COPP FOR HIRE
Don Pendleton
A Joe Copp, Private Eye Novel
by the creator of
The Executioner: Mack Bolan Series
Reviews of Don Pendleton’s Joe Copp, Private Eye Series
St. Petersburg Times: “Pendleton has a great new character in Copp. His style is fresh, the pace is brisk, and there are enough twists to please any mystery fan.”
Library Journal: “Pendleton, author of the long-running paperback Executioner series, shows in his first hardcover that hardboiled writing can be insightful as well as action-packed.”
Milwaukee Sentinel: “Pendleton is a master of action and dialog and ‘Copp’ is a taut detective story.”
Booklist: “Action filled...Copp is a likable tough guy...An exciting, satisfying read.”
Flint Journal: “Pendleton proves again he is the equal of Mickey Spillane when it comes to the hard-boiled mystery.”
ALA Booklist: “This is the real thing, the hardcover debut of the author of the perennially popular ‘Executioner series’...the charm of the Executioner books.”
Arkansas Gazette: “Intriguing...believable.. Pendleton’s got a good story to tell.”
Also by Don Pendleton
Fiction
The Executioner, Mack Bolan Series
Joe Copp Mystery Series
Ashton Ford Mystery Series
Fiction with Linda Pendleton
Roulette
Comics by Don and Linda Pendleton
The Executioner, War Against the Mafia
Nonfiction Books by Don Pendleton
A Search for Meaning From the Surface of a Small Planet
Nonfiction Books by Don and Linda Pendleton
To Dance With Angels
Whispers From the Soul
The Metaphysics of the Novel
The Cosmic Breath
COPP FOR HIRE
Copyright © 1987 by Don Pendleton
Published with permission of Linda Pendleton. All Rights Reserved.
First Kindle Edition, 2010
ISBN: 1-55611-064-2
First Printing Published 1987 by Donald I. Fine.
Lynx Edition / September 1988;
Back in Print Edition, iUniverse, 2000.
This is a work of fiction. Names, characters, places, and incidents are either the product of the author's imagination or are used Fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental.
Cover Design by Linda Pendleton and Judy Bullard
For Cy, for Frank, for Don,
and for all the good gentlemen of law and literature
who helped this book into print;
my gratitude.
dp
Copp For Hire
Chapter One
I SMELLED TROUBLE all over this kid the instant she stepped into my office. She was hot. About twenty. Designer jeans so tight they could sweat. Shrink-wrapped onto a highrise bottom and grafted onto the vee, low on the hips to reveal an indented little belly button, flaring a bit around three-inch heels. A tube- top started about six inches higher up to cover another four or five inches of delectables. On some girls maybe it would have covered ten inches vertically; on her, four or five. I'm talking tits ... mouth-watering tits, thrusting against the elastic material in a way designed and intended to grab the attention. But they had a lot of competition. This kid was great everywhere. Long black hair spilled onto creamy shoulders. The face was ... exotic, I guess. Lips that gave you a stir every time they parted, eyes that looked everywhere and seemed to see it all. I figured they'd seen quite a bit already.
I also figured hooker or stripper, or maybe both.
My snap judgments have been known to be wrong, but I did not think I was wrong on this one. She looked the office over, looked me over, almost went back out, finally asked in a husky little voice, "Are you Joe Copp?"
I looked the office over, looked her over, pushed my nameplate to the edge of the desk. "That's me."
Guess she decided to give me a try after all. She dropped onto the edge of a chair, looked around again like a bird casing the territory before relaxing onto the perch. "I think I'm in trouble."
Knew damned well she was in trouble. Any kid walking around looking that edible was in trouble.
I asked, "Who is he?"
She asked, "How did you know?"
"Instinct?"
She said, "I don't know his name. But I think he's a cop."
I told her, "So'm I. Maybe you need to see a lawyer."
The kid was very uptight. She frowned, looked at the door as though wishing she'd never come through it, said to me while looking at the door, "No, I—you see ... you are a private detective, aren't you?"
The lettering on the door says that. Well, what it says is Copp For Hire, which is also what my business cards say and what the godawful expensive yellow pages ad says. A small conceit. I was a public cop for eighteen years. Still think of myself that way except that now I have private sponsors.
I told this kid, "Yes I am. But I don't guard bodies or settle disputes between lovers."
She stared at me for a few seconds then replied, "This is not like that. But maybe I should see a lawyer. Could you recommend one?
"What is it like?"
"What?"
"You said not like something. So what is it like?"
She fumbled in her purse for a cigarette. Gave me a stir as she inserted it between those ripe lips. I got to my feet and went over to light it for her. She rose quickly to accept the light, gazed into my eyes briefly then turned away to release the smoke. I am six-three. In the heels, this kid's eyes were level with mine. She smelled nice. But she was looking at the door again.
I told her, in a voice as gentle as I can make it, "You can leave any time you'd like. Relax. I'm not going to jump your bones. Sit down and tell me about it."
