and weighing no more than a sack of potatoes,
11 pounds, I discovered one day when I placed it
on the black iron scale
my mother used to keep in her kitchen,
the device on which she would place
a certain amount of flour,
a certain amount of fish.
Open flat on my lap
under a halo of lamplight,
a book like this always has a way
of soothing the nerves,
quieting the riotous surf of information
that foams around my waist
even though it never mentions
the silent labors of the poor,
the daydreams of grocers and tailors,
or the faces of men and women alone in single rooms—
even though it never mentions my mother,
now that I think of her again,
who only last year rolled off the edge of the earth
in her electric bed,
in her smooth pink nightgown,
the bones of her fingers interlocked,
her sunken eyes staring upward
beyond all knowledge,
beyond the tiny figures of history,
some in uniform, some not,
marching onto the pages of this incredibly heavy book.
Man Listening to Disc
This is not bad—
ambling along 44th Street
with Sonny Rollins for company,
his music flowing through the soft calipers
of these earphones,
as if he were right beside me
on this clear day in March,
the pavement sparkling with sunlight,
pigeons fluttering off the curb,
nodding over a profusion of bread crumbs.
In fact, I would say
my delight at being suffused
with phrases from his saxophone—
some like honey, some like vinegar—
is surpassed only by my gratitude
to Tommy Potter for taking the time
to join us on this breezy afternoon
with his most unwieldy bass
and to the esteemed Arthur Taylor
who is somehow managing to navigate
this crowd with his cumbersome drums.
And I bow deeply to Thelonious Monk
for figuring out a way
to motorize—or whatever—his huge piano
so he could be with us today.
The music is loud yet so confidential
I cannot help feeling even more
like the center of the universe
than usual as I walk along to a rapid
little version of “The Way You Look Tonight,”
and all I can say to my fellow pedestrians,
to the woman in the white sweater,
the man in the tan raincoat and the heavy glasses,
who mistake themselves for the center of the universe—
all I can say is watch your step
because the five of us, instruments and all,
are about to angle over
to the south side of the street
and then, in our own tightly knit way,
turn the corner at Sixth Avenue.
And if any of you are curious
about where this aggregation,
this whole battery-powered crew,
is headed, let us just say
that the real center of the universe,
the only true point of view,
is full of the hope that he,
the hub of the cosmos
with his hair blown sideways,
will eventually make it all the way downtown.
Scotland
It was a weekday afternoon, around three,
the hour some drinkers call the Demon,
and I was possessed by the feeling
that nothing had really changed for me
since childhood,
that I was spinning my wheels in a sandbox,
or let’s say that I had been pedaling
around Scotland since 1941,
on the same maroon 3-speed Raleigh bicycle—
that I had begun my life
with clips on my trousers,
pushing off by the side of a garage,
throwing a leg over the crossbar,
then crunching down a straight gravel path.
And now, near the end of the century,
I was still moving over the same
wind-shocked hills, dotted with sheep,
and my terrier curled on a tartan blanket
in my large wicker carrier basket.
I have done all my pedaling in silence,
except whenever I came to an intersection—
a birthday, a wedding, a death—
and then I would ring the bell on the handlebar.
Otherwise, I kept my thoughts to myself,
thoughts of rhetoric and the physical sciences
whenever I had to strain uphill
bending under a stiff wind,
and when I reached a rise and coasted down,
I thought of nothing
but the encrofted cows, and the low hovering clouds.
God knows what I must look like by now,
my shoulders slumped,
my face saying the end of the world is coming,
which it will soon enough for me,
bringing all my pedaling to a close,
easing the pressure of my thumb on the silvery bell.
Then I will dismount, swinging
a leg over the crossbar, standing on one pedal
while the bike slows to a stop
and falls over on its side with me under it,
all the traffic whizzing by
and a woman in a drab raincoat walking over to see.
November
After three days of steady rain—
over two inches said the radio—
I follow the example of monks
who wrote by a window, sunlight on the page.
Five times this morning,
I loaded a wheelbarrow with wood
and steered it down the hill to the house,
and later I will cut down the dead garden
with a clippers and haul the soft pulp
to a grave in the woods,
but now there is only
my sunny page which is like a poem
I am covering with another poem
and the dog asleep on the tiles,
her head in her paws,
her hind legs splayed out like a frog.
How foolish it is to long for childhood,
to want to run in circles in the yard again,
arms outstretched,
pretending to be an airplane.
How senseless to dread whatever lies before us
when, night and day, the boats,
strong as horses in the wind,
come and go,
bringing in the tiny infants
and carrying away the bodies of the dead.
The Iron Bridge
I am standing on a disused iron bridge
that was erected in 1902
according to the iron plaque bolted into a beam,
the year my mother turned one.
Imagine—a mother in her infancy,
and she was a Canadian infant at that,
one of the great infants of the province of Ontario.
But here I am leaning on the rusted railing
looking at the water below,
which is flat and reflective this morning,
sky-blue and streaked with high clouds,
and the more I look at the water,
which is like a talking picture,
the more I think of 1902
when workmen in shirts and caps
riveted this iron bridge together
across a thin channel joining two lakes
where wildflower
s now blow along the shore
and pairs of swans float in the leafy coves.
1902—my mother was so tiny
she could have fit into one of those oval
baskets for holding apples,
which her mother could have lined with a soft cloth
and placed on the kitchen table
so she could keep an eye on infant Katherine
while she scrubbed potatoes or shelled a bag of peas,
the way I am keeping an eye on that cormorant
who just broke the glassy surface
and is moving away from me and the bridge,
swiveling his curious head,
slipping out to where the sun rakes the water
and filters through the trees that crowd the shore.
And now he dives,
disappears below the surface,
and while I wait for him to pop up,
I picture him flying underwater with his strange wings,
as I picture you, my tiny mother,
who disappeared last year,
flying somewhere with your strange wings,
your wide eyes, and your heavy wet dress,
kicking deeper down into a lake
with no end or name, some boundless province of water.
The Flight of the Reader
You’d think we would have had enough
of one another
after all the rain streaming down these windows,
the walks out to the garden when it clears,
the same yellow and white flowers,
all the sleepless nights—
the toy car going in circles on the bed table.
But still, you stay perched on my shoulder,
cricket or bluebird,
wild parrot digging your claws into my loud shirt.
Is it because I do not pester you
with the invisible gnats of meaning,
never release the whippets of anxiety from their crates,
or hold up my monstrous mirror,
a thing the size of a playing field?
Whatever makes you stay,
I hate to think of that morning
when I will wake up to find you gone,
heading toward the open sea,
dragging the cables that bound us together,
leaving me with nothing more to say.
But don’t get me wrong.
It’s not that I cannot live without you,
cannot sit under an ordinary green tree
with no desire to reach for the pen in my pocket,
or lie contented on a couch all day,
one hand over my mouth.
It’s not like I have a crush on you
and instead of writing my five-paragraph essay
I am sailing paper airplanes across the room at you—
it’s not that I can’t wait for the lunch bell
to see your face again.
It’s not like that. Not exactly.
Sailing Alone Around the Room Page 10
