She pulled the blade free, touched it to her head and heart. Thank you, Mary, for not killing me before my work is complete. I hope you are with your little ones now.
Mary’s eyes were open, gazing at nothing; Alicia closed them with her fingertips. It wouldn’t do to leave her where she was. Alicia hoisted the body into her arms and carried it outside. A rind of moon had risen, washing the landscape in its glow, a darkness visible. But moonlight wasn’t what Mary needed. A hundred years of nighttime sky were enough, Alicia thought, and laid the woman on a patch of open ground where, come morning, the sun would find her and cast her ashes to the wind.
Alicia had begun to climb.
A night and a day had passed. She was in the mountains now, ascending a dry creekbed through a slim defile. The feeling of the virals was stronger here: she was headed toward something. Mary, she thought, what were you trying to tell me?
It was nearly dawn by the time she reached the top of the ridge, the horizon jumping away. Below her, in the wind-scraped blackness, the valley floor unfurled, none but the stars for company. Alicia knew it was possible to parse discrete figures from their arbitrary-seeming arrangement, the shapes of people and animals, but she had never learned to do this. They appeared to her only as a random scattering, as if each night the stars were flung anew against the sky.
Then she saw it: a gaping maw of blackness, set in a bowl-like depression. The opening was a hundred feet tall or more. Curved benches, like an amphitheater, carved from the rocky face of the mountain, were situated at the cave’s mouth. Bats were flicking through the sky.
It was a door to hell.
You’re down there, aren’t you? Alicia thought, and smiled. You son of a bitch, I’ve found you.
II. THE FAMILIAR
3
Denver Police Dept.
Case File 193874
District 6
Transcript of Interview with Lila Beatrice Kyle
VIA: Det. Rita Chernow
3 May 4:17 A.M.
RC: Let the record show that the subject has been fully apprised of her rights and has declined to have an attorney present at this interview. Questioning conducted by Detective Rita Chernow, Denver PD, District Six. The time is four-seventeen A.M. Dr. Kyle, would you please state your full name?
LK: Lila Beatrice Kyle.
RC: And you’re an orthopedic surgeon at Denver General Hospital, is that correct?
LK: Yes.
RC: And do you know why you’re here?
LK: Something happened at the hospital. You wanted to ask me some questions. What is this room? I don’t know it.
RC: We’re in the police station, Dr. Kyle.
LK: Am I in trouble?
RC: We talked about this, remember? We’re just trying to figure out what happened in the ER tonight. I know you’re upset. I have just a few questions for you.
LK: There’s blood on me. Why is there blood on me?
RC: Do you recall what happened in the ER, Dr. Kyle?
LK: I’m so tired. Why am I so tired?
RC: Can we get you something? Coffee maybe?
LK: I can’t drink coffee. I’m pregnant.
RC: Water, then? How about some water?
LK: Okay.
(Break.)
RC: So let’s start at the beginning. You were working in the emergency room tonight, is that correct?
LK: No, I was upstairs.
RC: But you came down to the ER?
LK: Yes.
RC: At what time?
LK: I’m not sure. Sometime around one A.M. They paged me.
RC: Why did they page you?
LK: I was the orthopedist on call. They had a patient with a broken wrist.
RC: And was that patient Mr. Letourneau?
LK: I think so, yes.
RC: What else did they tell you about him?
LK: Before I went downstairs, you mean?
RC: Yes.
LK: He had some kind of animal bite.
RC: Like a dog bite?
LK: I suppose so. They didn’t say.
RC: Anything else?
LK: He had a high fever. He’d vomited.
RC: And that’s all they told you?
LK: Yes.
RC: And what did you see when you got to the ER?
LK: He was in the third bed. There were only a couple of other patients. Sunday’s usually quiet.
RC: What time would this be?
LK: One-fifteen, one-thirty.
RC: And did you examine Mr. Letourneau?
LK: No.
RC: Let me rephrase. Did you see the patient?
(Pause.)
RC: Dr. Kyle?
LK: I’m sorry, what was the question?
RC: Did you see Mr. Letourneau tonight in the ER?
LK: Yes. Mark was there, too.
