by Edna Ferber
Certainly Captain Andy Hawks should have known better, after thirty-five years of experience on keelboats, steamboats, packets, and show boats up and down the great Mississippi and her tributaries (the Indians might call this stream the Father of Waters but your riverman respectfully used the feminine pronoun). The brand-new show boat had done it. Built in the St. Louis shipyards, the new Cotton Blossom was to have been ready for him by February. But February had come and gone, and March as well. He had meant to be in New Orleans by this time, with his fine new show boat and his troupe and his band of musicians in their fresh glittering red-and-gold uniforms, and the marvellous steam calliope that could be heard for miles up and down the bayous and plantations. Starting at St. Louis, he had planned a swift trip downstream, playing just enough towns on the way to make expenses. Then, beginning with Bayou Teche and pushed by the sturdy steamer Mollie Able, they would proceed grandly upstream, calliope screaming, flags flying, band tooting, to play every little town and landing and plantation from New Orleans to Baton Rouge, from Baton Rouge to Vicksburg; to Memphis, to Cairo, to St. Louis, up and up to Minnesota itself; then over to the coal towns on the Monongahela River and the Kanawha, and down again to New Orleans, following the crops as they ripened—the corn belt, the cotton belt, the sugar cane; north when the wheat yellowed, following with the sun the ripening of the peas, the tomatoes, the crabs, the peaches, the apples; and as the farmer garnered his golden crops so would shrewd Captain Andy Hawks gather his harvest of gold.
It was April before the new Cotton Blossom was finished and ready to take to the rivers. Late though it was, when Captain Andy Hawks beheld her, glittering from texas to keel in white paint with green trimmings, and with Cotton Blossom Floating Palace Theatre done in letters two feet high on her upper deck, he was vain enough, or foolhardy enough, or both, to resolve to stand by his original plan. A little nervous fussy man, Andy Hawks, with a horrible habit of clawing and scratching from side to side, when aroused or when deep in thought, at the little mutton-chop whiskers that sprang out like twin brushes just below his leather-visored white canvas cap, always a trifle too large for his head, so that it settled down over his ears. A capering figure, in light linen pants very wrinkled and baggy, and a blue coat, double-breasted; with a darting manner, bright brown eyes, and a trick of talking very fast as he clawed the mutton-chop whiskers first this side, then that, with one brown hairy little hand. There was about him something grotesque, something simian. He beheld the new Cotton Blossom as a bridegroom gazes upon a bride, and frenziedly clawing his whiskers he made his unwise decision.
“She won’t high-water this year till June.” He was speaking of that tawny tigress, the Mississippi; and certainly no one knew her moods better than he. “Not much snow last winter, north; and no rain to speak of, yet. Yessir, we’ll just blow down to New Orleans ahead of French’s Sensation”—his bitterest rival in the showboat business—“and start to work the bayous. Show him a clean pair of heels up and down the river.”
So they had started. And because the tigress lay smooth and unruffled now, with only the currents playing gently below the surface like muscles beneath the golden yellow skin, they fancied she would remain complaisant until they had had their way. That was the first mistake.
The second was as unreasoning. Magnolia Ravenal’s child was going to be a boy. Ma Hawks and the wise married women of the troupe knew the signs. She felt thus-and-so. She had such-and-such sensations. She was carrying the child high. Boys always were slower in being born than girls. Besides, this was a first child, and the first child always is late. They got together, in mysterious female conclave, and counted on the fingers of their two hands—August, September, October, November, December—why, the end of April, the soonest. They’d be safe in New Orleans by then, with the best of doctors for Magnolia, and she on land while one of the other women in the company played her parts until she was strong again—a matter of two or three weeks at most.
No sooner had they started than the rains began. No early April showers, these, but torrents that blotted out the river banks on either side and sent the clay tumbling in great cave-ins, down to the water, jaundicing it afresh where already it seethed an ochreous mass. Day after day, night after night, the rains came down, melting the Northern ice and snow, filtering through the land of the Mississippi basin and finding its way, whether trickle, rivulet, creek, stream, or river, to the great hungry mother, Mississippi. And she grew swollen, and tossed and flung her huge limbs about and shrieked in labour even as Magnolia Ravenal was so soon to do.
