Laura found the tape stamped with the date she was looking for. The woman who ran the store took her into the back office and pointed her to the VCR. Laura ran the tape, getting more excited by the minute. This tape did not show the inside of the store, only the front, but she could see all the cars that came up to the front of the store, the cars at the gas pumps, and a large section of the parking lot. Not only that, but she could see everyone who walked up to the front door.
At nine thirty-three p.m., Jaime walked into the frame and opened the front door. At nine forty-two, he walked back out. Laura did not see his car, which must be parked at the edge of the lot, but that didn't matter. She now knew where he was right before he drove out to her place. She did some addition in her head and figured it would put him on the ranch between ten thirty and eleven—if he didn't stop anywhere else.
That meant that the Circle K was his last stop before he drove out to the Bosque Escondido Ranch.
Laura had what she wanted. She didn't know how it would help. She needed to find out more about the bomb, how and where it was planted, in or on Jaime's vehicle.
She called Victor and told him to meet her so they could go over the tape together. Then she re-ran the tape.
On the fourth pass, she saw something else.
Between the time Jaime walked into the Circle K and walked out again, a car drove into the parking lot and parked near the far right-hand edge of the lot. The lot was bordered by a row of tamarisk trees. She saw the driver get out, but the bulk of the car obscured him or her from view, and the video was gray and jumpy.
Laura waited for the driver to walk up onto the concrete apron fronting the store, but no one came from that direction.
“Strange,” she muttered. She stopped, rewound the tape, and started it again.
The car pulled into the parking lot. Laura noticed that the driver didn't douse the lights, but got out immediately. There was perhaps an inch or so where the driver was in the frame, but it was too dark for Laura to see the person because the sodium arc lights cast the area under the trees into deep shadow.
A few moments later, Jaime walked out the door.
Beyond him, Laura saw movement under the trees. Someone walking fast? The light catching something small—just a shimmer, then it was gone. She thought the person walking fast was the driver of the car parked by the tamarisks.
Laura ran the tape back again.
What was the object in the driver's hands? Something that shined when the light hit it.
Again. Laura couldn't tell what it was, the shimmering thing. She did notice this time that when Jaime Molina left the convenience store, he turned right, and headed along the walkway. He disappeared before she could tell for sure where he was going, but Laura guessed he had gone around the right side of the building.
Laura ran the tape back to the beginning of the sequence: the car pulling in, the driver getting out. Leaving the lights on, and Laura guessed, the engine running. A pause—the driver leaning into the back seat? It looked like he was holding something. For a split second, she saw a tiny glint of light, quickly obscured by the shadow.
The driver came back, moving quickly, but—Laura thought—carefully.
Laura was more convinced than ever that whoever had followed Jaime to the ranch had picked him up here.
Before entering the convenience store, Laura had looked around outside. There was an area alongside the right side of the building where people could park if the place was hopping—as it was that Friday—and there was still room for cars to drive through onto the street behind the building.
Laura waited for Victor. They would need a warrant for the tape, even though the act of throwing it into a bin meant for rejected tapes made the tape technically garbage. It never paid to take shortcuts at times like this. They would take the tape and see what could be done at the lab to enhance the images. In the meantime, Laura realized something else.
The car on the tape was sporty and low-slung. She couldn't tell the color, but she was pretty sure it was a Pontiac Solstice.
Chapter 41
Even enhanced, the blown-up image from the video was hard to see, but Laura and Victor did learn two things:
One, the driver was female. And two, she was carrying a jar of liquid.
“Looks like a canning jar,” Victor said, staring at the photo. He looked at Laura. “You know how you make a calcium carbide bomb?”
“No.”
“It's the stuff you get from carbide lamps, like the old miners had. Easy to get—you can find it at hardware stores. When you add it to water, it produces acetylene carbonate. Very dangerous shit. All you do is put the lid on tight and you've got a bomb. Stuff is unstable and highly flammable.”