She dropped abruptly onto her perch again, waved the cigarette in a dainty grasp. "I don't want to leave. I think he might be out there waiting for me."
I went to the window and looked out, saw nothing unusual. "Looks clear to me. What's the beef?"
"There's no beef. Not that I know about, anyway. This guy just follows me around all the time. Everywhere I go."
I sighed and asked her, "Are we talking official police business here or .. . ?"
"Well I hope it's official business. I haven't done anything wrong. But why would he be following me?"
"Why do you think he's a cop?"
"George said—he's a bartender where I work—George said he has seen this guy in a police uniform. But he's never in uniform when I see him, and—"
"Where do you work?"
"New Frontier."
Uh huh. One of the joints in the county jurisdiction. You've seen them. Live Girls, Girts, Girls—Totally Nude.
"You dance there?"
"Yes."
"You've seen this guy there?"
"Yes. Started coming in a couple of weeks ago. Always sits in the back, though, never up along the runway. Never tips me. Just sits there and stares at me all the time I'm performing. Then he leaves. Guess he's worked out the timing 'cause he comes back in every time I go on. For the past week I've been noticing him sitting in his car when I get off work. He follows me home and I think he sits outside and watches my window. I think he's a freak, and I'm scared. Yesterday he followed me to the mall. I saw him twice while I was shopping."
I returned to my chair, sat back, put my hands together, asked the young lady, "Is there some reason why you should be under police surve
illance?"
She gave me a blank look and a negative wag of the head.
"Do you do drugs?"
"I might toke once in a while. But nothing ..."
"Live alone?"
"I have a roommate ... a girl. We share an apartment."
"Do you know anyone who's dealing?"
"Half the guys you meet nowadays deal some. But I've never—no, I don't really know anyone that involved."
"You have no other, uh, activities that would be of police interest?"
"If you mean do I make dates out of the club—no, I don't."
I smiled. "Had to ask."
She replied simply, "Everyone does."
"Do the other girls make dates? At the club, I mean."
"Some, I guess."
"Your roommate?"
"She doesn't work there."
"Where does she work?"
"She does parties."
"What kind of parties."
"You know—birthdays, bachelor parties, that kind of thing."
"As a stripper?"
"Yes."
"Does she do other things?"
"I wouldn't know about that."
"Or care?"
"Or care," she confirmed, with another suck at the cigarette.
I told her, "I'm expensive."
"How expensive?"
"Just like a hooker," I replied. "Hundred dollars an hour plus expenses."
She said, "Jesus," and bit her lip. Then I got the first smile out of her. Not much, but a wry little twist of the lips. "Cheap hooker," she said.
I smiled back. "Well, I don't give as much. What do you want me to do for you?"
She got to her feet. "Nothing. Can't afford you."
I told her, "The public cops work for free. Go tell them your troubles."
She said, "Guess I'll have to. But I'm as scared of them as I am of the freaks."
"No reason to be, if you're straight. I was a public cop. Never jumped any little girls' bones."
That earned me a second smile, this one a bit more honest. "It's not my bones I'm worried about."
That comment could have meant several things. I wanted to know what it really meant, so I said, "Tell you what. I'll give it an hour for you. If I scare the guy off, maybe you'd like to give it an hour for me."
She did not reply to that, except with the face. So I'd been fifty percent on target. You win some and lose some. I felt like I'd won all of this one, though, by losing.
I told her, "Just kidding. But you can buy me a drink, maybe, and reserve me a spot on the runway. What time do you go on tonight?"
"Be there at ten o'clock," she said, but not with a lot of enthusiasm.
I said, "Hey, I had to get the straight of it. Okay? So now I'm straight. Won't cost me anything to drop in and have a talk with your freak. Except the price of a drink. Spring for that and we have a deal."
I got a whole smile that time, a quite daz¬zling one. "Deal," she said, "but it's a two- drink minimum. It'll cost me six bucks."
"You can take it off your taxes."
"What taxes?"
She gave me a smile, a handshake, and a polite good-by.
Then she took that tantalizing body out of there. I was crossing to the window to check out her car when I heard the squealing of tires digging hard at asphalt and the groaning of an internal-combustion engine at heavy takeoff demand.
The unmistakable whump came instantly. I got to the window just in time to see that ex-tantalizing young body flying through the air all a mangled mess; a dark vehicle speeding out of the parking lot.
I knew even before I went out there that I had just lost a client. A client, yeah. A deal is a deal, and I owed her at least that hour I'd promised.
But as I knelt there beside that broken corpse, the feeling came and very strongly that I would be spending more than a mere hour for this one. As it turned out, I very nearly spent the rest of my life.
Chapter Two
I MIGHT AS well tell you right up front. I'm a hardcase, and everyone I've ever dealt with knows it. Not that I mean to be that way. I'd a lot rather coast in the slow lane. Take life as it finds me, you know. I must have a ten-foot stack of travel magazines in my living room. Buy them compulsively. Never read them. Just buy them. And there they sit. But it seems like I never do. Every street has two sides, you know. I'm always on the hard side, and it seems like I'm always moving along it.
