So, what in this novel is “true”? All the principal characters, with the exception of Jonas, Ilana, and Skilla, are real-life historical figures. I’ve invented details of their lives and words to fit my story, but their general role is fairly accurate. My depiction of the embassy to Attila and the campaign of 451 roughly follows the occasionally confusing account we have from Priscus and other historians. The “facts” include a possible conspiracy by the Huns and King Sangibanus to betray Aurelia (Orleans), and Attila’s desperate construction of a funeral pyre after the awful battle. Yet even the most basic points, such as whether Orleans was really besieged, or whether Attila really built the pyre, are recorded in some accounts but not in others. Such are the problems of the history of late antiquity.
To research this book I’ve not only read what accounts we have but also retraced Attila’s likely invasion route in Europe. I visited museums, looked at surviving artifacts, and did my best to bring back to life a period of extremely complex politics and culture. The task is not easy because no nation wants to claim the Huns. Even the Hungarian National Museum, while it does have a single room briefly discussing this mysterious people, declines to point out that its nation’s name stems from them. While Attila is still a popular name in Hungary and Budapest even premiered a rock opera about the famed king in 1993, the country prefers to date its origin from the Magyars.
Yet what a pity that records are not more complete! Recent studies have tended to cast “barbarians” in a more favorable light. Perhaps the Huns deserve better. And my suspicion is that the reality of that tumultuous time was far stranger than what I have imagined. It must have produced true stories, now lost, of conflict and heroism as fascinating as those in the Wild West. How people must have struggled to keep their footing on the cracking ice of the Roman Empire!
I have invented a great deal in my plot, of course. There is no recorded theft of the great sword; all we have is mention of its existence. (Hungarian royalty actually claimed to have rediscovered the sword six centuries later.) As far as we know, Zerco was merely an unfortunate jester, not an imperial spy, though he was married as described and traded back and forth between Aetius and Attila. While Eudoxius did lead an unsuccessful revolt against Rome and fled to Attila, there is no record of his being an envoy to the Vandals— even though the threat that Gaiseric represented to Rome did enter into Attila’s strategic thinking. Bishop Anianus did rally troops on the walls of Aurelia, and a hermit did call Attila “the Scourge of God,” but my suggestion that the two are the same person is fictional. There is no report of a fire at Attila’s palace set by a woman named Ilana, and Jonas’s pivotal role in great events is, alas, made up. In short, I freely embroidered already fascinating history to tell a good yarn.
I must also apologize for inflicting on the reader a vast and confusing geography of world war at a time when names were in flux. Caesar’s Gaul, for example, was actually by this time known more by the names of its Roman provinces, such as Aquitania. The Frankish triumph that would give it the name France was still in the future. The Celtic city of Cenabum had become the Roman city of Aurelia or Aurelionum, evolving into the French city of Orleans. To help orient modern readers, Constantinople is today’s Istanbul, the ruined city of Naissus is the Balkan city of Nis, the abandoned fort of Aquincum is in the suburbs of Budapest, the Roman tower that Skilla attacks is southeast of Austria’s Salzburg, the “wasps” of Sumelocenna are in modern-day Rottenburg, Augusta Treverorum is Germany’s Trier, and Tolosa became France’s Toulouse.
Who was Attila? What did he mean to history? In many ways his story is as foggy, and fascinating, as that of King Arthur. One thing we do know. The kingdoms that survived the assault of the Huns and the collapse of the Romans, evolved into Western Europe—and thus the civilization that still dominates the world today. When those ancient and doughty warriors beat back the Huns, they laid the foundation for our modern security. To go to the farmland around Troyes and imagine the ghosts of tens of thousands of charging cavalrymen, deciding the fate of the world is a moving experience.
A reader can also visit the island on which Jonas and Ilana finally settled. It’s in the Loire River at the town of Amboise in the heart of French chateau country, the only island high enough in that region to escape frequent flooding. Near where the couple’s home stood there is a splendid view westward of the river and its gentle valley.
There is also a sad war memorial, partially sunken into the earth, recording the names of local men killed in recent wars. Unsurprisingly, a section on that memorial has been left blank, providing room for future inscriptions.
So does history march on.
About the Author
WILLIAM DIETRICH, author of Hadrian’s Wall, is a novelist, Pulitzer Prize-winning journalist, historian, and naturalist who lives on an island in Washington State. Visit his website at www.williamdietrich.com.
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Praise for Pulitzer Prize winner
WILLIAM DIETRICH
and
THE SCOURGE OF GOD
“Fascinating . . . Late antiquity hasn’t produced many historical novels, despite being packed with events and characters so bizarre that they verge on the surreal. Novelist William Dietrich . . . is one of the few who have undertaken to mine the drama from this neglected age . . . Dietrich’s fictional characters . . . are recognizable and credible . . . He effectively depicts the butchery, confusion, and chaos of the ancient battlefield . . . An immensely readable glimpse of what the death struggle between Rome and Attila might have been like.” Tacoma News Tribune
“Full of rich, often gruesome detail, woven through with raw passion, this historical novel depicts Attila and his Huns in a welcome light: barbarians, albeit savage, yet refreshingly human . . . For readers who find history books dull and dry, Dietrich has the antidote.”
Seattle Times
“Rousing . . . The story unfolds swiftly and satisfyingly.”
Publishers Weekly
“[Dietrich writes] page-turning historical fiction seething with action, adventure, and romance.”
Booklist
“[A] strong novel . . . Well researched and told in a language that makes the reader believe . . . Reading [The Scourge of God] is a very good idea.”
Oregon Statesman Journal
Books by William Dietrich
Fiction
The Scourge of God
Hadrian’s Wall
Dark Winter
Getting Back
Ice Reich
Coming soon in hardcover from William Morrow
Napoleon’s Pyramids
Nonfiction
Natural Grace
Northwest Passage
The Final Forest
Copyright
This book is a work of fiction. The characters, incidents, and dialogue are drawn from the author’s imagination and are not to be construed as real.
Any resemblance to actual events or persons, living or dead, is entirely coincidental.
THE SCOURGE OF GOD.Copyright © 2005 by William Dietrich. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
Adobe Acrobat eBook Reader October 2007 ISBN 978-0-06-155162-8
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