Complete Works of Thomas Hardy (Illustrated)

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Complete Works of Thomas Hardy (Illustrated) Page 760

by Thomas Hardy


  Hear the wormwood-worded greeting

  From each city, shore, and lea

  Of thy victims:

  ”Conqueror, all hail to thee!”

  “Yea: ‘All hail!’ we grimly shout thee

  That wast author, fount, and head

  Of these wounds, whoever proven

  When our times are throughly read.

  ‘May thy loved be slighted, blighted,

  And forsaken,’ be it said

  By thy victims,

  ’And thy children beg their bread!’

  “Nay: a richer malediction! -

  Rather let this thing befall

  In time’s hurling and unfurling

  On the night when comes thy call;

  That compassion dew thy pillow

  And bedrench thy senses all

  For thy victims,

  Till death dark thee with his pall.”

  August 1915.

  BEFORE MARCHING AND AFTER (in Memoriam F. W. G.)

  Orion swung southward aslant

  Where the starved Egdon pine-trees had thinned,

  The Pleiads aloft seemed to pant

  With the heather that twitched in the wind;

  But he looked on indifferent to sights such as these,

  Unswayed by love, friendship, home joy or home sorrow,

  And wondered to what he would march on the morrow.

  The crazed household-clock with its whirr

  Rang midnight within as he stood,

  He heard the low sighing of her

  Who had striven from his birth for his good;

  But he still only asked the spring starlight, the breeze,

  What great thing or small thing his history would borrow

  From that Game with Death he would play on the morrow.

  When the heath wore the robe of late summer,

  And the fuchsia-bells, hot in the sun,

  Hung red by the door, a quick comer

  Brought tidings that marching was done

  For him who had joined in that game overseas

  Where Death stood to win, though his name was to borrow

  A brightness therefrom not to fade on the morrow.

  September 1915.

  OFTEN WHEN WARRING

  Often when warring for he wist not what,

  An enemy-soldier, passing by one weak,

  Has tendered water, wiped the burning cheek,

  And cooled the lips so black and clammed and hot;

  Then gone his way, and maybe quite forgot

  The deed of grace amid the roar and reek;

  Yet larger vision than loud arms bespeak

  He there has reached, although he has known it not.

  For natural mindsight, triumphing in the act

  Over the throes of artificial rage,

  Has thuswise muffled victory’s peal of pride,

  Rended to ribands policy’s specious page

  That deals but with evasion, code, and pact,

  And war’s apology wholly stultified.

  1915.

  THEN AND NOW

  When battles were fought

  With a chivalrous sense of Should and Ought,

  In spirit men said,

  ”End we quick or dead,

  Honour is some reward!

  Let us fight fair — for our own best or worst;

  So, Gentlemen of the Guard,

  Fire first!”

  In the open they stood,

  Man to man in his knightlihood:

  They would not deign

  To profit by a stain

  On the honourable rules,

  Knowing that practise perfidy no man durst

  Who in the heroic schools

  Was nurst.

  But now, behold, what

  Is warfare wherein honour is not!

  Rama laments

  Its dead innocents:

  Herod breathes: “Sly slaughter

  Shall rule! Let us, by modes once called accurst,

  Overhead, under water,

  Stab first.”

  1915.

  A CALL TO NATIONAL SERVICE

  Up and be doing, all who have a hand

  To lift, a back to bend. It must not be

  In times like these that vaguely linger we

  To air our vaunts and hopes; and leave our land

  Untended as a wild of weeds and sand.

  - Say, then, “I come!” and go, O women and men

  Of palace, ploughshare, easel, counter, pen;

  That scareless, scathless, England still may stand.

  Would years but let me stir as once I stirred

  At many a dawn to take the forward track,

  And with a stride plunged on to enterprize,

  I now would speed like yester wind that whirred

  Through yielding pines; and serve with never a slack,

  So loud for promptness all around outcries!

  March 1917.

  THE DEAD AND THE LIVING ONE

  The dead woman lay in her first night’s grave,

  And twilight fell from the clouds’ concave,

  And those she had asked to forgive forgave.

  The woman passing came to a pause

  By the heaped white shapes of wreath and cross,

  And looked upon where the other was.

  And as she mused there thus spoke she:

  “Never your countenance did I see,

  But you’ve been a good good friend to me!”

  Rose a plaintive voice from the sod below:

  “O woman whose accents I do not know,

  What is it that makes you approve me so?”

  “O dead one, ere my soldier went,

  I heard him saying, with warm intent,

  To his friend, when won by your blandishment:

  “‘I would change for that lass here and now!

  And if I return I may break my vow

  To my present Love, and contrive somehow

  “‘To call my own this new-found pearl,

  Whose eyes have the light, whose lips the curl,

  I always have looked for in a girl!’

  “ — And this is why that by ceasing to be -

  Though never your countenance did I see -

  You prove you a good good friend to me;

  “And I pray each hour for your soul’s repose

  In gratitude for your joining those

  No lover will clasp when his campaigns close.”