Eager for entertainment as the dwellers were along the little Illinois and Missouri towns, after a long winter of dull routine on farm and in store and schoolhouse, they came sparsely to the show boat. Posters had told them of her coming, and the news filtered to the backcountry. Town and village thrilled to the sound of the steam calliope as the Cotton Blossom Floating Palace Theatre, propelled by the square-cut clucking old steamer, Mollie Able, swept grandly down the river to the landing. But the back-country roads were impassable bogs by now, and growing worse with every hour of rain. Wagon wheels sank to the hubs in mud. There were crude signs, stuck on poles, reading, “No bottom here.” The dodgers posted on walls and fences in the towns were rain-soaked and bleary. And as for the Cotton Blossom Floating Palace Theatre Ten Piece Band (which numbered six)—how could it risk ruin of its smart new red coats, gold-braided and gold-buttoned, by marching up the water-logged streets of these little towns whose occupants only stared wistfully out through storm-blurred windows? It was dreary even at night, when the show boat glowed invitingly with the blaze of a hundred oil lamps that lighted the auditorium seating six hundred (One Thousand Seats! A Luxurious Floating Theatre within an Unrivalled Floating Palace!). Usually the flaming oil-flares on their tall poles stuck in the steep clay banks that led down to the show boat at the water’s edge made a path of fiery splendour. Now they hissed and spluttered dismally, almost extinguished by the deluge. Even when the bill was St. Elmo or East Lynne, those tried and trusty winners, the announcement of which always packed the show boat’s auditorium to the very last seat in the balcony reserved for Negroes, there was now only a damp handful of shuffle-footed men and giggling girls and a few children in the cheaper rear seats. The Mississippi Valley dwellers, wise with the terrible wisdom born of much suffering under the dominance of this voracious and untamed monster, so ruthless when roused, were preparing against catastrophe should these days of rain continue.
Captain Andy Hawks clawed his mutton-chop whiskers, this side and that, and scanned the skies, and searched the yellowing swollen stream with his bright brown eyes. “We’ll make for Cairo,” he said. “Full steam ahead. I don’t like the looks of her—the big yella snake.”
But full steam ahead was impossible for long in a snag-infested river, as Andy Hawks well knew; and in a river whose treacherous channel shifted almost daily in normal times, and hourly in flood-time. Cautiously they made for Cairo. Cape Girardeau, Gray’s Point, Commerce—then, suddenly, near evening, the false sun shone for a brief hour. At once everyone took heart. The rains, they assured each other, were over. The spring freshet would subside twice as quickly as it had risen. Fittingly enough, the play billed for that evening was Tempest and Sunshine, always a favourite. Magnolia Ravenal cheerfully laced herself into the cruel steel-stiffened high-busted corset of the period, and donned the golden curls and the prim ruffles of the part. A goodish crowd scrambled and slipped and slid down the rain-soaked clay bank, torch-illumined, to the show boat, their boots leaving a trail of mud and water up and down the aisles of the theatre and between the seats. It was a restless audience, and hard to hold. There had been an angry sunset, and threatening clouds to the northwest. The crowd shuffled its feet, coughed, stirred constantly. There was in the air something electric, menacing, heavy. Suddenly, during the last act, the north wind sprang up with a whistling sound, and the little choppy hard waves could be heard slapping against the boat’s flat sides. She beg
an to rock, too, and pitch, flat though she was and securely moored to the river bank. Lightning, a fusillade of thunder, and then the rain again, heavy, like drops of molten lead, and driven by the north wind. The crowd scrambled up the perilous clay banks, slipping, falling, cursing, laughing, frightened. To this day it is told that the river rose seven feet in twenty-four hours. Captain Andy Hawks, still clawing his whiskers, still bent on making for Cairo, cast off and ordered the gangplank in as the last scurrying villager clawed his way up the slimy incline whose heights the river was scaling inch by inch.
“The Ohio’s the place,” he insisted, his voice high and squeaky with excitement. “High water at Cincinnati, St. Louis, Evansville, or even Paducah don’t have to mean high water on the Ohio. It’s the old yella serpent making all this kick-up. But the Ohio’s the river gives Cairo the real trouble. Yessir! And she don’t flood till June. We’ll make for the Ohio and stay on her till this comes to a stand, anyway.”
