Complete Works of Thomas Hardy (Illustrated)

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Complete Works of Thomas Hardy (Illustrated) Page 824

by Thomas Hardy


  My echoes are men's groans, my dews are red;

  So I have reason for a passing dread!

  METTERNICH

  Right nobly phrased, Archduchess; wisely too.

  I will acquaint your sire the Emperor

  With these your views. He waits them anxiously. [Going.]

  MARIA LOUISA

  Let me go first. It much confuses me

  To think—But I would fain let thinking be!

  [She goes out trembling. Enter FRANCIS by another door.]

  METTERNICH

  I was about to seek your Majesty.

  The good Archduchess luminously holds

  That in this weighty question you regard

  The Empire. Best for it is best for her.

  FRANCIS [moved]

  My daughter's views thereon do not surprise me.

  She is too staunch to pit a private whim

  Against the fortunes of a commonwealth.

  During your speech with her I have taken thought

  To shape decision sagely. An assent

  Would yield the Empire many years of peace,

  And leave me scope to heal those still green sores

  Which linger from our late unhappy moils.

  Therefore, my daughter not being disinclined,

  I know no basis for a negative.

  Send, then, a courier prompt to Paris: say

  The offer made for the Archduchess' hand

  I do accept—with this defined reserve,

  That no condition, treaty, bond, attach

  To such alliance save the tie itself.

  There are some sacrifices whose grave rites

  No bargain must contaminate. This is one—

  This personal gift of a beloved child!

  METTERNICH [leaving]

  I'll see to it this hour, your Majesty,

  And cant the words in keeping with your wish.

  To himself as he goes.]

  Decently done!... He slipped out "sacrifice,"

  And scarce could hide his heartache for his girl.

  Well ached it!—But when these things have to be

  It is as well to breast them stoically.

  [Exit METTERNICH. The clouds draw over.]

  SCENE IV

  LONDON. A CLUB IN ST. JAMES'S STREET

  [A winter midnight. Two members are conversing by the fire, and

  others are seen lolling in the background, some of them snoring.]

  FIRST MEMBER

  I learn from a private letter that it was carried out in the

  Emperor's Cabinet at the Tuileries—just off the throne-room, where

  they all assembled in the evening,—Boney and the wife of his bosom

  [In pure white muslin from head to foot, they say], the Kings and

  Queens of Holland, Whestphalia, and Naples, the Princess Pauline,

  and one or two more; the officials present being Cambaceres the

  Chancellor, and Count Regnaud. Quite a small party. It was over

  in minutes—short and sweet, like a donkey's gallop.

  SECOND MEMBER

  Anything but sweet for her. How did she stand it?

  FIRST MEMBER

  Serenely, I believe, while the Emperor was making his speech

  renouncing her; but when it came to her turn to say she renounced

  him she began sobbing mightily, and was so completely choked up that

  she couldn't get out a word.

  SECOND MEMBER

  Poor old dame! I pity her, by God; though she had a rattling good

  spell while it lasted.

  FIRST MEMBER

  They say he was a bit upset, too, at sight of her tears But I

  dare vow that was put on. Fancy Boney caring a curse what a woman

  feels. She had learnt her speech by heart, but that did not help

  her: Regnaud had to finish it for her, the ditch that overturned

  her being where she was made to say that she no longer preserved

  any hope of having children, and that she was pleased to show her

  attachment by enabling him to obtain them by another woman. She

  was led off fainting. A turning of the tables, considering how

  madly jealous she used to make him by her flirtations!

  [Enter a third member.]

  SECOND MEMBER

  How is the debate going? Still braying the Government in a mortar?

  THIRD MEMBER

  They are. Though one thing every body admits: young Peel has

  made a wonderful first speech in seconding the address. There

  has been nothing like it since Pitt. He spoke rousingly of

  Austria's misfortunes—went on about Spain, of course, showing

  that we must still go on supporting her, winding up with a

  brilliant peroration about—what were the words—"the fiery eyes

  of the British soldier!"—Oh, well: it was all learnt before-hand,

  of course.

  SECOND MEMBER

  I wish I had gone down. But the wind soon blew the other way.

  THIRD MEMBER

  Then Gower rapped out his amendment. That was good, too, by God.

  SECOND MEMBER

  Well, the war must go on. And that being the general conviction

  this censure and that censure are only so many blank cartridges.

  THIRD MEMBER

  Blank? Damn me, were they! Gower's was a palpable hit when he said

  that Parliament had placed unheard-of resources in the hands of the

  Ministers last year, to make this year's results to the country

  worse than if they had been afforded no resources at all. Every

  single enterprise of theirs had been a beggarly failure.

  SECOND MEMBER

  Anybody could have said it, come to that.

  THIRD MEMBER

  Yes, because it is so true. However, when he began to lay on with

  such rhetoric as "the treasures of the nation lavished in wasteful

  thoughtlessness,"—"thousands of our troops sacrificed wantonly in

  pestilential swamps of Walcheren," and gave the details we know so

  well, Ministers wriggled a good one, though 'twas no news to 'em.

  Castlereagh kept on starting forward as if he were going to jump up

  and interrupt, taking the strictures entirely as a personal affront.

