear that Ollgaeth—a big, stoutish man with a mass of white hair and beard—was one of those people who pretend to ask questions only in order to trigger themselves off on remarks of their own. He inquired about Shea's previous magical experience, and let him just barely touch on the illusions he had encountered in the Finnish Kalevala before taking off.

  "Ah, now you would be thinking that was a great rare thing to see, would you not?" he said, and gulped at barley beer. "Now let me tell you, handsome man, that of all the places in the world, Connacht produces the greatest illusions and the most beautiful. I remember, I do, the time when I was making a spell for Laerdach, for a better yield from his dun cow, and while I was in the middle of it, who should come past but his daughter, and she so beautiful that I stopped my chanting to look at her. Would you believe it now? The milk began to flow in a stream that would have drowned a man on horseback, and I had barely time to reverse the spell before it changed from illusion to reality and ravaged half a county."

  Shea said, "Oh, I see. The chanting ..."

  Ollgaeth hurried on, "And there is a hill behind the rath of Maeve this very moment. It looks no different from any other, but it is a hill of great magic, being one of the hills of the Sidhe and a gateway to their kingdom."

  "Who ..." began Shea, but the druid only raised his voice a trifle: "Mostly now, they would be keeping the gateways closed. But on a night like tonight, a good druid, or even an ordinary one, might open the way."

  "Why tonight?" asked Belphebe from beside Shea.

  "What other night would it be but the Lughnasadh? Was it not for that you would be coming here? No, I forget. Forgive an old man." He smote his brow to emphasize the extent of his fault. "Maine mo Epert was after telling me that it was myself you came to see, and you could have done no better. Come midnight when the moon is high, and I will be showing you the powers of Ollgaeth the druid."

  Shea said, "As a matter of fact ..." but Ollgaeth rushed past him with: "I call to mind there was a man—what was his name?—had a geas on him that he would be seeing everything double. Now that was an illusion, and it was me he came to in his trouble. I ..."

  Shea was spared the revelation of what Ollgaeth had done in the case of the double vision by King Ailill's rapping on his table with the hilt of his knife and saying in his high voice, "We will now be hearing from Ferchertne the bard, since this is the day of Lugh, and a festival."

  Serfs were whisking away the last of the food and benches were being moved to enlarge the space around Ferchertne. This was a youngish man with long hair and a lugubrious expression; he sat down on a stool with his harp, plucked a few melancholy twangs from the strings, and in a bumpish baritone launched into the epic of the "Fate of the Children of Tuirenn."

  It wasn't very interesting, and the voice was definitely bad. Shea glanced around and saw Brodsky fidgeting every time the harpist missed a quantity or struck a false note. Everyone else seemed to be affected almost to the point of tears, however, even Ollgaeth. Finally Ferchertne's voice went up in an atrocious discord, and there was a violent snort.

  The harp gave a twang and halted abruptly. Shea followed every eye in the room to the detective, who stared back belligerently.

  "You would not be liking the music now, dear?" asked Maev, in a glacial voice.

  "No, I wouldn't," said Brodsky. "If I couldn't do better than that, I'd turn myself in."

  "Better than that you shall do," said Maev. "Come forward, ugly man. Eiradh, you are to stand by this man with your sword, and if I signal you that he is less than the best, you are to bring me his head at once."

  "Hey!" cried Shea, and Brodsky: "But I don't know the words."

  Protest was useless. He was grabbed by half a dozen pairs of hands and pushed forward beside the bard's seat. Eiradh, a tall, bearded man, pulled out his sword and stood behind the pair, a smile of pleasant anticipation on his face.

  Brodsky looked around and then turned to the bard. "Give a guy a break, will you?" he said, "and go back over that last part till I catch the tune."

  Ferchertne strummed obediently, while Brodsky leaned close, humming until he got the rather simple air that carried the words of the ballad. Then he straightened up, gesturing with one hand toward the harpist, who struck a chord and began to sing:

  "Take these heads unto thy breast, O Brian ...'*

  Pete Brodsky's voice soared over his, strong and confident, with no definite syllables, but carrying the tune for Ferchertne's words as the harp itself never had. Shea, watching Queen Maev, saw her stiffen, and then, as the melancholy ballad rolled on, two big te
ars came out on her cheek. Ailill was crying, too, and some of the audience were openly sobbing. It was like a collective soap-opera binge.

  The epic came to an end, Pete holding the high note after the harp had stopped. King Ailill lifted an arm and dried his streaming eyes on his sleeve, while Maev dried hers on her handkerchief. She said, "You have done more than you promised, American serf. I have not enjoyed the 'Fate of the Children' more in my memory. Give him a new tunic and a gold ring." She stood up. "And now, handsome man, we will be hearing your message. You will attend us while the others dance."

 

‹ Prev