  Away she turned, when arose to her eye

  A martial phantom of gory dye,

  That said, with a thin and far-off sigh:

  “O sweetheart, neither shall I clasp you,

  For the foe this day has pierced me through,

  And sent me to where she is. Adieu! -

  “And forget not when the night-wind’s whine

  Calls over this turf where her limbs recline,

  That it travels on to lament by mine.”

  There was a cry by the white-flowered mound,

  There was a laugh from underground,

  There was a deeper gloom around.

  1915.

  A NEW YEAR’S EVE IN WAR TIME

  I

  Phantasmal fears,

  And the flap of the flame,

  And the throb of the clock,

  And a loosened slate,

  And the blind night’s drone,

  Which tiredly the spectral pines intone!

  II

  And the blood in my ears

  Strumming always the same,

  And the gable-cock

  With its fitful grate,

  And myself, alone.

  III

  The twelfth hour nears

  Hand-hid, as in shame;

  I undo the lock,

  And listen, and wait

  For the Young Unknown.

  IV

  In the dark there careers -

  As if Death astride came

  To numb all with his knock -

  A hors
e at mad rate

  Over rut and stone.

  V

  No figure appears,

  No call of my name,

  No sound but “Tic-toc”

  Without check. Past the gate

  It clatters — is gone.

  VI

  What rider it bears

  There is none to proclaim;

  And the Old Year has struck,

  And, scarce animate,

  The New makes moan.

  VII

  Maybe that “More Tears! -

  More Famine and Flame -

  More Severance and Shock!”

  Is the order from Fate

  That the Rider speeds on

  To pale Europe; and tiredly the pines intone.

  1915-1916.

  I MET A MAN

  I met a man when night was nigh,

  Who said, with shining face and eye

  Like Moses’ after Sinai:-

  ”I have seen the Moulder of Monarchies,

  Realms, peoples, plains and hills,

  Sitting upon the sunlit seas! -

  And, as He sat, soliloquies

  Fell from Him like an antiphonic breeze

  That pricks the waves to thrills.

  ”Meseemed that of the maimed and dead

  Mown down upon the globe, -

  Their plenteous blooms of promise shed

  Ere fruiting-time — His words were said,

  Sitting against the western web of red

  Wrapt in His crimson robe.

  ”And I could catch them now and then:

  — ’Why let these gambling clans

  Of human Cockers, pit liege men

  From mart and city, dale and glen,

  In death-mains, but to swell and swell again

  Their swollen All-Empery plans,

  ”‘When a mere nod (if my malign

  Compeer but passive keep)

  Would mend that old mistake of mine

  I made with Saul, and ever consign

  All Lords of War whose sanctuaries enshrine

  Liberticide, to sleep?

  ”‘With violence the lands are spread

  Even as in Israel’s day,

  And it repenteth me I bred

  Chartered armipotents lust-led

  To feuds . . . Yea, grieves my heart, as then I said,

  To see their evil way!’

  — ”The utterance grew, and flapped like flame,

  And further speech I feared;

  But no Celestial tongued acclaim,

  And no huzzas from earthlings came,

  And the heavens mutely masked as ‘twere in shame

  Till daylight disappeared.”

  Thus ended he as night rode high -

  The man of shining face and eye,

  Like Moses’ after Sinai.

  1916.

  I LOOKED UP FROM MY WRITING

  I looked up from my writing,

  And gave a start to see,

  As if rapt in my inditing,

  The moon’s full gaze on me.

  Her meditative misty head

  Was spectral in its air,

  And I involuntarily said,

  ”What are you doing there?”

  “Oh, I’ve been scanning pond and hole

  And waterway hereabout

  For the body of one with a sunken soul

  Who has put his life-light out.

  “Did you hear his frenzied tattle?

  It was sorrow for his son

  Who is slain in brutish battle,

  Though he has injured none.

  “And now I am curious to look

  Into the blinkered mind

  Of one who wants to write a book

  In a world of such a kind.”

  Her temper overwrought me,

  And I edged to shun her view,

  For I felt assured she thought me

  One who should drown him too.

  THE COMING OF THE END

  How it came to an end!

  The meeting afar from the crowd,

  And the love-looks and laughters unpenned,

  The parting when much was avowed,

  How it came to an end!

  It came to an end;

  Yes, the outgazing over the stream,

  With the sun on each serpentine bend,

  Or, later, the luring moon-gleam;

  It came to an end.

  It came to an end,

  The housebuilding, furnishing, planting,

  As if there were ages to spend

  In welcoming, feasting, and jaunting;

  It came to an end.

  It came to an end,

  That journey of one day a week:

  (“It always goes on,” said a friend,

  “Just the same in bright weathers or bleak;”)

  But it came to an end.

  ”HOW will come to an end

  This orbit so smoothly begun,

  Unless some convulsion attend?”

  I often said. “What will be done

  When it comes to an end?”