Then followed the bedlam of putting off. Yells, hoarse shouts, bells ringing, wheels churning the water to foam. Lively now! Cramp her down! Snatch her! SNATCH her!
Faintly, above the storm, you heard the cracked falsetto of little Captain Andy Hawks, a pilot for years, squeaking to himself in his nervousness the orders that river etiquette forbade his actually giving that ruler, that ultimate sovereign, the pilot, old Mark Hooper, whose real name was no more Mark than Twain’s had been: relic of his leadsmen days, with the cry of, “Mark three! Mark three! Half twain! Quarter twain! M-A-R-K twain!” gruffly shouted along the hurricane deck.
It was told, on the rivers, that little Andy Hawks had been known, under excitement, to walk off the deck into the river and to bob afloat there until rescued, still spluttering and shrieking orders in a profane falsetto.
Down the river they went, floating easily over bars that in normal times stood six feet out of the water; clattering through chutes; shaving the shores. Thunder, lightning, rain, chaos outside. Within, the orderly routine of bedtime on the show boat. Mis’ Means, the female half of the character team, heating over a tiny spirit flame a spoonful of goose grease which she would later rub on her husband’s meagre cough-racked chest; Maudie Rainger, of the general business team, sipping her bedtime cup of coffee; Bert Forbush, utility man, in shirt sleeves, check pants, and carpet slippers, playing a sleep-inducing game of canfield—all this on the stage, bare now of scenery and turned into a haphazard and impromptu lounging room for the members of this floating theatrical company. Mrs. Hawks, in her fine new cabin on the second deck, off the gallery, was putting her sparse hair in crimpers as she would do if this were the night before Judgment Day. Flood, storm, danger—all part of river show-boat life. Ordinarily, it is true, they did not proceed down river until daybreak. After the performance, the show boat and its steamer would stay snug and still alongside the wharf of this little town or that. By midnight, company and crew would have fallen asleep to the sound of the water slap-slapping gently against the boat’s sides.
To-night there probably would be little sleep for some of the company, what with the storm, the motion, the unwonted stir, and the noise that came from the sturdy Mollie Able, bracing her cautious bulk against the flood’s swift urging; and certainly none for Captain Andy Hawks, for pilot Mark Hooper and the crew of the Mollie Able. But that, too, was all part of the life.
Midnight had found Gaylord Ravenal, in nightshirt and dressing gown, a handsome and distraught figure, pounding on the door of his mother-in-law’s cabin. From the cabin he had just left came harrowing sounds —whimpers, and little groans, and great moans, like an animal in agony. Magnolia Ravenal was not one of your silent sufferers. She was too dramatic for that. Manoeuvred magically by the expert Hooper, they managed to make a perilous landing just above Cairo. The region was scoured for a doctor, without success, for accident had followed on flood. Captain Andy had tracked down a stout and reluctant midwife who consented only after an enormous bribe to make the perilous trip to the levee, clambering ponderously down the slippery bank with many groanings and forebodings, and being sustained, both in bulk and spirit, by the agile and vivacious little captain much as a tiny fussy river tug guides a gigantic and unwieldy ocean liner. He was almost frantically distraught, for between Andy Hawks and his daughter Magnolia Ravenal was that strong bond of affection and mutual understanding that always exists between the henpecked husband and the harassed offspring of a shrew such as Parthy Ann Hawks.
When, an hour later, Gaylord Ravenal, rain-soaked and mud-spattered, arrived with a white-faced young doctor’s assistant whose first obstetrical call this was, he found the fat midwife already in charge and inclined to elbow about any young medical upstart who might presume to dictate to a female of her experience.
It was a sordid and ravaging confinement which, at its climax, teetered for one dreadful moment between tragedy and broad comedy. For at the crisis, just before dawn, the fat midwife, busy with ministrations, had said to the perspiring young doctor, “D’you think it’s time to snuff her?”
Bewildered, and not daring to show his ignorance, he had replied, judicially, “Uh—not just yet. No, not just yet.”
Again the woman had said, ten minutes later, “Time to snuff her, I’d say.”
