The Double Game

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The Double Game Page 11

by Dan Fesperman


  In keeping with Moscow Rules, Litzi and I circled the block once in reconnaissance before entering, pausing several times to check for surveillance. The passage from Smiley’s People had said the safety signal would be a pin “shoved high in the first wood support on the left as you entered.” A yellow chalk line would indicate it was too unsafe to proceed. I looked left as we came through the entrance. A red pushpin protruded from the door frame just overhead.

  But what did we do now?

  “Check the mailboxes,” Litzi whispered.

  There were two rows of eight, each with its own buzzer. The locks were sprung on three. The name “Miller” caught my eye, written neatly in black ink for 4-B on an immaculate slip of paper.

  “That’s our man.”

  “Miller?”

  “Brand-new card, and it’s the name Vladimir used in Smiley’s People.”

  “Nice work, Mr. Folly. Maybe that’s how you should introduce yourself.”

  “As long as you use his girlfriend’s name. Carolista.”

  Litzi made a face. I pressed the button.

  We waited several seconds before the buzzer sounded to unlock the inner door.

  In most big old buildings like this you hear a wide variety of noises as you make your way upstairs. Babies and televisions, dogs and stereos, an argument or two. Number 11 Köllnerhofgasse was as quiet as a tomb, and by the time we reached the fourth floor we were a little unnerved.

  I knocked loudly. There was a flash of movement behind the peephole. Then the door swung back to the limit of a security chain. The smell of sweat and unwashed clothes poured through the breach. A short older man with unkempt black hair, late sixties probably, peeped out at us with a hint of fear in bloodshot eyes. He said nothing.

  “Herr Miller?” I tried.

  “That’s what it says on the mailbox.” His German had a heavy Slavic accent, probably Russian. “Is that all you can offer?”

  “Vladimir Miller?”

  He nodded. Some of the alarm faded from his eyes, and he shut the door to undo the chain. When he opened back up and saw Litzi, he blocked our way.

  “The message said nothing about two of you.”

  “I didn’t send the message. Did you send mine?”

  I moved again to enter but he held his ground. I raised my voice so it would echo down the stairwell.

  “Shall we continue talking with the door wide open, so that anyone below can hear?”

  He glanced over my shoulder, scowling, then motioned us inside.

  “Sit on the couch,” he said.

  We obliged him. He stood by an armchair with torn upholstery, watching carefully.

  “You are not to move while I address you. You will do exactly as I say. Understand?”

  Litzi and I looked at each other from opposite ends of the filthy couch, and when neither of us answered right away he produced a butcher knife from behind his back and rapidly approached me. I made a move to stand, but he was too quick, using his free hand to shove my chest and force me back into the seat.

  “I said, ‘do you understand?’ ” The knife blade was inches from my face, tilted downward.

  “Yes,” Litzi said from her end. “We understand.”

  He backed away, but only a few feet.

  “Did anyone follow you?”

  “Not that I know of.”

  “That is not a good-enough answer.”

  I shrugged.

  “We checked several times,” I said. “Moscow Rules.”

  “And you relied on her?”

  “I’m not exactly a trained professional, or didn’t they tell you?”

  He wearily shook his head, but kept the knife pointed forward. It was rusty and stained, and probably dull, not that I cared to find out.

  “Who is playing with my security like this?” he asked. “Do you know?”

  “You’ll have to ask your handler.”

  “My handler!” he said disdainfully. “He has been dead eleven years. These people now are never of any use except for themselves.”

  He paused, thinking over what to say, while I took stock of the room. The apartment was in the same shape as Vladimir. Plaster cracked, ceiling watermarked. The lumpy couch reeked of cat urine, and the upholstery was shredded along the back. No carpeting, just scuffed oak, with mouse droppings in the corners. The heat was off, and it was chilly.

