Surrounded by sea, but always short of fresh water, wreathed in coal smoke from the dockyard’s many forges, and full of the noise of metal on wood, Portsmouth, then, was a prime site of state power and imperial projection. But, as indicated by the pair of seven-foot-high dragon-headed pagodas from China erected by its dockyard in the 1740s, and by the mixture of coins and languages in use in its streets, the town was also a magnet for outsiders and alien influences. Portsmouth was where most foreign diplomats made landfall in Britain before taking the London road to present their credentials at court. It was the main British depot outside of London of the East India Company. Ships from Calcutta, Madras, Bombay and Canton unloaded textiles, spices and ceramics in Portsmouth, as well as passengers and occasional Asian seamen. This was also a garrison town, and companies of soldiers marched through it en route for, or returning from, overseas expeditions; and Portsmouth was a commercial port as well as a naval base. There were Arab traders arriving from the Levant, seamen and fish-dealers from Hudson’s Bay and New England, Baltic suppliers catering to the Royal Navy’s ceaseless appetite for timber, so-called ‘Port Jews’ eschewing the distinctive life of their people in order to trade and lend money, and smugglers from nowhere in particular.50
‘The West Prospect of Portsmouth, in Hamp-Shire’. Engraving by Samuel and Nathaniel Buck, 1749. Note, on the right, the black cabin-boy, and the steeple of St Thomas church, where Elizabeth Marsh was christened in 1735.
Elizabeth Marsh’s early exposure in Portsmouth to the sights and sounds of difference and diversity, and simultaneously to the Royal Navy and to the force of the British state, has to be factored in if we are to understand how she came to be the person she was, and to lead the life that she did. But she was also shaped of course by her family. ‘I was the daughter of a gentleman,’ she once wrote.51 The truth was more interesting.
While almost everything about her mother remains unclear, her father’s background is remarkably well documented. Milbourne Marsh had been christened in St Thomas church in Portsmouth in October 1709. His father, George Marsh (b.1683), was also a ship’s carpenter with the Royal Navy, which was typical enough, since shipbuilding was a closely guarded trade, customarily passed on through the males of a family over generations. Milbourne’s mother, who was born Elizabeth Milbourne in 1687, possessed her own link to the maritime, though a significantly different one. Her father, John Milbourne, ‘an excellent pen man’, was employed after 1713 as clerk to Sir Isaac Townsend, the Resident Commissioner at Portsmouth naval dockyard.52
This blood connection with someone who worked with pen and paper was important, and the careful perpetuation of his mother’s surname in Milbourne Marsh’s own first name shows that his family was well aware of this. Both of Milbourne’s parents were literate, and both took pleasure in using words. As would be true of Elizabeth Marsh, they were compulsive storytellers. From his father, George Marsh, Milbourne heard tales about his grandfather, yet another mariner, called Francis Marsh. On a voyage from Lisbon back to Southampton in the early 1690s, this particular Marsh was wrecked off the Isle of Wight. ‘The ship and everything in it but himself were lost,’ but Francis Marsh – or so Milbourne and his siblings were told – plunged into the sea with his banknotes and valuable papers wrapped up in an ‘oil skin bag’, together with ‘a small family bible, not above 7 inches long, 4 or 5 inches broad and about 1 inch and a half thick’, and was ‘miraculously saved on shore on the beach’. Milbourne’s mother’s favourite tales were of her grandfather, a Northumberland-based dealer in Scottish cattle called John Milbourne. In May 1650, she claimed, he had risked his life hiding the Scottish royalist hero James Graham, 1st Marquess of Montrose, when he was on the run from the Scottish Covenanters who were allies of Parliament. Only when Montrose left this plain man’s sanctuary, and went seeking help from a nearby landowner, was he betrayed and handed over to his enemies and execution.
