Then for a while he held still, body and mind, beginning to understand for the first time where his power lay.
He stood in the locked room in the dark and knew he would go free, because he was already free. A storm of praise ran through him.
After a while, deliberately, he re-entered the trap of spell-bonds, went back to his old place, sat down on the pallet, and went on thinking. The prisoning spell was still there, yet it had no power over him now. He could walk into it and out of it as if it were mere lines painted on the floor. Gratitude for this freedom beat in him as steady as his heartbeat.
He thought what he must do, and how he must do it. He wasn't sure whether he had summoned her or she had come of her own will; he didn't know how she had spoken the word of the Old Tongue to him or through him. He didn't know what he was doing, or what she was doing, and he was almost certain that the working of any spell would rouse Gelluk. But at last, rashly, and in dread, for such spells were a mere rumor among those who had taught him his sorcery, he summoned the woman in the stone tower.
He brought her into his mind and saw her as he had seen her, there, in that room, and called out to her; and she came.
Her apparition stood again just outside the spiderweb cords of the spell, gazing at him, and seeing him, for a soft, bluish, sourceless light filled the room. Her sore, raw lips quivered but she did not speak.
He spoke, giving her his true name: "I am Medra."
"I am Anieb," she whispered.
"How can we get free?"
"His name."
"Even if I knew it… When I'm with him I can't speak."
"If I was with you, I could use it."
"I can't call you."
"But I can come," she said.
She looked round, and he looked up. Both knew that Gelluk had sensed something, had wakened. Otter felt the bonds close and tighten, and the old shadow fall.
"I will come, Medra," she said. She held out her thin hand in a fist, then opened it palm up as if offering him something. Then she was gone.
The light went with her. He was alone in the dark. The cold grip of the spells took him by the throat and choked him, bound his hands, pressed on his lungs. He crouched, gasping. He could not think; he could not remember. "Stay with me," he said, and did not know who he spoke to. He was frightened, and did not know what he was frightened of. The wizard, the power, the spell… It was all darkness. But in his body, not in his mind, burned a knowledge he could not name any more, a certainty that was like a tiny lamp held in his hands in a maze of caverns underground. He kept his eyes on that seed of light.
Weary, evil dreams of suffocation came to him, but took no hold on him. He breathed deep. He slept at last. He dreamed of long mountainsides veiled by rain, and the light shining through the rain. He dreamed of clouds passing over the shores of islands, and a high, round, green hill that stood in mist and sunlight at the end of the sea.
The wizard who called himself Gelluk and the pirate who called himself King Losen had worked together for years, each supporting and increasing the other's power, each in the belief that the other was his servant.
Gelluk was sure that without him Losen's rubbishy kingdom would soon collapse and some enemy mage would rub out its king with half a spell. But he let Losen act the master. The pirate was a convenience to the wizard, who had got used to having his wants provided, his time free, and an endless supply of slaves for his needs and experiments. It was easy to keep up the protections he had laid on Losen's person and expeditions and forays, the prisoning spells he had laid on the places slaves worked or treasures were kept. Making those spells had been a different matter, a long hard work. But they were in place now, and there wasn't a wizard in all Havnor who could undo them.
Gelluk had never met a man he feared. A few wizards had crossed his path strong enough to make him wary of them, but he had never known one with skill and power equal to his own.
Of late, entering always deeper into the mysteries of a certain lore-book brought back from the Isle of Way by one of Losen's raiders, Gelluk had become indifferent to most of the arts he had learned or had discovered for himself. The book convinced him that all of them were only shadows or hints of a greater mastery. As one true element controlled all substances, one true knowledge contained all others. Approaching ever closer to that mastery, he understood that the crafts of wizards were as crude and false as Losen's title and rule. When he was one with the true element, he would be the one true king. Alone among men he would speak the words of making and unmaking. He would have dragons for his dogs.
