Slowly the day drew on; part of the concourse chasing the weary time with songs and games, till, at last, the great blurred sun rolled, like a football, against the plain.
At noon, the nobility and principal citizens came from the town in cavalcade, a guard of soldiers, also, with music, the more to honor the occasion.
Only one hour more. Impatience grew. Watches were held in hands of feverish men, who stood, now scrutinizing their small dialplates, and then, with neck thrown back, gazing toward the belfry, as if the eye might foretell that which could only be made sensible to the ear; for, as yet, there was no dial to the tower-clock.
The hour hands of a thousand watches now verged within a hair’s breadth of the figure 1. A silence, as of the expectation of some Shiloh, pervaded the swarming plain. Suddenly a dull, mangled sound—naught ringing in it; scarcely audible, indeed, to the outer circles of the people—that dull sound dropped heavily from the belfry. At the same moment, each man stared at his neighbor blankly. All watches were upheld. All hour-hands were at—had passed—the figure 1. No bell-stroke from the tower. The multitude became tumultuous.
Waiting a few moments, the chief magistrate, commanding silence, hailed the belfry, to know what thing unforeseen had happened there.
No response.
He hailed again and yet again.
All continued hushed.
By his order, the soldiers burst in the tower-door; when, stationing guards to defend it from the now surging mob, the chief, accompanied by his former associate, climbed the winding stairs. Half-way up, they stopped to listen. No sound. Mounting faster, they reached the belfry; but, at the threshold, started at the spectacle disclosed. A spaniel, which, unbeknown to them, had followed them thus far, stood shivering as before some unknown monster in a brake: or, rather, as if it snuffed footsteps leading to some other world.
Bannadonna lay, prostrate and bleeding, at the base of the bell which was adorned with girls and garlands. He lay at the feet of the hour Una; his head coinciding, in a vertical line, with her left hand, clasped by the hour Dua. With downcast face impending over him, like Jael over nailed Sisera in the tent, was the domino; now no more becloaked.
It had limbs, and seemed clad in a scaly mail, lustrous as a dragon-beetle’s. It was manacled, and its clubbed arms were uplifted, as if, with its manacles, once more to smite its already smitten victim. One advanced foot of it was inserted beneath the dead body, as if in the act of spurning it.
Uncertainty falls on what now followed.
It were but natural to suppose that the magistrates would, at first, shrink from immediate personal contact with what they saw. At the least, for a time, they would stand in involuntary doubt; it may be, in more or less of horrified alarm. Certain it is, that an arquebus was called for from below. And some add, that its report, followed by a fierce whiz, as of the sudden snapping of a main-spring, with a steely din, as if a stack of sword-blades should be dashed upon a pavement, these blended sounds came ringing to the plain, attracting every eye far upward to the belfry, whence, through the lattice-work, thin wreaths of smoke were curling.
Some averred that it was the spaniel, gone mad by fear, which was shot. This, others denied. True it was, the spaniel never more was seen; and, probably, for some unknown reason, it shared the burial now to be related of the domino. For, whatever the preceding circumstances may have been, the first instinctive panic over, or else all ground of reasonable fear removed, the two magistrates, by themselves, quickly rehooded the figure in the dropped cloak wherein it had been hoisted. The same night, it was secretly lowered to the ground, smuggled to the beach, pulled far out to sea, and sunk. Nor to any after urgency, even in free convivial hours, would the twain ever disclose the full secrets of the belfry.
From the mystery unavoidably investing it, the popular solution of the foundling’s fate involved more or less of supernatural agency. But some few less unscientific minds pretended to find little difficulty in otherwise accounting for it. In the chain of circumstantial inferences drawn, there may, or may not, have been some absent or defective links. But, as the explanation in question is the only one which tradition has explicitly preserved, in dearth of better, it will here be given. But, in the first place, it is requisite to present the supposition entertained as to the entire motive and mode, with their origin, of the secret design of Bannadonna; the minds above-mentioned assuming to penetrate as well into his soul as into the event. The disclosure will indirectly involve reference to peculiar matters, none of, the clearest, beyond the immediate subject.
