For the most part, it will be seen, my Brownies are somewhat fantastic, like their stories hot and hot, full of passion and the picturesque, alive with animating incident; and they have no prejudice against the supernatural. But the other day they gave me a surprise, entertaining me with a love-story, a little April comedy, which I ought certainly to hand over to the author of “A Chance Acquaintance,” for he could write it as it should be written, and I am sure (although I mean to try) that I cannot. — But who would have supposed that a Brownie of mine should invent a tale for Mr. Howells?
* * *
IV
BEGGARS
I
In a pleasant, airy, up-hill country, it was my fortune when I was young to make the acquaintance of a certain beggar. I call him beggar, though he usually allowed his coat and his shoes (which were open-mouthed, indeed) to beg for him. He was the wreck of an athletic man, tall, gaunt, and bronzed; far gone in consumption, with that disquieting smile of the mortally stricken on his face; but still active afoot, still with the brisk military carriage, the ready military salute. Three ways led through this piece of country; and as I was inconstant in my choice, I believe he must often have awaited me in vain. But often enough, he caught me; often enough, from some place of ambush by the roadside, he would spring suddenly forth in the regulation attitude, and launching at once into his inconsequential talk, fall into step with me upon my farther course. “A fine morning, sir, though perhaps a trifle inclining to rain. I hope I see you well, sir. Why, no, sir, I don’t feel as hearty myself as I could wish, but I am keeping about my ordinary. I am pleased to meet you on the road, sir. I assure you I quite look forward to one of our little conversations.” He loved the sound of his own voice inordinately, and though (with something too off-hand to call servility) he would always hasten to agree with anything you said, yet he could never suffer you to say it to an end. By what transition he slid to his favourite subject I have no memory; but we had never been long together 191 on the way before he was dealing, in a very military manner, with the English poets. “Shelley was a fine poet, sir, though a trifle atheistical in his opinions. His ‘Queen Mab,’ sir, is quite an atheistical work. Scott, sir, is not so poetical a writer. With the works of Shakespeare I am not so well acquainted, but he was a fine poet. Keats — John Keats, sir — he was a very fine poet.” With such references, such trivial criticism, such loving parade of his own knowledge, he would beguile the road, striding forward up-hill, his staff now clapped to the ribs of his deep, resonant chest, now swinging in the air with the remembered jauntiness of the private soldier; and all the while his toes looking out of his boots, and his shirt looking out of his elbows, and death looking out of his smile, and his big, crazy frame shaken by accesses of cough.
He would often go the whole way home with me: often to borrow a book, and that book always a poet. Off he would march, to continue his mendicant rounds, with the volume slipped into the pocket of his ragged coat; and although he would sometimes keep it quite a while, yet it came always back again at last, not much the worse for its travels into beggardom. And in this way, doubtless, his knowledge grew and his glib, random criticism took a wider range. But my library was not the first he had drawn upon: at our first encounter, he was already brimful of Shelley and the atheistical “Queen Mab,” and “Keats — John Keats, sir.” And I have often wondered how he came by these acquirements, just as I often wondered how he fell to be a beggar. He had served through the Mutiny — of which (like so many people) he could tell practically nothing beyond the names of places, and that it was “difficult work, sir,” and very hot, or that so-and-so was “a very fine commander, sir.” He was far too smart a man to have remained a private; in the nature of things, he must have won his stripes. And yet here he was, without a pension. When I touched on this problem, he would content himself with diffidently offering me advice. “A 192 man should be very careful when he is young, sir. If you’ll excuse me saying so, a spirited young gentleman like yourself, sir, should be very careful. I was perhaps a trifle inclined to atheistical opinions myself.” For (perhaps with a deeper wisdom than we are inclined in these days to admit) he plainly bracketed agnosticism with beer and skittles.
