by Thomas Hardy
The impregnable Marcia’s sight not so good as it was, and her face in the aching stage of life: these simple things came as sermons to Jocelyn.
‘But certainly I will gratify your curiosity,’ she resumed good-naturedly. ‘It is really a compliment that you should still take that sort of interest in me.’
She had moved round from the dark side of the room to the lamp — for the daylight had gone — and she now suddenly took off the bonnet, veil and all. She stood revealed to his eyes as remarkably good-looking, considering the lapse of years.
‘I am — vexed!’ he said, turning his head aside impatiently. ‘You are fair and five-and-thirty — not a day more. You still suggest beauty. YOU won’t do as a chastisement, Marcia!’
‘Ah, but I may! To think that you know woman no better after all this time!’
‘How?’
‘To be so easily deceived. Think: it is lamplight; and your sight is weak at present; and... Well, I have no reason for being anything but candid now, God knows! So I will tell you.... My husband was younger than myself; and he had an absurd wish to make people think he had married a young and fresh-looking woman. To fall in with his vanity I tried to look it. We were often in Paris, and I became as skilled in beautifying artifices as any passee wife of the Faubourg St. Germain. Since his death I have kept up the practice, partly because the vice is almost ineradicable, and partly because I found that it helped me with men in bringing up his boy on small means. At this moment I am frightfully made up. But I can cure that. I’ll come in to-morrow morning, if it is bright, just as I really am; you’ll find that Time has not disappointed you. Remember I am as old as yourself; and I look it.’
The morrow came, and with it Marcia, quite early, as she had promised. It happened to be sunny, and shutting the bedroom door she went round to the window, where she uncovered immediately, in his full view, and said, ‘See if I am satisfactory now — to you who think beauty vain. The rest of me — and it is a good deal — lies on my dressing-table at home. I shall never put it on again — never!’
But she was a woman; and her lips quivered, and there was a tear in her eye, as she exposed the ruthless treatment to which she had subjected herself. The cruel morning rays — as with Jocelyn under Avice’s scrutiny — showed in their full bareness, unenriched by addition, undisguised by the arts of colour and shade, the thin remains of what had once been Marcia’s majestic bloom. She stood the image and superscription of Age — an old woman, pale and shrivelled, her forehead ploughed, her cheek hollow, her hair white as snow. To this the face he once kissed had been brought by the raspings, chisellings, scourgings, bakings, freezings of forty invidious years — by the thinkings of more than half a lifetime.
‘I am sorry if I shock you,’ she went on huskily but firmly, as he did not speak. ‘But the moth frets the garment somewhat in such an interval.’
‘Yes — yes!... Marcia, you are a brave woman. You have the courage of the great women of history. I can no longer love; but I admire you from my soul!’
‘Don’t say I am great. Say I have begun to be passably honest. It is more than enough.’
‘Well — I’ll say nothing then, more than how wonderful it is that a woman should have been able to put back the clock of Time thirty years!’
‘It shames me now, Jocelyn. I shall never do it any more!’
* * *
As soon as he was strong enough he got her to take him round to his studio in a carriage. The place had been kept aired, but the shutters were shut, and they opened them themselves. He looked round upon the familiar objects — some complete and matured, the main of them seedlings, grafts, and scions of beauty, waiting for a mind to grow to perfection in.
‘No — I don’t like them!’ he said, turning away. ‘They are as ugliness to me! I don’t feel a single touch of kin with or interest in any one of them whatever.’
‘Jocelyn — this is sad.’
‘No — not at all.’ He went again towards the door. ‘Now let me look round.’ He looked back, Marcia remaining silent. ‘The Aphrodites — how I insulted her fair form by those failures! — the Freyjas, the Nymphs and Fauns, Eves, Avices, and other innumerable Well-Beloveds — I want to see them never any more!... “Instead of sweet smell there shall be stink, and there shall be burning instead of beauty,” said the prophet.’
And they came away. On another afternoon they went to the National Gallery, to test his taste in paintings, which had formerly been good. As she had expected, it was just the same with him there. He saw no more to move him, he declared, in the time-defying presentations of Perugino, Titian, Sebastiano, and other statuesque creators than in the work of the pavement artist they had passed on their way.
‘It is strange!’ said she.
‘I don’t regret it. That fever has killed a faculty which has, after all, brought me my greatest sorrows, if a few little pleasures. Let us be gone.’
He was now so well advanced in convalescence that it was deemed a most desirable thing to take him down into his native air. Marcia agreed to accompany him. ‘I don’t see why I shouldn’t,’ said she. ‘An old friendless woman like me, and you an old friendless man.’
‘Yes. Thank Heaven I am old at last. The curse is removed.’
It may be shortly stated here that after his departure for the isle Pierston never again saw his studio or its contents. He had been down there but a brief while when, finding his sense of beauty in art and nature absolutely extinct, he directed his agent in town to disperse the whole collection; which was done. His lease of the building was sold, and in the course of time another sculptor won admiration there from those who knew not Joseph. The next year his name figured on the retired list of Academicians.