“Sounds to me like she could have blown herself up.”
“She could have. I'm guessing she either left the lid off and put some cardboard between the water and the calcium carbide, or else she put the stuff in capsules—that would buy some time. Or else she had the capsules and was going to put it in right before she planted it on or in his car.”
Laura squinted at the enhanced image. The way they could tell the figure was a woman was because of the legs. Long and paler than the surrounding blackness. A woman wearing short shorts.
Laura knew who it was, and it shocked her. She knew who, but she couldn't make the jump as to “why.” She was missing something.
Victor said, “Looks to me like she followed him to the Circle K. When he went in, she tried to plant the bomb in his car.”
“But she didn't. I can only guess it was because he came out sooner than she expected.”
“Me, I would have left it anyway.”
“Maybe she didn't get as far as Jaime's car.” Another thought occurred to Laura. “Maybe she saw Christine in the passenger seat. Maybe that was what stopped her. If the thing didn't go off for some reason, Christine would have gotten a good look at her.”
Neither of them said what both were thinking: that the woman had glimpsed Christine in the dark car—the ponytail, the sling—and assumed it was Laura.
“I don't think she followed Jaime from the restaurant,” Laura said. “Otherwise, she would have seen me leave. Maybe she picked him up at his house.”
Victor sighed. “We'll never know.”
“We know a lot more than you think,” she said. “We know who.”
They took it to Jerry Grimes, then the three of them took it to Lieutenant Wiese. If they were right, Micaela Brashear was extremely dangerous. She had killed at least two people and probably more.
The lieutenant closed the door to his office, and they sat there tossing around theories, formulating a plan of action. The office was utilitarian, lit by fluorescent panels in the ceiling, and held a cheap veneered cherry desk you could get at an office supply store.
As they laid it out for him, the lieutenant seemed skeptical. “I'm having a hard time seeing a female doing something like this,” he said. “Women don't like bombs—they're much more likely to do something subtle. Like poison.”
Laura kept a neutral expression, although his comment galled her. Victor said, “It's a woman in the picture.”
“Yes, but we don't really know what she's doing.”
Maybe she's dropping off a cup of sugar, Laura thought.
“What's her motive?” Wiese asked.
Laura glanced at Victor, silently telling him to take the lead. It chafed her to have to do it that way, but there wasn't any time to waste.
Victor said, “We think she's an imposter.”
The silence was shattering.
“An imposter?” Wiese said at last. “What do you mean?”
“We think she's been scamming the Brashears into believing she's their daughter. As we got closer to finding Heywood, obviously the more precarious her situation was.”
“She knew Heywood?”
“We think she did. We're working on the theory that she's actually a twenty-six-year-old carnival worker named Angela Santero. She was H
eywood's girlfriend back in the mid-nineties.”
“That would make her fifteen, sixteen years old back then.”
“That's right.”
Laura and Victor had spent hours putting it together. What they came up with was chilling. Laura had faxed a photo of Micaela Brashear to Trudy Goodrich with G&H Shows. Trudy recognized her.
That's Angela. After all these years, and she still looks the same.
“How did she pull this off?” the lieutenant said now. “I just can't see it.”
Victor said, “It helps that there wasn't any DNA.”
“What?”
“Micaela was adopted. The adoption wasn't legal—she was adopted from Nogales.”
“They never did any DNA testing?”
“Not that we know of.” Victor leaned forward. “Look at it like this. She shows up on their doorstep after all those years. You're a parent. Wouldn't you want it to be your child? It was an easy sell. They convinced themselves.”
“I don't see how she could fool them,” Wiese said stubbornly. “What about her childhood?”
Laura cleared her throat. “That's the worst thing, sir,” she said. “We think she knew all about Micaela's childhood.”
“And why would that be?”
“That's the link with Heywood,” Victor said. “At the time, she was his girlfriend. We think they brutalized and killed those girls together.”
