“Lay it down on the floor, then kick it toward me,” said the man.
Dupree did as he was told. The man stopped the gun with his foot as it reached him. Beside him, the woman closed the door to the station house and turned the lock.
“Who are you?” asked Dupree.
“Doesn’t matter,” said Braun. “Tell me where your partner is at.”
“I don’t know.”
“Don’t fuck with me.”
“She’s out on patrol. I don’t know where she is exactly.”
“Call her.”
The man and woman moved in unison, keeping the same distance from each other as they advanced on Dupree in a ten-to-two position.
“She’s out of radio contact.”
Braun fired his gun, aiming to Dupree’s left. The shot blew a hole in the computer screen on the desk behind him.
“Why would you think I’m fucking with you, Andre? I want you to call her and bring her in.”
Dupree didn’t know if the radio was still out, but he had no plans to use it even if it was functioning again. Macy would be no match for these people if he brought her back here. The way things were looking, he was no match for them himself.
“I can’t do that,” said Dupree.
“You mean you won’t do it.”
“Comes down to the same thing. Why are you doing this?”
Braun smiled regretfully.
“You shouldn’t have fucked his wife,” he said.
He raised his gun and sighted down the barrel.
“You really shouldn’t have fucked his wife.”
Then, without warning, the lights went out.
Doug Newton was sitting downstairs in his favorite chair when the power died. His first reaction was that of most people on the island: he reached for a flashlight so he could check the fuse box. When the flashlight wouldn’t work, he went scouting for candles, eventually finding a pack of tea lights behind the spare bulbs in the kitchen cabinet. He dropped a tea light in an ashtray, lit it, then took a second candle and placed it on a saucer. His mother would be frightened if she woke and found that her TV wasn’t working. She liked the light from the tube, found it comforting. Her greatest fear, Doug believed, was that she might be alone when she died, and she would rather die with Nick at Nite than nobody at all.
Doug had just begun to climb the stairs when the candles flickered slightly and he felt the blast of cold air: a window was open. At the same instant a shuffling sound came from above, then a tapping that sounded like small bare feet running on boards.
Finally, he heard his mother cry out.
Doug knew that the cops, with the possible exception of Joe Dupree, hadn’t believed him when he’d told them about the little girl. Hell, Doug wasn’t too sure that he believed it himself, but he’d seen it and he was pretty certain his mother had seen it too, although she later convinced herself that it was just a dream. Ever since then, as he had admitted to Dupree, Doug had kept a pistol by his bedside and a loaded shotgun beside the hat stand in the hallway. He put the two tea lights down on the hall table and picked up the shotgun. Light filtered through the small square window at the first landing as he ascended the stairs, but he didn’t really need it. Doug knew this house: he’d been born here, lived here, and would die here, if he had his way.
His mother’s room was the second on the right. The door was slightly ajar, as it always was, and Doug thought that he could see shadows moving against the wall. From inside came the sounds of thrashing, and what might have been his mother softly whimpering.
Doug hit the door at a run, the shotgun at his shoulder.
The sheets had been thrown back from his mother’s bed and lay piled on the floor. Snow was blowing in through the open window, the flakes billowing and colliding with one another before falling gently on the carpet. The Gray Girl crouched over Doug’s mother, her mouth pressed against the old woman’s lips, while his mother’s thin arms and skeletal hands pushed at her, trying to force her away. Her hands caught in the folds of the Gray Girl’s gown, which appeared to move independently of the limbs it concealed. It seemed to be part of the girl, as though her body had fused with the shroud in which she had been interred, creating a new skin that hung over her arms like wings.
As Doug entered, the Gray Girl disengaged herself from his mother and swiveled her head in the direction of the intruder. He saw then that she was old, desperately old, a child in form only. Her hair, blond from a distance, was now clearly silver-white. Her cheeks were sunken and Doug perceived bone protruding through the parched skin below her eyes, which were entirely black. Her mouth was strangely rounded and Doug was reminded of a lamprey, a creature designed by nature to adhere to another creature and draw the life from it. Beneath the girl, he saw his mother’s face, her lips trembling and tears falling from her face. Her breathing was barely audible, and as Doug moved toward the bed, the light faded from her eyes and he heard the rattle in her throat as she died.
The Gray Girl hissed at Doug, and he saw the rage in her black eyes at what Doug had done, the distraction of his presence depriving her of that which she sought. Her hand reached out, her fingers little more than bone wrapped in tattered parchment.
And Doug fired.
The force of the blast blew the Gray Girl from the bed and tossed her against the wall. She rolled when she hit the floor, then rose up again and stood before him, framed by the window. The shot had torn holes through her gown and the skin beneath, but no blood came, and there was only a smear of gray tissue where she had struck the wall. She stood and regarded Doug with a malevolence that made him want to run and hide, to curl himself up into a ball in a closet until she went away. For an instant, Doug pictured himself cocooned, listening in the darkness, then hearing the pad of those feet as they approached and halted before his hiding place, the door being drawn slowly open as—
Doug fired again, and the gray child disintegrated into a cloud of moths.
