The guy’s name was Adam Randall, and he was supposed to replace Doug Kosco, who’d crewed on the previous trip. Randall had driven up from East Bridgewater, Massachusetts, with his father-in-law that morning to take the job; he pulled into the dirt parking lot behind Rose’s and got out to look the boat over. Randall was a lithe, intensely handsome thirty-year-old man with a shag of blond rock-star hair and cold blue eyes. He was a welder, an engineer, a scuba diver, and had fished his whole life. He knew an unsafe boat when he saw one—he called them “slabs”—and the Andrea Gail was anything but. She looked like she could take an aircraft carrier broadside. Moreover, he knew most of her crew, and his girlfriend had practically told him not to bother coming home if he didn’t take the job. He hadn’t worked in three months. He walked back across the lot, told his father-in-law that he had a funny feeling, and the two of them drove off together to a bar.
People often get premonitions when they do jobs that could get them killed, and in commercial fishing—still one of the most dangerous pursuits in the country—people get premonitions all the time. The trick is knowing when to listen to them. In 1871, a cook named James Nelson shipped aboard the schooner Sachem for a fishing trip to Georges Bank. One night he was awakened by a recurring dream and ran aft to tell the captain. For God’s sake get clear of the Banks, he begged, I’ve had my dream again. I’ve been shipwrecked twice after this dream.
The captain was an old salt named Wenzell. He asked what the dream was. I see women, dressed in white, standing in the rain, Nelson replied.
There was hardly a breath of wind and Wenzell was not impressed. He told Nelson to go back to bed. A while later a little breeze sprang up. Within an hour it was blowing hard and the Sachem was hove-to under close-reefed foresail. The hull started to open up and the crew manned the pumps.
They couldn’t keep up with the leak, and Wenzell desperately signalled to a nearby Gloucester schooner, the Pescador. The Pescador put dories over the side and managed to save the Sachem’s crew. Within half an hour the Sachem rolled over, settled bow-down into the sea, and sank.
Even today, instincts are heeded and fears are listened to. Randall walked off and suddenly Tyne had another site to fill. He called around and finally got twenty-eight-year-old David Sullivan. Sully, as he’s known, was mildly famous in town for having saved his entire crew one frigid January night. His boat, the Harmony, was tied to another boat when she began to take on water out at sea. Her crew started screaming for help but couldn’t wake up the men on the other boat, so Sully jumped overboard and pulled himself across on a rope, legs dragging through the icy North Atlantic. Sullivan, in other words, was a good man to have on board.
Tyne said he’d be over to pick him up in half an hour. Sully packed a bag and made a few phone calls to tell people he’d be away for a while. Suddenly his plans for that evening were off; his life was on hold for the next month. Billy showed up around two o’clock and they drove back to Rose’s just in time to see Bobby and Bugsy going at it. Wonderful, Sully thought. He stopped to say hello to Chris and then Billy sent him off to the Cape Ann Market to get the food for the trip. Murph went with him. Bulging in Sully’s pocket was $4,000 cash.
One of the things about commercial fishing is that everything seems to be extreme. Fishermen don’t work in any normal sense of the word, they’re at sea for a month and then home celebrating for a week straight. They don’t earn the same kind of money most other people do, they come home either busted or with a quarter-million dollars’ worth of fish in their hold. And when they buy food for the month, it’s not something any normal person would recognize as shopping; it’s a retail catastrophe of Biblical proportions.
Murph and Sully drive to the Cape Ann Market out on Route 127 and begin stalking up and down the aisles throwing food into their carts by the armful. They grab fifty loaves of bread, enough to fill two carts. They take a hundred pounds of potatoes, thirty pounds of onions, twenty-five gallons of milk, eighty-dollar racks of steak. Every time they fill a cart they push it to the back of the store and get another one. The herd of carts starts to grow—ten, fifteen, twenty carts—and people stare nervously and get out of the way. Murph and Sully grab anything they want and lots of it: ice cream sandwiches, Hostess cupcakes, bacon and eggs, creamy peanut butter, porterhouse steaks, chocolate-coated cereal, spaghetti, lasagna, frozen pizza. They get top-of-the-line food and the only thing they don’t get is fish. Finally they get thirty cartons of cigarettes—enough to fill a whole cart—and round their carts up like so many stainless steel cattle. The store opens two cash registers especially for them, and it takes half an hour to ring them through. The total nearly cleans Sully out; he pays while Murph backs the truck up to a loading dock, and they heave the food on and then drive it down to Rose’s wharf. Bag by bag, they carry $4,000 worth of groceries down into the fish hold of the Andrea Gail.