Chapter 42
They planned to breach the Brashear house the following morning. It would take that long to coordinate with the other agencies. The sheriff's office would definitely want a piece, considering what Micaela Brashear had done to one of their own. And the Brashear house was in TPD's jurisdiction.
It was also important to know as much about Angela Santero as they could.
They were working on the theory that at the age of fifteen, Angela had hooked up with Robert Heywood at the carnival where they both worked. By his early twenties, Robert Heywood was a full-blown serial killer. It was impossible to know to what extent Angela participated in the murders, but Laura's instinct told her the girl got a charge from the killings. It was just a guess, but it felt right to her. Maybe Angela was the one who lured the girls.
Laura guessed that, as manipulative as she was, Angela probably got into the girls' confidence—a “good cop, bad cop” dynamic. That was how Angela learned about Micaela, how she knew enough to snow the Brashears. Micaela's memories became her memories.
It must have galled Heywood to see Angela living the life of luxury. The sports car, the doting family, the money. Fresh out of prison, he had nothing, except for what he charged on his wife's credit cards. They didn't know this for sure—perhaps they'd never know—but it was assumed he had come to town to see if he could get a little piece of the action. It was possible he had come here to blackmail her.
If that were true, it was the wrong move.
Lieutenant Wiese couldn't see a woman using a bomb, but Laura thought the calcium carbide bomb was perfect for Angela Santero. It was simple to make and produced devastating results. Angela had seen its full effect when Heywood had killed Tom Purvis. Not only that, but there were ways of putting off the explosion—although this was tricky. Angela might have thought she'd be nowhere near Jaime when the car exploded.
It fit with her personality.
Laura thought of the calls on her answering machine. Maybe they weren't from Grady. They could have been from Angela. Angela could have made the other calls, too—the hangups—to confirm Laura's whereabouts. Maybe she'd planned to go out to the Bosque Escondido Ranch, then changed her plans. But the sex trade calls . . . why would she do that?
It could be put down to simple harassment. It was the kind of childish thing Grady would do, but it would fit Angela, too. Sociopaths were more alike than they were different. They did stupid things, petty things . . .
Laura suddenly remembered handing Nina Lantz-Brashear her business card with her home phone number on it.
There were other loose ends. Why did Heywood and Angela kill Heywood's best friend? Did he know what they were doing, and they decided it was too dangerous to let him live?
And was Bill Smith just a name Angela made up or was he real? Was her whole story about living in San Diego a lie?
And the question Laura couldn't get out of her mind: Was there really a girl named Lily?
Laura knew in her heart that Angela Santero was not just a criminal. She was the most dangerous enemy Laura had ever faced. She knew that this woman wouldn't hesitate to kill any one of them, even if it did her no good. She would do it because she could. Angela Santero was far worse than any cornered animal.
Normally, people responded to logic. But Laura knew that Angela Santero had her own logic, the logic of a sociopath. She was predictable, but in a different way from the average person. She had no fear, so they could not get to her that way. She had no sense of time, so the idea of a shorter prison sentence would mean nothing to her. She lived for the moment, in the moment.
Angela was like a shark. A predator with no fear, no natural enemies, no conscience to govern its appetite, cruising the waters aimlessly and picking up sustenance along the way.
The problem with Chris and Jaime—they had gotten in the way.
Laura knew that Angela had a strong sense of self-preservation, but how that would play out would depend on the circumstances. Laura had no doubt that if threatened, Angela Santero would take the Brashears hostage. She would kill them without even thinking about it.
They had to get the parents out of the house. The morning was a good time because Dr. Brashear would leave for the clinic by eight o'clock at the latest. Nina Brashear was a bigger problem. Laura had to get her to leave the house without tipping off Angela.
Laura wanted to make sure that Dr. Brashear was safely out of the way, so SWAT had been directed to watch for his black Lincoln Navigator; they would not move in until he'd left for the day. Laura also wanted to get as much information as she could from Nina Brashear—about the layout of the house and what dynamics were currently in play.
