Figures of Earth

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Figures of Earth Page 7

by James Branch Cabell


  "Count Manuel," says Alianora, with that lovely tranquil smile of hers, "you perceive that my father is insistent, and it is my duty to be guided by him. I do not deny that, upon my father's advice, I am asking you to let perish a strong magic which many persons would value above a woman's pleading. But I know now"—her eyes met his, and to any young man anywhere with a heart moving in him, that which Manuel could see in the bright frightened eyes of Alianora could not but be a joy well-nigh intolerable,—"but I know now that you, who are to be my husband, and who have brought wisdom into one kingdom, and piety into another, have brought love into the third kingdom: and I perceive that this third magic is a stronger and a nobler magic than that of the Apsarasas. And it seems to me that you and I would do well to dispense with anything which is second rate."

  "I am of the opinion that you are a singularly intelligent young woman," says Manuel, "and I am of the belief that it is far too early for me to be crossing my wife's wishes, in a world wherein all men are nourished by their beliefs."

  All being agreed, the Yule-log was stirred up into a blaze, which was duly fed with the goose-feather and the robe of the Apsarasas. Thereafter the trumpets sounded a fanfare, to proclaim that Raymond Bérenger's collops were cooked and peppered, his wine casks broached, and his puddings steaming. Then the former swineherd went in to share his Christmas dinner with the King-Count's daughter, Alianora, whom people everywhere had called the Unattainable Princess.

  And they relate that while Alianora and Manuel sat cosily in the hood of the fireplace and cracked walnuts, and in the pauses of their talking noted how the snow was drifting by the windows, the ghost of Niafer went restlessly about green fields beneath an ever radiant sky in the paradise of the pagans. When the kindly great-browed warders asked her what it was she was seeking, the troubled spirit could not tell them, for Niafer had tasted Lethe, and had forgotten Dom Manuel. Only her love for him had not been forgotten, because that love had become a part of her, and so lived on as a blind longing and as a desire which did not know its aim. And they relate also that in Suskind's low red-pillared palace Suskind waited with an old thought for company.

  PART TWO

  THE BOOK OF SPENDING

  TO

  LOUIS UNTERMEYER

  Often tymes herde Manuel tell of the fayrness of this Queene of Furies and Gobblins and Hydraes, insomuch that he was enamoured of hyr, though he neuer sawe hyr: then by this Connynge made he a Hole in the fyer, and went ouer to hyr, and when he had spoke with hyr, he shewed hyr his mynde.

  X

  Alianora

  They of Poictesme narrate that after dinner King Raymond sent messengers to his wife, who was spending that Christmas with their daughter, Queen Meregrett of France, to bid Dame Beatrice return as soon as might be convenient, so that they might marry off their daughter Alianora to the famous Count Manuel. They tell also how the holiday season passed with every manner of festivity, and how Dom Manuel got on splendidly with his Princess, and how it appeared to onlookers that for both of them, even for the vaguely condescending boy, love-making proved a very marvelous and dear pursuit.

  Dom Manuel confessed, in reply to jealous questionings, that he did not think Alianora quite so beautiful nor so clever as Niafer had been, but this, as Manuel pointed out, was hardly a matter which could be remedied. At all events, the Princess was a fine-looking and intelligent girl, as Dom Manuel freely conceded to her: and the magic of the Apsarasas, in which she was instructing him, Dom Manuel declared to be very interesting if you cared for that sort of thing.

  The Princess humbly admitted, in reply, that of course her magic did not compare with his, since hers was powerful only over the bodies of men and beasts, whereas Dom Manuel's magic had so notably controlled the hearts and minds of kings. Still, as Alianora pointed out, she could blight corn and cattle, and raise tempests very handily, and, given time, could smite an enemy with almost any physical malady you selected. She could not kill outright, to be sure, but even so, these lesser mischiefs were not despicable accomplishments in a young girl. Anyhow, she said in peroration, it was atrocious to discourage her by laughing at the best she could do.

