Aurielli's Cadillac lurched forward, moving head-on toward Bolan's distant position — a purely instinctive reaction of flight. The Weatherby sent it careening out of control on an instantly deflated front tire, then Bolan swung the scope aside for a broader view of the developments down there. His unencumbered eye caught a glint of something in motion at a dormer window atop the joint — the window raised and a figure leaned out to shout something at the hardman at the door, and the upstairs man was pointing in Bolan's general direction. At that same moment he saw a flash from another gable window and instinctively dropped to the floor a split-second before a projectile tore away his own window-facing. Two others came in quick sucession, heavy sizzlers that sent showers of rotting wood Hying through the garage apartment.
And Bolan knew now why the uneasy feeling. His recon had not been good enough. The joint way a hardsite; they had defenses there that not even a two-day watch had revealed... and these Chicago clowns were no clowns — their response had been instantaneous and effective. The reports of several high-powered rifles were blending in a concerted and rapid return fire; they were concentrating on the window areas, keeping Bolan down and ducking while their comrades on the ground below found cover. Heavy calibre slugs were tearing into the building with ominous thumps and the sounds of splintering wood.
Okay, so Bolan knew that game too. They were working a bracketing pattern, intent on keeping him down and clear of those windows. He grimaced and snaked along the floor toward the door, the opening of which was set at a right angle to the line of fire. He lay in the doorway and sent three quick rounds into the grounded Cadillac, then immediately rolled back to his original gunport at the window, smiling with grim satisfaction as the doorjamb began to splinter under the same ferocious counterattack previously accorded the window areas. Three seconds was all Bolan desired... three seconds of diverted fire. He could see the flashes from two weapons on the roof across the way and just below these, a weapon at each of the dormer windows. Make it fourseconds.
The sniperscope was back in place and he was scanning the ridges of the roof. A target came into sharp focus, a face in dark concentration as it fought the rapid recoils of a semi-automatic rifle. Bolan squeezed off a shot and moved the scan onward, allowing no time to verify the hit, smoothly working the bolt-action and immediately acquiring another target, squeezing-off and moving on to the dormers.
The desired four seconds were not forthcoming; his opponents at the windows had already become aware of the maneuver and were retargeting. The shadow of a man in a face-on confrontation appeared in the vision-field, a scope-mounted semi-automatic foregrounded and spitting flame. Something thwacked into the wood beside Bolan's head as he cooly squeezed off, then rode the recoil into the next target and again sighed into the pull; this target he hung into and watched as it was punched backwards into the distant room. Then he backtracked in a verification of the first three hits, realizing already that this phase of the firefight had ended. A warm trickle of blood was oozing down his cheek. He wiped it away and withdrew the splinter of wood that was producing it, realizing also that he had been thatclose to death.
In a delayed reaction to the doorway fusillade, the Cadillac suddenly erupted into flames with a whooshing explosion that lifted the rear end and resettled the heavy vehicle at an angle to the drive.
People were running about down there, amongst the trees, and someone was shouting instructions. A moment later a lone figure appeared through the hedgerow separating the two properties. He was a dark, thickset man with a Thompson chopper, and Bolan did not need the scope to read the ferocity on that scowling face. Their gazes met in simultaneous discovery and the Thompson began its upward swing. Bolan had to rise to his feet to get the proper depression for the Weatherby; he did so, firing from the hip in the same smooth motion, and the beginning gutteral chop of the Thompson was instantly eclipsed by the rolling cra-ackof the Weatherby.
The guy staggered backwards into the hedgerow and was momentarily supported there by the thick bushes, the now silent weapon hugged to his chest and turning crimson, then he toppled forward in a crumbling fall. The excited voice of a man somewhere in the background of action cried, "Christ, he got Blackie!"