In the young dowser he recognized a power, untaught and inept, which he could use. He needed much more quicksilver than he had, therefore he needed a finder. Finding was a base skill. Gelluk had never practiced it, but he could see that the young fellow had the gift. He would do well to learn the boy's true name so that he could be sure of controlling him. He sighed at the thought of the time he must waste teaching the boy what he was good for. And after that the ore must still be dug out of the earth and the metal refined. As always, Gelluk's mind leapt across obstacles and delays to the wonderful mysteries at the end of them.
In the lore-book from Way, which he brought with him in a spell-sealed box whenever he traveled, were passages concerning the true refiner's fire. Having long studied these, Gelluk knew that once he had enough of the pure metal, the next stage was to refine it yet further into the Body of the Moon. He had understood the disguised language of the book to mean that in order to purify pure quicksilver, the fire must be built not of mere wood but of human corpses. Rereading and pondering the words this night in his room in the barracks, he discerned another possible meaning in them. There was always another meaning in the words of this lore. Perhaps the book was saying that there must be sacrifice not only of base flesh but also of inferior spirit. The great fire in the tower should burn not dead bodies but living ones. Living and conscious. Purity from foulness: bliss from pain. It was all part of the great principle, perfectly clear once seen. He was sure he was right, had at last understood the technique. But he must not hurry, he must be patient, must make certain. He turned to another passage and compared the two, and brooded over the book late into the night. Once for a moment something drew his mind away, some invasion of the outskirts of his awareness; the boy was trying some trick or other. Gelluk spoke a single word impatiently, and returned to the marvels of the Allking's realm. He never noticed that his prisoner's dreams had escaped him.
Next day he had Licky send him the boy. He looked forward to seeing him, to being kind to him, teaching him, petting him a bit as he had done yesterday. He sat down with him in the sun. Gelluk was fond of children and animals. He liked all beautiful things. It was pleasant to have a young creature about. Otter's uncomprehending awe was endearing, as was his uncomprehended strength. Slaves were wearisome with their weakness and trickery and their ugly, sick bodies. Of course Otter was his slave, but the boy need not know it. They could be teacher and prentice. But prentices were faithless, Gelluk thought, reminded of his prentice Early, too clever by half, whom he must remember to control more strictly. Father and son, that's what he and Otter could be. He would have the boy call him Father. He recalled that he had intended to find out his true name. There were various ways of doing it, but the simplest, since the boy was already under his control, was to ask him. "What is your name?" he said, watching Otter intently.
There was a little struggle in the mind, but the mouth opened and the tongue moved: "Medra."
"Very good, very good, Medra," said the wizard. "You may call me Father."
"You must find the Red Mother," he said, the day after that. They were sitting side by side again outside the barracks. The autumn sun was warm. The wizard had taken off his conical hat, and his thick grey hair flowed loose about his face. "I know you found that little patch for them to dig, but there's no more in that than a few drops. It's scarcely worth burning for so little. If you are to help me, and if I am to teach you, you mu
st try a little harder. I think you know how." He smiled at Otter. "Don't you?"
Otter nodded.
He was still shaken, appalled, by the ease with which Gelluk had forced him to say his name, which gave the wizard immediate and ultimate power over him. Now he had no hope of resisting Gelluk in any way. That night he had been in utter despair. But then Anieb had come into his mind: come of her own will, by her own means. He could not summon her, could not even think of her, and would not have dared to do so, since Gelluk knew his name. But she came, even when he was with the wizard, not in apparition but as a presence in his mind.
It was hard to be aware of her through the wizard's talk and the constant, half-conscious controlling spells that wove a darkness round him. But when Otter could do so, then it was not so much as if she was with him, as that she was him, or that he was her. He saw through her eyes. Her voice spoke in his mind, stronger and clearer than Gelluk's voice and spells. Through her eyes and mind he could see, and think. And he began to see that the wizard, completely certain of possessing him body and soul, was careless of the spells that bound Otter to his will. A bond is a connection. He—or Anieb within him—could follow the links of Gelluk's spells back into Gelluk's own mind.