The Andrea Gail has a small refrigerator in the galley and twenty tons of ice in the hold. The ice keeps the baitfish and groceries from spoiling on the way out and the swordfish from spoiling on the way home. (In a pinch it can even be used to keep a dead crew member fresh: once a desperately alcoholic old fisherman died on the Hannah Boden, and Linda Greenlaw had to put him down the hole because the Coast Guard refused to fly him out.) Commercial fishing simply wouldn’t be possible without ice. Without diesel engines, maybe; without loran, weather faxes, or hydraulic winches; but not without ice. There is simply no other way to get fresh fish to market. In the old days, Grand Banks fishermen used to run to Newfoundland to salt-dry their catch before heading home, but the coming of the railroads in the 1840s changed all that. Suddenly food could be moved faster than it would spoil, and ice companies sprang up practically overnight to accommodate the new market. They cut ice from ponds in the winter, packed it in sawdust and then sold it to schooners in the summer months. Properly packed ice lasted so long—and was so valuable—that traders could ship it to India and still make a profit.
The market for fresh fish changed fishing forever. No longer could schooner captains return home at their leisure with a hold full of salt cod; now it was all one big race. Several full schooners pulling into port at once could saturate the market and ruin the efforts of anyone following. In the 1890s, one schooner had to dump 200 tons of halibut into Gloucester harbor because she’d been beaten into port by six other vessels. Overloaded schooners built like racing sloops dashed home through fall gales with every inch of canvas showing and their decks practically awash. Bad weather sank these elegant craft by the dozen, but a lot of people made a lot of money. And in cities like Boston and New York, people were suddenly eating fresh Atlantic cod.
Little has changed. Fishing boats still make the same mad dashes for shore they were making 150 years ago, and the smaller boats—the ones that don’t have ice machines—are still buying it in bulk from Cape Pond Ice, located in a low brick building between Felicia Oil and Parisi Seafoods. In the old days, Cape Pond used to hire men to carve up a local pond with huge ice saws, but now the ice is made in row upon row of 350-pound blocks, called “cans.” The cans look like huge versions of the trays in people’s refrigerators. They’re extracted from freezers in the floor, skidded onto elevators, hoisted to the third floor, and dragged down a runway by men wielding huge steel hooks; the men work in a building-sized refrigerator and wear shirts that say, “Cape Pond Ice—The Coolest Guys Around.” The ice blocks are shoved down a chute into a steel cutting drum, where they jump and rattle in terrible spasms until all 350 pounds have been eaten down to little chips and sprayed through a hose into the hold of a commercial boat outside.
Cape Pond is one of hundreds of businesses jammed into the Gloucester waterfront. Boats come into port, offload their catch, and then spend the next week making repairs and gearing up for the next trip. A good-sized wave can bury a sword boat underwater for a few seconds—“It just gets real dark in here,” is how Linda Greenlaw describes the experience—and undoing the effects of a drubbing like that can
take days, even weeks. (One boat came into port twisted.) Most boats are repaired at Gloucester Marine Railways, a haul-out place that’s been in business since 1856. It consists of a massive wooden frame that rides steel rollers along two lengths of railroad track up out of the water. Six-hundred-ton boats are blocked up, lashed down, and hauled ashore by a double-shot of one-inch chain worked off a series of huge steel reduction gears. The gears were machined a hundred years ago and haven’t been touched since. There are three railways in all, one in the Inner Harbor and two out on Rocky Neck. The harbor railway is the least robust of the three and terminates in a greasy little basement, which sports a pair of strangely Moorish-looking brick arches. The other two railways are surrounded by the famous galleries and piano bars of Rocky Neck. Tourists blithely wander past machinery that could rip their summer homes right off their foundations.
