Complete Works of Thomas Hardy (Illustrated)

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Complete Works of Thomas Hardy (Illustrated) Page 158

by Thomas Hardy


  ‘I might have done a much more unnatural thing than write those poems. And perhaps I might have done a much better thing, and got less praise. But that’s the world’s fault, not mine.’

  ‘You might have left them unwritten, and shown more fidelity.’

  ‘Fidelity! it is more a matter of humour than principle. What has fidelity to do with it?’

  ‘Fidelity to my dear boy’s memory.’

  ‘It would be difficult to show that because I have written so-called tender and gay verse, I feel tender and gay. It is too often assumed that a person’s fancy is a person’s real mind. I believe that in the majority of cases one is fond of imagining the direct opposite of one’s principles in sheer effort after something fresh and free; at any rate, some of the lightest of those rhymes were composed between the deepest fits of dismals I have ever known. However, I did expect that you might judge in the way you have judged, and that was my chief reason for not telling you what I had done.’

  ‘You don’t deny that you tried to escape from recollections you ought to have cherished? There is only one thing that women of your sort are as ready to do as to take a man’s name, and that is, drop his memory.’

  ‘Dear Lady Petherwin — don’t be so unreasonable as to blame a live person for living! No woman’s head is so small as to be filled for life by a memory of a few months. Four years have passed since I last saw my boy-husband. We were mere children; see how I have altered since in mind, substance, and outline — I have even grown half an inch taller since his death. Two years will exhaust the regrets of widows who have long been faithful wives; and ought I not to show a little new life when my husband died in the honeymoon?’

  ‘No. Accepting the protection of your husband’s mother was, in effect, an avowal that you rejected the idea of being a widow to prolong the idea of being a wife; and the sin against your conventional state thus assumed is almost as bad as would have been a sin against the married state itself. If you had gone off when he died, saying, “Thank heaven, I am free!” you would, at any rate, have shown some real honesty.’

  ‘I should have been more virtuous by being more unfeeling. That often happens.’

  ‘I have taken to you, and made a great deal of you — given you the inestimable advantages of foreign travel and good society to enlarge your mind. In short, I have been like a Naomi to you in everything, and I maintain that writing these poems saps the foundation of it all.’

  ‘I do own that you have been a very good Naomi to me thus far; but Ruth was quite a fast widow in comparison with me, and yet Naomi never blamed her. You are unfortunate in your illustration. But it is dreadfully flippant of me to answer you like this, for you have been kind. But why will you provoke me!’

  ‘Yes, you are flippant, Ethelberta. You are too much given to that sort of thing.’

  ‘Well, I don’t know how the secret of my name has leaked out; and I am not ribald, or anything you say,’ said Ethelberta, with a sigh.

  ‘Then you own you do not feel so ardent as you seem in your book?’

  ‘I do own it.’

  ‘And that you are sorry your name has been published in connection with it?’

  ‘I am.’

  ‘And you think the verses may tend to misrepresent your character as a gay and rapturous one, when it is not?’

  ‘I do fear it.’

  ‘Then, of course, you will suppress the poems instantly. That is the only way in which you can regain the position you have hitherto held with me.’

  Ethelberta said nothing; and the dull winter atmosphere had far from light enough in it to show by her face what she might be thinking.

  ‘Well?’ said Lady Petherwin.

  ‘I did not expect such a command as that,’ said Ethelberta. ‘I have been obedient for four years, and would continue so — but I cannot suppress the poems. They are not mine now to suppress.’

  ‘You must get them into your hands. Money will do it, I suppose?’

  ‘Yes, I suppose it would — a thousand pounds.’

  ‘Very well; the money shall be forthcoming,’ said Lady Petherwin, after a pause. ‘You had better sit down and write about it at once.’

  ‘I cannot do it,’ said Ethelberta; ‘and I will not. I don’t wish them to be suppressed. I am not ashamed of them; there is nothing to be ashamed of in them; and I shall not take any steps in the matter.’

