Run; the ghosts of smugglers and gunrunners who'd used it during the previous century; the whispers of pirates who might have used it before; the occasional gold coin, a rusted cannon, a hint of bones found in a cave… and the ocean itself, its voice louder at night when a lullaby was needed, muted in daylight when there was living to be done. There was power in that gentle land, power that reminded when the winter * storms screamed, cutting off the ferry and eroding the beaches. A power, he thought, that kept the people strong. They fed off it, lived off it, never forgot what it warned might happen if they ever grew careless.
It was perfect. Exactly what he had in mind while he tried to figure out why he could talk well to kids like Matthew and not to adults like Pegeen.
He inhaled deeply, and saw Matt staring at him from the curb. "Something the matter, kid?"
"You all right?"
"Fine. Just fine."
He glanced at the Anchor Inn and decided he'd rather eat at home, caught up with Matt, and they crossed the street together. On the corner was the small, fieldstone police station, behind it on the next corner the hedge-enclosed parking lot of Robert Cameron's Clipper Run restaurant. Several cars were parked near the entrance; diners from the mainland, he guessed as he and the boy continued walking west. Most of the islanders wouldn't be eating until after the funeral.
From one of the yards farther down the street came a sudden gust of laughter; boys playing baseball, he thought, or«a fast game of soccer. That Matt wasn't with them wasn't surprising. He preferred studying history or the way colors worked than studying how to steal second base from a fast pitcher. It set him apart, but the boy didn't seem to mind.
"Mr. Ross?"
He sighed loudly. "Good Lord, Matt, don't you ever stop asking questions?"
"But my mother-"
"I know, I know. Your mother says you have to ask if you want to learn anything."
Matt squinted up at him. "How'd you know that?"
"It's a great secret you learn when you get to be grown-up."
Matt considered that for a moment while he kicked at a stone and toed it into the gutter. Then he gestured with his free hand back toward the restaurant. "You think you're gonna win the election?"
"You going to vote for me?"
"I'm too young."
"Well, I'll just have to win anyway. It'll be close without your vote, though. Mighty close."
"My mother says she's gonna vote for you. She says she doesn't want to see Mr. Cameron running things and putting in all the gambling and stuff. She says it isn't fitting… whatever that means." Almost a half block in silence before he spoke again. "If they build those hotels and things like Mr. Cameron wants, they'll cut down all the trees, right?"
"That's right."
"Then the squirrels won't have any place to live!"
"Right again."
The boy shook his head. "That isn't fair, Mr. Ross." Nope, it sure isn't."
"I wish I could vote for you," he said softly.
Colin placed a hand gently on his shoulder and looked up just as they reached Atlantic Terrace, the town's last cross-street. Three houses down-a small, white, clapboard saltbox-a woman stood on the high narrow porch. She waved, and Colin waved back.
"Hey," Matt said, "you coming to dinner? Mom says she'd like it if you came to dinner."
Colin looked again, and reluctantly backed off. "Can't, pal. I have to get ready for Gran's funeral. I promised Lilla I'd be there. Maybe I'll see you when it's over."
Matt dashed away immediately, hair whipping at his shoulders, the hamper slamming into his leg to give him a curiously lopsided gait. Colin watched with a faint smile until he reached the front yard, then waved at Peg and hurried to his right across Bridge Road. There was no pavement here as the trees closed in and the road aimed straight for the ferry, so he walked on the verge for nearly a hundred yards before cutting into a stand of pine. The underbrush had been cleared away, giving him a clear walk, and a clear view, to his gray stone cottage and the small studio behind.
He had no neighbors except for the Sunset Motel two hundred yards farther west, and if it hadn't been for the cars sweeping past on occasion he could easily have been living in the middle of a forest. That was precisely the way he wanted it.
***
The telephone was ringing as he came through the front door, but just as he reached it the caller gave up. He scowled at the mute receiver, replaced it, and stripped off his windbreaker. A groan as he stretched him arms high over his head, another as he dropped onto the sofa and crossed his legs at the ankles.
