Eastern Europe, and the Russian Empire, were a very, very long way from England. The English knew only what came to them, visiting their shores from out of those remote climes—Pavlova, Nijinsky, Diaghilev, Stravinsky—and did not care to learn anything more. No one there had seen Nina dance. A few balletomanes would have heard of her name, that she was a great prima with the Imperial Ballet, but aside from a few sketches or blurred photographs, which could have been of virtually any ballerina, there was nothing to tell the imposter from the real thing. “Nina Tchereslavsky” was the perfect person to impersonate.
And aside from those few balletomanes, no one would know who, or even what, she was. The imposter was already on the metaphorical high ground, having established herself as “Nina Tchereslavsky.” Any challenger would have an uphill fight against someone who had fans, adherents, and the backing of an impresario. Claimants to a throne already being held usually did not fare well.
Perhaps an oblique approach, at least at first.
So, rather than sail that very expensive steam yacht directly into the harbor at Blackpool and excite all manner of interest among those who might wonder who was aboard, Nina ordered it put in to the harbor at Southport, then hired a motorcar and spent a leisurely and very private journey up the Liverpool Road to Preston, eating at the best establishments, sleeping at the best hotels, crossing a river known (she thought rather hilariously) as the “Ribble”, and from thence to Blackpool itself. She took lodgings in a fine little hotel under the name of “Anna Vronsky,” another joke, since she rather doubted any of the insular and culturally illiterate English would ever recognize the names of Tolstoy’s famous hero and heroine of the great master-work, Anna Karenina.
Nor did they. And generous payment in advance practically guaranteed discreet silence about the mysterious Russian lady, though according to her servants, rumors flew about the dining room that she was a duchess, even a grand duchess, or at least a countess.
Having established a headquarters, she went about obscuring her magical existence, for a very brief foray into the Elemental realms told her that the imposter was somehow involved with both a Fire Master and an Air Master. Discretion was definitely in order, and caution, and a great deal of covering her tracks. She had plenty of practice in that. There was not an Elemental Master on the planet that would be happy about one of the Elementals achieving what she had done in escaping her bonds. They would be even less happy if they knew how she was sustaining herself outside the Earth Realm. Dangerous. Very dangerous.
That took several days. One more thing was needed; knowledge. This was not her land, nor her language, nor were any of those she had absorbed familiar with England, much less this particular city. She sent out her maid one night to find and bring back someone who would not be missed.
It took only a moment to absorb the ragged street urchin, who gave her a street-urchin’s command of the English language, and a street-urchin’s knowledge of the city. Only then was she prepared to go and have a look at her imposter.
And she did not do that as “Anna Vronsky,” either.
It was a very good thing to have servants that were not human—and were totally under her control. There was no curiosity to contend with when she sent out her maid to buy a second-hand men’s suit, nor when she assumed the face and figure of one of the poets she had consumed. Carrying a stack of empty boxes, as if she had just made a delivery, Nina left the hotel by the service entrance without anyone looking at her twice.
Then it was a simple matter to dispose of the boxes and make her way to the theater where her imposter was dancing. She bought a cheap balcony seat, and sat, un-smiling and unmoving, through the entire performance.
Grudgingly, she had to admit that the little trollop was good. Quite good. And it was clear that she was an audience favorite. Of course, the mobs of holiday goers in the theater were quite prepared to be pleased with just about anything they were given, provided it was novel and amusing enough. And it was quite clear just who and what the girl had purloined her dances from, even if most, if not all, of the audience had never seen Loie Fuller or Isadora Duncan. Nor had they even heard of the dancers except as the subject of articles in newspapers.
After the performance, Nina went back to the stage door, and loitered, listening to the gossip among the stagehands. Here her knowledge of the language was perfect; she fit right in. And her knowledge of backstage life allowed her, eventually, to slip around to the theater pub, pay for two bottles of cheap champagne, and get in backstage by pretending she was a delivery person. One bottle was destined to be delivered to a woman who sang popular songs, and the other to a comedian, both with notes of congratulation and an unreadable signature attached. But having them gave her all the excuse she needed to linger backstage—
She learned that the imposter was very popular with the backstage workers. That was awkward, because by her nature, she had a great many limitations as to what she could and could not do. She could easily influence someone whose mind was already tending in a direction she wanted it to go, but it was the next thing to impossible to influence them in the opposite direction. There were also disadvantages to being tied up in very mortal form; she could not manifest in the girl’s flat and simply absorb her. She would have to somehow get within embracing range of her, and remain private with her for as long as it took to absorb her. There would be no finding allies back here, and the girl was too well-guarded to think of a direct approach.
She also learned that the imposter had so thoroughly ingratiated herself with the theater management that an enormous production was being planned solely around her. So there would be no hope in disenchanting the management with her, either. . . .
Nina would have to think of an entirely different plan of attack.
With that in mind, she left the bottles of champagne with their surprised and gratified recipients, and returned to her hotel. Once there, she got the boxes from where she had hidden them, then applied at the service entrance for admission to her own suite. The room was rung for permission, the maid gave it, and Nina took herself back up to her quarters and assumed her rightful form.