  ‘Then you are an ungrateful woman, and wanting in natural affection for the dead! Considering your birth — ’

  ‘That’s an intolerable — ’

  Lady Petherwin crashed out of the room in a wind of indignation, and went upstairs and heard no more. Adjoining her chamber was a smaller one called her study, and, on reaching this, she unlocked a cabinet, took out a small deed-box, removed from it a folded packet, unfolded it, crumpled it up, and turning round suddenly flung it into the fire. Then she stood and beheld it eaten away word after word by the flames, ‘Testament’ — ’all that freehold’ — ’heirs and assigns’ appearing occasionally for a moment only to disappear for ever. Nearly half the document had turned into a glossy black when the lady clasped her hands.

  ‘What have I done!’ she exclaimed. Springing to the tongs she seized with them the portion of the writing yet unconsumed, and dragged it out of the fire. Ethelberta appeared at the door.

  ‘Quick, Ethelberta!’ said Lady Petherwin. ‘Help me to put this out!’ And the two women went trampling wildly upon the document and smothering it with a corner of the hearth-rug.

  ‘What is it?’ said Ethelberta.

  ‘My will!’ said Lady Petherwin. ‘I have kept it by me lately, for I have wished to look over it at leisure — ’

  ‘Good heavens!’ said Ethelberta. ‘And I was just coming in to tell you that I would always cling to you, and never desert you, ill-use me how you might!’

  ‘Such an affectionate remark sounds curious at such a time,’ said Lady Petherwin, sinking down in a chair at the end of the struggle.

  ‘But,’ cried Ethelberta, ‘you don’t suppose — ’

  ‘Selfishness, my dear, has given me such crooked looks that I can see it round a corner.’

  ‘If you mean that what is yours to give may not be mine to take, it would be as well to name it in an impersonal way, if you must name it at all,’ said the daughter-in-law, with wet eyelids. ‘God knows I had no selfish thought in saying that. I came upstairs to ask you to forgive me, and knew nothing about the will. But every explanation distorts it all the more!’

  ‘We two have got all awry, dear — it cannot be concealed — awry — awry. Ah, who shall set us right again? However, now I must send for Mr. Chancerly — no, I am going out on other business, and I will call upon him. There, don’t spoil your eyes: you may have to sell them.’

  She rang the bell and ordered the carriage; and half-an-hour later Lady Petherwin’s coachman drove his mistress up to the door of her lawyer’s office in Lincoln’s Inn Fields.

  CHAPTER 11.

  SANDBOURNE AND ITS NEIGHBOURHOOD — SOME LONDON STREETS

  While this was going on in town, Christopher, at his lodgings in Sandbourne, had been thrown into rare old visions and dreams by the appearance of Ethelberta’s letter. Flattered and encouraged to ambition as well as to love by her inspiriting sermon, he put off now the last remnant of cynical doubt upon the genuineness of his old mistress, and once and for all set down as disloyal a belief he had latterly acquired that ‘Come, woo me, woo me; for I am like enough to consent,’ was all a young woman had to tell.

  All the reasoning of political and social economists would not have convinced Christopher that he had a better chance in London than in Sandbourne of making a decent income by reasonable and likely labour; but a belief in a far more improbable proposition, impetuously expressed, warmed him with the idea that he might become famous there. The greater is frequently more readily credited than the less, and an argument which will not convince on a matter of halfpence appears unanswerable when applied to questions of
glory and honour.

  The regulation wet towel and strong coffee of the ambitious and intellectual student floated before him in visions; but it was with a sense of relief that he remembered that music, in spite of its drawbacks as a means of sustenance, was a profession happily unencumbered with those excruciating preliminaries to greatness.

  Christopher talked about the new move to his sister, and he was vexed that her hopefulness was not roused to quite the pitch of his own. As with others of his sort, his too general habit of accepting the most clouded possibility that chances offered was only transcended by his readiness to kindle with a fitful excitement now and then. Faith was much more equable. ‘If you were not the most melancholy man God ever created,’ she said, kindly looking at his vague deep eyes and thin face, which was but a few degrees too refined and poetical to escape the epithet of lantern-jawed from any one who had quarrelled with him, ‘you would not mind my coolness about this. It is a good thing of course to go; I have always fancied that we were mistaken in coming here. Mediocrity stamped “London” fetches more than talent marked “provincial.” But I cannot feel so enthusiastic.’