  "Ah, but come now, my dear," says Manuel, "I was only teasing. I really think your work most promising. You have but to continue. Practise, that is the thing, they say, in all the arts."

  "Yes, and with you to help me—"

  "No, I have graver matters to attend to than devil-mongering," says Manuel, "and a bond to lift from myself before I can lay miseries on others."

  For because of the geas that was on him to make a figure in the world, Dom Manuel had unpacked his two images, and after vexedly considering them, he had fallen again to modeling in clay, and had made a third image. This image also was in the likeness of a young man, but it had the fine proud features and the loving look of Alianora.

  Manuel confessed to being fairly well pleased with this figure, but even so, he did not quite recognize in it the figure he desired to make, and therefore, he said, he deduced that love was not the thing which was essential to him.

  Alianora did not like the image at all.

  "To have made an image of me," she considered, "would have been a very pretty compliment. But when it comes to pulling about my features, as if they did not satisfy you, and mixing them up with your features, until you have made the appearance of a young man that looks like both of us, it is not a compliment. Instead, it is the next thing but one to egotism."

  "Perhaps, now I think of it, I am an egotist. At all events, I am Manuel."

  "Nor, dearest," says she, "is it quite befitting that you, who are now betrothed to a princess, and who are going to be Lord of Provence and King of Arles, as soon as I can get rid of Father, should be always messing with wet mud."

  "I know that very well," Manuel replied, "but, none the less, a geas is on me to honor my mother's wishes, and to make an admirable and significant figure in the world. Apart from that, though, Alianora, I repeat to you, this scheme of yours, about poisoning your father as soon as we are married, appears to me for various reasons ill-advised. I am in no haste to be King of Arles, and, in fact, I am not sure that I wish to be king at all, because my geas is more important."

  "Sweetheart, I love you very much, but my love does not blind me to the fact that, no matter, what your talents at sorcery, you are in everyday matters a hopelessly unpractical person. Do you leave this affair to me, and I will manage it with every regard to appearances."

  "Ah, and does one have to preserve appearances even in such matters as parricide?"

  "But certainly it looks much better for Father to be supposed to die of indigestion. People would be suspecting all sorts of evil of the poor dear if it were known that his own daughter could not put up with him. In any event, sweetheart, I am resolved that, since very luckily Father has no sons, you shall be King of Arles before this new year is out."

  "No, I am Manuel: and it means more to me to be Manuel than to be King of Arles, and Count of Provence, and seneschal of Aix and Brignoles and Grasse and Massilia and Draguignan and so on."

  "Oh, you are breaking my heart with this neglect of your true interests! And it is all the doing of these three vile images, which you value more than the old throne of Boson and Rothbold, and oceans more than you do me!"

  "Come, I did not say that."

  "Yes, and you think, too, a deal more about that dead heathen servant girl than you do about me, who am a princess and the heir to a kingdom."

  Manuel looked at Alianora for a considerable while, before speaking. "My dear, you are, as I have always told you, an unusually fine looking and intelligent girl. And yes, you are a princess, of course, though you are no longer the Unattainable Princess: that makes a difference certainly—But, over and above all this, there was never anybody like Niafer, and it would be nonsense to pretend otherwise."

  The Princess said: "I wonder at myself. You are schooled in strange sorceries unknown to the Apsarasas, there is no questioning that, after the mi
racles you wrought with Helmas and Ferdinand: even so, I too have a neat hand at magic, and it is not right for you to be treating me as though I were the dirt under your feet. And I endure it! It is that which puzzles me, it makes me wonder at myself, and my sole comfort is that, at any rate, this wonderful Niafer of yours is dead and done with."

  Manuel sighed. "Yes, Niafer is dead, and these images also are dead things, and both these facts continually trouble me. Nothing can be done about Niafer, I suppose, but if only I could give some animation to these images I think the geas upon me would be satisfied."

  "Such a desire is blasphemous, Manuel, for the Eternal Father did no more than that with His primal sculptures in Eden."

