by Thomas Hardy
But heartless circumstance could not leave entire Gabriel’s happiness of this morning. The rams, old ewes, and two-shear ewes had duly undergone their stripping, and the men were proceeding with the shear-lings and hogs, when Oak’s belief that she was going to stand pleasantly by and time him through another performance was painfully interrupted by Farmer Boldwood’s appearance in the extremest corner of the barn. Nobody seemed to have perceived his entry, but there he certainly was. Boldwood always carried with him a social atmosphere of his own, which everybody felt who came near him; and the talk, which Bathsheba’s presence had somewhat suppressed, was now totally suspended.
He crossed over towards Bathsheba, who turned to greet him with a carriage of perfect ease. He spoke to her in low tones, and she instinctively modulated her own to the same pitch, and her voice ultimately even caught the inflection of his. She was far from having a wish to appear mysteriously connected with him; but woman at the impressionable age gravitates to the larger body not only in her choice of words, which is apparent every day, but even in her shades of tone and humour, when the influence is great.
What they conversed about was not audible to Gabriel, who was too independent to get near, though too concerned to disregard. The issue of their dialogue was the taking of her hand by the courteous farmer to help her over the spreading-board into the bright June sunlight outside. Standing beside the sheep already shorn, they went on talking again. Concerning the flock? Apparently not. Gabriel theorized, not without truth, that in quiet discussion of any matter within reach of the speakers’ eyes, these are usually fixed upon it. Bathsheba demurely regarded a contemptible straw lying upon the ground, in a way which suggested less ovine criticism than womanly embarrassment. She became more or less red in the cheek, the blood wavering in uncertain flux and reflux over the sensitive space between ebb and flood. Gabriel sheared on, constrained and sad.
She left Boldwood’s side, and he walked up and down alone for nearly a quarter of an hour. Then she reappeared in her new riding-habit of myrtle green, which fitted her to the waist as a rind fits its fruit; and young Bob Coggan led on her mare, Boldwood fetching his own horse from the tree under which it had been tied.
Oak’s eyes could not forsake them; and in endeavouring to continue his shearing at the same time that he watched Boldwood’s manner, he snipped the sheep in the groin. The animal plunged; Bathsheba instantly gazed towards it, and saw the blood.
“Oh, Gabriel!” she exclaimed, with severe remonstrance, “you who are so strict with the other men — see what you are doing yourself!”
To an outsider there was not much to complain of in this remark; but to Oak, who knew Bathsheba to be well aware that she herself was the cause of the poor ewe’s wound, because she had wounded the ewe’s shearer in a still more vital part, it had a sting which the abiding sense of his inferiority to both herself and Boldwood was not calculated to heal. But a manly resolve to recognize boldly that he had no longer a lover’s interest in her, helped him occasionally to conceal a feeling.
“Bottle!” he shouted, in an unmoved voice of routine. Cainy Ball ran up, the wound was anointed, and the shearing continued.
Boldwood gently tossed Bathsheba into the saddle, and before they turned away she again spoke out to Oak with the same dominative and tantalising graciousness.
“I am going now to see Mr. Boldwood’s Leicesters. Take my place in the barn, Gabriel, and keep the men carefully to their work.”
The horses’ heads were put about, and they trotted away.
Boldwood’s deep attachment was a matter of great interest among all around him; but, after having been pointed out for so many years as the perfect exemplar of thriving bachelorship, his lapse was an anticlimax somewhat resembling that of St. John Long’s death by consumption in the midst of his proofs that it was not a fatal disease.
“That means matrimony,” said Temperance Miller, following them out of sight with her eyes.
“I reckon that’s the size o’t,” said Coggan, working along without looking up.
“Well, better wed over the mixen than over the moor,” said Laban Tall, turning his sheep.
Henery Fray spoke, exhibiting miserable eyes at the same time: “I don’t see why a maid should take a husband when she’s bold enough to fight her own battles, and don’t want a home; for ‘tis keeping another woman out. But let it be, for ‘tis a pity he and she should trouble two houses.”