Tokens of these and other past family dramas were carefully preserved. George Marsh senior and his wife kept a print of the Marquess of Montrose on a wall in every lodging house they occupied. As for Francis Marsh’s providential Bible and prayer book, what passes for this volume still exists today, its battered pages bearing annotations by one of George Marsh senior’s sons. The content of these family legends, and the tenacity with which they were held, suggest the eagerness of Marsh family members to view themselves as something more than mere skilled artisans. Milbourne Marsh and his siblings were brought up on ‘a slender income by good management and prudence’, but the stories he and they listened to, and that he passed on in turn to his own daughter, Elizabeth Marsh, evoked a rather different status. God, these family romances proclaimed, had intervened to preserve one of their ancestors by a ‘wonderful deliverance’. Yet another ancestor had performed an act of signal service to the cause of Britain’s monarchy. Moreover, as Milbourne Marsh’s mother told her children by way of other stories, they should rightfully have been rich. Her father John Milbourne, she insisted, ‘a fine handsome person, a good scholar and of great abilities’, had once owned a colliery in Northumberland and was ‘highly esteemed by the nobility and gentry of the county’. But he lost some of his money to a nobleman (worthless aristocrats are a recurring motif in Marsh family sagas), and his housekeeper subsequently cheated her way into his bed, faked his will, and ‘got possession of the whole fortune’.53
The sea, mobility and Providence: page from the Marsh family Bible detailing Francis Marsh’s escape from drowning c.1694.
The moral that family members were encouraged to draw from these stories – and Elizabeth Marsh certainly grew up believing this – was that they were marked out in some fashion, and deserving of more than their immediate, circumscribed surroundings and conditions of life. The stories also reveal something else about how she grew up. Contrary to what is sometimes assumed, long-distance migration was not an aspect of the coming of modernity. Frequently, it was a practice that was learnt and adopted by a family’s members over successive generations, and that often increased in scale and duration in the process. Elizabeth Marsh’s restlessness, it is clear, was in part an inherited trait. Her father Milbourne Marsh took ship to the Caribbean, but his forebears were also sailors and migrants. His father and grandfather were mariners familiar with European waters. His mother’s family moved between northern England and Scotland, and then down to southern England. And whether Elizabeth’s own mother’s roots lay in West Africa or in England, she too must have been of voluntary or involuntary migrant stock, before sailing herself across the Atlantic to England in 1735.
From Milbourne Marsh’s family – and perhaps from her mother’s – Elizabeth Marsh also inherited good looks and physical toughness. Milbourne’s father, George Marsh senior, was described as a ‘remarkable fine person’, ‘upwards of six feet high … very upright and well proportioned, [and] amazingly strong and healthy’. Although the Navy Board awarded him a pension in the mid-1740s, he seems to have continued working part-time as a shipwright, and was seventy when he was killed in an industrial accident in 1753.54 Married in 1707, he and Elizabeth Milbourne produced nine children and, unusually for their time and social level, eight of them reached adulthood. What were then untreatable diseases, and maritime accidents, killed off five of these Marsh progeny before they reached the age of forty, but the life spans of the remaining three confirm a family tendency towards physical vigour and good health. Milbourne Marsh (b.1709) lived to be almost seventy; George Marsh the younger (b.1722) made seventy-eight; while their sister Mary Marsh (b.1712) reached her eighties. It is striking too how, in different ways, and in conformity with the family’s stock of stories, all three of these longer-lived Marsh siblings constructed for themselves richer, more varied existences than their parents. Even Mary Marsh’s life, hampered by her gender, illustrates this. Once in her teens, she went to London to find work, and married a French Huguenot, Jean Duval. He worked as a baker in Spitalfields, a once semi-rural suburb in the east of London that h
as always attracted a disproportionate number of refugees and immigrants. This alliance with a family of French origins, attached to another form of Protestantism, made more than Mary’s own life more diverse. Visits to aunt Mary and uncle Duval in London in the 1740s and early ’50s seem to have allowed Elizabeth Marsh to learn to speak and read French, one of the prime accomplishments that normally connoted gentility.55
The ‘industrious revolution’, as the marked changes in family aspirations at this time have been called, a rising level, throughout Europe and North America and possibly beyond, of individual and clan desire, expectations, and household expenditure, also affected Milbourne Marsh, and to a more spectacular degree his brother, George Marsh the younger.56 The temperaments and changing fortunes of these two men, Elizabeth Marsh’s father and her uncle, are important because both men played crucial roles in her development, influencing what she came to be, and what she came to do.
