And then out of the gloom in front of him came another sound. Sitting against the wall was a man playing the flute. One of the enormous tribe of street musicians, of course, but why had he chosen such a peculiar spot? Surely at this time of night the police – Hamer’s reflections were interrupted suddenly as he realized with a shock that the man had no legs. A pair of crutches rested against the wall beside him. Hamer saw now that it was not a flute he was playing but a strange instrument whose notes were much higher and clearer than those of a flute.
The man played on. He took no notice of Hamer’s approach. His head was flung far back on his shoulders, as though uplifted in the joy of his own music, and the notes poured out clearly and joyously, rising higher and higher . . .
It was a strange tune – strictly speaking, it was not a tune at all, but a single phrase, not unlike the slow turn given out by the violins of Rienzi, repeated again and again, passing from key to key, from harmony to harmony, but always rising and attaining each time to a greater and more boundless freedom.
It was unlike anything Hamer had ever heard. There was something strange about it, something inspiring – and uplifting . . . it . . . He caught frantically with both hands to a projection in the wall beside him. He was conscious of one thing only – that he must keep down – at all costs he must keep down . . .
He suddenly realized that the music had stopped. The legless man was reaching out for his crutches. And here was he, Silas Hamer, clutching like a lunatic at a stone buttress, for the simple reason that he had had the utterly preposterous notion – absurd on the face of it! – that he was rising from the ground – that the music was carrying him upwards . . .
He laughed. What a wholly mad idea! Of course his feet had never left the earth for a moment, but what a strange hallucination! The quick tap-tapping of wood on the pavement told him that the cripple was moving away. He looked after him until the man’s figure was swallowed up in the gloom. An odd fellow!
He proceeded on his way more slowly; he could not efface from his mind the memory of that strange impossible sensation when the ground had failed beneath his feet . . .
And then on an impulse he turned and followed hurriedly in the direction the other had taken. The man could not have gone far – he would soon overtake him.
He shouted as soon as he caught sight of the maimed figure swinging itself slowly along.
‘Hi! One minute.’
The man stopped and stood motionless until Hamer came abreast of him. A lamp burned just over his head and revealed every feature. Silas Hamer caught his breath in involuntary surprise. The man possessed the most singularly beautiful head he had ever seen. He might have been any age; assuredly he was not a boy, yet youth was the most predominant characteristic – youth and vigour in passionate intensity!
Hamer found an odd difficulty in beginning his conversation. ‘Look here,’ he said awkwardly, ‘I want to know what was that thing you were playing just now?’
The man smiled . . . With his smile the world seemed suddenly to leap into joyousness . . .
‘It was an old tune – a very old tune . . . Years old – centuries old.’ He spoke with an odd purity and distinctness of enunciation, giving equal value to each syllable. He was clearly not an Englishman, yet Hamer was puzzled as to his nationality.
‘You’re not English? Where do you come from?’
Again the broad joyful smile. ‘From over the sea, sir. I came – a long time ago – a very long time ago.’
‘You must have had a bad accident. Was it lately?’
‘Some time now, sir.’
‘Rough luck to lose both legs.’
‘It was well,’ said the man very calmly. He turned his eyes with a strange solemnity on his interlocutor. ‘They were evil.’
Hamer dropped a shilling in his hand and turned away. He was puzzled and vaguely disquieted. ‘They were evil!’ What a strange thing to say! Evidently an operation for some form of disease, but – how odd it had sounded.
Hamer went home thoughtful. He tried in vain to dismiss the incident from his mind. Lying in bed, with the first incipient sensation of drowsiness stealing over him, he heard a neighbouring clock strike one. One clear stroke and then silence – silence that was broken by a faint familiar sound . . . Recognition came leaping. Hamer felt his heart beating quickly. It was the man in the passageway playing, somewhere not far distant . . .
The notes came gladly, the slow turn with its joyful call, the same haunting little phrase . . . ‘It’s uncanny,’ murmured Hamer, ‘it’s uncanny. It’s got wings to it . . .’