At that period, no large bell was made to sound otherwise than as at present, by agitation of a tongue within, by means of ropes, or percussion from without, either from cumbrous machinery, or stalwart watchmen, armed with heavy hammers, stationed in the belfry, or in sentry-boxes on the open roof, according as the bell was sheltered or exposed.
It was from observing these exposed bells, with their watchmen, that the foundling, as was opined, derived the first suggestion of his scheme.
Perched on a great mast or spire, the human figure, viewed from below, undergoes such a reduction in its apparent size, as to obliterate its intelligent features. It evinces no personality. Instead of bespeaking volition, its gestures rather resemble the automatic ones of the arms of a telegraph.
Musing, therefore, upon the purely Punchinello aspect of the human figure thus beheld, it had indirectly occurred to Bannadonna to devise some metallic agent, which should strike the hour with its mechanic hand, with even greater precision than the vital one. And, moreover, as the vital watchman on the roof, sallying from his retreat at the given periods, walked to the bell with uplifted mace, to smite it, Bannadonna had resolved that his invention should likewise possess the power of locomotion, and, along with that, the appearance, at least, of intelligence and will.
If the conjectures of those who claimed acquaintance with the intent of Bannadonna be thus far correct, no unenterprising spirit could have been his. But they stopped not here; intimating that though, indeed, his design had, in the first place, been prompted by the sight of the watchman, and confined to the devising of a subtle substitute for him: yet, as is not seldom the case with projectors, by insensible gradations, proceeding from comparatively pigmy aims to Titanic ones, the original scheme had, in its anticipated eventualities, at last, attained to an unheard of degree of daring. He still bent his efforts upon the locomotive figure for the belfry, but only as a partial type of an ulterior creature, a sort of elephantine Helot, adapted to further, in a degree scarcely to be imagined, the universal conveniences and glories of humanity; supplying nothing less than a supplement to the Six Days’ Work; stocking the earth with a new serf, more useful than the ox, swifter than the dolphin, stronger than the lion, more cunning than the ape, for industry an ant, more fiery than serpents, and yet, in patience, another ass. All excellences of all Godmade creatures, which served man, were here to receive advancement, and then to be combined in one. Talus was to have been the all-accomplished Helot’s name. Talus, iron slave to Bannadonna, and, through him, to man.
Here, it might well be thought that, were these last conjectures as to the foundling’s secrets not erroneous, then must he have been hopelessly infected with the craziest chimeras of his age; far outgoing Albert Magus and Cornelius Agrippa. But the contrary was averred. However marvelous his design, however apparently transcending not alone the bounds of human invention, but those of divine creation, yet the proposed means to be employed were alleged to have been confined within the sober forms of sober reason. It was affirmed that, to a degree of more than skeptic scorn, Bannadonna had been without sympathy for any of the vain-glorious irrationalities of his time. For example, he had not concluded, with the visionaries among the metaphysicians, that between the finer mechanic forces and the ruder animal vitality some germ of correspondence might prove discoverable. As little did his scheme partake of the enthusiasm of some natural philosophers, who hoped, by physiological and chemical inductions
, to arrive at a knowledge of the source of life, and so qualify themselves to manufacture and improve upon it. Much less had he aught in common with the tribe of alchemists, who sought, by a species of incantations, to evoke some surprising vitality from the laboratory. Neither had he imagined, with certain sanguine theosophists, that, by faithful adoration of the Highest, unheard-of powers would be voucshafed to man. A practical materialist, what Bannadonna had aimed at was to have been reached, not by logic, not by crucible, not by conjuration, not by altars; but by plain vice-bench and hammer. In short, to solve nature, to steal into her, to intrigue beyond her, to procure someone else to bind her to his hand;—these, one and all, had not been his objects; but, asking no favors from any element or any being, of himself, to rival her, outstrip her, and rule her. He stooped to conquer. With him, common sense was theurgy; machinery, miracle; Prometheus, the heroic name for machinist; man, the true God.