Bolan placed a marksman's medal on the shattered windowsill, then whirled and ran for the door. No... these were definitely not clowns. The Executioner was beginning to feel like the largest clown of all for walking into a hardset like this one. The enemy was present in force and knew how to respond to a hit. The question now uppermost in Bolan's mind concerned his ability to successfully withdraw. He slung the Weatherby from his shoulder and hit the doorway at full gallop, flinging himself through and over the metal railing of the small porch to drop in a plummeting arc to the frozen ground below, a descent of some fifteen feet. He landed in a shock-absorbing crouch and continued the motion with a rebound toward the protection of the building.
His Beretta was clear of its leather and filling his hand as he rounded the corner of the garage and made a run for the hedgerow. When, confronting a superior force, Bolan had learned that confusion and the unexpected were the best equalizers. They would be expecting him to flee; therefore he must charge.
Charge, hell, I'm just retreating to the front!
His maneuver caught three of the enemy in flatfooted indecision as he descended upon them along the hedgerow, the Beretta coughing its chilling little message of defiance. The return fire was disorganized, ineffective, and very brief as two of the Mafiosiwent down under the assault. The third, a skinny youth with mottled skin and very frightened eyes, stood quietly staring into the full extension of the black Beretta, his mouth open and his own weapon dangling impotently toward the ground. The gunhand was rapidly turning red under a flow of blood from a shoulder wound. The gunner's eyes flicked briefly from the bore of the Beretta to the icy gaze of The Executioner, then skittered away to fasten on the dead man lying at his feet.
Coldly, Bolan asked him, "You ready to die, soldier?"
The gunner shook his head in a negative response and the revolver slipped from his hand.
"How many more of you?" Bolan demanded.
"Just me," the youth mumbled. His gaze once more raised to Bolan's cool inspection, then again fell. "And I'm hit," he added dully.
Bolan said, "Count your blessings." He tossed a marksman's medal toward the defeated man's feet. "Pick it up," he commanded. "See that Lavallo gets it. Tell him he's next."
The Masfiososcooped up the medal with his good hand. He inspected it with suddenly expressive eyes and said, "Hell, I guessed it. I figured it must be you. Jeezus, Bolan, I..."
The Executioner'sgraveyard voice commanded, "Take off."
The guy took off, staggering back through the hedgerow without a backwards glance, and undoubtedly counting his blessings.
Bolan stepped over a dead body and strode quickly toward the garage and his waiting vehicle. The mob, he was thinking, would not overlook a challenge like that.
The die was cast.
The Chicago Wipe-Out was on.
And maybe something else was on, as well. The mind-blowing blonde with the million-dollar wiggle, whom Bolan had last seen entering the hardsite, was standing beside his Ferrari and breathing hard as she agitatedly watched his approach. Her hair was in a wild tangle, and somewhere she'd become parted from the fur coat — a loss she could hardly afford, considering the costume she had left. The girl was practically naked, and Bolan couldn't decide if she was shivering from the cold or from terror. Either way, something else was definitely on.
2
A foxy lady
"I'm on your s-side. Take me with you. Please!"
If she'd looked good in the sniperscope, she was downright edible in the three-dimensional reality as she moved jerkily around to Bolan's side of the car. A tall girl, pushing close to the six-foot mark, but put together in eye-gathering proportions, with those softly alluring contours that are sometimes seen on a budding ballerina who has not yet gone to solid mus
cle.
The costume would have been a bit much for the classical ballet crowd, though. It was made of red fur, a one-piece bit of fluff with a microscopic bottom that was hardly more than a G-string, and a thin strip stretching up each side to loop about into a decorative but entirely non-concealing swirl across luxurious breastworks. A bushy red tail reaching to her knees completed the picture — except for the head of a leering fox, done in bodypaint and peering out from the soft valley between her breasts.
Discounting the tail, Bolan figured he could hide the costume in his hand. The only other items of apparel were soft, ankle-high moccasins — and the temperature was in the mid-thirties with a stiff breeze raking in from the lake. It was no time to be recruiting a women's auxiliary — but it was also no time for any human being to be prancing about the shores of Lake Michigan in a bedroom combat suit. And she was about to cave in completely — swaying like a reed in the wind fighting to get her breathing and her emotions under control, all the while turning a deeper shade of blue. Bolan silently stowed the Weatherby and debated the question of what to do about the girl. Finally he gave her a reluctant okay with his eyes and she tumbled into the car with a shivery moan of thanks — it was not entirely certain whether she was thanking Bolan or a higher power.