The Andrea Gail had been touched up at the Railways, but most of her major work was done in St. Augustine, Florida, in 1987. Almost three feet were added to her stern to accommodate two 1,900-gallon fuel tanks; the whaleback deck was extended aft nine feet; and a steel bulwark on the port side was raised and extended eighteen feet. In addition, twenty-eight fuel-oil drums, seven water drums, and the ice machine were stored on the whaleback.
In all, perhaps about ten tons of steel, fuel, and machinery were added to the whaleback. The weight had been added high up, eight feet or so above the deck and perhaps twice that high above the waterline. The boat’s center of gravity had been changed just a little. The Andrea Gail would now sit more deeply in the water, recover from rolls a bit more slowly.
On the other hand, she could now put to sea for six weeks at a time. That, after all, was the point; and no man on the boat would have disagreed.
GOD’S COUNTRY
Going to sea is going to prison, with a chance at drowning besides.
—SAMUEL JOHNSON
BY midafternoon the Andrea Gail is ready: The food and bait have been stowed away, the fuel and water tanks have been topped off, spare drums of both have been lashed onto the whaleback, the gear’s in good order, and the engine’s running well. All there remains to do is leave. Bobby climbs off the boat without saying anything to Bugsy—they’re still morose after their fight—and walks across the parking lot to Chris’s Volvo. They drive back across town to Thea’s and trot up her front steps in a soft warm rain. Thea hears their feet on the stoop and invites them in and takes her cue from a quick glance from Chris. I’ve got some errands to do, I’ll be back in a few hours, she says. Make yourselves at home.
Chris and Bobby tug each other into the dark bedroom and lie down on the bed. Outside, the rain taps on. Chris and Bobby can’t see the ocean but they can smell it, a dank taste of salt and seaweed that permeates the entire peninsula and lays claim to it as part of the sea. On rainy days there’s no getting away from it, wherever you go you breathe in that smell, and this is one of those days. Chris and Bobby lie together on Thea’s bed, talking and smoking and trying to forget the fact that this is his last day, and after an hour the phone rings and Bobby jumps up to answer it. It’s Sully on the line, calling from the Crow’s Nest. It’s five o’clock, Sully says. Time to go.
The mood is dark and grim when they get down to the Nest. Alfred Pierre is still locked in an upstairs room with his girlfriend and won’t come out. Billy Tyne’s just returned from a two-hour phone conversation with his ex-wife, Jodi. Murph’s there with a pile of toys on the pool table, packing them into a cardboard box. Ethel’s in the back room crying: Bobby’s money problems, the black eye, the month offshore. The Grand Banks in October is no joke and everybody knows it. There won’t be half a dozen boats out there from the whole East Coast fleet.
Alfred Pierre finally comes down and sidles into the bar. He’s a big, shy man who’s not well known around town, although people seem to like him. His girlfriend has come down from Maine to see him off and she’s not handling it well, her eyes are red and she’s holding him as if she might physically keep him from getting on the boat. Murph finishes strapping his package up with tape and asks Chris to run him across town on an errand. He wants to pick up some movies. Sully is talking to Bugsy in a corner, and everyone’s congratulating Ethel’s eldest son, Rusty, for his upcoming marriage next week. Most of the people in the room will be a thousand miles into the North Atlantic by then.
Chris and Murph return ten minutes later with a cardboard box spilling with videos. There’s a VCR on the Andrea Gail, and someone off another boat offered Murph the movies. Alfred has a beer bottle clenched in one big hand and is still muttering about not wanting to go. Sully’s saying the same thing; he’s in a yellow slicker over by the pool table telling Bugsy how he’s got a bad feeling about this trip. It’s the money, he says; if I didn’t need the money I wouldn’t go near this thing.
Okay you guys, Billy says. One last drink. Everyone downs one last drink. Okay, one more, someone says. Everyone has one more. Bobby’s drinking tequila. He’s standing by Chris looking down at the floor and she’s holding his hand and neither of them is saying much. Sully comes over and asks if they’re going to be okay. Chris says, Sure, we’ll be fine and then she says: Actually, I’m not sure. Actually, no, I don’t think so.
Six men are leaving for a month and it feels as if things are shearing off into a new and empty direction from which they may never return. Ethel, trying to maintain her composure, goes around the room hugging all the men. The only person she doesn’t hug is Alfred because she doesn’t know him well enough. Bobby asks his mother if they can take the color TV above the bar. If it’s okay with Billy, she says.