As usual with decided characters, Bathsheba invariably provoked the criticism of individuals like Henery Fray. Her emblazoned fault was to be too pronounced in her objections, and not sufficiently overt in her likings. We learn that it is not the rays which bodies absorb, but those which they reject, that give them the colours they are known by; and in the same way people are specialised by their dislikes and antagonisms, whilst their goodwill is looked upon as no attribute at all.
Henery continued in a more complaisant mood: “I once hinted my mind to her on a few things, as nearly as a battered frame dared to do so to such a froward piece. You all know, neighbours, what a man I be, and how I come down with my powerful words when my pride is boiling wi’ scarn?”
“We do, we do, Henery.”
“So I said, ‘Mistress Everdene, there’s places empty, and there’s gifted men willing; but the spite’ — no, not the spite — I didn’t say spite — ’but the villainy of the contrarikind,’ I said (meaning womankind), ‘keeps ‘em out.’ That wasn’t too strong for her, say?”
“Passably well put.”
“Yes; and I would have said it, had death and salvation overtook me for it. Such is my spirit when I have a mind.”
“A true man, and proud as a lucifer.”
“You see the artfulness? Why, ‘twas about being baily really; but I didn’t put it so plain that she could understand my meaning, so I could lay it on all the stronger. That was my depth! … However, let her marry an she will. Perhaps ‘tis high time. I believe Farmer Boldwood kissed her behind the spear-bed at the sheep-washing t’other day — that I do.”
“What a lie!” said Gabriel.
“Ah, neighbour Oak — how’st know?” said, Henery, mildly.
“Because she told me all that passed,” said Oak, with a pharisaical sense that he was not as other shearers in this matter.
“Ye have a right to believe it,” said Henery, with dudgeon; “a very true right. But I mid see a little distance into things! To be long-headed enough for a baily’s place is a poor mere trifle — yet a trifle more than nothing. However, I look round upon life quite cool. Do you heed me, neighbours? My words, though made as simple as I can, mid be rather deep for some heads.”
“O yes, Henery, we quite heed ye.”
“A strange old piece, goodmen — whirled about from here to yonder, as if I were nothing! A little warped, too. But I have my depths; ha, and even my great depths! I might gird at a certain shepherd, brain to brain. But no — O no!”
“A strange old piece, ye say!” interposed the maltster, in a querulous voice. “At the same time ye be no old man worth naming — no old man at all. Yer teeth bain’t half gone yet; and what’s a old man’s standing if so be his teeth bain’t gone? Weren’t I stale in wedlock afore ye were out of arms? ‘Tis a poor thing to be sixty, when there’s people far past four-score — a boast weak as water.”
It was the unvarying custom in Weatherbury to sink minor differences when the maltster had to be pacified.
“Weak as water! yes,” said Jan Coggan. “Malter, we feel ye to be a wonderful veteran man, and nobody can gainsay it.”
“Nobody,” said Joseph Poorgrass. “Ye be a very rare old spectacle, malter, and we all admire ye for that gift.”
“Ay, and as a young man, when my senses were in prosperity, I was likewise liked by a good-few who knowed me,” said the maltster.
“‘Ithout doubt you was — ’ithout doubt.”
The bent and hoary man was satisfied, and so apparently was Henery Fray. That matters should continue ple
asant Maryann spoke, who, what with her brown complexion, and the working wrapper of rusty linsey, had at present the mellow hue of an old sketch in oils — notably some of Nicholas Poussin’s: —
“Do anybody know of a crooked man, or a lame, or any second-hand fellow at all that would do for poor me?” said Maryann. “A perfect one I don’t expect to get at my time of life. If I could hear of such a thing twould do me more good than toast and ale.”