  ‘Still, if we are to go, we may as well go by enthusiasm as by calculation; it is a sensation pleasanter to the nerves, and leads to just as good a result when there is only one result possible.’

  ‘Very well,’ said Faith. ‘I will not depress you. If I had to describe you I should say you were a child in your impulses, and an old man in your reflections. Have you considered when we shall start?’

  ‘Yes.’

  ‘What have you thought?’

  ‘That we may very well leave the place in six weeks if we wish.’

  ‘We really may?’

  ‘Yes. And what is more, we will.’

  * * * * *

  Christopher and Faith arrived in London on an afternoon at the end of winter, and beheld from one of the river bridges snow-white scrolls of steam from the tall chimneys of Lambeth, rising against the livid sky behind, as if drawn in chalk on toned cardboard.

  The first thing he did that evening, when settled in their apartments near the British Museum, before applying himself to the beginning of the means by which success in life might be attained, was to go out in the direction of Ethelberta’s door, leaving Faith unpacking the things, and sniffing extraordinary smoke-smells which she discovered in all nooks and crannies of the rooms. It was some satisfaction to see Ethelberta’s house, although the single feature in which it differed from the other houses in the Crescent was that no lamp shone from the fanlight over the entrance — a speciality which, if he cared for omens, was hardly encouraging. Fearing to linger near lest he might be detected, Christopher stole a glimpse at the door and at the steps, imagined what a trifle of the depression worn in each step her feet had tended to produce, and strolled home again.

  Feeling that his reasons for calling just now were scarcely sufficient, he went next day about the business that had brought him to town, which referred to a situation as organist in a large church in the north-west district. The post was half ensured already, and he intended to make of it the nucleus of a professional occupation and income. Then he sat down to think of the preliminary steps towards publishing the song that had so pleased her, and had also, as far as he could understand from her letter, hit the popular taste very successfully; a fact which, however little it may say for the virtues of the song as a composition, was a great recommendation to it as a property. Christopher was delighted to perceive that out of this position he could frame an admissible, if not an unimpeachable, reason for calling upon Ethelberta. He determined to do so at once, and obtain the required permission by word of mouth.

  He was greatly surprised, when the front of the house appeared in view on this spring afternoon, to see what a white and sightless aspect pervaded all the windows. He came close: the eyeball blankness was caused by all the shutters and blinds being shut tight from top to bottom. Possibly this had been the case for some time — he could not tell. In one of the windows was a card bearing the announcement, ‘This House to be let Furnished.’ Here was a merciless clash between fancy and fact. Regretting now his faint-heartedness in not letting her know beforehand by some means that he was about to make a new start in the world, and coming to dwell near her, Christopher rang the bell to make inquiries. A gloomy caretaker appeared after a while, and the young man asked whither the ladies had gone to live. He was beyond measure depressed to learn that they were in the South of France — Arles, the man thought the place was called — the time of their return to town being very uncertain; though one thing was clear, they meant to miss the forthcoming London season altogether.

  As Christopher’s hope to see her again had brought a resolve to do so, so now resolve led to dogged patience. Instead of attempting anything by letter, he decided to wait; and he waited well, occupying himself in publishing a ‘March’ and a ‘Morning and Evening Service in E flat.’ Some four-part songs, too, engaged his attention when the heavier duties of the day were over — these duties being the giving of lessons in harmony and counterpoint, in which he was aided by the introductions of a man well known in the musical world, who had been acquainted with young Julian as a promising amateur long before he adopted music as the staff of his pilgrimage.

  It was the end of summer when he again tried his fortune at the house in Exonbury Crescent. Scarcely calculating upon finding her at this stagnant time of the town year, and only hoping for information, Julian was surprised and excited to see the shutters open, and the house wearing altogether a living look, its neighbours having decidedly died off meanwhile.