Keats — John Keats, sir — and Shelley were his favourite bards. I cannot remember if I tried him with Rossetti; but I know his taste to a hair, and if ever I did, he must have doted on that author. What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language. His honest head was very nearly empty, his intellect like a child’s; and when he read his favourite authors, he can almost never have understood what he was reading. Yet the taste was not only genuine, it was exclusive; I tried in vain to offer him novels; he would none of them, he cared for nothing but romantic language that he could not understand. The case may be commoner than we suppose. I am reminded of a lad who was laid in the next cot to a friend of mine in a public hospital, and who was no sooner installed than he sent out (perhaps with his last pence) for a cheap Shakespeare. My friend pricked up his ears; fell at once in talk with his new neighbour, and was ready, when the book arrived, to make a singular discovery. For this lover of great literature understood not one sentence out of twelve, and his favourite part was that of which he understood the least — the inimitable, mouth-filling rodomontade of the ghost in Hamlet. It was a bright day in hospital when my friend expounded the sense of this beloved jargon: a task for which I am willing to believe my friend was very fit, though I can never regard it as an easy one. I know indeed a point or two, on which I would gladly question Mr. Shakespeare, that lover of big words, could he revisit the glimpses of the moon, or could I myself climb backward to the 193 spacious days of Elizabeth. But, in the second case, I should most likely pretermit these questionings, and take my place instead in the pit at the Blackfriars, to hear the actor in his favourite part, playing up to Mr. Burbage, and rolling out — as I seem to hear him — with a ponderous gusto —
“Unhousel’d, disappointed, unanel’d.”
What a pleasant chance, if we could go there in a party! and what a surprise for Mr. Burbage, when the ghost received the honours of the evening!
As for my old soldier, like Mr. Burbage and Mr. Shakespeare, he is long since dead; and now lies buried, I suppose, and nameless and quite forgotten, in some poor city graveyard. — But not for me, you brave heart, have you been buried! For me, you are still afoot, tasting the sun and air, and striding southward. By the groves of Comiston and beside the Hermitage of Braid, by the Hunters’ Tryst, and where the curlews and plovers cry around Fairmilehead, I see and hear you, stalwartly carrying your deadly sickness, cheerfully discoursing of uncomprehended poets.
* * *
II
The thought of the old soldier recalls that of another tramp, his counterpart. This was a little, lean, and fiery man, with the eyes of a dog and the face of a gipsy; whom I found one morning encamped with his wife and children and his grinder’s wheel, beside the burn of Kinnaird. To this beloved dell I went, at that time, daily; and daily the knife-grinder and I (for as long as his tent continued pleasantly to interrupt my little wilderness) sat on two stones, and smoked, and plucked grass and talked to the tune of the brown water. His children were mere whelps, they fought and bit among the fern like vermin. His wife was a mere squaw; I saw her gather brush and tend the kettle, but she never ventured to address her lord while I 194 was present. The tent was a mere gipsy hovel, like a sty for pigs. But the grinder himself had the fine self-sufficiency and grave politeness of the hunter and the savage; he did me the honours of this dell, which had been mine but the day before, took me far into the secrets of his life, and used me (I am proud to remember) as a friend.
Like my old soldier, he was far gone in the national complaint. Unlike him, he had a vulgar taste in letters; scarce flying higher than the story papers; probably finding no difference, certa
inly seeking none, between Tannahill and Burns; his noblest thoughts, whether of poetry or music, adequately embodied in that somewhat obvious ditty,
“Will ye gang, lassie, gang
To the braes o’ Balquhidder”:
— which is indeed apt to echo in the ears of Scottish children, and to him, in view of his experience, must have found a special directness of address. But if he had no fine sense of poetry in letters, he felt with a deep joy the poetry of life. You should have heard him speak of what he loved; of the tent pitched beside the talking water; of the stars overhead at night; of the blest return of morning, the peep of day over the moors, the awaking birds among the birches; how he abhorred the long winter shut in cities; and with what delight, at the return of the spring, he once more pitched his camp in the living out-of-doors. But we were a pair of tramps; and to you, who are doubtless sedentary and a consistent first-class passenger in life, he would scarce have laid himself so open; — to you, he might have been content to tell his story of a ghost — that of a buccaneer with his pistols as he lived — whom he had once encountered in a seaside cave near Buckie; and that would have been enough, for that would have shown you the mettle of the man. Here was a piece of experience solidly and livingly built up in words, here was a story created, teres atque rotundus.
And to think of the old soldier, that lover of the literary 195 bards! He had visited stranger spots than any seaside cave; encountered men more terrible than any spirit; done and dared and suffered in that incredible, unsung epic of the Mutiny War; played his part with the field force of Delhi, beleaguering and beleaguered; shared in that enduring, savage anger and contempt of death and decency that, for long months together, bedevil’d and inspired the army; was hurled to and fro in the battle-smoke of the assault; was there, perhaps, where Nicholson fell; was there when the attacking column, with hell upon every side, found the soldier’s enemy — strong drink, and the lives of tens of thousands trembled in the scale, and the fate of the flag of England staggered. And of all this he had no more to say than “hot work, sir,” or “the army suffered a great deal, sir,” or, “I believe General Wilson, sir, was not very highly thought of in the papers.” His life was naught to him, the vivid pages of experience quite blank: in words his pleasure lay — melodious, agitated words — printed words, about that which he had never seen and was connatally incapable of comprehending. We have here two temperaments face to face; both untrained, unsophisticated, surprised (we may say) in the egg; both boldly charactered: — that of the artist, the lover and artificer of words; that of the maker, the seeër, the lover and forger of experience. If the one had a daughter and the other had a son, and these married, might not some illustrious writer count descent from the beggar-soldier and the needy knife-grinder?