Don't get the wrong slant here. Not looking for sympathy. Don't deserve any. Just want you to know who I am. I'm Joe Copp, a cop for hire. I have always been a cop for hire, all my adult life, and I'm closer to forty than I like to think about. Started in San Jose eighteen years ago. Graduated to San Francisco three years later, lasted five years with that force, went on to City of L.A. for another five and finished off at L.A. County. I've done it all. Traffic, patrol, vice, narc, robbery, homicide—even took SWAT training at L.A.
I never really "moved" voluntarily. But always for the same reason. I have a habit of becoming unpopular. Finally decided to go into business for myself. But I'm still unpopular. Respected, I think—or I like to think—but nobody really likes me. That's okay. I don't give a shit if they like me or not. Respect is enough.
I changed wives, too, every time I changed jobs. Same reason. I'm a hardcase. Or so they all think. Actually, if they only knew, I'm a pussycat. Sucker for a sob story. The problem, you see, is that I look like a hardcase. Not my fault. I was born looking like this. Don't know how to look any other way, not even when I'm feeling kindly and gentle. Guess I don't speak softly, either, but I really do try sometimes. Last wife told me I'm great in bed, every woman's savage dream, she said, but how much time could we spend there. Well ... I could have spent a lot more time there than she did, so I don't know about that savage-dream stuff. As for bringing flowers and remembering anniversaries ... who the hell has time for that on the hard side of the street? Sometimes I don't remember my own name.
Okay. So maybe they're all right. I'm a cowboy, a hardcase. Can't turn it off and tuck it away until the next watch. Can't turn it off for the department politicians, either, or for the media people or police critics and sob- sisters. And I guess I never really strained my eyes to read a guy his rights after a hard collar. So I'm the kind of cop that's always in trouble. That's okay, too, because while I'm being so candid here I might as well tell you—I'm more comfortable on the hard side of the street, so I guess that's why I always seem to be over there.
I say all this up front so you maybe will understand how I am feeling when the traffic boys come to check out this hit and run. These are traffic boys. They should be guarding school-crossings. From the looks of one of them, he should still be using a school-crossing. They are very soberly fussing with steel tapes and measuring distances, going through their routine like a classroom drill. They've roped off the area and covered my ex-client with a yellow tarp. I know the routine. They are really killing time and trying to look busy doing it, waiting for a detective to show up, waiting for the coroner's office—securing the scene until someone with some authority arrives to take over the investigation.
So I don't tell them a damned thing. Except I heard the screech, saw the victim flying, saw a car taking off at high speed. They are not asking the right questions, anyway.
My office is in a small business complex. I share the area with a hairdresser, a cosmetics shop, a real estate office, a dentist and a chiropractor. It's all ground level. Each business is accessed directly from the outside. The parking lot and driveways take up more ground than the building does. There's a self-service gas station on the corner, right next door, and a 7-Eleven store behind it. You can gain access to our lot from both the gas station and the 7-Eleven.
Way I reconstructed the hit, the guy was idling in the little access lane from the 7-Eleven, just waiting for my girl to show. He had to be on full alert and ready to jump the moment she emerged from my office. There are no sidewalks. You step out of the building directly onto the parking lot. He would
not have had a shot at her if she'd been parked right up front. So he had her car spotted and knew that she'd have to walk across to the next parking aisle. He was alert. He was ready. He nailed her. And he must have accelerated from a standing start to something like fifty mph in about five seconds. Which means a high-performance engine. I was guessing a TransAm from the flash glimpse I'd had of it.
The traffic boys did not ask for my reconstruction. They did ask if I could identify the victim, which I could not since she had not given her name, but they did not ask if I knew anything about her or why she had been at that particular spot at the crucial moment. I volunteered nothing. Which is not against the law. I did do a sneaky thing, though. The victim's purse had gone flying with the body, spilling its contents over a trail about thirty feet long. I spotted a key ring peeking out from beneath a car parked near my office door. I gave it a gentle nudge with my foot while the traffic boys were comparing their sketches, then kicked it into a flower bed.
The detective never showed. The coroner's man did and almost immediately released the body for transport to the morgue. The traffic boys scooped up the purse and its scattered contents—all that was obvious—then took down their ropes and went away.
I couldn't believe it.
I mean, that was an outrageously sloppy operation.
So I did their job. I canvassed the complex for eyewitnesses and I asked questions. I found a woman who'd been waiting to see the chiropractor at the time of the incident. She eye-balled the car as "very powerful and shiny black with some kind of design along the side." A guy in the real estate office gave about the same eyeball but a bit more specific about that "design." He said the car had "flames" painted on the hood and side. An Oriental lady who manages the 7-Eleven told me that the car had been "parked" in the access lane for about five minutes. She said the driver was a man wearing dark sunglasses.
Copp For Hire, A Joe Copp Thriller (Joe Copp Private Eye Series) Page 1