  ‘The family here,’ said a footman in answer to his inquiry, ‘are only temporary tenants of the house. It is not Lady Petherwin’s people.’

  ‘Do you know the Petherwins’ present address?’

  ‘Underground, sir, for the old lady. She died some time ago in Switzerland, and was buried there, I believe.’

  ‘And Mrs. Petherwin — the young lady,’ said Christopher, starting.

  ‘We are not acquainted personally with the family,’ the man replied. ‘My master has only taken the house for a few months, whilst extensive alterations are being made in his own on the other side of the park, which he goes to look after every day. If you want any further information about Lady Petherwin, Mrs. Petherwin will probably give it. I can let you have her address.’

  ‘Ah, yes; thank you,’ said Christopher.

  The footman handed him one of some cards which appeared to have been left for the purpose. Julian, though tremblingly anxious to know where Ethelberta was, did not look at it till he could take a cool survey in private. The address was ‘Arrowthorne Lodge, Upper Wessex.’

  ‘Dear me!’ said Christopher to himself, ‘not far from Melchester; and not dreadfully far from Sandbourne.’

  CHAPTER 12.

  ARROWTHORNE PARK AND LODGE

  Summer was just over when Christopher Julian found himself rattling along in the train to Sandbourne on some trifling business appertaining to his late father’s affairs, which would afford him an excuse for calling at Arrowthorne about the song of hers that he wished to produce. He alighted in the afternoon at a little station some twenty miles short of Sandbourne, and leaving his portmanteau behind him there, decided to walk across the fields, obtain if possible the interview with the lady, and return then to the station to finish the journey to Sandbourne, which he could thus reach at a convenient hour in the evening, and, if he chose, take leave of again the next day.

  It was an afternoon which had a fungous smell out of doors, all being sunless and stagnant overhead and around. The various species of trees had begun to assume the more distinctive colours of their decline, and where there had been one pervasive green were now twenty greenish yellows, the air in the vistas between them being half opaque with blue exhalation. Christopher in his walk overtook a countryman, and inquired if the path they were following would lead him to Arrowthorne Lodge.

  ‘‘Twill take ‘ee into
Arr’thorne Park,’ the man replied. ‘But you won’t come anigh the Lodge, unless you bear round to the left as might be.’

  ‘Mrs. Petherwin lives there, I believe?’

  ‘No, sir. Leastwise unless she’s but lately come. I have never heard of such a woman.’

  ‘She may possibly be only visiting there.’

  ‘Ah, perhaps that’s the shape o’t. Well, now you tell o’t, I have seen a strange face thereabouts once or twice lately. A young good-looking maid enough, seemingly.’

  ‘Yes, she’s considered a very handsome lady.’

  ‘I’ve heard the woodmen say, now that you tell o’t, that they meet her every now and then, just at the closing in of the day, as they come home along with their nitches of sticks; ay, stalking about under the trees by herself — a tall black martel, so long-legged and awful-like that you’d think ‘twas the old feller himself a-coming, they say. Now a woman must be a queer body to my thinking, to roam about by night so lonesome and that? Ay, now that you tell o’t, there is such a woman, but ‘a never have showed in the parish; sure I never thought who the body was — no, not once about her, nor where ‘a was living and that — not I, till you spoke. Well, there, sir, that’s Arr’thorne Lodge; do you see they three elms?’ He pointed across the glade towards some confused foliage a long way off.

  ‘I am not sure about the sort of tree you mean,’ said Christopher, ‘I see a number of trees with edges shaped like edges of clouds.’

  ‘Ay, ay, they be oaks; I mean the elms to the left hand.’

  ‘But a man can hardly tell oaks from elms at that distance, my good fellow!’

  ‘That ‘a can very well — leastwise, if he’s got the sense.’

  ‘Well, I think I see what you mean,’ said Christopher. ‘What next?’

  ‘When you get there, you bear away smart to nor’-west, and you’ll come straight as a line to the Lodge.’

  ‘How the deuce am I to know which is north-west in a strange place, with no sun to tell me?’

 

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