What to Look for in Winter

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What to Look for in Winter Page 16

by Candia McWilliam


  The island of Colonsay is the ancient home of clan McPhee. There is in Canada a town in Saskatchewan called Colonsay, witness to the Clearances. The New Yorker writer John McPhee has written a book of lasting value about Colonsay called The Crofter and the Laird. In my life I have had the luck to have known that crofter a little; the laird is Papa about whom it is impossible for me to be objective. Even John McPhee has trouble, writing in the early nineteen-sixties, resisting him; the same goes for Ian Mitchell in his far angrier book, The Isles of the West. In addition to looking just right for the part, Papa is an astoundingly sweet fella, as he will say of others.

  It is 2008 and Papa, thank God, is still alive. Nonetheless, he is known on the island as ‘the old Laird’ because he no longer lives in the big house, so it falls to his older son Alexander to be the young Laird and responsible, not unlike God in an unblasphemous way, for everything that goes wrong.

  But that is now. When first I met Alexander, he was portable. I took to having little children around me with passion. The twins were six, I think. Among ourselves we use the terms brother and sister, and I fell into a habit of ambiguity. It is perhaps among our children that the position is best and most tactfully made clear. My children refer to their ‘not-cousins’ and love making jokes about how they have genetically ‘inherited’ aspects of the Howards simply through closeness and osmosis. They cannot imagine how touching this is to me or how grateful I am to them for it.

  It pulls together strands that I myself cannot pull without feeling them heavy as sodden hawsers leading to sunken hulks.

  Not only is there no drop of blood in common, save in the most primordial sense, but temperamentally and in every other way I am as unlike a Howard as could be, save perhaps for my height. However, I like to think that this otherness makes me of some use to them as a sort of conduit or adaptor, a useless person when many useful ones are around. The autobiography of a person even temporarily blind must skirt sentiment with care and the subject of a childhood that was at once delayed, invented and almost impossibly beautiful spells danger for the glowing, softened, recreating memory.

  There were of course rocks under the dream, but they have proven negotiable, which is a benefit, insofar as I can see it, of family love. From a distance of over forty years, it is not possible for those long holidays from school not to blur into one another, though actually I can tell the years each from each in a fashion with which I won’t trouble my reader now. It was a late childhood and with very particular conditions.

  When I arrived in the lives of the Howards, there was no electricity save from little coal generators that stopped at midnight and sulked if you had a Hoover on at the same time as, for example, four light bulbs. This in a house with twenty-five bedrooms, albeit eight of these simply comprising a bachelor floor, as though for visiting swains, ready for eight dancing partners. We had candles by our bedsides, stone hot water bottles, coal fires in our bedrooms and, when I first arrived, ate with the grown-ups in the dining room only on special occasions; otherwise it was the nursery. I suppose I regressed appallingly. Certainly I fell with indelicate speed into calling the parents Mum and Papa instead of Jinny and Euan. Mum read to us after tea, which arrived on a trolley: gingerbread, Guinness-and-walnut bread, drop scones, soda scones and blackcurrant jam. We played dressing-up games and every day involved a physical adventure of some sort during which I would come to some safe small harm, be chaffed a bit about it, and be nursed out of it with affection from one or other parent or child. The parents had that dash and carelessness that goes with having a large number of children. It wasn’t actual carelessness. It was confidence of the physical sort.

  When I arrived, the house’s harling was weather-washed with pale pink; it is now pale yellow. At the front it holds out accommodating wings around a sweep of pebbles and an oval lawn, each wing terminating with an elegantly arched Regency window. All around the edge of its front façade at the foot are pale green glass fishermen’s floats like heavy bubbles. From the back, the house looks surprisingly French, an impression not dispelled by the palm trees and tender plants that embrace it. The lawn bends twice deeply down to a cedar tree of great size, a stream and a bridge that leads to the many scented acres of subtropical garden that rise beyond and up and over to the pond and the gulches planted by nineteenth-century enthusiasts collecting from China and the Himalayas. In May and June the deep womanly perfumes of rhododendrons and wet earth almost make the air sag. The Polar Bear Rhododendron smells of lemons and tea with cream. You could make a tea tray from one of its leaves. All rhododendrons of the family loderi have leaves whose backs are soft as a newborn baby’s head, with a downy covering called indumentum. Many of the hedges are wild fuchsia or escallonia. The fairy-like white fuchsia is the loveliest and leads to a part of the walled garden where Papa put (with much indentured child labour) the great glass ridged tower of a disused lighthouse lens from Islay. Sit within it and the world splinters into its seven constituent colours. On a bright day, screw up your eyes for a blinding white inside your head. The lens itself is big enough to hold two or three people. I have been into it once since I’ve been going blind. Its gift on that day was to dress the closest tree of pink blossom in long light-ribbons of green and blue.