  [Enter a fourth member.]

  SEVERAL MEMBERS

  Who's speaking now?

  FOURTH MEMBER

  I don't know. I have heard nobody later than Ward.

  SECOND MEMBER

  The fact is that, as Whitbread said to me to-day, the materials for

  condemnation are so prodigious that we can scarce marshal them into

  argument. We are just able to pour 'em out one upon t'other.

  THIRD MEMBER

  Ward said, with the blandest air in the world: "Censure? Do his

  Majesty's Ministers expect censure? Not a bit. They are going

  about asking in tremulous tones if anybody has heard when their

  impeachment is going to begin."

  SEVERAL MEMBERS

  Haw—haw—haw!

  THIRD MEMBER

  Then he made another point. After enumerating our frightful

  failures—Spain, Walcheren, and the rest—he said: "But Ministers

  have not failed in everything. No; in one thing they have been

  strikingly successful. They have been successful in their attack

  upon Copenhagen—because it was directed against an ally!" Mighty

  fine, wasn't it?

  SECOND MEMBER

  How did Castlereagh stomach that?

  THIRD MEMBER

  He replied then. Donning his air of injured innocence he proved the

  honesty of his intentions—no doubt truly enough. But when he came

  to Walcheren nothing could be done. The case was hopeless, and he
/>
  knew it, and foundered. However, at the division, when he saw what

  a majority was going out on his side he was as frisky as a child.

  Canning's speech was grave, with bits of shiny ornament stuck on—

  like the brass nails on a coffin, Sheridan says.

  [Fifth and sixth members stagger in, arm-and-arm.]

  FIFTH MEMBER

  The 'vision is—-'jority of ninety-six againsht—Gov'ment—I mean—

  againsht us. Which is it—hey? [To his companion.]

  SIXTH MEMBER

  Damn majority of—damn ninety-six—against damn amendment! [They

  sink down on a sofa.]

  SECOND MEMBER

  Gad, I didn't expect the figure would have been quite so high!

  THIRD MEMBER

  The one conviction is that the war in the Peninsula is to go on, and

  as we are all agreed upon that, what the hell does it matter what

  their majority was?

  [Enter SHERIDAN. They all look inquiringly.]

  SHERIDAN

  Have ye heard the latest?

  SECOND MEMBER

  Ninety-six against us.

  SHERIDAN

  O no-that's ancient history. I'd forgot it.

  THIRD MEMBER

  A revolution, because Ministers are not impeached and hanged?

  SHERIDAN

  That's in contemplation, when we've got their confessions. But what

  I meant was from over the water—it is a deuced sight more serious

  to us than a debate and division that are only like the Liturgy on

  a Sunday—known beforehand to all the congregation. Why, Bonaparte

  is going to marry Austria forthwith—the Emperor's daughter Maria

  Louisa.

  THIRD MEMBER

  The Lord look down! Our late respected crony of Austria! Why, in

  this very night's debate they have been talking about the laudable

  principles we have been acting upon in affording assistance to the

  Emperor Francis in his struggle against the violence and ambition

  of France!

  SECOND MEMBER

  Boney safe on that side, what may not befall!

  THIRD MEMBER

  We had better make it up with him, and shake hands all round.

  SECOND MEMBER

  Shake heads seems most natural in the case. O House of Hapsburg,

  how hast thou fallen!

  [Enter WHITBREAD, LORD HUTCHINSON, LORD GEORGE CAVENDISH, GEORGE

  PONSONBY, WINDHAM, LORD GREY, BARING, ELLIOT, and other members,

  some drunk. The conversation becomes animated and noisy; several

  move off to the card-room, and the scene closes.]

  SCENE V

  THE OLD WEST HIGHWAY OUT OF VIENNA

  [The spot is where the road passes under the slopes of the Wiener

  Wald, with its beautiful forest scenery.]

  DUMB SHOW

  A procession of enormous length, composed of eighty carriages—

  many of them drawn by six horses and one by eight—and escorted

  by detachments of cuirassiers, yeomanry, and other cavalry, is

  quickening its speed along the highway from the city.

  The six-horse carriages contain a multitude of Court officials,

  ladies of the Court, and other Austrian nobility. The eight-horse

  coach contains a rosy, blue-eyed girl of eighteen, with full red

  lips, round figure, and pale auburn hair. She is MARIA LOUISA, and

  her eyes are red from recent weeping. The COUNTESS DE LAZANSKY,

  Grand Mistress of the Household, in the carriage with her, and the

  other ladies of the Palace behind, have a pale, proud, yet resigned

  look, as if conscious that upon their sex had been laid the burden

  of paying for the peace with France. They have been played out of

  Vienna with French marches, and the trifling incident has helped on

  their sadness.

  The observer's vision being still bent on the train of vehicles and

  cavalry, the point of sight is withdrawn high into the air, till the

  huge procession on the brown road looks no more than a file of ants

  crawling along a strip of garden-matting. The spacious terrestrial

  outlook now gained shows this to be the great road across Europe from

  Vienna to Munich, and from Munich westerly to France.