Like most mariners in the age of sail, Milbourne Marsh had gone to sea very early. He recalled in middle age how, when just eleven years old and already sailing the Mediterranean, he was regularly handling explosives. He would be sent on shore from whatever vessel he was on at the time, and ordered to blow up rocks into small stones so as to provide ballast for the ship’s hold.57 Yet to view him simply as a manual labourer would be quite wrong. Thomas Rowlandson’s sensitive study of a ship’s carpenter was made more than a decade after Milbourne’s death, but the tools the artist gives his figure – an adze in one hand and a drawing instrument in the other – accurately convey the occupation’s composite quality. As suggested by the adze (an axe with a curved blade), it involved hard physical effort. Timber had to be cut to size, a ship’s rotten wood and any cannon shot embedded in it cut out and made good. As indicated by the drawing instrument, however, this was only part of the job. Milbourne was fully literate, and he had to be. A ship’s carpenter was expected to write ‘an exact and particular account’ of his vessel’s condition and propose solutions to any defects. He needed to know basic accounting so as to estimate the cost of repairs, and keep check of his stocks of timber and other stores. And he required mathematical and geometrical skills: enough to draw plans, calculate the height of a mast from the deck, and estimate the weight of anchors and what thickness of timber was required to support them.58
Looked at this way, it becomes easier to understand why the foremost English shipwright of the late seventeenth century, Anthony Deane (c.1638–1720), was knighted and made a Fellow of the Royal Society. Because of increased transoceanic trade, expanding empire, the growth of European and of some non-European fighting navies, and recurrent warfare, skills of the sort that Milbourne Marsh commanded were in urgent national and international demand. Not for nothing do we refer today to ‘navigating’ and ‘surfing’ the web. Rather like cyberspace now, the sea in Milbourne Marsh’s time was the vital gateway to a more interconnected world. Consequently, those in possession of the more specialist maritime skills were in a position to rise economically, and often socially as well. ‘The Ship-Carpenter … to become master of his business must learn the theory as well as practice,’ Britain’s most widely read trade directory insisted in 1747: ‘it is a business that one seldom wants bread in, either at home or abroad.’59
The nature of her father’s occupation was of central importance in Elizabeth Marsh’s life. At one level, and along with her many other seafaring relations, Milbourne Marsh gave her access to one of the few eighteenth-century organizations genuinely possessed of something approaching global reach: the Royal Navy. This proved vital to her ability to travel. Long-distance oceanic journeying was expensive, but over the years Elizabeth’s family connections repeatedly secured her free or cheap passage on various navy vessels. She also gained, by way of these maritime menfolk, a network of contacts that stretched across oceans: in effect two extended families, her own, and the navy itself. ‘A visit from Mr. Panton, the 1st Lieutenant of the Salisbury,’ she would record while sailing off the eastern coast of the Indian subcontinent in 1775: ‘he seemed well acquainted with most of my family.’60
But her father’s occupation also impacted on her in less enabling ways. It is conceivable that she grew up aware that her mother was different in some manner, or looked at askance by her relations. She certainly seems to have been perpetually insecure about her own and her family’s social position. Milbourne Marsh was from a self-regarding maritime dynasty that encouraged ambition, and he was a master craftsman in a global trade; but his was still an interstitial, sometimes vulnerable existence, lived out between the land and the sea, and between the labouring masses on the one hand, and the officer class on the other. Some of the tensions that could ensue can be seen in two crises that threatened for a while to engulf them all.