He slid in beside her, snared his topcoat from the rear deck and draped it over her. Silently she bundled herself in it and drew the long, sculpted legs into the seat to cover them also, then went into a chattering case of the shakes.
The girl was still shivering when the Ferrari cleared the scene and took up a casual southward cruise along Lake Shore Drive. Bolan was in no great hurry now. He produced a quart thermos and poured his passenger a slug of steaming coffee. She accepted it with a grateful sweep of the eyes and quickly began to settle down.
When the coffee was nearly consumed Bolan lit a cigarette and handed it to her along with his first words. "You're looking better," he growled.
"Thanks," she said in an unsteady voice. "Feeling better."
A police car with beacon flashing tore past on a northward track, weaving through the traffic on a hot call to Bolan guessed where — and followed closely by a second and then a third. His guest was huddled in the topcoat and working hard at the cigarette, exhaling with audible tremors, but she had also noted the passage of the police. She wriggled about on the seat and murmured, "Thanks for getting me away from there."
He grunted and tried the heater, found it mildly warm, and told her, "Out of the frying pan and into the fire."
"What?"
"That's you. You picked a hard taxi, lady."
She raked him with sky blue eyes and made a stab at a smile. "I know," she said. "You're Mack Bolan, aren't you?"
"Stretch your feet to the heater," he commanded gruffly.
She did so, carefully arranging the coat to capture the warmth. Then her gaze became fixed on Bolan's profile and he felt it quietly absorbing him. Presently she announced, "I'm a Foxy Lady."
Bolan gave her his full attention for a moment, inspecting her with a sober gaze. He pegged her age in the low twenties. The eyes were luminous and intelligent; under different conditions she would be a girl who laughed easily. Maybe she would be capable of warmth and sincerity. She returned his stare, and nothing more — no invitation, no challenge, no bid for sympathy — simply a frank return of interest.
Bolan showed her half a smile and told her, "Yeah, you're pretty foxy."
She said, "No, I mean..."
"I know what you mean," he assured her. Bolan had not been thatmuch out of things. The Foxy Ladies had become an international trademark of female sensuality, standard-bearers of Foxy Magazineand the widely popular Lairkeyclubs. The technically nude young beauties were the symbols of a farflung male-oriented business empire — and to become a Foxy Lady was an almost certain threshold to bigger and better things for aspiring models and actresses. Sure, Bolan and several million other Vietnam veterans knew about the Foxy Ladies. Their centerfold artwork had adorned every barracks, tent and vehicle in Southeast Asia.
This one had bent toward the ashtray to crush out the cigarette. The topcoat fell away from her. She sighed and let it remain where it fell. The limited airspace of the Ferrari cabin was beginning to heat up. She neatly folded the coat and arranged it over the backrest. Then she repositioned herself to face Bolan and drew one leg onto the seat. Bolan cooly inspected the display of living flesh, then directed his eyes to the business of piloting the vehicle.
"What you see is what you don't get," she told him in a matter-of-fact tone, paraphrasing a famous black comedian. "That's the house rule at the Lair. It's an exercise in male frustration, I guess."
"What are the house rules for Mafia molls?" he quietly inquired.
The blue eyes flared but the reply was just as quiet. "Believe it or not, this was my first time at that place. I knew what Mr. Aurielli was, of course. But you have to understand... in this town, that's almost a mark of distinction. There was nothing personal between us. I'd just met him this afternoon."
Bolan was watching for roadsigns, trying to orient himself. Almost absently, he commented, "Okay."
"It was an assignment," she explained. "It's in our contract. We get outside assignments. Not uh... not what you might be thinking."
"Uh huh."