"Hello, place," he said, a greeting repeated since the first time he'd walked through the front door and had grinned.
The room he was in was just twenty feet long, the width of the cottage. The walls were pine-paneled and covered with bookcases and framed prints, the pegged floor bare except for a few braided throws, the furniture overstuffed and unmatching-as long as it was comfortable he didn't much care about period or style. Nor did he care that the rooms behind this one were only a modernized kitchen, a gray-tiled bath, and a bedroom just large enough for a chest of drawers and his bed. For some it would be claustrophobic; for him it was no bigger or smaller than it absolutely had to be.
His eyes closed, his fingers laced together and he stretched again, palms pushing outward. He grunted, opened his eyes and found himself staring at the thin scars on his wrists.
I don't get it, Peg had said to him just the summer before; how can you think about it and not get… I don't know, chills.
It was a long time ago, he'd answered. It happened to a different man.
"Sure," he whispered to the empty room. "Sure it did. And next year it'll snow on the Fourth of July."
He grimaced at the show of bitterness no one saw but himself.
At twenty-one he had married his hometown Maine sweetheart because that was the way life was supposed to be: a college degree, a job teaching art, and a wife to begin a family. But three years later he'd had it with teaching, had decided perhaps it wasn't too farfetched to think about making it on his own as an artist. And why not? He was confident in his talent and his willingness to continue learning, was filled with his vision of what art should be, and ready to take on the toughest critics in the world. His wife was nervous, but supportive because his dream-talk was so vivid. A year later she was nervous and carping because the talk was the same. The year after that she refused to listen and was gone.
He left his hometown, moved down into Massachusetts, rented a loft and worked even harder. There were sales, small ones, but more than enough to keep luring him on. A gallery showing in Boston was followed by one in Chicago. He permitted himself no close friends to distract him from his painting, and the women he sometimes found all finally complained of the same thing-he was cold, he was uncaring, all he should have given them he gave to his canvas.
They were right, but change was too hard, there was work to be done. The one thing he wanted was reasonable success, and definitely before he was too old to enjoy it; basking in fame during his dotage was not his idea of living.
Four years after leaving Maine, he married a woman who was just making it as a novelist. She said she understood him, and he believed it; she said she loved him, and he believed it. His work took on color, his days took on sunlight, and two years after his first New York showing, her heart twisted and stopped, and he never felt more alone in his life.
He despaired, moped, took long walks in the rain; he stared at his paints and could see nothing but black; he stood in front of the bathroom mirror and hacked at his wrists. But when he saw the blood running and felt the pain burning, instead of panicking he grew angry. Angry at himself for not having the maturity to deal with himself as well as other people, and at the world for not handing him people who really knew.
He bound himself, and thought he was healed. He had sworn off women until he met Peg Fletcher.
Peg Fletcher, who said she understood, and he wanted to believe it; Peg Fletcher
, who refused to allow him self-pity, and he wanted to prove he didn't need it anymore.
He stared again at the scars and stuck his tongue out at them and broke into laughter that had his side almost aching.
The telephone rang.
He shook himself vigorously, reached to the cobbler's bench he used as a coffee table and snatched up the receiver. The first word on the other end told him it was Bob Cameron, owner of the Clipper Run and the incumbent president of the island's Board of Governors. Colin was running against him in next month's election.
Cameron also made no bones about being in love with Peg as well.
"Colin, how's it going?"
He propped his feet on the bench's high end and stared at the curtained window to the left of the door. "I'm not rich yet, if that's what you're asking."
Cameron laughed, a series of seal-like barks that never failed to sandpaper his nerves.
"Or maybe," he said, "you want me to make a speech at the bash on Saturday. You know, give the folks a little excitement in case the party gets too dull."
The laughter again, though this time he sensed strain and immediately stretched an arm over his head, list toward the ceiling, a silent celebration for scoring a point.