Nevertheless, in his initial step, so far as the experimental automaton for the belfry was concerned, he allowed fancy some little play; or, perhaps, what seemed his fancifulness was but his utilitarian ambition collaterally extended. In figure, the creature for the belfry should not be likened after the human pattern, nor any animal one, nor after the ideals, however wild, of ancient fable, but equally in aspect as in organism be an original production; the more terrible to behold, the better.
Such, then, were the suppositions as to the present scheme, and the reserved intent. How, at the very threshold, so unlooked for a catastrophe overturned all, or rather, what was the conjecture here, is now to be set forth.
It was thought that on the day preceding the fatality, his visitors having left him, Bannadonna had unpacked the belfry image, adjusted it, and placed it in the retreat provided—a sort of sentry-box in one corner of the belfry; in short, throughout the night, and for some part of the ensuing morning, he had been engaged in arranging everything connected with the domino; the issuing from the sentry-box each sixty minutes; sliding along a grooved way, like a railway; advancing to the clock-bell, with uplifted manacles; striking it at one of the twelve junctions of the four-and-twenty hands; then wheeling, circling the bell, and retiring to its post, there to bide for another sixty minutes, when the same process was to be repeated; the bell, by a cunning mechanism, meantime turning on its vertical axis, so as to present, to the descending mace, the clasped hands of the next two figures, when it would strike two, three, and so on, to the end. The musical metal in this time-bell being so managed in the fusion, by some art, perishing with its originator, that each of the clasps of the four-and-twenty hands should give forth its own peculiar resonance when parted.
But on the magic metal, the magic and metallic stranger never struck but that one stroke, drove but that one nail, served but that one clasp, by which Bannadonna clung to his ambitious life. For, after winding up the creature in the sentry-box, so that, for the present, skipping the intervening hours, it should not emerge till the hour of one, but should then infallibly emerge, and, after deftly oiling the grooves whereon it was to slide, it was surmised that the mechanician must then have hurried to the bell, to give his final touches to its sculpture. True artist, he here became absorbed; and absorption still further intensified, it may be, by his striving to abate that strange look of Una; which, though, before others, he had treated with such unconcern, might not, in secret, have been without its thorn.
And so, for the interval, he was oblivious of his creature; which, not oblivious of him, and true to its creation, and true to its heedful winding up, left its post precisely at the given moment; along its well-oiled route, slid noiselessly towards its mark; and, aiming at the hand of Una, to ring one clangorous note, dully smote the intervening brain of Bannadonna, turned backwards to it; the manacled arms then instantly up-springing to their hovering poise. The falling body clogged the thing’s return; so there it stood, still impending over Bannadonna, as if whispering some post-mortem terror. The chisel lay dropped from the hand, but beside the hand; the oil-flask spilled across the iron track.
In his unhappy end, not unmindful of the rare genius of the mechanician, the republic decreed him a stately funeral. It was resolved that the great bell—the one whose casting had been jeopardized through the timidity of the ill-starred workman—should be rung upon the entrance of the bier into the cathedral. The most robust man of the country round was assigned the office of bell-ringer.
But as the pall-bearers entered the cathedral porch, naught but a broken and disastrous sound, like that of some lone Alpine land-slide, fell from the tower upon their ears. And then, all was hushed.
Glancing backwards, they saw the groined belfry crashed sideways in. It afterwards appeared that the powerful peasant, who had the bell-rope in charge, wishing to test at once the full glory of the bell, had swayed down upon the rope with one concentrate jerk. The mass of quaking metal, too ponderous for its frame, and strangely feeble somewhere at its top, loosed from its fastening, tore sideways down, and tumbling in one sheer fall, three hundred feet to the soft sward below, buried itself inverted and half out of sight.
Upon its disinterment, the main fracture was found to have started from a small spot in the ear; which, being scraped, revealed a defect, deceptively minute in the casting; which defect must subsequently have been pasted over with some unknown compound.