The room was filled with snowflakes and insects and broken glass, and the sound of Doug Newton crying for his dead mother, and for himself.
Nancy Tooker was descending warily to the kitchen to get some food for her sister and the dogs when the lights went out. She was a big woman, as Officer Berman had not failed to notice, and once she missed her step, there was no way that she could keep her balance. She tumbled awkwardly down the stairs, striking the slate floor hard with her head and coming to rest with a sigh. Her sister cried out her name, then used both the wall and the stair rail to support herself as she descended to Nancy’s side. After a moment’s hesitation, the dogs followed.
There was blood flowing from a wound in Nancy’s head. A shard of bone had broken through the skin of her left arm and her left ankle was clearly broken. Her breathing was very shallow and Linda feared that her sister had done herself some internal damage that only a hospital could ascertain. She went to dial the station house number, but the line was dead. She switched the phone off, powered it up, then tried again, but there was still no tone.
Linda ran to the living room, where she removed the cushions from the armchairs and couches, and did her best to make her sister comfortable. She was afraid to move her, and wasn’t sure that she could have even if she’d wanted to, for Linda was sixty or seventy pounds lighter than her sister. Instead, she gingerly raised Nancy’s head and slipped a cushion beneath it, then tried to do the same for her arm and ankle. During the whole operation, Nancy moaned softly only once, when Linda placed a pair of cushions beneath her leg. That worried Linda more than anything else, because moving that leg should have hurt Nancy like a bitch. She went to the hall closet and removed all the coats she could find, then laid them across her sister to keep her warm. Their nearest neighbors were the Newtons, just on the other side of Fern Avenue. If she could get to them, she could use their phone, assuming that the problem with the phones hadn’t affected the whole island. She didn’t want to think about what might happen to Nancy if that were the case. Someone would just h
ave to drive over to Joe Dupree and tell him what had happened so he could call for help from the mainland.
She leaned in close to her sister, stroked her hair from her eyes, and whispered to her.
“Nancy, I’m going to go for help. I won’t be gone but five minutes.”
Linda kissed her sister’s brow. It was clammy and hot. She stood and shrugged on her own overcoat. At her feet, the dogs began to turn in circles, alternately barking and whining.
“No, you dumb mutts, this isn’t a walk.”
But the dogs weren’t following her to the door. Instead, they were moving back from it. Max, the German shepherd, went down on his front paws, his tail between his legs, and began to growl. Something of their fear returned to Linda as she looked back at them.
“The hell is wrong with you both?” she asked.
She opened the front door, and the Gray Girl pounced.
For a moment, there was confusion in the station house. The blinds had been drawn in Dupree’s office and the heavy cloud cover meant that there was no moonlight. With the loss of the street lamps, the small station house was suddenly plunged into darkness. The suppressed guns spat softly, but Dupree was already moving. Braun and Leonie heard a door opening in the far-right-hand corner of the office. Both fired toward the sound.
“Go around,” said Leonie. “Don’t let him get into the woods.”
Braun ran into the street, then hung a left and made for the rear of the station. Silently, Leonie advanced toward the back room. Her night vision was already improving and she could see the shape of the doorway ahead of her. She stopped to the right of the frame and listened. There was no sound from inside. Leonie crouched down and risked a glance inside. She saw a big water tank with a small generator behind it. Oilskins were hanging from hooks on the wall. There were two lockers, one of them open. Beyond them, the back door stood ajar and snow was already beginning to cover the floor.
Leonie moved slowly into the room. To her right was a narrow gap between the tank and the wall. The open mouth of a pipe was visible in the gap. Leonie paused for a moment and the pipe belched fire. She heard the bellow of the shotgun as her being ignited in pain, and then a voice was calling her name. Braun. It was Braun. She tried to speak, but no words would form. She felt herself sliding down the wall.
“Bra—”
There was blood in her mouth.
“Br—”
The monstrous form of the giant emerged from the shadows in the corner of the room, the very darkness come to life. There came the sound of another load being jacked, but already she knew that he would have no call for it. Leonie’s fingers brushed the gun upon the floor beside her, and she was no longer dying in an alien place. She was a young girl walking across a patch of waste ground, the revolver like a warm hand upon her belly, spreading tendrils of heat through her body and filling her with pleasure and power. She felt a great pressure build inside her, pain and remembrance intertwining like lovers in her mind. Her lips parted in a kind of ecstasy, and her eyes closed as the life left her body, her final breath briefly catching in her throat before at last it found its release.
Braun was almost at the corner when he heard the shotgun blast. Ahead of him, he could see the open back door of the station house. There were no footprints in the snow.
“Leonie,” he cried out instinctively. There was no reply.
Braun looked toward the forest. The big cop could be anywhere inside the station house. If he approached the doorway, Braun would make an easy target. He retreated instead, making his way in a wide arc into the trees at the back of the station. He moved as quietly as he could, the snow muffling his footfalls. The doorway was empty, but it was dark inside and he could see no movement within. Then the reinforced steel door closed suddenly, propelled shut by the force of Dupree’s shoe, and Braun swore loudly. He couldn’t leave the cop alive in there. He would call for help, and next thing he knew there would be a blue army arriving on the island. Braun prepared to move just as a noise came from close by. He spun rapidly, his back to the station house. There was something big in the trees: a deer, perhaps, or maybe the rookie had come back and was already behind him.