RC: Are you referring to Dr. Mark Shin?
LK: He was the attending. Have you talked to him?
RC: Dr. Shin is dead, Dr. Kyle. He was one of the victims.
LK: (inaudible)
RC: Could you speak up, please?
LK: I just… I don’t know. I’m sorry, what did you want to know?
RC: What can you tell me about Mr. Letourneau? How did he seem?
LK: Seem?
RC: Yes. Was he awake?
LK: He was awake.
RC: What else did you observe?
LK: He was disoriented. Agitated. His color was strange.
RC: How do you mean?
(Pause.)
LK: I have to go to the bathroom.
RC: Let’s just get through some questions first. I know you’re tired. I promise I’ll get you out of here as quickly as I can.
LK: Do you have children, Detective Chernow?
RC: I’m sorry?
LK: Do you have any children? I was just curious.
RC: Yes, I have two boys.
LK: How old? If you don’t mind my asking.
RC: Five and seven. I have just a few more things to ask you. Do you think you’re up to that?
LK: But I bet you’re trying for the girl, aren’t you? Believe me, there’s nothing like having a baby girl of your own.
RC: Let’s focus on Mr. Letourneau for now, would that be okay? You said he was agitated. Can you elaborate on that?
LK: Elaborate?
RC: Yes. What did he do?
LK: He was making a funny noise.
RC: Can you describe it?
LK: A clicking sound, in his throat. He was moaning. He seemed to be in a great deal of pain.
RC: Had they given him anything for the pain?
LK: They’d given him Tramadol. I think it was Tramadol.
RC: Who else was there besides Dr. Shin?
(Pause.)
RC: Dr. Kyle? Who else was there when you examined Mr. Letourneau?
LK: One of the nurses. She was trying to calm him down. He was very upset.
RC: Anyone else?
LK: I don’t remember. An orderly? No, two.
RC: What happened then?
LK: He started to seize.
RC: The patient had a seizure, you mean?
LK: Yes.
RC: What did you do then?
LK: Where’s my husband?
RC: He’s right outside. He came with you. Don’t you remember?
LK: Brad is here?
RC: I’m sorry. Who’s Brad?
LK: My husband. Brad Wolgast. He’s with the FBI. Maybe you know him?
RC: Dr. Kyle, I’m confused. The man who came with you is named David Centre. He’s not your husband?
(Pause.)
RC: Dr. Kyle? Do you understand what I’m asking you?
LK: Of course David is my husband. What a strange thing for you to say. Where did all this blood come from? Was I in an accident?
RC: No, Dr. Kyle. You were at the hospital. That’s what we’re talking about. Three hours ago, nine people were killed in the ER. We’re trying to figure out how that happened.
(Pause.)
RC: What looked at you, Dr. Kyle?
LK: It was horrible.
RC: What was?
LK: It killed the nurse first. There was so much blood. Like an ocean.
RC: Are you speaking of Mr. Letourneau? He killed the nurse? I need you to be clear.
LK: I’m thirsty. Can I have some more water?
RC: In a minute. How did Mr. Letourneau kill the nurse?
LK: It happened so fast. How could anybody move that fast?
RC: I need you to focus, Dr. Kyle. What did Mr. Letourneau use to kill the nurse? Was there a weapon?
LK: A weapon? I don’t remember a weapon.
RC: How did he do it then?
(Pause.)
RC: Dr. Kyle?
LK: I couldn’t move. It just… looked at me.
RC: Something looked at you? Was there somebody else in the room?
LK: He used his mouth. That was how he did it.
RC: Are you saying that Mr. Letourneau bit the nurse?
(Pause.)
LK: I’m expecting, you know. I’m going to have a baby.
RC: I can see that, Dr. Kyle. I know this is very stressful.
LK: I need to rest. I want to go home.
RC: We’ll try to get you out of here as quickly as we can. Just to clarify, is it your statement that Mr. Letourneau bit the nurse?
LK: Is she all right?
RC: She was decapitated, Dr. Kyle. You were holding the body when we found you. Don’t you remember?
LK: (inaudible)
RC: Can you speak up, please?