  Dom Manuel blinked his vivid blue eyes as if in consideration. "Well, but," he said, gravely, "but if I am a child of God it is only natural, I think, that I should inherit the tastes and habits of my Father. No, it is not blasphemous, I think, to desire to make an animated and lively figure, somewhat more admirable and significant than that of the average man. No, I think not. Anyhow, blasphemous or not, that is my need, and I must follow after my own thinking and my own desire."

  "If that desire were satisfied," asks Alianora, rather queerly, "would you be content to settle down to some such rational method of living as becomes a reputable sorcerer and king?"

  "I think so, for a king has no master, and he is at liberty to travel everywhither, and to see the ends of this world and judge them. Yes, I think so, in a world wherein nothing is certain."

  "If I but half way believed that, I would endeavor to obtain Schamir."

  "And what in the devil is this Schamir?"

  "A slip of the tongue," replied Alianora, smiling. "No, I shall have nothing to do with your idiotic mud figures, and I shall tell you nothing further."

  "Come now, pettikins!" says Manuel. And he began coaxing the Princess of Provence with just such cajoleries as the big handsome boy had formerly exercised against the peasant girls of Rathgor.

  "Schamir," said Alianora, at last, "is set in a signet ring which is very well known in the country on the other side of the fire. Schamir has the appearance of a black pebble; and if, after performing the proper ceremonies, you were to touch one of these figures with it the figure would become animated."

  "Well, but," says Manuel, "the difficulty is that if I attempt to pass through the fire in order to reach the country behind it, I shall be burned to a cinder, and so I have no way of obtaining this talisman."

  "In order to obtain it," Alianora told him, "one must hard-boil an egg from the falcon's nest, then replace it in the nest, and secrete oneself near by with a crossbow, under a red and white umbrella, until the mother bird, finding one of her eggs resists all her endeavors to infuse warmth into it, flies off, and plunges into the nearest fire, and returns with this ring in her beak. With Schamir she will touch the boiled egg, and so restore the egg to its former condition. At that moment she must be shot, and the ring must be secured, before the falcon can return the talisman to its owner. I mean, to its dreadful owner, who is"—here Alianora made an incomprehensible sign,—"who is Queen Freydis of Audela."

  "Come," said Manuel, "what is the good of my knowing this in the dead of winter! It will be months before the falcons are nesting again."

  "Manuel, Manuel, there is no understanding you! Do you not see how badly it looks for a grown man, and far more for a famed champion and a potent sorcerer, to be pouting and scowling and kicking your heels about like that, and having no patience at all?"

  "Yes, I suppose it does look badly, but I am Manuel, and I follow—"

  "Oh, spare me that," cried Alianora, "or else, no matter how much I may love you, dearest, I shall box your jaws!"

  "None the less, what I was going to say is true," declared Manuel, "and if only you would believe it, matters would go more smoothly between us."

  XI

  Magic of the Apsarasas

  Now the tale tells how, to humor Alianora, Count Manuel applied himself to the magic of the Apsarasas. He went with the Princess to a high secret place, and Alianora, crying sweetly, in the famous old fashion, "Torolix, Ciccabau, Tio, Tio, Torolililix!" performed the proper incantations, and forthwith birds came multitudinously from all quarters of the sky, in a descending flood of color and flapping and whistling and screeching.

  The peacock screamed, "With what measure thou judgest others, thou shalt thyself be judged."

  Sang the nightingale, "Contentment is the greatest happiness."

  The turtle-dove called, "It were better for some created things that they had never been created."

  The peewit chirped, "He that hath no mercy for others, shall find none for himself."

  The stork said huskily, "The fashion of this world passeth away."

  And the wail of the eagle was, "Howsoever long life may be, yet its inevitable term is death."

  "Now that is virtually what I said," declared the stork, "and you are a bold-faced and bald-headed plagiarist."

  "And you," replied the eagle, clutching the stork's throat, "are a dead bird that will deliver no more babies."

  But Dom Manuel tugged at the eagle's wing, and asked him if he really meant that to hold good before this Court of the Birds. And when the infuriated eagle opened his cruel beak, and held up one murderous claw, to make solemn oath that indeed he did mean it, and would show them too, the stork very intelligently flew away.