"It's a public relations thing. The Foxy Ladies often make appearances at private parties. It's good for us, or so we're told. We get more exposure that way." Her eyes flashed down to the costume. "If that's possible."
Bolan said, "Okay."
"Do you want to hear this or don't you?"
"I'm listening," he assured her. He was also trying to find his place on a map of the city.
"Mr. Aurielli is — was— a keyholder. Do you think I'd go on a date dressed like this? In the middle of the afternoon? I was out there to serve a special meeting. Mr. Aurielli called it a board meeting. But I didn't see any other board members present, and I was already beginning to smell a rat when the shooting started. This man, the bartender I guess, had just taken my coat and was headed off somewhere to put it away. When the first shot sounded, he ran toward the back of the house. I went to the window, and by that time the shots were coming one after another and I saw Mr. Aurielli and two other men lying in the drive. I guess I panicked. I ran outside... and then I saw the men upstairs shooting at the place next door. Then the car caught fire and blew up. I heard someone yell something about Bolan— and that's when I started running. I don't know why I ran to you. I guess I just suddenly realized where I needed to be."
Bolan glanced at her and caught a wry smile pulling at her lips. "My suspicious and romantic mind, I guess," she continued. "I had suddenly understood that I was practically alone with that... that terrible man — and in some sort of a hideout. So I had already begun to panic. And I guess I thought Prince Charming had come to rescue me from my awful fate. I don't know what I thought. I just lost my head. And I ran for the arms of Prince Charming."
"And found him to be no prince," Bolan commented dryly.
"You carried me away in your white charger, didn't you," she quietly observed.
"Call it a white coffin," he suggested. "That's what it could turn into."
"I guess I knew what I was doing," the girl murmured. "We — the girls at the club — we were talking about you just the other night. They had that special from New York on Channel 4, and we were talking about your — uh — battles there. Someone said you'd never come to Chicago. The people around here are kind of crazy — or have you noticed that? They seem to be proud to be the crime center of the universe. Anyway, I suppose all this was in my mind — and the shooting started — and I heard that man on the roof shout your name. I guess I knew where I was running. Still I guess I didn't know for sure until I saw you walking toward the car in that black suit. Then it all came together. The Executioner hadcome to Chicago."
Bolan said, "And right in the nick of tune, eh?"
"I guess that's how I thought of it," she ad
mitted. "Very egotistic, huh. Just the same, you didsave my life back there, you know."
"Not quite," he told her.
"What?"
"Look, I believe your story," he said. "I could just as easily disbelieve it, but I haveto lean your way. And you have to lean with me. Now you think carefully and answer the same way. How many people knew you were going to that joint with Aurielli?"
She blinked her eyes rapidly and replied, "Lots of people. It was an assignment. I told you. I was sent..."
"Okay. Now what do you suppose is going to happen when the mob begins looking into the thing? They're going to discover there's a chick missing from the woodpile. They're going to wonder what happened to the chick and they're going to wonder if there was any connection between her and Bolan. These guys don't miss any bets. They're as good as any cops anywhere when it comes to polling evidence together. They know their business, and they conduct it with a notable absence of tenderness. Sooner or later they're going to start wondering about a certain Foxy Lady. And if they develop any suspicion whatever that maybe this lady helped set up that little slaughter out there this afternoon, then that lady will be not very long for this world. Are you leaning with me?"
She was. Bolan had to believe that the reaction was genuine. Her eyes fluttered, the veneer of sophistication cracked a bit further, and she exclaimed, "Oh wow! That's what you meant by 'out of the frying pan and into the fire.' "
Bolan assured her, "That's exactly what I meant."
"So what do I do now?" she asked in a small voice. "Go back?"
He shook his head. "It's too late for that. The cops are already swarming the joint. No, you have to go on. But we have to build you a story. You panicked and ran, a guy picked you up and took you into town. You..." The look in her eyes stopped him. He asked, "What's wrong?"
Chicago Wipe-Out te-8 Page 2