“Well, perhaps it is.” He watched her, fearfully, wondering what she might mean; cursing his own lack of knowledge. To his horror and amazement, before he could stop her, she had stuffed a great pinch of strong snuff up either nostril of Magnolia Ravenal’s delicate nose. And thus Kim Ravenal was born into the world on the gust of a series of convulsive a-CHOOs!
“God almighty, woman!” cried the young medico, in a frenzy. “You’ve killed her.”
“Run along, do!” retorted the fat midwife, testily, for she was tired by now, and hungry, and wanted her coffee badly. “H’m! It’s a gal. And they had their minds all made up to a boy. Never knew it to fail.” She turned to Magnolia’s mother, a ponderous and unwieldy figure at the foot of the bed. “Well, now, Mis’—Hawks, ain’t it?—that’s right—Hawks. Well, now, Mis’ Hawks, we’ll get this young lady washed up and then I’d thank you for a pot of coffee and some breakfast. I’m partial to a meat breakfast.”
All this had been a full hour ago. Magnolia Ravenal still lay inert, unheeding. She had not even looked at her child. Her mother now uttered bitter complaint to the others in the room.
“Won’t touch a drop of this good nourishing broth. Knocked the spoon right out of my hand, would you believe it! for all she lays there looking so gone. Well! I’m going to open her mouth and pour it down.”
The young doctor raised a protesting palm. “No, no, I wouldn’t do that.” He bent over the white face on the pillow. “Just a spoonful,” he coaxed, softly. “Just a swallow?”
She did not vouchsafe him another smile. He glanced at the irate woman with the saucepan; at the two attendant vestals. “Isn’t there somebody——?”
The men of the company and the crew were out, he well knew, with pike poles in hand, working to keep the drifting objects clear of the boats. Gaylord Ravenal would be with them. He had been in and out a score of times through the night, his handsome young face (too handsome, the awkward young doctor had privately decided) twisted with horror and pity and self-reproach. He had noticed, too, that the girl’s cries had abated not a whit when the husband was there. But when he took her writhing fingers, and put one hand on her wet forehead, and said, in a voice that broke with agony, “Oh, Nola! Nola! Don’t. I didn’t know it was like … Not like this.… Magnolia …”—she had said, through clenched teeth and white lips, surprisingly enough, with a knowledge handed down to her through centuries of women writhing in childbirth, “It’s all right, Gay.… Always … like this … damn it.… Don’t you worry.… It’s … all …” And the harassed young doctor had then seen for the first time the wonder of Magnolia Ravenal’s poignant smile.
So now when he said, shyly, “Isn’t there somebody else——” he was thinking that if the young and handsome
husband could be spared for but a moment from his pike pole it would be better to chance a drifting log sent crashing against the side of the boat by the flood than that this white still figure on the bed should be allowed to grow one whit whiter or more still.
“Somebody else’s fiddlesticks!” exploded Mrs. Hawks, inelegantly. They were all terribly rude to him, poor lad, except the one who might have felt justified in being so. “If her own mother can’t——” She had reheated the broth on the little iron stove, and now made a third advance, armed with spoon and saucepan. The midwife had put the swaddled bundle on the pillow so that it lay just beside Magnolia Ravenal’s arm. It was she who now interrupted Mrs. Hawks, and abetted her.
“How in time d’you expect to nurse,” she demanded, “if you don’t eat!”
Magnolia Ravenal didn’t know and, seemingly, didn’t care.
A crisis was imminent. It was the moment for drama. And it was furnished, obligingly enough, by the opening of the door to admit the two whom Magnolia Ravenal loved in all the world. There came first the handsome, haggard Gaylord Ravenal, actually managing, in some incredible way, to appear elegant, well-dressed, dapper, at a time, under circumstances, and in a costume which would have rendered most men unsightly, if not repulsive. But his gifts were many, and not the least of them was the trick of appearing sartorially and tonsorially flawless when dishevelment and a stubble were inevitable in any other male. Close behind him trotted Andy Hawks, just as he had been twenty-four hours before—wrinkled linen pants, double-breasted blue coat, oversize visored cap, mutton-chop whiskers and all. Together he and Ma Hawks, in her blue brass-buttoned coat that was a twin of his, managed to give the gathering quite a military aspect. Certainly Mrs. Hawks’ manner was martial enough at the moment. She raised her voice now in complaint.