Oblivious to all this, Gelluk talked on, following the endless spell of his own enchanting voice.
"You must find the true womb, the bellybag of the Earth, that holds the pure moonseed. Did you know that the Moon is the Earth's father? Yes, yes; and he lay with her, as is the father's right. He quickened her base clay with the true seed. But she will not give birth to the King. She is strong in her fear and willful in her vileness. She holds him back and hides him deep, fearing to give birth to her master. That is why, to give him birth, she must be burned alive."
Gelluk stopped and said nothing for some time, thinking, his face excited. Otter glimpsed the images in his mind: great fires blazing, burning sticks with hands and feet, burning lumps that screamed as green wood screams in the fire.
"Yes," Gelluk said, his deep voice soft and dreamy, "she must be burned alive. And then, only then, he will spring forth, shining!
Oh, it's time, and past time. We must deliver the King. We must find the great lode. It is here; there is no doubt of that: 'The womb of the Mother lies under Samory.""
Again he paused. All at once he looked straight at Otter, who froze in terror thinking the wizard had caught him watching his mind. Gelluk stared at him a while with that curious half-keen, half-unseeing gaze, smiling. "Little Medra!" he said, as if just discovering he was there. He patted Otter's shoulder. "I know you have the gift of finding what's hidden. Quite a great gift, were it suitably trained. Have no fear, my son. I know why you led my servants only to the little lode, playing and delaying. But now that I've come, you serve me, and have nothing to be afraid of. And there's no use trying to conceal anything from me, is there? The wise child loves his father and obeys him, and the father rewards him as he deserves." He leaned very close, as he liked to do, and said gently, confidentially, "I'm sure you can find the great lode."
"I know where it is," Anieb said.
Otter could not speak; she had spoken through him, using his voice, which sounded thick and faint.
Very few people ever spoke to Gelluk unless he compelled them to. The spells by which he silenced, weakened, and controlled all who approached him were so habitual to him that he gave them no thought. He was used to being listened to, not to listening. Serene in his strength and obsessed with his ideas, he had no thought beyond them. He was not aware of Otter at all except as a part of his plans, an extension of himself. "Yes, yes, you will," he said, and smiled again.
But Otter was intensely aware of Gelluk, both physically and as a presence of immense controlling power; and it seemed to him that Anieb's speaking had taken away that much of Gelluk's power over him, gaining him a place to stand, a foothold. Even with Gelluk so close to him, fearfully close, he managed to speak.
"I will take you there," he said, stiffly, laboriously.
Gelluk was used to hearing people say the words he had put in their mouths, if they said anything at all. These were words he wanted but had not expected to hear. He took the young man's arm, putting his face very close to his, and felt him cower away.
"How clever you are," he said. "Have you found better ore than that patch you found first? Worth the digging and the roasting?"
"It is the lode," the young man said.
The slow stiff words carried great weight.
"The great lode?" Gelluk looked straight at him, their faces not a hand's breadth apart. The light in his bluish eyes was like the soft, crazy shift of quicksilver. "The womb?"
"Only the Master can go there."
"What Master?"
"The Master of the House. The King."
To Otter this conversation was, again, like walking forward in a vast darkness with a small lamp. Anieb's understanding was that lamp. Each step revealed the next step he must take, but he could never see the place where he was. He did not know what was coming next, and did not understand what he saw. But he saw it, and went forward, word by word.
"How do you know of that House?"
"I saw it."
"Where? Near here?"
Otter nodded.
"Is it in the earth?"
Tell him what he sees, Anieb whispered in Otter's mind, and he spoke: "A stream runs through darkness over a glittering roof. Under the roof is the House of the King. The roof stands high above the floor, on high pillars. The floor is red. All the pillars are red. On them are shining runes."
Gelluk caught his breath. Presently he said, very softly, "Can you read the runes?"
"I cannot read them." Otter's voice was toneless. "I cannot go there. No one can enter there in the body but only the King. Only he can read what is written."