Once there, she paced like a caged lion, restlessly, trying to think of a way to undermine the girl. She could not do so on the basis of talent, that much was clear. The girl had made far too many friends in that theater to do so there, too. Why could she not have been a scheming, vituperative shrew? Why hadn’t she been arrogant, cold, heartless? Why had she spent time and money distributing little favors to the stagehands? Why hadn’t she had furious arguments with the orchestra?
Furthermore, there were not even rival lovers to set against each other, nor was there a hint of scandal to excite the interest of the press and outrage the public! Why hadn’t the girl had the decency to take up with a married man as his lover? That sort of thing was shrugged at on the Continent, even expected, but it could have brought her down completely in so-proper England!
Well there was no use in lamenting what had not happened. Nina needed to think of something that could.
Well . . . there was the possibility of creating a scandal out of nothing. She could find someone utterly unsuitable who wanted to be the girl’s lover, make him think that the girl reciprocated his feelings, then inform the wife . . . that would take time, however. And a great deal of effort.
Well it would certainly do to at least start that project. She could begin by finding such a man. One of the imposter’s many admirers, who crowded her dressing room, no doubt, was of the proper stuff to turn into a man obsessed.
But in the meantime . . .
She shook her head. She was famished, and not for mortal food. She had not drained anyone since that street urchin, and he had been relatively unsatisfactory. There had not been a great deal of life in him; it had gotten beaten and starved out of him by the streets. There were two kinds of people that provided her with a satisfactory repast. First and foremost were those rich old men, who were fat with abundant living and experiences
. All those memories, all the things they had accomplished—it was like a multi-course meal created by the finest of chefs.
And then there were the young men, full of passion, dreams, hopes, and desires. Everything about them was sharp, new, flavored with high emotion. She could not have said which were her favorites. . . .
But tonight, on such short notice, it would be much, much easier to find a young man.
She summoned her manservant. Tonight she would be taking another long walk.
11
THE show was coming together. In fact, it had progressed far enough that the entire score was complete, and Arthur was rehearsing the orchestra in their parts, Maestro Ciccolini and Ninette had finished their choreography and Ninette was rehearsing her numbers, as well as dancing in the evening. At first, Ninette had been worried that her act would get stale—music hall audiences were used to seeing a different bill every week, after all. But Nigel assured her that Blackpool, at least in holiday season, was very different. The audience changed every week, so to them, the revue was entirely new. And he was right.
Ninette’s admirers had gone from a handful to a young army. None of them were what she was looking for, but then, she was no longer looking very hard. It seemed that the more she danced, and the more audience acclaim she had, the more she craved the applause. It was no longer thinkable that if she ever did find a protector, she would give up dancing. She might have felt alarm at this, except that she came off the stage every night feeling invigorated rather than drained.
Not that any of the gentlemen who filled her dressing room with flowers were the sort to offer the kind of arrangement that suited her. Still, some pleasant things came from all these admirers. Not just flowers, which were delightful and kept her flat scented sweetly—there were some more permanent presents. Nothing spectacular, nothing so enormously expensive that accepting it would have implied certain expectations that would have to be fulfilled . . . no, these were pretty, but more modest tokens. A pair of garnet and tortoiseshell combs, a handsome set of enameled gold necklace, bracelet and earrings in the Egyptian style, any number of less remarkable pieces of jewelry, pairs of gloves, fans, lace handkerchiefs—all tokens of esteem, mute pleas for preference, but not demands for attention. The one time a rather remarkable sapphire bracelet had appeared on her dressing table, it had been very firmly given back to the one who had proffered it.
There were also many pleasant suppers, and a few parties—all of them in the company of other members of the company, of course. Usually Nigel came along, in fact. And if she was not the first to leave these affairs, she was certainly never the last.
Certain members of the circle of admirers remained, men who lived and worked in Blackpool. Others appeared, only to vanish: those who were not residents. The two sorts were easy to tell apart, and Ninette and Ailse had a little game between them, of how long it would take for these birds-of-passage to understand that money could not necessarily purchase everything their hearts desired. She wasn’t worried; the one and only time a “gentleman” had gotten a little too demanding, she’d broken his instep for him. Ballet dancers might look fragile, but dancing built muscles.
He had been the exception though, and she had felt so little threatened at the time that she did not even bother to tell Nigel and have him barred from the theater. In the first place, his broken foot was going to keep him safely confined to his hotel until it was time for him to depart back to whatever grim industrial town had spawned him. For another, he had learned his lesson rather sharply. No need to get Nigel involved.
But Thomas the cat was not happy. And neither was the magician, Jonathon Hightower, but Thomas was someone she could actually talk to. The magician would only look annoyed, sullen, or angry, and tell her to leave the magical business in his hands.