Clearer and clearer, higher and higher – each wave rising above the last, and catching him up with it. This time he did not struggle, he let himself go . . . Up – up . . . The waves of sound were carrying him higher and higher . . . Triumphant and free, they swept on.
Higher and higher . . . They had passed the limits of human sound now, but they still continued – rising, ever rising . . . Would they reach the final goal, the full perfection of height?
Rising . . .
Something was pulling – pulling him downwards. Something big and heavy and insistent. It pulled remorselessly – pulled him back, and down . . . down . . .
He lay in bed gazing at the window opposite. Then, breathing heavily and painfully, he stretched an arm out of bed. The movement seemed curiously cumbrous to him. The softness of the bed was oppressive, oppressive too were the heavy curtains over the window that blocked out the light and air. The ceiling seemed to press down upon him. He felt stifled and choked. He moved slightly under the bed clothes, and the weight of his body seemed to him the most oppressive of all . . .
‘I want your advice, Seldon.’
Seldon pushed back his chair an inch or so from the table. He had been wondering what was the object of this tête-à-tête dinner. He had seen little of Hamer since the winter, and he was aware tonight of some indefinable change in his friend.
‘It’s just this,’ said the millionaire. ‘I’m worried about myself.’ Seldon smiled as he looked across the table. ‘You’re looking in the pink of condition.’
‘It’s not that.’ Hamer paused a minute, then added quietly. ‘I’m afraid I’m going mad.’
The nerve specialist glanced up with a sudden keen interest. He poured himself out a glass of port with a rather slow movement, and then said quietly, but with a sharp glance at the other man: ‘What makes you think that?’
‘Something that’s happened to me. Something inexplicable, unbelievable. It can’t be true, so I must be going mad.’
‘Take your time,’ said Seldon, ‘and tell me about it.’
‘I don’t believe in the supernatural,’ began Hamer. ‘I never have. But this thing . . . Well, I’d better tell you the whole story from the beginning. It began last winter one evening after I had dined with you.’
Then briefly and concisely he narrated the events of his walk home and the strange sequel.
‘That was the beginning of it all. I can’t explain it to you properly – the feeling, I mean – but it was wonderful! Unlike anything I’ve ever felt or dreamed. Well, it’s gone on ever since. Not every night, just now and then. The music, the feeling of being uplifted, the soaring flight . . . and then the terrible drag, the pull back to earth, and afterwards the pain, the actual physical pain of the awakening. It’s like coming down from a high mountain – you know the pains in the ears one gets? Well, this is the same thing, but intensified – and with it goes the awful sense of weight – of being hemmed in, stifled . . .’
He broke off and there was a pause. ‘Already the servants think I’m mad. I couldn’t bear the roof and the walls – I’ve had a place arranged up at the top of the house, open to the sky, with no furniture or carpets, or any stifling things . . . But even then the houses all round are nearly as bad. It’s open country I want, somewhere where one can breathe . . .’ He looked across at Seldon. ‘Well, what do you say? Can you explain it?’
‘H’m,’ said
Seldon. ‘Plenty of explanations. You’ve been hypnotized, or you’ve hynotized yourself. Your nerves have gone wrong. Or it may be merely a dream.’
Hamer shook his head. ‘None of those explanations will do.’
‘And there are others,’ said Seldon slowly, ‘but they’re not generally admitted.’
‘You are prepared to admit them?’
‘On the whole, yes! There’s a great deal we can’t understand which can’t possibly be explained normally. We’ve any amount to find out still, and I for one believe in keeping an open mind.’
‘What do you advise me to do?’ asked Hamer after a silence. Seldon leaned forward briskly. ‘One of several things. Go away from London, seek out your “open country”. The dreams may cease.’
‘I can’t do that,’ said Hamer quickly. ‘It’s come to this, that I can’t do without them. I don’t want to do without them.’
‘Ah! I guessed as much. Another alternative, find this fellow, this cripple. You’re endowing him now with all sorts of supernatural attributes. Talk to him. Break the spell.’