* * *
As time went on he grew as well as one of his age could expect to be after such a blasting illness, but remained on the isle, in the only house he now possessed, a comparatively small one at the top of the Street of Wells. A growing sense of friendship which it would be foolish to interrupt led him to take a somewhat similar house for Marcia quite near, and remove her furniture thither from Sandbourne. Whenever the afternoon was fine he would call for her and they would take a stroll together towards the Beal, or the ancient Castle, seldom going the whole way, his sciatica and her rheumatism effectually preventing them, except in the driest atmospheres. He had now changed his style of dress entirely, appearing always in a homely suit of local make, and of the fashion of thirty years before, the achievement of a tailoress at East Quarriers. He also let his iron-grey beard grow as it would, and what little hair he had left from the baldness which had followed the fever. And thus, numbering in years but two-and-sixty, he might have passed for seventy-five.
Though their early adventure as lovers had happened so long ago, its history had become known in the isle with mysterious rapidity and fulness of detail. The gossip to which its bearing on their present friendship gave rise was the subject of their conversation on one of these walks along the cliffs.
‘It is extraordinary what an interest our neighbours take in our affairs,’ he observed. ‘They say “those old folk ought to marry; better late than never.” That’s how people are — wanting to round off other people’s histories in the best machine-made conventional manner.’
‘Yes. They keep on about it to me, too, indirectly.’
‘Do they! I believe a deputation will wait upon us some morning, requesting in the interests of matchmaking that we will please to get married as soon as possible.... How near we were to doing it forty years ago, only you were so independent! I thought you would have come back and was much surprised that you didn’t.’
‘My independent ideas were not blameworthy in me, as an islander, though as a kimberlin young lady perhaps they would have been. There was simply no reason from an islander’s point of view why I should come back, since no result threatened from our union; and I didn’t. My father kept that view before me, and I bowed to his judgment.’
‘And so the isla
nd ruled our destinies, though we were not on it. Yes — we are in hands not our own.... Did you ever tell your husband?’
‘No.’
‘Did he ever hear anything?’
‘Not that I am aware.’
Calling upon her one day, he found her in a state of great discomfort. In certain gusty winds the chimneys of the little house she had taken here smoked intolerably, and one of these winds was blowing then. Her drawing-room fire could not be kept burning, and rather than let a woman who suffered from rheumatism shiver fireless he asked her to come round and lunch with him as she had often done before. As they went he thought, not for the first time, how needless it was that she should be put to this inconvenience by their occupying two houses, when one would better suit their now constant companionship, and disembarrass her of the objectionable chimneys. Moreover, by marrying Marcia, and establishing a parental relation with the young people, the rather delicate business of his making them a regular allowance would become a natural proceeding.
And so the zealous wishes of the neighbours to give a geometrical shape to their story were fulfilled almost in spite of the chief parties themselves. When he put the question to her distinctly, Marcia admitted that she had always regretted the imperious decision of her youth; and she made no ado about accepting him.
‘I have no love to give, you know, Marcia,’ he said. ‘But such friendship as I am capable of is yours till the end.’
‘It is nearly the same with me — perhaps not quite. But, like the other people, I have somehow felt, and you will understand why, that I ought to be your wife before I die.’
It chanced that a day or two before the ceremony, which was fixed to take place very shortly after the foregoing conversation, Marcia’s rheumatism suddenly became acute. The attack promised, however, to be only temporary, owing to some accidental exposure of herself in making preparations for removal, and as they thought it undesirable to postpone their union for such a reason, Marcia, after being well wrapped up, was wheeled into the church in a chair.
* * *
A month thereafter, when they were sitting at breakfast one morning, Marcia exclaimed ‘Well — good heavens!’ while reading a letter she had just received from Avice, who was living with her husband in a house Pierston had bought for them at Sandbourne.
Jocelyn looked up.
‘Why — Avice says she wants to be separated from Henri! Did you ever hear of such a thing! She’s coming here about it to-day.’
‘Separated? What does the child mean!’ Pierston read the letter. ‘Ridiculous nonsense!’ he continued. ‘She doesn’t know what she wants. I say she sha’n’t be separated! Tell her so, and there’s an end of it. Why — how long have they been married? Not twelve months. What will she say when they have been married twenty years!’
Marcia remained reflecting. ‘I think that remorseful feeling she unluckily has at times, of having disobeyed her mother, and caused her death, makes her irritable,’ she murmured. ‘Poor child!’
Lunch-time had hardly come when Avice arrived, looking very tearful and excited. Marcia took her into an inner room, had a conversation with her, and they came out together.
‘O it’s nothing,’ said Marcia. ‘I tell her she must go back directly she has had some luncheon.’
‘Ah, that’s all very well!’ sobbed Avice. ‘B-b-but if you had been m-married so long as I have, y-you wouldn’t say go back like that!’
‘What is it all about?’ inquired Pierston.