In April 1741, six of Milbourne’s workmen in Portsmouth dockyard sent a letter to its Commissioner accusing the carpenter of embezzlement. He had kept back new beds and bedding intended for his current ship, the Cambridge, his accusers claimed, and arranged for them to be smuggled out of the yard at midday, ‘when all the people belonging thereto are absent’. He had used naval timber to make window shutters, chimneypieces, and even palisades. Milbourne’s joiner reported that he had seen ‘the outlines of the head of one [a palisade] drew with a black lead pencil on a small piece of board’ on his desk, ‘which he verily believes was intended for a pattern or mould’. Another of Milbourne’s accusers told of being ordered to chop up good oak for firewood, and how he had carried the sticks out of the dockyard to the Marsh family’s lodgings in the New Buildings, where the carpenter ‘was in company the whole time’.61
Charges of embezzlement, if proved, normally brought instant dismissal from a navy dockyard. Milbourne Marsh retained his post and livelihood not because his excuses convinced (they were judged ‘indifferent’), but because his superiors recognized his ability (‘the carpenter bears the character of a good officer’). It is the private man and the family’s lifestyle, though, which emerge most sharply from this incident. The workmen’s resentment at Milbourne’s efforts to add some distinction and ornament to his family’s stark lodgings (and perhaps also to make extra money from selling illicitly-constructed window shutters, etc.), like their scorn for his small attempts at a social life (‘in company the whole time’), and their determination to inform against him in the first place are suggestive. These things point to a man and a family visibly getting above themselves and their surroundings, experiencing industrious revolution, and consequently arousing envy. Milbourne’s shuddering answer to his workmen’s accusations confirms this, while also showing how entangled he necessarily still was in deference:
Honourable Sir the whole being a premeditated thing to do me prejudice, for my using of them ill (as they term it) in making them do their duty. Hope you look on it as such, as will appear by my former behaviour and time to come.62
He was literate enough to know how to use the word ‘premeditated’, but his syntax was not, could not be, that of a formally educated man, and he was naturally terrified of dismissal. Even more revealing is his explanation of why exactly he had defied regulations and commandeered the navy’s bedding:
My wife having been sick on board [the Cambridge] for five weeks, and no probability of getting her ashore, [I] thought it not fit to lie on my bed till I had got it washed & well cleaned, so got the above bedding to lie on till my own was fit.63
So it was not just Milbourne Marsh who was amphibious, dividing his time between the sea and the land. His wife, and therefore presumably their five-year-old daughter also, were caught up in this way of living too. Already, Elizabeth Marsh was travelling.
Milbourne’s wife and child – soon children – were also caught up in fears for his survival, and therefore for their own. He fought in only one sea battle during his career, but it was a major one. In 1742 he was sent to the Mediterranean. Based first on the Marlborough and then on the Namur, a ninety-gun second rate and the flagship of Admiral Thomas Mathews, Milbourn
e Marsh also worked on the thirty-odd other warships in Britain’s Mediterranean fleet, dealing with day-to-day repairs as they waited for the combined Franco-Spanish fleet to emerge from Toulon, France’s premier naval base, and fight.64 It is not clear whether any of his family accompanied him, or if they waited throughout in Portsmouth, or London, or with his parents who were now in Chatham, Kent. What is known, because Milbourne Marsh later gave evidence to a naval court martial, is that on 11 February 1744, for the first and only time in his life, he saw action.
‘I can tell you, exactly to a minute, the time we fired the first gun,’ he would tell the court, for ‘… I immediately whip’d my watch out of my pocket, and it was then 10 minutes after one o’clock to a moment.’ The enemy vessel that the 780-man crew of the Namur engaged was the Real, the 114-gun Spanish flagship and part of a twenty-seven-ship Franco-Spanish fleet. Initially, Milbourne the specialist was allowed to experience the battle below deck. Once the Namur started sustaining damage, however, his skills drove him above: ‘The Admiral sent for me up, and ordered me to see what was the matter with the mizzen topmast’ – that is, the mast nearest the ship’s stern. He had to climb it, and then the main mast, under fire throughout, for the Real was only ‘a pistol-shot’ away from them. Milbourne’s breathless account of what happened next is misted by nautical phraseology, but conveys something of what it was like to clamber across the rigging of a sailing ship under fire, and how difficult it was to make sense of a sea battle as it was happening:
At the same time I acquainted the Admiral of the main top mast, I was told, but by whom I can’t tell, that the starboard main yard arm was shot. I looked up, and saw it, from the quarter deck; I went to go up the starboard shrouds to view it; I found several of the shrouds were shot, which made me quit that side, and I went up on the larboard side, and went across the main yard in the slings, out to the yard arm, and I found just within the lift block on the under side, a shot had grazed a slant … when I went down, I did not immediately acquaint the Admiral with that, for by that time I had got upon the gangway, I was told that the bowsprit was shot, and immediately that the fore top mast was shot.65
The Ordeal of Elizabeth Marsh Page 5