Hamer shook his head again. ‘Why not?’
‘I’m afraid,’ said Hamer simply.
Seldon made a gesture of impatience. ‘Don’t believe in it all so blindly! This tune now, the medium that starts it all, what is it like?’
Hamer hummed it, and Seldon listened with a puzzled frown.
‘Rather like a bit out of the Overture to Rienzi. There is something uplifting about it – it has wings. But I’m not carried off the earth! Now, these flights of yours, are they all exactly the same?’
‘No, no.’ Hamer leaned forward eagerly. ‘They develop. Each time I see a little more. It’s difficult to explain. You see, I’m always conscious of reaching a certain point – the music carries me there – not direct, but a succession of waves, each reaching higher than the last, until the highest point where one can go no further. I stay there until I’m dragged back. It isn’t a place, it’s more a state. Well, not just at first, but after a little while, I began to understand that there were other things all round me waiting until I was able to perceive them. Think of a kitten. It has eyes, but at first it can’t see with them. It’s blind and has to learn to see. Well, that was what it was to me. Mortal eyes and ears were no good to me, but there was something corresponding to them that hadn’t yet been developed – something that wasn’t bodily at all. And little by little that grew . . . there were sensations of light . . . then of sound . . . then of colour . . . All very vague and unformulated. It was more the knowledge of things than seeing or hearing them. First it was light, a light that grew stronger and clearer . . . then sand, great stretches of reddish sand . . . and here and there straight long lines of water like canals –’
Seldon drew in his breath sharply. ‘Canals! That’s interesting. Go on.’
‘But these things didn’t matter – they didn’t count any longer. The real things were the things I couldn’t see yet – but I heard them . . . It was a sound like the rushing of wings . . . somehow, I can’t explain why, it was glorious! There’s nothing like it here. And then came another glory – I saw them – the Wings! Oh, Seldon, the Wings!’
‘But what were they? Men – angels – birds?’
‘I don’t know. I couldn’t see – not yet. But the colour of them! Wing colour – we haven’t got it here – it’s a wonderful colour.’
‘Wing colour?’ repeated Seldon. ‘What’s it like?’ Hamer flung up his hands impatiently. ‘How can I tell you? Explain the colour blue to a blind person! It’s a colour you’ve never seen – Wing colour!’
‘Well?’
‘Well? That’s all. That’s as far as I’ve got. But each time the coming back has been worse – more painful. I can’t understand that. I’m convinced my body never leaves the bed. In this place I get to I’m convinced I’ve got no physical presence. Why should it hurt so confoundly then?’
Seldon shook his head in silence. ‘It’s something awful – the coming back. The pull of it – then the pain, pain in every limb and every nerve, and my ears feel as though they were bursting. Then everything presses so, the weight of it all, the dreadful sense of imprisonment. I want light, air, space – above all space to breathe in! And I want freedom.’
‘And what,’ asked Seldon, ‘of all the other things that used to mean so much to you?’
‘That’s the worst of it. I care for them still as much as, if not more than, ever. And these things, comfort, luxury, pleasure, seem to pull opposite ways to the Wings. It’s a perpetual struggle between them – and I can’t see how it’s going to end.’
Seldon sat silent. The strange tale he had been listening to was fantastic enough in all truth. Was it all a delusion, a wild hallucination – or could it by any possibility be true? And if so, why Hamer, of all men . . . ? Surely the materialist, the man who loved the flesh and denied the spirit, was the last man to see the sights of another world.
Across the table Hamer watched him anxiously. ‘I suppose,’ said Seldon slowly, ‘that you can only wait. Wait and see what happens.’
‘I can’t! I tell you I can’t! Your saying that shows you don’t understand. It’s tearing me in two, this awful struggle – this killing long-drawn-out fight between – between –’ He hesitated.
‘The flesh and the spirit?’ suggested Seldon.
Hamer stared heavily in front of him. ‘I suppose one might call it that. Anyway, it’s unbearable . . . I can’t get free . . .’