  The oddity of a closely remembered late childhood is that I might not perhaps remember it in such detail had it genuinely been my own. Nonetheless, it did its binding work. Above the house is a loch called Loch Scoltaire. Each child kept his or her wooden boat slung in the boathouse there. In the centre of the loch is a small island, surrounded by other islets on which terns nest and dive-bomb your head as you row or swim to the central island. There is a Victorian pleasure-house, suitable for picnics and sketching, from which, in the nineteen-twenties, Papa’s glamorous mother might have gone swimming naked before setting up her easel. One summer when Andrew was about six, it was mooted that he was brave and old enough to have me in his charge overnight for a camping expedition in the little house on the island. He was an enchanting child, with a head like a broad bean and an enormous mouth. We set out up the hill through the heather and gorse and over two rusty stiles with our equipment. Andrew was in his striped pjs, maroon dressing gown and those old-fashioned slippers that little boys used to have resembling those worn by elderly gentlemen. I can’t remember what I was wearing, but it wouldn’t have been anything like as practical as Andrew’s attire. It had been made very plain that Andrew was the expedition leader, as indeed he was, since I can’t row. We pulled out the littlest dinghy, Duckling, climbed into her, trimmed our weights as far as we could and Andrew rowed lustily to the small island where we made fast the painter.

  We settled down in our sleeping bags. We had brought two eggs for the morning and firelighters and matches. I was to be on wood collection duty. The island is maybe the size of four king-sized beds, the wee house the size of one. We told one another a few scary stories and soon Andrew, dear bean, was fast asleep. The next thing I knew was that we were participants in a really creaky Enid Blyton or Swallows and Amazons plot. I heard the muffled sound of oars and saw the fairy fire. I heard the deadly tread. All the other siblings except Jane, who was too grown up, had accoutred themselves as ghouls and skeletons and beasties. Anyone else in the house who could be persuaded to come along had done so. One house guest had had the idea of laying paraffin on the water and lighting it. But Andrew and I slept through that part of the invasion. It was such a comfortable haunting, safely to be teased by people who had gone to the trouble of frightening one just enough and then arriving to reassure, so that there we all were on the tiny island inside the already small island of Colonsay, sitting in the brick house with six little wooden boats pulled up stern to and painters tied with a round turn and two half hitches. In the morning Andrew and I went home to the big house for breakfast even though our disgusting boiled eggs had been so filling and nourishing.

  With great patience, Jinny and Euan allowed me to tag along on all adventures and duties, or to abs
ent myself from them. Katie has also been a lifelong task giver. One summer we were in the fruit cage, collecting gooseberries for jam and bottling for the winter. It was a boiling day and we were in swimsuits and shorts. Little Emma was with us and it was on that day that she told me that the feel of damp grass on her bare feet gave her an occasional sense of nausea. I knew she was a pea-princess then. We had several heavy baskets of red, furry goosegogs and a couple of trugs of harder green ones. Suddenly I made a noise. Katie had trained me to sneeze soundlessly and never to cough, even if I felt like it. But this was a loud noise and Katie didn’t approve of it. We went on picking among the prickly bushes under the net in the walled garden. About ten minutes later I tried to talk and found that I’d lost the capability. I made some more noises. Katie was bent over her picking. She is an efficient and excellent gardener, cook and household manager. She very much dislikes being touched suddenly, but I had to get her attention somehow. I tapped her hand with mine and poor Katie turned round to find me not quite doubled in size and gagging. I can’t remember what happened after that. Someone found some old Wasp-Eze in a cupboard and squirted it on to where the sting was still sticking out of my cheek. I love gooseberries and love picking them, like most gardening chores and especially doing them with Katie, but that time was nearly fatal and now I carry the syringe and pills that the terminally allergic wasp-stung need.