  Vladimir stepped to the window and flipped back a heavy curtain, which ejected dust into a pale band of sunlight. He looked down at the street in both directions, then dropped the curtain and came back to the couch, knife still at the ready. I glanced at Litzi, but she was watching Vladimir. I’m not sure what I’d expected, but it hadn’t been anything like this.

  “I assume you have some sort of message for me. For us.”

  “You are to tell no one of my location. They would pay good money to know it, but if you take their money you will be dead inside a week.”

  “Whose money?”

  He waggled the knife and stepped closer.

  “Don’t treat me as a fool unless you wish to exit through the window.”

  Then he retreated to a far corner, where he knelt in a scatter of mouse droppings and, without turning his back, began working at a floorboard with the knife.

  A scene from Len Deighton’s Berlin Game flashed into my head—Bernie Samson, scolding a contact for hiding something beneath the floorboards, because that’s where the searchers always looked first. Vladimir seemed to have run out of energy and ideas, an old spy at the end of his tether.

  The board came free. He pulled out a small, clean envelope and stood unsteadily, then brought it to the couch and tossed it in my lap. When I moved to open it, he stepped closer and thrust out the knife in warning.

  “Not here.” The blade was inches from my nose, close enough to smell the rusty steel. “Anywhere you please once you’ve left, but not here.”

  “Okay.”

  “Tell your people it is from my own files,” he said. “I knew someday there would be interest.” He waggled the knife, flicking it across the tip of my nose as if he was scratching an itch. “If the wire transfer does not occur within three days, then I will come for you. For both of you. But if your clumsiness leads the others here first, then you can be certain that they will next come for you.”

  “Who are the others?”

  He scowled as he had at my previous claim of ignorance. Then he slowly, achingly, raised the blade until it was touching the hair on my forehead. He flicked it sideways, scratching the skin and tossing my hair.

  “Ask such a question again and I will shove this straight into your lying mouth.” I listened to his breathing, trying to remain as still as possible and not daring to look away from his eyes. He slowly backed away, but only a step, and he continued to hold the knife forward.

  “The wire transfer,” he said again. “Three days, no longer.”

  “It will be done.”

  He smiled grimly but said nothing. Then he coughed and blew his nose on the sleeve of his free hand. I stood uncertainly, and Litzi followed suit. He watched wordlessly as we stepped toward the door. I was turning the rattling old knob when he spoke again.

  “I have an oral message for you as well.”

  “Yes?” When I turned, he was grinning.

  “Prague.”

  I paused with my hand on the knob.

  “Prague what?”

  “That is the complete message. Prague. Now leave. And if you see them before they see you, which I doubt you are capable of doing, then you had damn well better run like you have never run before.”

  His wheezing laughter followed us halfway down the stairs.

  Back out in the street I looked up at Vladimir’s windows and saw a curtain flick back into place. Maybe he was watching to see if we were followed. Maybe we should be doing the same.

  “Where to?” Litzi asked. She brushed back the hair from my forehead and looked closer. “No blood. Only a very light scratch.”

  “W
e should find someplace to open this thing. I was about to suggest the Bräunerhof, but I guess we shouldn’t be so predictable.”

  “Burger King,” she said. I frowned. “Well, if you really don’t want to be predictable.”

  “Lead the way.”

  There was a Burger King at Stephansplatz only a few blocks away, which explained why a Whopper banner was hanging from Harry Lime’s house. A trio of punk-looking boys on skateboards nearly collided with us outside the entrance, but otherwise we attracted no apparent interest. We slid into a plastic booth that smelled of French fries. After a precautionary glance, I tore open the envelope.

  No book pages this time. There was a pair of photo negatives, both in black and white.

  “Looks like a document,” Litzi said. “Two pages, or maybe two different documents.”

  At the top of each frame was a tiny blob that might be an official crest or logo.

  “We need to get it developed,” I said. “But we can’t give it to just anyone.”