Again Bernard Seldon shook his head. He was caught up in the grip of the inexplicable. He made one more suggestion.
‘If I were you,’ he advised, ‘I would get hold of that cripple.’
But as he went home he muttered to himself: ‘Canals – I wonder.’
Silas Hamer went out of the house the following morning with a new determination in his step. He had decided to take Seldon’s advice and find the legless man. Yet inwardly he was convinced that his search would be in vain and that the man would have vanished as completely as though the earth had swallowed him up.
The dark buildings on either side of the passageway shut out the sunlight and left it dark and mysterious. Only in one place, half-way up it, there was a break in the wall, and through it there fell a shaft of golden light that illuminated with radiance a figure sitting on the ground. A figure – yes, it was the man!
The instrument of pipes leaned against the wall beside his crutches, and he was covering the paving stones with designs in coloured chalk. Two were completed, sylvan scenes of marvellous beauty and delicacy, swaying trees and a leaping brook that seemed alive.
And again Hamer doubted. Was this man a mere street musician, a pavement artist? Or was he something more . . .
Suddenly the millionaire’s self-control broke down, and he cried fiercely and angrily: ‘Who are you? For God’s sake, who are you?’
The man’s eyes met his, smiling. ‘Why don’t you answer? Speak, man, speak!’
Then he noticed that the man was drawing with incredible rapidity on a bare slab of stone. Hamer followed the movement with his eyes . . . A few bold strokes, and giant trees took form. Then, seated on a boulder . . . a man . . . playing an instrument of pipes. A man with a strangely beautiful face – and goat’s legs . . .
The cripple’s hand made a swift movement. The man still sat on the rock, but the goat’s legs were gone. Again his eyes met Hamer’s.
‘They were evil,’ he said.
Hamer stared, fascinated. For the face before him was the face of the picture, but strangely and incredibly beautified . . . Purified from all but an intense and exquisite joy of living.
Hamer turned and almost fled down the passageway into the bright sunlight, repeating to himself incessantly: ‘It’s impossible. Impossible . . . I’m mad – dreaming!’ But the face haunted him – the face of Pan . . .
He went into the Park and sat on a chair. It was a deserted hour. A few nursemaids with their charges sat in the shade of the trees, and dotted he
re and there in the stretches of green, like islands in a sea, lay the recumbent forms of men . . .
The words ‘a wretched tramp’ were to Hamer an epitome of misery. But suddenly, today, he envied them . . .
They seemed to him of all created beings the only free ones. The earth beneath them, the sky above them, the world to wander in . . . they were not hemmed in or chained.
Like a flash it came to him that that which bound him so remorse-lessly was the thing he had worshipped and prized above all others – wealth! He had thought it the strongest thing on earth, and now, wrapped round by its golden strength, he saw the truth of his words. It was his money that held him in bondage . . .
But was it? Was that really it? Was there a deeper and more pointed truth that he had not seen? Was it the money or was it his own love of the money? He was bound in fetters of his own making; not wealth itself, but love of wealth was the chain.
He knew now clearly the two forces that were tearing at him, the warm composite strength of materialism that enclosed and surrounded him, and, opposed to it, the clear imperative call – he named it to himself the Call of the Wings.
And while the one fought and clung the other scorned war and would not stoop to struggle. It only called – called unceasingly . . . He heard it so clearly that it almost spoke in words.
‘You cannot make terms with me,’ it seemed to say. ‘For I am above all other things. If you follow my call you must give up all else and cut away the forces that hold you. For only the Free shall follow where I lead . . .’
‘I can’t,’ cried Hamer. ‘I can’t . . .’
A few people turned to look at the big man who sat talking to himself. So sacrifice was being asked of him, the sacrifice of that which was most dear to him, that which was part of himself.
Part of himself – he remembered the man without legs . . .
‘What in the name of Fortune brings you here?’ asked Borrow.
Indeed the East-end mission was an unfamiliar background to Hamer.
Miss Marple and Mystery Page 75