"Hey, you're welcome to come, you know that," Cameron said once he had sobered. "The party's open even to the opposition. Besides, it isn't a political thing anyway, for crying out loud. It's a celebration for shucking the tourists."
Colin nodded to himself. Sure, and I just know you have some swampland in Georgia you're eager for me to see.
"But that's not why I called," Cameron continued when he heard no response. "I, uh, I was wondering if you had plans for after the funeral tonight."
"Why?" Colin asked warily.
"Well, it's like this-I got a couple of friends over today from Trenton, and I think you ought to meet them. They might change your mind about the casinos and what they'll do for the island."
"What they'll do is ruin it," he said flatly.
"So you say."
"So I say, so the Chief of Police says, so says half the island, if not more."
"You're making this awfully hard on yourself, Col. And it isn't doing the island any good, either."
He sat up, his left hand a fist on his thigh, his right strangling the receiver. "Don't," he said quietly. "Don't you dare blame me for what's happening here, Bob. I'm not the one who's promising pie-in-the-sky riches if the casinos come in. I'm not the one promising bigger houses and bigger cars and fancier clothes and all that other nonsense."
"Colin," the man said, his voice straining to hold back anger, "all I want is what's best for Haven's End."
"Jesus," he said in disgust. "Jesus H. Christ, Bob, this is me you're talking to, not some goddamned fisherman who can barely make ends meet."
"My friends from the mainland-"
"Yeah," he interrupted, "I know all about your so-called friends."
The year before Colin moved south, Peg's husband, Jim, had decided to investigate Cameron's somewhat dubious mainland connections. For months he had worked alone, and for months had held his silence, but it was inevitable that word of his preliminary findings would finally leak to the grapevine. Cameron grew increasingly defensive, the islanders increasingly hostile, and late in April Fletcher's car had blown up while waiting for the ferry on the island-side platform. Jim had been in it. Five and a half years later there were still no arrests.
Cameron had instantly disclaimed responsibility, his rapid backpedaling so skillful that people believed he'd only gotten in over his head. Nevertheless, when he tried once again to bring in the casinos, to make the small sheltered island a refuge for the high rollers discouraged from visiting Atlantic City to the north, Colin didn't trust him, didn't like him, and in a brief moment of weakness agreed to oppose him for the Board of Governors' top position.
"Listen, Ross," Cameron said, civility abandoned, "you've no call bringing up stuff that's dead and buried."
"Poor choice of words, Bob," he said lightly.
"Faggot painter," Cameron snapped. "I'm giving you a chance to get the truth, and all you can do is throw mud. And if you think I'm going to stand by and watch this island go to hell in a handbasket because some goddamned jackass who wasn't even born here thinks he knows better than me what's good for this place, you've got another think coming."
"Bob, you really are a shit, you know that?"
"Ross, I'm warning you…"
He had had enough. "Warn me all you want, Bob," he said, "but if you so much as look cross-eyed at me between now and the election, I'll knock your fucking teeth in."
"Peg," the man said righteously, "doesn't approve of violence."
"And you leave her out of this!"
He slammed the receiver onto its cradle and glared at his fists. He knew there were still a few who would never think of him as being really "island"; but there were also enough who had sufficient faith in his judgement-and in the future of Haven's End without the casinos-to back him all the way. There was no denying the fact that Jim Fletcher's murder bothered him. There was also no denying the fact that coming to Haven's End, working with the schoolchildren, meeting Peg and the others, all served to heal him inside as nothing else had.
To his mind that meant he had an obligation.
And if he was ever going to be able to call this place a home, he would have to discharge that obligation before the temptation to flee grew too strong to resist.
He rose suddenly and crossed the room to the narrow, white-curtained window on the left hand wall. Below it was a chipped cherrywood table. On a strip of white linen in the center was one of Gran D'Grou's carvings.
The Screaming Woman.
Abruptly, the election, Bob Cameron, and the nastiness were gone. In its place a reminder of the funeral, and he hugged himself absently as he realized it was almost twilight.
A car horn blared in the distance. Another answered. A third buried them both.