“What on earth is wrong?” she finally asked the cat, after his prowling and peering out of windows on what should have been a quiet evening finally got on her nerves. “We had a delightful supper, the house was almost full, tomorrow the theater is dark and we have that dinner party—and I have not seen a sign of this inimical, invisible enemy you think I have.”
She didn’t add an enemy that you made up in the first place, because Ailse was in the room, but her brief glare at Thomas said it for her.
But the cat had other ideas. There is something out there, and it is no friend to you. I just cannot figure out who or what it is, nor what it wants.
She blinked a little in surprise. So this wasn’t part of his elaborate ruse?
“I can’t imagine why—” she began.
That’s the problem. Neither can I. He sighed gustily. I suppose I will have to investigate this. Jonathon—
She frowned. “I would not take anything Master Hightower says to be an indication of anything at all other than his overactive imagination. He sees a bit of rope and sees a serpent, a shadow and thinks it is a spirit.”
He has reasons to. Sometimes a rope is a serpent in disguise.
She flung up her hands. “Have it your own way then! Is there any reason why this mysterious something you both sense must be planning on me as its victim? What about Nigel? Arthur? Wolf? You? Even Jonathon? All of you are far more likely to have collected magical enemies than I!”
The cat hesitated. I suppose that is possible . . .
“I would say it was far more likely.” She sniffed. “The only enemy I am likely to have would be the sort that would put ground glass in the toes of my shoes, or cut the shoulder-straps of my costumes.” She surprised herself with a yawn. “I am going to bed. You may stay up and watch all night if you please.”
Hmm, was all Thomas would say.
After a great deal of thought, and a great many discarded plans, Nina decided to attack obliquely by attacking not the girl herself, but the theater. If the physical building was gone, she would have no place to perform. If she had no place to perform, she would be cast out on her own, without a salary, and be easier to get at. At this point Nina had decided that she would absorb the girl. Not just out of revenge, but because it could be useful to have a second identity ready and waiting to step into which provided such fruitful rewards for her kind.
So that was her plan. Attack the theater, destroy it, and flush the quarry.
As for how that was to be done . . . although fire obviously was not Nina’s Element, fire was the easiest, and that was what she would try first.
Jonathon Hightower watched the Salamander twine around the fingers of his left hand, and frowned. Strictly speaking, Elementals could not see the future, not as a human clairvoyant could, at any rate. But they could sense when something was going to happen a short time before it actually did, and they reacted to that.
This one was agitated. Very agitated. Enough to make it come to Jonathon without being invoked, which was something Fire Elementals rarely did. All he could discern from it was the sense of danger, danger and destruction, coming soon.
Wait— No, he sensed something more. The danger had to do with fire.
Fire was always a theatrical nightmare. Everything about a theater was a fire hazard. The scenery, made of canvas painted with oils, the curtains, the dry wood . . . it was worse in the days of limelight and gaslight of course. There were terrible stories of performers getting too close to the lights and going up in flames. That was why there were buckets of sand, and sometimes water, tucked unobtrusively away everywhere in the wings.
Finally, the Salamander grew frantic, and he decided he was going to take a walk.
His present lodgings were, in fact, the guest bedroom that the dancer had just vacated. Nigel saw no reason for him to take his own lodgings, and every reason why he should not. Here, among Nigel’s trained servants, accustomed to mages and magic, he could do whatever he chose to do and not so much as a raised eyebrow would occur. Outside of these walls, however, was a land of nosy landladies, curious fellow tenants, and a wealth of horror stories about what had happened when an ordinary person stumbled into someone workin
g magic. And truth to tell, for all his apparent misanthropy, Jonathon liked the company of others well enough if his companions were intelligent.
One certainly couldn’t fault Nigel, Arthur, or even Wolf on that score. Besides, this saved him money. Power as a mage did not translate into wealth, and not every, or even most, Elemental Masters were independently wealthy. Nigel had made his fortune honestly, by gauging the public’s tastes and meeting them, but he was no more the norm among Elemental Masters than he was among ordinary folk. Jonathon had chosen a path that would probably never make him rich, although if he was careful, he could retire comfortably one day. So living off Nigel did not bother him one whit, since it meant that much more of his salary could be tucked away towards that end.
Staying here had other advantages—one of which was that he could stroll out of the flat at two in the morning without making an excuse to anyone, and know that no one would be poking a nose out to find out where he was going. More to the point, he could return when he pleased and not have to answer to anyone, nor face being locked out.
So off he went, after choosing an inconspicuous coat and old cloth cap to wear in order to blend in with the locals.
The Salamander vanished, leaving a sense of relief in its wake as it did so. Whatever he was doing must have been right.
The streets were dark and quiet, even here in the theater district. They were, however, very well lit—it was bad for business if your customers fell and broke a limb on the way to the theater, and worse for them to be the victim of a cutpurse or felon. For once, there was no rain. At this time of night, one of the most important things to do was to walk briskly and with purpose, so that any policeman that spotted him would be certain that he was a man with a duty and a destination, and would not hinder him. He passed by two such on his way to the theater, and only when he reached it did he pause, slow down, and drop into the shadows.
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