  The best of the wasp incident was that every day Papa would say, ‘Claude darling, are you sure you’re all right, you seem to have got bigger.’ So, yet again, he made a comforting repetitiveness that when I started to deflate meant that the other children could tease me painlessly by pretending to be Papa. Later, we discovered that I was also allergic to Wasp-Eze, allergic both to the attack and to its prescribed redress.

  The length of the summer days in the North, and the delicious light that lingers, retreats and is reborn, fills my memory with summer evenings when we smoked the mackerel we caught or made moules marinière in a bucket. The sea in summer can be purple or it can be aquamarine and so it is with the sky. Coming back from long days on a beach with one’s young children in a flotilla of boats, watching the kittiwakes and chugging into harbour with the remains of a picnic and piles of sandy tired children has become part of my deep life. One day, we were at sea in a small chunky boat, about eighty years old, like all Papa’s boats an orphan. We were just off a bay named Balnahard where the mackerel crowd. We had our darrows down and were waiting for fish. As a child I loved the gutting and it used to be my job to gut at sea, but since having children I can’t do it. Suddenly everyone’s darrows were leaping and on each hook were not one but three or sometimes five mackerel and then we found ourselves witness to what might have been an illustration of the food chain. From the sea leapt a sparkling cloud of colourless, minute fishlets, followed by a jacquard silver-and-blue arrow of mackerel followed by three perfect, classical dolphins as though posed upon a vase and then, enormously, slowly, holding back time with its size, the huge bridge of an emerging basking shark, three times the size of our boat.

  Sometimes Papa might be persuaded, if the evening was flat calm, to take us, as children, and later with our own children, through the strand between Colonsay and Oransay, but at low tide so there was a danger of going aground. The benefit, however, was that when he turned the engine right down and steered as he can by feel, we were among seal families, for it is just off Oransay on Seal Island that the seals go to pup and we could watch them suckle and kiss and roar and chat and sing, the mothers so confident (so long as we kept quiet or did nothing but sing rather than talk) that they did not flop into the water leaving their babies but stayed with them on the kelpy rocks. We have been no more than six inches from those white baby seals with their awful cat-food breath and their black marble eyes. The sea on nights like that was like milk and, going home, there might be phosphorescence in our wake. We would tie up the boat in the harbour and unpack the box full of gutted fish, the exhausted picnic, Papa’s bottle of pink wine and our beach bags, a different colour for each child, with our names embroidered on. I was proud when Jinny said I could sew mine.

  I cannot calibrate what the value of this family, and of its home, is to me; perhaps that is what having real siblings is like, but I think not, because I am conscious that it surprises me and delights me constantly, therefore I cannot be expecting it, therefore I surely don’t take it for granted, as one perhaps does the love of a sibling. I also feel that I am more use to them semi-detached than attached and homogenised.

  Katie and her second husband William, who have been married for almost thirty years, grew tired of London. Katie is a country girl and needs to hack and dig to make a day feel lived through. William is extremely adaptable. They and their three children moved to a house on the Firle Estate near Charleston. They rented Bushey Lodge, a house that Cyril Connolly and his wife Deirdre had lived in. With driven application they commenced to become organic market gardeners just before the idea had caught on. Katie and William’s market gardening produced aesthetically pleasing vegetables in magnificent abundance. Katie loved the names; she was especially fond of a floppy lettuce called Grande Blonde Paresseuse. They grew purple potatoes and Japanese artichokes and cardoons, tigerella tomatoes, yellow beetroots, rainbow chard and a host of products that the supermarkets have now made familiar. Their project foundered on an unready market and perhaps too much generosity when it came to the accounting. There had also been an element of using hard physical labour as an anaesthetic, for at this point there was a shadow of unhappiness over each of their lives.