  Well, it came to an end

  Quite silently — stopped without jerk;

  Better close no prevision could lend;

  Working out as One planned it should work

  Ere it came to an end.

  AFTERWARDS

  When the Present has latched its postern behind my tremulous stay,

  And the May month flaps its glad green leaves like wings,

  Delicate-filmed as new-spun silk, will the neighbours say,

  ”He was a man who used to notice such things”?

  If it be in the dusk when, like an eyelid’s soundless blink,

  The dewfall-hawk comes crossing the shades to alight

  Upon the wind-warped upland thorn, a gazer may think,

  ”To him this must have been a familiar sight.”

  If I pass during some nocturnal blackness, mothy and warm,

  When the hedgehog travels furtively over the lawn,

  One may say, “He strove that such innocent creatures should come to

  no harm,

  But he could do little for them; and now he is gone”?

  If, when hearing that I have been stilled at last, they stand at the

  door,

  Watching the full-starred heavens that winter sees,

  Will this thought rise on those who will meet my face no more,

  ”He was one who had an eye for such mysteries”?

  And will any say when my bell of quittance is heard in the gloom,

  And a crossing breeze cuts a pause in its outrollings,

  Till they rise again, as they were a new bell’s boom,

  ”He hears it not now, but used to notice such things”?

  LATE LYRICS AND EARLIER WITH MANY OTHER VERSES

  CONTENTS

  WEATHERS

  THE MAID OF KEINTON MANDEVILLE

  SUMMER SCHEMES

  EPEISODIA

  FAINTHEART IN A RAILWAY TRAIN

  AT MOONRISE AND ONWARDS

  THE GARDEN SEAT

  BARTHÉLÉMON AT VAUXHALL

  I SOMETIMES THINK

  JEZREEL

  A JOG-TROT PAIR

  THE CURTAINS NOW ARE DRAWN

  ACCORDING TO THE MIGHTY WORKING

  I WAS NOT HE

  THE WEST-OF-WESSEX GIRL

  WELCOME HOME

  GOING AND STAYING

  READ BY MOONLIGHT

  AT A HOUSE IN HAMPSTEAD

  A WOMAN’S FANCY

  HER SONG

  A WET AUGUST

  THE DISSEMBLERS

  TO A LADY PLAYING AND SINGING IN THE MORNING

  A MAN WAS DRAWING NEAR TO ME

  THE STRANGE HOUSE

  AS ‘TWERE TO-NIGHT

  THE CONTRETEMPS

  A GENTLEMAN’S EPITAPH ON HIMSELF AND A LADY, WHO WERE BURIED TOGETHER

  THE OLD GOWN

  A NIGHT IN NOVEMBER

  A DUETTIST TO HER PIANOFORTE

&nb
sp; WHERE THREE ROADS JOINED

  AND THERE WAS A GREAT CALM

  HAUNTING FINGERS

  A PHANTASY IN A MUSEUM OF MUSICAL INSTRUMENTS

  THE WOMAN I MET

  IF IT’S EVER SPRING AGAIN

  THE TWO HOUSES

  ON STINSFORD HILL AT MIDNIGHT

  THE FALLOW DEER AT THE LONELY HOUSE

  THE SELFSAME SONG

  THE WANDERER

  A WIFE COMES BACK

  A YOUNG MAN’S EXHORTATION

  AT LULWORTH COVE A CENTURY BACK

  A BYGONE OCCASION

  TWO SERENADES

  THE WEDDING MORNING

  END OF THE YEAR 1912

  THE CHIMES PLAY LIFE’S A BUMPER!

  I WORKED NO WILE TO MEET YOU

  AT THE RAILWAY STATION, UPWAY

  SIDE BY SIDE

  DREAM OF THE CITY SHOPWOMAN

  A MAIDEN’S PLEDGE

  THE CHILD AND THE SAGE

  MISMET

  AN AUTUMN RAIN-SCENE

  MEDITATIONS ON A HOLIDAY

  AN EXPERIENCE

  THE BEAUTY

  THE COLLECTOR CLEANS HIS PICTURE

  THE WOOD FIRE

  SAYING GOOD-BYE

  ON THE TUNE CALLED THE OLD-HUNDRED-AND-FOURTH

  THE OPPORTUNITY

  EVELYN G. OF CHRISTMINSTER

  THE RIFT

  VOICES FROM THINGS GROWING IN A CHURCHYARD

  ON THE WAY

  SHE DID NOT TURN

  GROWTH IN MAY

  THE CHILDREN AND SIR NAMELESS

  AT THE ROYAL ACADEMY

  HER TEMPLE

  A TWO-YEARS’ IDYLL

  BY HENSTRIDGE CROSS AT THE YEAR’S END

  PENANCE

  I LOOK IN HER FACE

  AFTER THE WAR

  IF YOU HAD KNOWN

  THE CHAPEL-ORGANIST

  FETCHING HER

  COULD I BUT WILL

  SHE REVISITS ALONE THE CHURCH OF HER MARRIAGE

 

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