The sound came again but this time it was far to his right. His first thought was that, whatever it was, it was moving quickly, but that was swiftly followed by the realization that nothing could move that fast through the woods. He would have heard branches rustling, twigs snapping, even in the snow. Now there was more than one and the disturbances seemed to be coming from above his head, as though some great bird were flying unseen through the trees.
Braun rose and started moving backward, trying to keep both the woods and the station house in sight, his gun panning across the trees. There were figures moving in the darkness. They were gray, seemingly iridescent, like moonlight shining on the fur of animals, and they glided across the snow or flitted through the gaps between the branches of the evergreens. Then one of the shapes seemed to halt and he caught a glimpse of gray skin and a reflection of himself in a dark pupil.
And teeth. Rotting yellow teeth.
“What the fuck?”
The gray shape curled in on itself, like paper crumpled in a fist, then moved swiftly toward him. Braun started firing, but the thing kept on coming. Braun staggered out of the cover of the woods and turned to see Joe Dupree leaning against the wall of the station, the shotgun at his shoulder. He dove to the ground as the shotgun bucked in Dupree’s hands. Bark and splinters exploded from the tree trunk above Braun’s head. He heard a second shot, and felt a pull at his left arm. He looked down to see blood above his elbow and part of his forearm reduced to red meat by the blast. A searing white heat began to burn its way through his upper body.
Braun staggered into the forest, and the gray shapes followed.
Linda Tooker wasn’t a particularly fast mover. Even during rush hour in the diner (which never numbered more than a dozen people, yet still put the sisters under pressure) she served at a slower pace than her sister cooked, which meant lukewarm sandwiches and cool soup for everyone. Yet in the instant after she registered the approaching figure—its tattered skin, its black eyes, its mouth like a sucking wound—she reacted faster than she had since high school. She slammed the door in the Gray Girl’s face and felt the wood strike her, but the gap wouldn’t close. She looked to her right and saw the child’s fingers caught between the door and the frame. The nails were sharp and yellowed and there was no flesh on the bones. They looked like twigs wrapped in burnt paper, delicate enough to be snapped off by a heavy door.
Except the fingers weren’t snapping.
They were gripping.
Linda felt her feet begin to slide on the floor as the door was pushed inward. That’s not possible, she thought. No child could be so strong. There must be someone else out there, someone helping her. Then a second hand materialized in the growing breach, this time braced against the frame, and the Gray Girl’s face appeared, her black eyes focused not on Linda but on her sister.
“No!” shouted Linda. She jammed her right foot against the last stair, placed her forearm against the door, and swung her fisted right hand with all her force into the child’s face. She heard bone crack as the blow struck, and the child’s head rocked slightly. Then it was back in the opening again, the gray skin open across the nose to reveal the dirty bone beneath. The punch appeared only to have angered her, increasing her strength, for she pushed with renewed force, Linda’s legs giving way, the gap now almost big enough to permit the child’s whole body to enter. Linda heard herself sob as her strength failed and the door opened wide.
A dark blur shot by her from the hallway and she felt the dog’s fur brush against her shoulder as Max leaped and struck the Gray Girl, his jaws tearing at her throat as his weight knocked her away from the doorway. Linda slammed the door shut behind them, locking and bolting it, then sliding down its length until she came to rest on the floor. The collie, Claude, began to scratch at the door, trying to reach its companion. Fro
m outside she heard scuffling noises in the snow, and Max’s growls.
Then the dog howled sharply once, and all was quiet.
Chapter Fourteen
The five men stood on the edge of the shallow cliff, the stony beach some forty feet below them, and stared at the figure that stood amid the waves. Its features could not be distinguished, but there was no mistaking the arrow that pierced its torso. It remained still, despite the force of the water rolling in from behind. To its right was a rocky outcrop, blocking the pierced man from the view of Tell and Willard, on the boat.
“No way,” said Dexter. “No fucking way. I’ve taken a black bear with one of those arrows. There’s no way he can still be alive.”
Moloch regarded the sea in silence, then turned to Shepherd.
“Go down there and finish him.”
Shepherd shook his gray head once.
“Not me,” he said. “No.”
“I don’t think you heard me correctly. You seem to have turned an order into a request.”
Shepherd remained impassive. He had been watching Moloch carefully throughout the boat journey, growing more and more troubled by what he was seeing, and in the short time since their arrival on the island, his concerns had only increased. He had seen Moloch’s eyes glaze over when nobody was looking, his lips moving, forming unspoken words. During the ascent of the slope, Moloch had slipped more times than any of the others and his eyes seemed to be focused less on the climb than on the thin scrub and brush that had found purchase among the rocks. When they had reached the top, it had taken Dexter to alert him to the presence of the retarded man. Moloch had not been looking at the tower, or at the man in the bright orange vest. His gaze was fixed on the woods, and his lips were moving again. This time, Shepherd could distinguish words and phrases.
We move on.
Bad Men (2003) Page 32