* * *
III
Every one lives by selling something, whatever be his right to it. The burglar sells at the same time his own skill and courage and my silver plate (the whole at the most moderate figure) to a Jew receiver. The bandit sells the traveller an article of prime necessity: that traveller’s life. And as for the old soldier, who stands for central mark to 196 my capricious figures of eight, he dealt in a specialty; for he was the only beggar in the world who ever gave me pleasure for my money. He had learned a school of manners in the barracks and had the sense to cling to it, accosting strangers with a regimental freedom, thanking patrons with a merely regimental difference, sparing you at once the tragedy of his position and the embarrassment of yours. There was not one hint about him of the beggar’s emphasis, the outburst of revolting gratitude, the rant and cant, the “God bless you, Kind, Kind gentleman,” which insults the smallness of your alms by disproportionate vehemence, which is so notably false, which would be so unbearable if it were true. I am sometimes tempted to suppose this reading of the beggar’s part a survival of the old days when Shakespeare was intoned upon the stage and mourners keened beside the death-bed; to think that we cannot now accept these strong emotions unless they be uttered in the just note of life; nor (save in the pulpit) endure these gross conventions. They wound us, I am tempted to say, like mockery; the high voice of keening (as it yet lingers on) strikes in the face of sorrow like a buffet; and the rant and cant of the staled beggar stirs in us a shudder of disgust. But the fact disproves these amateur opinions. The beggar lives by his knowledge of the average man. He knows what he is about when he bandages his head, and hires and drugs a babe, and poisons life with “Poor Mary Ann” or “Long, long ago”; he knows what he is about when he loads the critical ear and sickens the nice conscience with intolerable thanks; they know what they are about, he and his crew, when they pervade the slums of cities, ghastly parodies of suffering, hateful parodies of gratitude. This trade can scarce be called an imposition; it has been so blown upon with exposures; it flaunts its fraudulence so nakedly. We pay them as we pay those who show us, in huge exaggeration, the monsters of our drinking-water; or those who daily predict the fall of Britain. We pay them for the pain they inflict, pay them, and wince, and hurry on. And truly 197 there is nothing that can shake the conscience like a beggar’s thanks; and that polity in which such protestations can be purchased for a shilling, seems no scene for an honest man.
Are there, then, we may be asked, no genuine beggars? And the answer is, Not one. My old soldier was a humbug like the rest; his ragged boots were, in the stage phrase, properties; whole boots were given him again and again, and always gladly accepted; and the next day, there he was on the road as usual, with toes exposed. His boots were his method; they were the man’s trade; without his boots he would have starved; he did not live by charity, but by appealing to a gross taste in the public, which loves the limelight on the actor’s face, and the toes out of the beggar’s boots. There is a true poverty, which no one sees: a false and merely mimetic poverty, which usurps its place and dress, and lives, and above all drinks, on the fruits of the usurpation. The true poverty does not go into the streets; the banker may rest assured, he has never put a penny in its hand. The self-respecting poor beg from each other; never from the rich. To live in the frock-coated ranks of life, to hear canting scenes of gratitude rehearsed for twopence, a man might suppose that giving was a thing gone out of fashion; yet it goes forward on a scale so great as to fill me with surprise. In the houses of the working classes, all day long there will be a foot upon the stair; all day long there will be a knocking at the doors; beggars come, beggars go, without stint, hardly with intermission, from morning till night; and meanwhile, in the same city and but a few streets off, the castles of the rich stand unsummoned. Get the tale of any honest tramp, you will find it was always the poor who helped him; get the truth from any workman who has met misfortunes, it was always next door that he would go for help, or only with such exceptions as are said to prove a rule; look at the course of the mimetic beggar, it is through the poor quarters that he trails his passage, showing his bandages to every window, piercing even to the attics with his nasal song. Here is a 198 remarkable state of things in our Christian commonwealths, that the poor only should be asked to give.
Complete Works of Robert Louis Stevenson (Illustrated) Page 581