The remolten metal soon reassumed its place in the tower’s repaired superstructure. For one year the metallic choir of birds sang musically in its belfry-bough-work of sculptured blinds and traceries. But on the first anniversary of the tower’s completion—at early dawn, before the concourse had surrounded it—an earthquake came; one loud crash was heard. The stone-pine, with all its bower of songsters, lay overthrown upon the plain.
So the blind slave obeyed its blinder lord; but, in obedience, slew him. So the creator was killed by the creature. So the bell was too heavy for the tower. So the bell’s main weakness was where man’s blood had flawed it. And so pride went before the fall.
ROSE ROSE
BARRY PAIN
Sefton stepped back from his picture. “Rest now, please,” he said.
Miss Rose Rose, his model, threw the striped blanket around her, stepped down from the throne, and crossed the studio. She seated herself on the floor near the big stove. For a few moments Sefton stood motionless, looking critically at his work. Then he laid down his palette and brushes and began to roll a cigarette. He was a man of forty, thick-set, round-faced, with a reddish moustache turned fiercely upwards. He flung himself down in an easy-chair, and smoked in silence till silence seemed ungracious.
“Well,” he said, “I’ve got the place hot enough for you today, Miss Rose.”
“You ‘ave indeed,” said Miss Rose.
“I bet it’s nearer eighty than seventy.”
The cigarette-smoke made a blue haze in the hot, heavy air. He watched it undulating, curving, melting.
As he watched it Miss Rose continued her observations. The trouble with these studios was the draughts. With a strong east wind, same as yesterday, you might have the stove red-hot, and yet never get the place, so to speak, warm. It is possible to talk commonly without talking like a coster, and Miss Rose achieved it. She did not always neglect the aspirate. She never quite substituted the third vowel for the first. She rather enjoyed long words.
She was beautiful from the crown of her head to the sole of her foot; and few models have good feet. Every pose she took was graceful. She was the daughter of a model, and had been herself a model from childhood. In consequence, she knew her work well and did it well. On one occasion, when sitting for the great Merion, she had kept the same pose, without a rest, for three consecutive hours. She was proud of that. Naturally she stood in the first rank among models, was most in demand, and made the most money. Her fault was that she was slightly capricious; you could not absolutely depend upon her. On a wintry morning when every hour of daylight was precious, she might keep her appointment, she might be an hour or two late, or she
might stay away altogether. Merion himself had suffered from her, had sworn never to employ her again, and had gone back to her.
Sefton, as he watched the blue smoke, found that her common accent jarred on him. It even seemed to make it more difficult for him to get the right presentation of the “Aphrodite” that she was helping him to paint. One seemed to demand a poetical and cultured soul in so beautiful a body. Rose Rose was not poetical nor cultured; she was not even business-like and educated.
Half an hour of silent and strenuous work followed. Then Sefton growled that he could not see any longer.
“We’ll stop for to-day,” he said. Miss Rose Rose retired behind the screen. Sefton opened a window and both ventilators, and rolled another cigarette. The studio became rapidly cooler.
“To-morrow, at nine?” he called out.
“I’ve got some way to come,” came the voice of Miss Rose from behind the screen. “I could be here by a quarter past.”
“Right,” said Sefton, as he slipped on his coat.
When Rose Rose emerged from the screen she was dressed in a blue serge costume, with a picture-hat. As it was her business in life to be beautiful, she never wore corsets, high heels, nor pointed toes. Such abnegation is rare among models.
“I say, Mr. Sefton,” said Rose, “you were to settle at the end of the sittings, but—”
“Oh, you don’t want any money, Miss Rose. You’re known to be rich.”
“Well, what I’ve got is in the Post Office, and I don’t want to touch it. And I’ve got some shopping I must do before I go home.”
Sefton pulled out his sovereign-case hesitatingly.
“This is all very well, you know,” he said.
“I know what you are thinking, Mr. Sefton. You think I don’t mean to come to-morrow. That’s all Mr. Merion, now, isn’t it? He’s always saying things about me. I’m not going to stick it. I’m going to ‘ave it out with ‘im.”
The Best Crime Stories Ever Told Page 49