Billy looks up. Ethel, he says, they can take the TV, but if they watch it instead of doin’ their work it’s goin’ straight overboard.
That’s fine, Billy, that’s fine, Ethel says.
Billy’s girlfriend sees Bobby’s shiner under the brim of his Budweiser cap and glances over at Chris. She’s of the old school where ladies don’t slug their men.
You northern gals, she says.
I didn’t mean it, says Chris. It was a mistake.
It’s now way too late for anyone to back out. Not in the literal sense—any one of them could still take off running out the door—but people don’t work like that. More or less, they do what others expect them to. If one of the crew backed out now he’d sit around for a month and then either go to a welcome-home party or a memorial service. Either would be horrible in its own way. Half the crew have misgivings about this trip, but they’re going anyhow; they’ve crossed some invisible line, and now even the most desperate premonitions won’t save them. Tyne, Pierre, Sullivan, Moran, Murphy, and Shatford are going to the Grand Banks on the Andrea Gail.
Okay, Billy says. Let’s go.
Everyone files out the big wooden door. The rain has stopped and there are even a few scraps of clear sky off to the west. Pale, late-summer blue. Chris and Bobby get into her Volvo and Alfred and his girlfriend get into their car and everyone else walks. They cross Rogers Street through the impatient stream of Friday afternoon traffic and then angle down through the gate in the chain-link fence. There are fuel tanks on iron scaffolds behind Rose’s, and small boats up with tarps over them, and a battered sign that says “Carter’s Boat Yard.” One of the fuel tanks has a pair of humpback whales painted on it. Chris drives past the little group, tires crunching on the gravel, and comes to a stop in front of the Andrea Gail. The boat is tied up to a small piece of wharf behind Old Port Seafoods, next to the fire boat and a dockside fuel pump. Bobby looks over at her.
I don’t want to do this, he says. I really don’t.
Chris is holding onto him in the front seat of her Volvo, with everything she owns in the back. Well don’t go then, she says. Well fuck it. Don’t go.
I got to go. The money; I got to.
Billy Tyne walks over and leans in the window. You gonna be all right? he asks. Chris nods her head. Bobby is really starting to fight the tears and he looks away so that Billy doesn’t see. Ok
ay, Billy says to Chris. We’ll see you when we get back. He walks across the dock and jumps down onto the deck of the boat. Then Sully comes over. He’s known Bobby most of his life—without Bobby he probably wouldn’t even have taken the trip—and he’s worried about him now. Worried that somehow Bobby isn’t going to make it, that the trip’s a huge mistake. Are you two okay? he says. Are you sure?
Yeah, we’re okay, says Chris. We just need a minute.
Sully smiles and slaps the car roof and walks away. Bugsy and Murph don’t have anyone to linger over and so they waste no time getting on the boat; now it’s just the two couples in their cars. Alfred detaches himself from his girlfriend in the front seat and gets out and walks across the dock. His girlfriend looks around, crying, and spots Chris in the Volvo. She draws two fingers down her cheeks—“Yes, I’m sad, too”—and then just sits there, tears running down her cheeks. There’s nothing more to wait for now, nothing more to say. Bobby’s trying to keep it together because of the other five guys on the boat, but Chris is not trying to keep it together.
Well, I gotta go now, he says.
Yep.
And Christina, you know, I’ll always love you.
She smiles at him through her tears. Yeah, I know, she says.
Bobby kisses her and gets out of the car, still holding hands. He closes the door and gives her a final smile and then starts walking across the gravel. As Chris remembers it he doesn’t look back, not once, and he keeps his face hidden the entire way.
ALMOST as soon as the New World was discovered, Europeans were fishing it. Twelve years after Columbus, a Frenchman named Jean Denys crossed the Atlantic, worked the Grand Banks off Newfoundland, and returned home with a hold full of cod. Within a few years there were so many Portuguese boats on the Banks that their king felt compelled to impose an import tax in order to protect the fishermen at home. Codfish ran so thick off Newfoundland, it was said, that they slowed ships down in the water.
The Perfect Storm Page 4