  The puny concatenation of specks being exclusively watched, the

  surface of the earth seems to move along in an opposite direction,

  and in infinite variety of hill, dale, woodland, and champaign.

  Bridges are crossed, ascents are climbed, plains are galloped over,

  and towns are reached, among them Saint Polten, where night falls.

  Morning shines, and the royal crawl is resumed, and continued through

  Linz, where the Danube is reapproached, and the girl looks pleased

  to see her own dear Donau still. Presently the tower of Brannau

  appears, where the animated dots pause for formalities, this being

  the frontier; and MARIA LOUISA becomes MARIE LOUISE and a Frenchwoman,

  in the charge of French officials.

  After many breaks and halts, during which heavy rains spread their

  gauzes over the scene, the roofs and houses of Munich disclose

  themselves, suggesting the tesserae of an irregular mosaic. A long

  stop is made here.

  The tedious advance continues. Vine-circled Stuttgart, flat

  Carlsruhe, the winding Rhine, storky Strassburg, pass in panorama

  beneath us as the procession is followed. With Nancy and Bar-le-

  Duc sliding along, the scenes begin to assume a French character,

  and soon we perceive Chalons and ancient Rheims. The last day of

  the journey has dawned. Our vision flits ahead of the cortege to

  Courcelles, a little place which must be passed through before

  Soissons is reached. Here the point of sight descends to earth,

  and the Dumb Show ends.

  SCENE VI

  COURCELLES

  [It is now seen to be a quiet roadside village, with a humble

  church in its midst, opposite to which stands an inn, the highway

  passing between them. Rain is still falling heavily. Not a soul

  is visible anywhere.

  Enter from the west a plain, lonely carriage, traveling in a

  direction to meet the file of coaches that we have watched. It

  stops near the inn, and two men muffled in cloaks alight by the

  door away from the hostel and towards the church, as if they

  wished to avoid observation. Their faces are those of NAPOLEON

  and MURAT, his brother-in-law. Crossing the road through the mud

  and rain they stand in the church porch, and watch the descending

  drifts.]

  NAPOLEON [stamping an impatient tattoo]

  One gets more chilly in a wet March than in a dry, however cold, the

  devil if he don't! What time do you make it now? That clock doesn't

  go.

  MURAT [drily, looking at his watch]

  Yes, it does; and it is right. If clocks were to go as fast as your

  wishes just now it would be awkward for the rest of the world.

  NAPOLEON [chuckling good-humouredly]

  How we have dished the Soissons folk, with their pavilions, and

  purple and gold hangings for bride and bridegroom to meet in, and

  stately ceremonial to match, and their thousands looking on! Here

  we are where there's nobody. Ha, ha!

  MURAT

  But why should they be dished, sire? The pavilions and ceremonies

  were by your own orders.

  NAPOLEON

  Well, as th
e time got nearer I couldn't stand the idea of dawdling

  about there.

  MURAT

  The Soissons people will be in a deuce of a taking at being made

  such fools of!

  NAPOLEON

  So let 'em. I'll make it up with them somehow.—She can't be far

  off now, if we have timed her rightly. [He peers out into the rain

  and listens.]

  MURAT

  I don't quite see how you are going to manage when she does come.

  Do we go before her toward Soissons when you have greeted her here,

  or follow in her rear? Or what do we do?

  NAPOLEON

  Heavens, I know no more than you! Trust to the moment and see what

  happens. [A silence.] Hark—here she comes! Good little girl; up

  to time!

  [The distant squashing in the mud of a multitude of hoofs and

  wheels is succeeded by the appearance of outriders and carriages,

  horses and horsemen, splashed with sample clays of the districts

  traversed. The vehicles slow down to the inn. NAPOLEON'S face

  fires up, and, followed by MURAT, he rushes into the rain towards

  the coach that is drawn by eight horses, containing the blue-eyed

  girl. He holds off his hat at the carriage-window.]

  MARIE LOUISE [shrinking back inside]

  Ah, Heaven! Two highwaymen are upon us!

  THE EQUERRY D'AUDENARDE [simultaneously]

  The Emperor!

  [The steps of the coach are hastily lowered, NAPOLEON, dripping,

  jumps in and embraces her. The startled ARCHDUCHESS, with much

  blushing and confusion recognizes him.]

  MARIE LOUISE [tremulously, as she recovers herself]

  You are so much—better looking than your portraits—that I hardly

  knew you! I expected you at Soissons. We are not at Soissons yet?

  NAPOLEON

  No, my dearest spouse, but we are together! [Calling out to the

  equerry.] Drive through Soissons—pass the pavilion of reception

  without stopping, and don't halt till we reach Compiegne.

  [He sits down in the coach and is shut in, MURAT laughing silently

  at the scene. Exeunt carriages and riders toward Soissons.]

  CHORUS OF THE IRONIC SPIRITS [aerial music]

  First 'twas a finished coquette,

  And now it's a raw ingenue.—

  Blond instead of brunette,

  An old wife doffed for a new.

  She'll bring him a baby,

  As quickly as maybe,

  And that's what he wants her to do,

  Hoo-hoo!

  And that's what he wants her to do!

 

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