They spent the night making their case for probable cause and planning the raid. One piece of good luck: Micaela Brashear had been stopped by a TPD patrol car for speeding two blocks from the Lariat Motel at nine oh three a.m. She had talked the officer out of the ticket, but after running her registration and license to make sure she was indeed the owner of the car, he'd asked her why she was dressed as a maid. She told him she was rehearsing for a play.
Circumstantial evidence was building. Computer forensics had been able to enhance the video of the Solstice as it pulled out of the Circle K parking lot—the first three digits of the Arizona license plate corresponded to the plate on Micaela Brashear's car.
The pieces falling into place. They were lucky.
Don't worry, Jaime, Laura thought. I'm going to nail her ass.
The SWAT team would gather at the staging area in Reid Park, which would make it appear they were doing some training. They hoped to have SWAT in place at the Brashear house by ten o'clock, providing Laura could get Nina Brashear out of the house.
Laura called Nina Brashear at eight thirty the next morning. Angela Santero answered the phone.
That was bad luck. Laura tried to relax. “Can I talk to Nina?”
“Sure.” Laura heard the phone crack down on a wooden surface.
As Laura waited, she thought of the mockingbirds, Buster and Blanca, and the imposter bird who had sounded so much like Buster—how easily she had been fooled. Just the way Angela Santero had fooled everyone, including Micaela's own mother.
Laura heard a muted click on the line and realized she'd been waiting for quite some time. Then she heard the sound of someone picking up the receiver, Nina Brashear saying, “Hello?”
Laura wondered if Angela was listening in. Had to play this right. She told Nina she had to sing a solo that weekend and desperately needed her help.
“You can come here . . . I could work with you at two o'c
lock—”
“We have a rehearsal then,” Laura said quickly. “Look, I just want you to go over the music with me, show me where I should take the breaths. We can get in the room I'm going to sing in. It's at the Arizona Inn—the library area. I'm heading out there now for breakfast. I thought we could check out the acoustics and run through it once or twice.” Laura was making it up as she went along. She remembered that the Arizona Inn had a piano room, that people did perform there, so that was plausible. “Could you meet me there? We could have breakfast by the pool. ”
“Well . . . ”
“I'll buy.” It had been her experience that wealthy people loved a free lunch. That was how they stayed wealthy.
“I'm not sure . . . ”
Laura praying now.
“I guess I could do that.”
Laura closed her eyes. Her relief made her smile. They arranged to meet by the pool at nine fifteen.
Laura wanted to ask about Dr. Brashear, if he had already gone to the clinic, but didn't dare take a chance.
As she hung up, she realized she was shaking. Worried that Angela had picked up on something. A born predator, Angela would sense if something was wrong. Laura hoped she'd been a good enough actor, that her story sounded plausible to Angela. She was counting on the notion that Angela didn't know much about voice lessons or singing. It wasn't necessary for her to know about music, so she didn't bother.
Laura used the Arizona Inn to lure Mrs. Brashear. The recital ploy made it an easy choice, but that wasn't the only reason. Very few people turned down a chance to eat breakfast poolside at the Arizona Inn.
Laura got to the Inn fifteen minutes before she was due to meet Mrs. Brashear, entering through the gate in the north wall. On her way to the pool, she passed croquet wickets on shaved green lawns, flagstone paths bordered by beds of bright flowers, a cactus garden, and a tennis court hidden by twenty-foot-tall oleanders. The Inn and all the casitas were pink stuccoed-adobe with blue shutters and doors. Coming here was like stepping back into the 1930s. The Inn was built by Arizona's first congresswoman, Isabella Greenway, who put wounded World War I veterans to work building furniture to support themselves. Eventually, there was so much furniture she built the Inn to accommodate it.
The Laura Cardinal Novels Page 88