Coggan furnished a suitable reply. Oak went on with his shearing, and said not another word. Pestilent moods had come, and teased away his quiet. Bathsheba had shown indications of anointing him above his fellows by installing him as the bailiff that the farm imperatively required. He did not covet the post relatively to the farm: in relation to herself, as beloved by him and unmarried to another, he had coveted it. His readings of her seemed now to be vapoury and indistinct. His lecture to her was, he thought, one of the absurdest mistakes. Far from coquetting with Boldwood, she had trifled with himself in thus feigning that she had trifled with another. He was inwardly convinced that, in accordance with the anticipations of his easy-going and worse-educated comrades, that day would see Boldwood the accepted husband of Miss Everdene. Gabriel at this time of his life had out-grown the instinctive dislike which every Christian boy has for reading the Bible, perusing it now quite frequently, and he inwardly said, “‘I find more bitter than death the woman whose heart is snares and nets!’“ This was mere exclamation — the froth of the storm. He adored Bathsheba just the same.
“We workfolk shall have some lordly junketing to-night,” said Cainy Ball, casting forth his thoughts in a new direction. “This morning I see ‘em making the great puddens in the milking-pails — lumps of fat as big as yer thumb, Mister Oak! I’ve never seed such splendid large knobs of fat before in the days of my life — they never used to be bigger then a horse-bean. And there was a great black crock upon the brandish with his legs a-sticking out, but I don’t know what was in within.”
“And there’s two bushels of biffins for apple-pies,” said Maryann.
“Well, I hope to do my duty by it all,” said Joseph Poorgrass, in a pleasant, masticating manner of anticipation. “Yes; victuals and drink is a cheerful thing, and gives nerves to the nerveless, if the form of words may be used. ‘Tis the gospel of the body, without which we perish, so to speak it.”
CHAPTER XXIII
EVENTIDE — A SECOND DECLARATION
For the shearing-supper a long table was placed on the grass-plot beside the house, the end of the table being thrust over the sill of the wide parlour window and a foot or two into the room. Miss Everdene sat inside the window, facing down the table. She was thus at the head without mingling with the men.
This evening Bathsheba was unusually excited, her red cheeks and lips contrasting lustrously with the mazy skeins of her shadowy hair. She seemed to expect assistance, and the seat at the bottom of the table was at her request left vacant until after they had begun the meal. She then asked Gabriel to take the place and the duties appertaining to that end, which he did with great readiness.
At this moment Mr. Boldwood came in at the gate, and crossed the green to Bathsheba at the window. He apologized for his lateness: his arrival was evidently by arrangement.
“Gabriel,” said she, “will you move again, please, and let Mr. Boldwood come there?”
Oak moved in silence back to his original seat.
The gentleman-farmer was dressed in cheerful style, in a new coat and white waistcoat, quite contrasting with his usual sober suits of grey. Inwardy, too, he was blithe, and consequently chatty to an exceptional degree. So also was Bathsheba now that he had come, though the uninvited presence of Pennyways, the bailiff who had been dismissed for theft, disturbed her equanimity for a while.
Supper being ended, Coggan began on his own private account, without reference to listeners: —
I’ve lost my love, and I care not,
I’ve lost my love, and I care not;
I shall soon have another
That’s better than t’other;
I’ve lost my love, and I care not.
This lyric, when concluded, was received with a silently appreciative gaze at the table, implying that the performance, like a work by those established authors who are independent of notices in the papers, was a well-known delight which required no applause.
“Now, Master Poorgrass, your song!” said Coggan.
“I be all but in liquor, and the gift is wanting in me,” said Joseph, diminishing himself.
“Nonsense; wou’st never be so ungrateful, Joseph — never!” said Coggan, expressing hurt feelings by an inflection of voice. “And mistress is looking hard at ye, as much as to say, ‘Sing at once, Joseph Poorgrass.’“
“Faith, so she is; well, I must suffer it! … Just eye my features, and see if the tell-tale blood overheats me much, neighbours?”
“No, yer blushes be quite reasonable,” said Coggan.
“I always tries to keep my colours from rising when a beauty’s eyes get fixed on me,” said Joseph, differently; “but if so be ‘tis willed they do, they must.”
“Now, Joseph, your song, please,” said Bathsheba, from the window.