‘He said that if he were to die I — I — should be looking out for somebody with fair hair and grey eyes, just — just to spite him in his grave, because he’s dark, and he’s quite sure I don’t like dark people! And then he said — But I won’t be so treacherous as to tell any more about him! I wish — ’
‘Avice, your mother did this very thing. And she went back to her husband. Now you are to do the same. Let me see; there is a train — ’
‘She must have something to eat first. Sit down, dear.’
The question was settled by the arrival of Henri himself at the end of luncheon, with a very anxious and pale face. Pierston went off to a business meeting, and left the young couple to adjust their differences in their own way.
His business was, among kindred undertakings which followed the extinction of the Well-Beloved and other ideals, to advance a scheme for the closing of the old natural fountains in the Street of Wells, because of their possible contamination, and supplying the townlet with water from pipes, a scheme that was carried out at his expense, as is well known. He was also engaged in acquiring some old moss-grown, mullioned Elizabethan cottages, for the purpose of pulling them down because they were damp; which he afterwards did, and built new ones with hollow walls, and full of ventilators.
At present he is sometimes mentioned as ‘the late Mr. Pierston’ by gourd-like young art-critics and journalists; and his productions are alluded to as those of a man not without genius, whose powers were insufficiently recognized in his lifetime.
The Short Story Collections
The famous Strang portrait of Hardy, 1893
WESSEX TALES
Wessex Tales is an 1888 collection of short stories, which are set before Hardy’s birth in 1840, covering themes such as marriage, class status, how men and women were viewed, medical diseases and more.
The 1888 first edition
WESSEX TALES
CONTENTS
PREFACE
AN IMAGINATIVE WOMAN
THE THREE STRANGERS
THE WITHERED ARM
FELLOW-TOWNSMEN
INTERLOPERS AT THE KNAP
THE DISTRACTED PREACHER
PREFACE
An apology is perhaps needed for the neglect of contrast which is shown by presenting two consecutive stories of hangmen in such a small collection as the following. But in the neighbourhood of county-towns tales of executions used to form a large proportion of the local traditions; and though never personally acquainted with any chief operator at such scenes, the writer of these pages had as a boy the privilege of being on speaking terms with a man who applied for the office, and who sank into an incurable melancholy because he failed to get it, some slight mitigation of his grief being to dwell upon striking episodes in the lives of those happier ones who had held it with success and renown. His tale of disappointment used to cause some wonder why his ambition should have taken such an unfortunate form, but its nobleness was never questioned. In those days, too, there was still living an old woman who, for the cure of some eating disease, had been taken in her youth to have her ‘blood turned’ by a convict’s corpse, in the manner described in ‘The Withered Arm.’
Since writing this story some years ago I have been reminded by an aged friend who knew ‘Rhoda Brook’ that, in relating her dream, my forgetfulness has weakened the facts our of which the tale grew. In reality it was while lying down on a hot afternoon that the incubus oppressed her and she flung it off, with the results upon the body of the original as described. To my mind the occurrence of such a vision in the daytime is more impressive than if it had happened in a midnight dream. Readers are therefore asked to correct the misrelation, which affords an instance of how our imperfect memories insensibly formalise the fresh originality of living fact — from whose shape they slowly depart, as machine-made castings depart by degrees from the sharp hand-work of the mould.
Among the many devices for concealing smuggled goods in caves and pits of the earth, that of planting an apple-tree in a tray or box which was placed over the mouth of the pit is, I believe, unique, and it is detailed in one of the tales precisely as described by an old carrier of ‘tubs’ — a man who was afterwards in my father’s employ for over thirty years. I never gathered from his reminiscences what means were adopted for lifting the tree, which, with its roots, earth, and receptacle, must have been of considerable weight. There is no doubt, however, that the thing was done through many years. My informant often spoke, too, of the horribly suffocating sensation p
roduced by the pair of spirit-tubs slung upon the chest and back, after stumbling with the burden of them for several miles inland over a rough country and in darkness. He said that though years of his youth and young manhood were spent in this irregular business, his profits from the same, taken all together, did not average the wages he might have earned in a steady employment, whilst the fatigues and risks were excessive.
I may add that the first story in the series turns upon a physical possibility that may attach to women of imaginative temperament, and that is well supported by the experiences of medical men and other observers of such manifestations.
T. H.
April 1896.
AN IMAGINATIVE WOMAN
When William Marchmill had finished his inquiries for lodgings at a well-known watering-place in Upper Wessex, he returned to the hotel to find his wife. She, with the children, had rambled along the shore, and Marchmill followed in the direction indicated by the military-looking hall-porter
‘By Jove, how far you’ve gone! I am quite out of breath,’ Marchmill said, rather impatiently, when he came up with his wife, who was reading as she walked, the three children being considerably further ahead with the nurse.
Mrs. Marchmill started out of the reverie into which the book had thrown her. ‘Yes,’ she said, ‘you’ve been such a long time. I was tired of staying in that dreary hotel. But I am sorry if you have wanted me, Will?’
‘Well, I have had trouble to suit myself. When you see the airy and comfortable rooms heard of, you find they are stuffy and uncomfortable. Will you come and see if what I’ve fixed on will do? There is not much room, I am afraid; hut I can light on nothing better. The town is rather full.’