Gelluk's white face had gone whiter; his jaw trembled a little. He stood up, suddenly, as he always did. "Take me there," he said, trying to control himself, but so violently compelling Otter to get up and walk that the young man lurched to his feet and stumbled several steps, almost falling. Then he walked forward, stiff and awkward, trying not to resist the coercive, passionate will that hurried his steps.
Gelluk pressed close beside him, often taking his arm. "This way," he said several times. "Yes, yes! This is the way." Yet he was following Otter. His touch and his spells pushed him, rushed him, but in the direction Otter chose to go.
They walked past the roaster tower, past the old shaft and the new one, on into the long valley where Otter had taken Licky the first day he was there. It was late autumn now. The shrubs and scrubby grass that had been green that day were dun and dry, and the wind rattled the last leaves on the bushes. To their left a little stream ran low among willow thickets. Mild sunlight and long shadows streaked the hillsides.
Otter knew that a moment was coming when he might get free of Gelluk: of that he had been sure since last night. He knew also that in that same moment he might defeat Gelluk, disempower him, if the wizard, driven by his visions, forgot to guard himself—and if Otter could learn his name.
The wizard's spells still bound their minds together. Otter pressed rashly forward into Gelluk's mind, seeking his true name. But he did not know where to look or how to look. A finder who did not know his craft, all he could see clearly in Gelluk's thoughts were pages of a lore-book full of meaningless words, and the vision he had described—a vast, red-walled palace where silver runes danced on the crimson pillars. But Otter could not read the book or the runes. He had never learned to read.
All this time he and Gelluk were going on farther from the tower, away from Anieb, whose presence sometimes weakened and faded. Otter dared not try to summon her.
Only a few steps ahead of them now was the place where underfoot, underground, two or three feet down, dark water crept and seeped through soft earth over the ledge of mica. Under that opened the hollow cavern and the lode of cinnabar.
Gelluk was almost wholly absorbed in his own
vision, but since Otter's mind and his were connected, he saw something of what Otter saw. He stopped, gripping Otter's arm. His hand shook with eagerness.
Otter pointed at the low slope that rose before them. "The King's House is there," he said. Gelluk's attention turned entirely away from him then, fixed on the hillside and the vision he saw within it. Then Otter could call to Anieb. At once she came into his mind and being, and was there with him.
Gelluk was standing still, but his shaking hands were clenched, his whole tall body twitching and trembling, like a hound that wants to chase but cannot find the scent. He was at a loss. There was the hillside with its grass and bushes in the last of the sunlight, but there was no entrance. Grass growing out of gravelly dirt; the seamless earth.
Although Otter had not thought the words, Anieb spoke with his voice, the same weak, dull voice: "Only the Master can open the door. Only the King has the key."
"The key," Gelluk said.
Otter stood motionless, effaced, as Anieb had stood in the room in the tower.
"The key," Gelluk repeated, urgent.
"The key is the King's name."
That was a leap in the darkness. Which of them had said it?
Gelluk stood tense and trembling, still at a loss. "Turres," he said, after a time, almost in a whisper.
The wind blew in the dry grass.
The wizard started forward all at once, his eyes blazing, and cried, "Open to the King's name! I am Tinaral!" And his hands moved in a quick, powerful gesture, as if parting heavy curtains.
The hillside in front of him trembled, writhed, and opened. A gash in it deepened, widened. Water sprang up out of it and ran across the wizard's feet.
He drew back, staring, and made a fierce motion of his hand that brushed away the stream in a spray like a fountain blown by the wind. The gash in the earth grew deeper, revealing the ledge of mica. With a sharp rending crack the glittering stone split apart. Under it was darkness.
The wizard stepped forward. "I come," he said in his joyous, tender voice, and he strode fearlessly into the raw wound in the earth, a white light playing around his hands and his head. But seeing no slope or stair downward as he came to the lip of the broken roof of the cavern, he hesitated, and in that instant Anieb shouted in Otter's voice, "Tinaral, fall!"
Tales from Earthsea (earthsea) Page 4