  I thought of George Smiley, and the negatives he’d discovered among the last effects of his Vladimir. He’d developed them himself, in the basement of his flat on Bywater Street, but I didn’t have a clue about that sort of thing.

  “I know someone at the Archives who can help,” Litzi said.

  “Do you trust him?”

  “She. Yes. And she owes me a favor.”

  She got out her cell phone. The whole transaction took less than a minute.

  “We have to hurry; she wants to leave soon.”

  The bonus was that I got to see where Litzi worked, because her office was just downstairs from the Prunksaal, the court library of Emperor Charles VI, a bibliophile’s baroque paradise of patterned marble floors, ceiling frescoes, gilded woodwork, and floor-to-ceiling books, with an ample supply of ladders and stairways for reaching each and every volume.

  “How did I ever miss this place when I was a boy?”

  “It’s not like you could have just walked in. And would you have been half as impressed when you were sixteen? I doubt there are too many Lemasters up there.”

  “Snob. What did our photo developer say?”

  “She’ll have our prints in forty minutes.”

  She gazed up toward the highest shelves, where someone on a ladder was carefully dusting a row of leather bindings.

  “We’re dinosaurs, aren’t we?” she said. “Books are like Latin, the new dead language. Even most of the manuscripts I deal with have been digitized. So is everything that people write about them. Dust to dust, places like this. I should show you around before it all disappears.”

  She gave me the cook’s tour, and we strolled companionably from shelf to shelf. The smell alone was intoxicating—all those pages, lovingly tended. Then her phone buzzed.

  “Thanks. Be right there.” She hung up. “Wait for me at one of those tables. If anyone asks, say you’re with me.”

  She returned with a manila envelope and a magnifying glass and sat down next to me. She opened the envelope and pulled out two eight-by-ten prints.

  “Oh, my,” she said.

  “It’s all in Russian. Cyrillic characters. Do you have a translator?”

  “Yes. But without knowing what it says …”

  “Right. Not a good idea.”

  “There’s a Russian cultural center near here.”

  “Not the one run by the embassy?”

  “God, no. This one’s private. I’ve been to their gallery. It’s just around the corner from Vladimir, in fact. Artsy-craftsy types, very anti-Putin.”

  “Or so they say.”

  “Do you have a better idea?”

  “Let’s go.”

  She checked her watch.

  “I’d better call first. I’ve got one of their cards.”

  She dug into her purse, but something brought her up short. Frowning, she pulled out an ivory-colored envelope, sealed, with nothing written on the outside.

  “Did you put this here?” she asked, inspecting it carefully.

  “No. But I recognize the stationery.”

  She turned it over and held it to the light. Her training in authenticating old manuscripts paid off right away.

  “Gohrsmühle, if I had to guess, but from quite a few years ago. I’m not sure they make this anymore.”

  “I have a box of it at home. It’s mine.”

  “Like the first one, you mean? You didn’t tell me the paper was Gohrsmühle.” She rubbed her fingers on the envelope the way a bank teller rubs a twenty to see if it’s real. It brought a smile to her face. “Wasn’t this the stationery you used for your letters from Berlin?”

  “Very good.”

  “How can you possibly have any left?”

  “I only use it for important correspondence.”

  “How do you think it got in my purse?”

  “When’s the last time you opened it?”

  “Not at Burger King, we didn’t buy anything. The Bräunerhof, probably, before we went to Vladimir’s.”

  “Could Vladimir have done it?”

  She shook her head.

  “If he’d even come close to me, I’d have kicked out his kneecaps.” Then her eyes lit up. “Those kids outside the Burger King, the ones on skateboards. One bumped me as they passed. His friends laughed.”

  “Really?” I was skeptical. “If my handler has started hiring off the street, then he’s taking things up a notch, or just getting reckless.”

  “Maybe we should read the message.”