  "I shall not ever forget your kindness, Count Manuel," cried the stork, "and do you remember that the customary three wishes are always yours for the asking."

  "And I too am grateful," said the abashed eagle,—"yes, upon the whole, I am grateful, for if I had killed that long-legged pest it would have been in contempt of the court, and they would have set me to hatching red cockatrices. Still, his reproach was not unfounded, and I must think up a new cry."

  So the eagle perched on a rock, and said tentatively, "There is such a thing as being too proud to fight." He shook his bald head disgustedly, and tried, "The only enduring peace is a peace without victory," but that did not seem to content him either. Afterward he cried out, "All persons who oppose me have pygmy minds," and "If everybody does not do exactly as I order, the heart of the world will be broken": and many other foolish things he repeated, and shook his head over, for none of these axioms pleased the eagle, and he no longer admired the pedagogue who had invented them.

  So in his worried quest for a saying sufficiently orotund and meaningless to content his ethics, and to be hailed with convenience as a great moral principle, the eagle forgot all about Count Manuel: but the stork did not forget, because in the eyes of the stork the life of the stork is valuable.

  The other birds uttered various such sentiments as have been recorded, and all these, they told Manuel, were accredited sorceries. The big yellow-haired boy did not dispute it, he rarely disputed anything: but the droop to that curious left eye of his was accentuated, and he admitted to Alianora that he wondered if such faint-hearted smug little truths were indeed the height of wisdom, outside of religion and public speaking. Then he asked which was the wisest of the birds, and they told him the Zhar-Ptitza, whom others called the Fire-Bird.

  Manuel induced Alianora to summon the Zhar-Ptitza, who is the oldest and the most learned of all living creatures, although he has thus far learned nothing assuredly except that appearances have to be kept up. The Zhar-Ptitza came, crying wearily, "Fine feathers make fine birds." You heard him from afar.

  The Zhar-Ptitza himself had every reason to get comfort out of this axiom, for his plumage was everywhere the most brilliant purple, except that his neck feathers were the color of new gold, and his tail was blue with somewhat longer red feathers intermingled. His throat was wattled gorgeously, and his head was tufted, and he seemed a trifle larger than the eagle. The Fire-Bird brought with him his nest of cassia and sprigs of incense, and this he put down upon the lichened rocks, and he sat in it while he talked with Manuel.

  The frivolous question that Manuel rais
ed as to his clay figures, the Zhar-Ptitza considered a very human bit of nonsense: and the wise creature said he felt forced to point out that no intelligent bird would ever dream of making images.

  "But, sir," said Manuel, "I do not wish to burden this world with any more lifeless images. Instead, I wish to make in this world an animated figure, very much as, they say, a god did once upon a time—"

  "Come, you should not try to put too much responsibility upon Jahveh," protested the Zhar-Ptitza, tolerantly, "for Jahveh made only one man, and did not ever do it again. I remember the making of that first man very clearly, for I was created the morning before, with instructions to fly above the earth in the open firmament of heaven, so I saw the whole affair. Yes, Jahveh did create the first man on the sixth day. And I voiced no criticism. For of course after working continuously for nearly a whole week, and making so many really important things, no creative artist should be blamed for not being in his happiest vein on the sixth day."

  "And did you happen to notice, sir," asks Manuel, hopefully, "by what method animation was given to Adam?"

  "No, he was drying out in the sun when I first saw him, with Gabriel sitting at his feet, playing on a flageolet: and naturally I did not pay any particular attention to such foolishness."

  "Well, well, I do not assert that the making of men is the highest form of art, yet, none the less, a geas is upon me to make myself a very splendid and admirable young man."

  "But why should you be wasting your small portion of breath and strength? To what permanent use could one put a human being even if the creature were virtuous and handsome to look at? Ah, Manuel, you have not seen them pass, as I have seen them pass in swarms, with their wars and their reforms and their great causes, and leaving nothing but their bones behind them."

 

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