He backed away from the table.
The figure was carved out of gray-and-black driftwood. It was fifteen inches high, a naked woman standing with her hands at her sides, her head tilted back slightly. At a distance she seemed to be singing; closer, and she could be screaming as her neck was encircled by what appeared to be a headless serpent growing up and out of the base of her spine. Her eyes were blank. Her legs merged at the knees into the body of a second, larger serpent that formed the statue's base.
This not be snake here, it is tail. She is sea woman. Eye cut out? No, no, Colin, it is shadow. You put a light here, the eye come back. You want a big monster, you stick it in the closet; you want a beautiful woman, put it on the television.
Jesus damn, Colin, you got no imagination.
He switched on the lamp standing beside the table and hurried into the bedroom to get dressed.
He didn't blame the island a bit for wanting Gran buried right away. During the last year he had changed, and for the worse. His role of benevolent despot had darkened, and no one had thought it amusing anymore. He snarled, except at the children and Lilla. He spent more time in the woods, more time at his shack, less time at the luncheonette unless he wanted to talk with the young ones. When he looked at passersby it was from the corner of his eye. When he spoke, his voice took on indecipherable insinuation.
And he demonstrated suddenly an uncanny ability to make himself appear to be something he wasn't- instead of an embittered failure, an exile from his home, he was a mysterious figure from an exotic foreign land known for its cultivation of supernatural shadows; instead of a man who steadfastly refused the polishing of his raw artistic talents, he was a worker of dark miracles so convincing even Warren Harcourt thought his dead wife could be brought back.
The dead birds hadn't helped at all.
Lilla's singing was even worse.
And tomorrow, Colin thought, they would look up at the sun and really feel silly about letting themselves be spooked-spooked by a drunk who didn't make sense even with hi
s carvings.
But that was tomorrow.
There was still tonight to get through.
TWO
The beach continued on for a half mile below the last jetty, to the sharp slope where the land rose and the sand gave way to boulders, barnacled and slick, providing throats for the breakers that shattered against them. Down by the beach there were gaps, for tide pools, children, the occasional lovers. Fifty yards more and the gaps closed, the boulders becoming jagged and massive. And at the southern tip they rose to hundred-foot cliffs fringed with wind-twisted trees and tenacious straggly shrubs.
There were sand dunes as well. Two parallel rows spiked with sharp-edged sawgrass, broken and nearly leveled at several narrow places by wind or stormtide or the persistence of walkers.
And there was Dunecrest Estates, the only homes outside town-larger, newer, bespeaking wealth and position in fieldstone and brick. There were fewer than two dozen, half of them facing the ocean, the rest fronting a woodland arm between them and Neptune Avenue, which itself ended where they did, at a street called Surf Court. The development was twelve years old, long enough for the townspeople to call it simply the Estates.
And there was Gran D'Grou's shack.
It stood on a raised spit of land where the dunes met the slope, hidden by dying shrubs, scrub pine, and a colony of weeds. There was no litter, but the ground seemed cluttered just the same, and the roof that pitched away from the ocean was tarpaper-patched, breached at its peak by a rusted stovepipe chimney.
Lilla D'Grou, ignoring the dampness that seeped through the cracks in panes and thin walls, stood at the front room's sand-pitted window and stared at the beach. A wave rose, crested, hissed toward the pines at the end of the front yard. She ignored it. A stiff-legged tern raced the bubbling foam, head bobbing, legs reaching, its tracks in the wet sand fast disappearing, and she ignored it.
She realized with a start that she was staring at her ghost in the window., A lean face, and soft, high cheekbones, and a rounded chin made for a palm to cup it; deep brown eyes slightly raised at the corners, half-closed now in a look that might have been seductive in another time and place, the whole framed by luxuriant black hair parted in the center and settling on her slender shoulders in tangled natural curls. Not beautiful, but arresting, a face and lithe figure that turned men around ten minutes after she'd passed. But the black dress she now wore rendered her sexless.
Night Songs Page 3