“Well, really, ma’am,” he replied, in a yielding tone, “I don’t know what to say. It would be a poor plain ballet of my own composure.”
“Hear, hear!” said the supper-party.
Poorgrass, thus assured, trilled forth a flickering yet commendable piece of sentiment, the tune of which consisted of the key-note and another, the latter being the sound chiefly dwelt upon. This was so successful that he rashly plunged into a second in the same breath, after a few false starts: —
I sow2-ed th2-e …
I sow2-ed …
I sow2-ed th2-e seeds2 of2 love2,
I-it was2 all2 i2-in the2-e spring2,
I-in A2-pril2, Ma2-ay, a2-nd sun2-ny2 June2,
When sma2-all bi2-irds they2 do2 sing.
“Well put out of hand,” said Coggan, at the end of the verse. “‘They do sing’ was a very taking paragraph.”
“Ay; and there was a pretty place at ‘seeds of love.’ and ‘twas well heaved out. Though ‘love’ is a nasty high corner when a man’s voice is getting crazed. Next verse, Master Poorgrass.”
But during this rendering young Bob Coggan exhibited one of those anomalies which will afflict little people when other persons are particularly serious: in trying to check his laughter, he pushed down his throat as much of the tablecloth as he could get hold of, when, after continuing hermetically sealed for a short time, his mirth burst out through his nose. Joseph perceived it, and with hectic cheeks of indignation instantly ceased singing. Coggan boxed Bob’s ears immediately.
“Go on, Joseph — go on, and never mind the young scamp,” said Coggan. “‘Tis a very catching ballet. Now then again — the next bar; I’ll help ye to flourish up the shrill notes where yer wind is rather wheezy: —
“Oh the wi2-il-lo2-ow tree2 will2 twist2,
And the wil2-low2 tre2-ee wi2-ill twine2.”
But the singer could not be set going again. Bob Coggan was sent home for his ill manners, and tranquility was restored by Jacob Smallbury, who volunteered a ballad as inclusive and interminable as that with which the worthy toper old Silenus amused on a similar occasion the swains Chromis and Mnasylus, and other jolly dogs of his day.
It was still the beaming time of evening, though night was stealthily making itself visible low down upon the ground, the western lines of light raking the earth without alighting upon it to any extent, or illuminating the dead levels at all. The sun had crept round the tree as a last effort before death, and then began to sink, the shearers’ lower parts becoming steeped in embrowning twilight, whilst their heads and shoulders were still enjoying day, touched with a yellow of self-sustained brilliancy that seemed inherent rather than acquired.
The sun went down in an ochreous mist; but they sat, and talked on, and grew as merry as the gods in H
omer’s heaven. Bathsheba still remained enthroned inside the window, and occupied herself in knitting, from which she sometimes looked up to view the fading scene outside. The slow twilight expanded and enveloped them completely before the signs of moving were shown.
Gabriel suddenly missed Farmer Boldwood from his place at the bottom of the table. How long he had been gone Oak did not know; but he had apparently withdrawn into the encircling dusk. Whilst he was thinking of this, Liddy brought candles into the back part of the room overlooking the shearers, and their lively new flames shone down the table and over the men, and dispersed among the green shadows behind. Bathsheba’s form, still in its original position, was now again distinct between their eyes and the light, which revealed that Boldwood had gone inside the room, and was sitting near her.
Next came the question of the evening. Would Miss Everdene sing to them the song she always sang so charmingly — ”The Banks of Allan Water” — before they went home?
After a moment’s consideration Bathsheba assented, beckoning to Gabriel, who hastened up into the coveted atmosphere.
“Have you brought your flute?” she whispered.
“Yes, miss.”
“Play to my singing, then.”
She stood up in the window-opening, facing the men, the candles behind her, Gabriel on her right hand, immediately outside the sash-frame. Boldwood had drawn up on her left, within the room. Her singing was soft and rather tremulous at first, but it soon swelled to a steady clearness. Subsequent events caused one of the verses to be remembered for many months, and even years, by more than one of those who were gathered there: —