  Enduring town life but not attached to it, Katie was delighted to be asked by her brother Alexander to come and live on Colonsay and work with him. I told her she must keep a diary. Colonsay isn’t like anywhere else at all. There’s an adventure every day. You could write a poem every morning and every night. I would like to live there for a good stretch of my life. I began to worry that Katie would get sad when the days got shorter and darkness came down at three, but she has the great gift of Arachne, and every minute is filled. William has now followed his wife to the island. He works as woodman, binman, soothant, impresario, baker.

  The topography of the island offers all terrains in little, as though it were an ideal or invented place. It has its great peak, just under 500 feet, its isolated lochs, its whistling, golden, silver, black and pink sands, its cowrie beach and its fulmars’ crags; it has its deserted blackhouses and its wild flags, its own orchid, Spiranthes romanzoffiana, its fairy rings, its Viking burial ship, its standing stones, its overdressed choughs that look ready for town; it is the only place where herons nest on the ground and it has a pair of nesting golden eagles. Its turf is dense and full of wild flowers, including the smallest rose, the pimpinellifolia.

  The islanders peopled my childhood, my growing-up, my middle age; some have left, many more have died, several tragically, needlessly. Some, over the years, have been brave enough to dance with me, or even come south to toast my wedded bliss. From the residents of Colonsay I have received steadiness, grace, jokes, music, irony, continuity in the sort of quantity that I would hope to offer a child, or, for that matter, a dumb animal. I have been privileged in this.

  There is no avoiding boats on an island. The miracle of the ferry, for as long as I was at boarding school and then at university, was that there might be periods for as long as three weeks when the island was stormbound and the Columba could not get through. This must have been both worrying and tedious for all the adults concerned, but I was having a honeymoon with infancy and felt it bliss to be stuck safe at home, with its routines and rules and habits.

  We did run out of food. We tell people we ate curried dog food. I can’t remember if it’s true. It might as well have been. We did eat any quantity of a magnificently Scots viand, buyable in bulk, named SwelFood. It had a connection with the vegetable kingdom. It lived up to its name should you add water. A little heat improved things. I ate and ate on Colonsay and, though not lean, like
the others, I didn’t get fat, because I was living a life beyond books, though not without them.

  I have never quite got over a bad tic I taught myself, very likely unnecessarily, under my stepmother Christine’s regime–to leap up as soon as one heard footsteps approach, to hide one’s book, and ‘look busy’. I didn’t do that much on Colonsay, at Colonsay, in Colonsay. The nature of my anxiety changed. I wished to fit in. In this I lost bits of myself. This was all my own fault. I think the Howards wanted me as me, if they thought about it at all.

  When people look knowing and talk about the popular music of their childhood, I can honestly refer to both my childhoods, in Edinburgh, and on Colonsay, and look blank. When the electricity worked on Colonsay, the gramophone played classical music. Quite by chance I had lit on another musical household. To reach the drawing room from the front hall, you had to go through a curved room called the corridor-room; there was a smiley bison with a centre parting in his horns over the pianola that had sheets taken from Paderewski’s own playing of Chopin, and a piano that we sang around. Mum or Caroline played. It was from the corridor-room gramophone that I first learned to listen for the style of a conductor, though frequently the tempi must have been affected by the wind or the rain outside. We listened a lot, together, to music. I remember the Brahms Violin Concerto and his Hungarian dances, the Mozart Coronation Mass and Litanie Lauretanae, The Marriage of Figaro and The Magic Flute, and Haydn and Boccherini. Just sometimes, Edith Piaf, whom Mum and Papa had seen in Paris. No Messiaen, no Mahler, no Russians, no Wagner, all of whom I love, but came to later. Papa, as on every ‘cultivated’ topic, knows more than he affects to know. He is a natural teacher, the only man I would allow near my younger son with a fretsaw, or near me with an explanation (all done in salt cellars and napkin rings) of how the universe works or what diatonics are. He is intriguing for many reasons. He has not grown old where old means bitter or incurious. Of course he repeats himself. That is because we force him to. We say, ‘Pop, Pop, do the one about…’

 

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