LK: I don’t understand what you want. Why are you asking me these questions?
RC: Because you were there. You’re our only witness. You saw nine people die tonight. They were ripped apart, Dr. Kyle.
LK: (inaudible)
RC: Dr. Kyle?
LK: Those eyes. It was like looking into hell. Like falling forever into darkness. Do you believe in hell, Detective?
RC: Whose eyes?
LK: It wasn’t human. It couldn’t have been human.
RC: Are you still speaking of Mr. Letourneau?
LK: I can’t think about this. I have to think about the baby.
RC: What did you see? Tell me what you saw.
LK: I want to go home. I don’t want to talk about this anymore. Don’t make me.
RC: What killed those people, Dr. Kyle?
(Pause.)
RC: Dr. Kyle, are you all right?
(Pause.)
RC: Dr. Kyle?
(Pause.)
RC: Dr. Kyle?
4
Bernard Kittridge, known to the world as “Last Stand in Denver,” realized it was time to leave the morning the power went out.
He wondered what had taken so long. You couldn’t keep a municipal electrical grid running without people to man it, and as far as Kittridge could tell from the nineteenth floor, not a single human soul was left alive in the city of Denver.
Which was not to say he was alone.
He had passed the early hours of the morning—a bright, clear morning in the first week of June, temperatures in the mid-seventies with a chance of bloodsucking monsters moving in toward dusk—sunning on the balcony of the penthouse he had occupied since the second week of the crisis. It was a gigantic place, like an airborne palace; the kitchen alone was the size of Kittridge’s whole apartment. The owner’s taste ran in an austere direction: sleek leather seating groups that were better to look at than sit on, gleaming floors of twinkling travertine, small furry rugs, glass tables that appeared to float in space. Breaking in had been surprisingly simple. By the time Kittridge had made his decision, half the city was dead, or fled, or missing. The cops were long gone. He’d thought about barricading himself into one of the big houses up in Cherry Creek, but based on the things he’d seen, he wanted someplace high.
The owner of the penthouse was a man he knew slightly, a regular customer at the store. His name was Warren Filo. As luck would have it, Warren had come into the store the day before the whole thing had broken to gear up for a hunting trip to Alaska. He was a young guy, too young for how much money he had—Wall Street money, probably, or one of those high-tech IPOs. On that day, the world still cheerily humming along as usual, Kittridge had helped Warren carry his purchases to the car. A Ferrari, of course. Standing beside it, Kittridge thought: Why not just go ahead and get a vanity plate that says, DOUCHE BAG? A question that must have been plainly written on his face, because no sooner had it crossed Kittridge’s mind than Warren went red with embarrassment. He wasn’t wearing his usual suit, just jeans and a T-shirt with SLOAN SCHOOL OF MANAGEMENT printed on the front. He’d wanted Kittridge to see his car, that was obvious, but now that he’d allowed this to happen, he’d realized how dumb it was, showing off a vehicle like that to a floor manager at Outdoor World who probably made less than fifty grand a year. (The number was actually forty-six.) Kittridge allowed himself a silent laugh at that—the things this kid didn’t know would fill a book—and he let the moment hang to make the point. I know, I know, Warren confessed. It’s a little much. I told myself I’d never be one of those assholes who drive a Ferrari. But honest to God, you should feel the way she handles.
Kittridge had gotten Warren’s address off his invoice. By the time he moved in—Warren presumably snug and safe in Alaska—it was simply a matter of finding the right key in the manager’s office, putting it into the slot in the elevator panel, and riding eighteen floors to the penthouse. He unloaded his gear. A rolling suitcase of clothes, three lockers of weaponry, a hand-crank radio, night-vision binoculars, flares, a first-aid kit, bottles of bleach, an arc welder to seal the doors of the elevator, his trusty laptop with its portable satellite dish, a box of books, and enough food and water to last a month. The view from the balcony, which ran the length of the west side of the building, was a sweeping 180 degrees, looking toward Interstate 25 and Mile High field. He’d positioned cameras equipped with motion detectors at each end of the balcony, one to cover the street, a second facing the building on the opposite side of the avenue. He figured he’d get a lot of good footage this way, but the money shots would be actual kills. The weapon he’d selected for this task was a Remington bolt-action 700P, .338 caliber—a nice balance of accuracy and stopping power, zeroing out at three hundred yards. To this he’d affixed a digital video scope with infrared. Using the binoculars, he would isolate his target; the rifle, mounted on a bipod at the edge of the balcony, would do the rest.