  She slit the top edge with a fingernail and withdrew a page of my stationery, folded neatly. He’d been using my Royal again. A page from a book was pasted on the paper, with a short message typed above it:

  Deliver V’s proofs ASAP

  The page was another one from Knee Knockers, probably Dad’s copy. I winced, feeling like someone who kept receiving severed fingers and toes from a kidnapper. We read the passage.

  Boris arrived late to the Burggarten, but that was his style. So was sloppiness in general. With each step, the vodka bottle clanked against the key ring in his overcoat pocket. Eventually he grew annoyed enough by the sound to stop and move his keys to the opposite pocket, an occasion which of course called for another shot of vodka. He wiped his mouth on a sleeve and continued. Only when he came within a block of the dead drop did he actually begin taking proper precautions, an oversight which would be logged into Hartley’s report as the Russian’s “fatal error.” The mailbox, at least, looked secure enough. It was a stone just to the right of a statue of Emperor Franz Josef I at the south end of the park, marked with a small slash of yellow chalk. Glancing around carelessly for onlookers, Boris slipped a small plastic bag from his trousers, lifted the stone, placed the bag underneath, then dropped the stone back into place. He took out a stub of chalk from his pocket and made a cross through the slash.

  “So you’re supposed to deliver these negatives?” Litzi asked.

  “To a dead drop in the Burggarten. Where presumably someone will pick them up.”

  “Good thing we made prints. Sounds like he wants them right away. So what happened to Boris?”

  “What?”

  “In the book. It mentioned his ‘fatal error.’ ”

  “Oh.” I swallowed. “Someone followed him. They waited until he was back at his apartment, then shot him in the face.”

  “Is everyone in these books shot in the face?”

  “It was a common KGB tactic.”

  “Does your handler know you’d be aware of that?”

  “Probably.”

  “I don’t enjoy his sense of humor.”

  “Maybe he isn’t joking. Where’s that card for the cultural center?”

  She searched her purse again and dug it out from the bottom.

  “The New Moscow Cultural Center,” she read. “Founded 1994. Art. Literature. Translations. Here’s their number.”

  “Call them, then. Before I lose my nerve.”

  “Before we both do.”

&nb
sp; Now she looked as worried as I was. She punched in the number anyway.

  14

  The New Moscow Cultural Center looked like a shoestring operation. Its ground-floor offices were tucked behind a pharmacy and a kitschy souvenir shop with a window full of chocolate Mozart statuettes.

  They’d been preparing to lock up when Litzi phoned, but the young man who answered grudgingly agreed to wait after she explained it was urgent. We decided to use fake names and pay in cash.

  A buzzer opened the door. A few paintings, none to my liking, were propped on easels in the foyer. A man in his early twenties waited impatiently at a cluttered reception desk.

  “You must be Feliks,” Litzi said. “I am Mrs. Brünner. This is my friend from America, Mr. Norris. Thank you for waiting.”

  Feliks nodded gloomily.

  “You have payment?”

  “Certainly. How much?”

  “Twenty euros per page.”

  Steep. Feliks had probably built in a gratuity for himself. I handed him the prints, but he refused to even glance at them until Litzi put four tens on the desk. He slipped the bills into his trousers and picked up the prints.

  His eyes widened immediately, and he dropped the photos.

  “Is this joke?”

  “No,” I answered. “No joke.”

  “Then you are crazy. Or maybe you are police.”

  “Neither.”

  He retrieved the bills from his pocket and handed them to Litzi along with the prints. She tried to give everything back, but he let the bills fall on the desk and shoved away the photos. As they oscillated to the floor he stood abruptly and disappeared down a hallway.

  We looked at each other, wondering what to do next, and we were on the verge of giving up when a benevolent old face crowned with a snowy shock of hair poked out from the end of the hall. The little man who emerged looked like a forest gnome who had just crawled out from under a toadstool. As he drew closer he even smelled a little woodsy, like wet leaves on a trail.

  “Please,” he said, gesturing down the hallway. “Why don’t we step into my office where there is greater privacy. Bring the documents with you.”

 

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