On the first night, windless and lit by a waning quarter moon, Kittridge had shot seven: five on the avenue, one on the opposite roof, and one more through the window of a bank at street level. It was the last one that made him famous. The creature, or vampire, or whatever it was—the official term was “Infected Person”—had looked straight into the lens just before Kittridge put one through the sweet spot. Uploaded to YouTube, the image had traveled around the globe within hours; by morning all the major networks had picked it up. Who is this man? everyone wanted to know. Who is this fearless-crazy-suicidal man, barricaded in a Denver high-rise, making his last stand?
And so was born the sobriquet, Last Stand in Denver.
From the start he’d assumed it was just a matter of time before somebody shut him down, CIA or NSA or Homeland. He was making quite a stir. Working in his favor was the fact that this same somebody would have to come to Denver to pull the plug. Kittridge’s IP address was functionally untraceable, backstopped by a daisy chain of anonymizer servers, their order scrambled every night. Most were overseas: Russia, China, Indonesia, Israel, Sudan. Places beyond easy reach for any federal agency that might want to pull the plug. His video blog—two million hits the first day—had more than three hundred mirror sites, with more added all the time. It didn’t take a week before he was a bona fide worldwide phenomenon. Twitter, Facebook, Headshot, Sphere: the images found their way into the ether without his lifting a finger. One of his fan
sites alone had more than two million subscribers; on eBay, T-shirts that read, I AM LAST STAND IN DENVER were selling like hotcakes.
His father had always said, Son, the most important thing in life is to make a contribution. Who would have thought Kittridge’s contribution would be video-blogging from the front lines of the apocalypse?
And yet the world went on. The sun still shone. To the west, the mountains shrugged their indifferent rocky bulk at man’s departure. For a while, there had been a lot of smoke—whole blocks had burned to the ground—but now this had dissipated, revealing the desolation with eerie clarity. At night, regions of blackness blotted the city, but elsewhere, lights still glittered in the gloom—flickering streetlamps, filling stations and convenience stores with their distinctive fluorescent glow, porch lights left burning for their owners’ return. While Kittridge maintained his vigil on the balcony, a traffic signal eighteen floors below still dutifully turned from green to yellow to red and then to green again.
He wasn’t lonely. Loneliness had left him, long ago. He was thirty-four years old. A little heavier than he would have liked—with his leg, it was hard to keep the weight off—but still strong. He’d been married once, years before. He remembered that period of his life as twenty months of oversexed, connubial bliss, followed by an equal number of months of yelling and screaming, accusations and counteraccusations, until the whole thing sank like a rock, and he was content, on the whole, that this union had produced no children. His connection to Denver was neither sentimental nor personal; after he’d gotten out of the VA, it was simply where he’d landed. Everyone said that a decorated veteran should have little trouble finding work. And maybe this was true. But Kittridge had been in no hurry. He’d spent the better part of a year just reading—the usual stuff at first, cop novels and thrillers, but eventually had found his way to more substantial books: As I Lay Dying, For Whom the Bell Tolls, Huckleberry Finn, The Great Gatsby. He’d spent a whole month on Melville, drilling his way through Moby-Dick. Most were books he felt he ought to read, the ones he’d somehow missed in school, but he genuinely liked most of them. Sitting in the quiet of his studio apartment, his mind lost in tales of other lives and times, felt like taking a long drink after years of thirst. He’d even enrolled in a few classes at the community college, working at Outdoor World during the day, reading and writing his papers at nights and on his lunch hour. There was something in the pages of these books that had the power to make him feel better about things, a life raft to cling to before the dark currents of memory washed him downstream again, and on brighter days, he could even see himself going on this way for some time. A small but passable life.
The Twelve tpt-2 Page 3
