At various points in the web, creatures of power rest or work, each different from the others, but all somehow the same. Some he can see are gods, for they are familiar to him, and others are less or more. Each plays a role. Some regard him, for his passing is not without notice; some are beyond him, too great to comprehend him, and so being, are less than he. Others study him closely, weighing his power and abilities against their own. He studies them in return. All are silent.
He speeds among the stars and the beings of power, until he espies a star, one among the multitude, but one that calls to him. From the star twenty lines of energy lead away, and near each is a being of power. Without knowing why, he understands that here are the ancient gods of Kelewan. Each plays on the nearest line of power influencing the structure of space and time nearby. Some contest among themselves, others work oblivious to the strife, and still others do nothing that is discernible.
He moves closer. A single planet swings about the star, a blue-and-green sphere shrouded in white clouds. Kelewan.
Down the lines of force he plunges, until he is on the surface. Here he sees a world untouched by the footprint of man. Great beasts with six legs stride the land, and hiding from them are a young race of quick-thinking beings.
The cho-ja, a few bands of scurrying creatures, little more than the large insects that spawned them, speed through the trees of the great forests, fearing the large predators who hunt them, as they in turn hunt smaller game. They have begun to reason, and their queens now design each for a specific purpose, so strong and well-armed soldiers protect the foragers. More food is brought to the hive, and the race begins to prosper.
Over the plains the young Thün males race, fighting among themselves with rocks and sticks, fists and fang. They clash knowing only there is a nameless urge driving them on, demanding that one or another from their band drive off the others and sire the next generation of young. It will be ages before they become reasoning beings, able to work together against the two-legged creatures who have yet to appear upon this world.
Near the sea, not yet named for the blood of thousands killed upon it, the Sunn huddle on the shore, newly emerged from the sea, discomforted upon the land, but no longer able to abide in the deep. Fearing all, they plot in their sea-caves, seeking security and building an attitude toward outsiders that will set the stage for their genocide generations later.
Above the mountains, the Thrillillil soar, their culture formative and crude, only little more than a loose association of breeding pairs and young. Their large but delicate wings cast shadows that hide the Nummongnum, who creep along the edge of the rocks, hidden from sight by their mottled fur, which resembles the stones behind which they scurry, seeking Thrillillil eggs, beginning a war that will last a thousand years and end in the annihilation of both races.
This is a harsh world, abundant with life, but contentious life, with no mercy for the weak. Of those races he sees, only two will endure, the Thün and the cho-ja. He sees darkness approaching like a sudden storm, and it sweeps over him.
Like the calm after the storm, light comes.
He stands on a cliff looking down upon a great plain of grass separated from the sea by a small beach. A shimmering in the air begins, and the sea beyond the plain is distorted. Like the agitation of the air by the heat of the day, the scene ripples. Scintillating colors appear in the air. Then, as if by two giant hands, the very fabric of space and time is torn, an ever-widening gap through which he can see. Beyond this fracture in the air, a vision of chaos is revealed, a mad display of energy, as if all the lines of power in that universe are torn asunder. Bolts of energy sufficient to destroy suns explode in displays of color beyond the ability of mortal eyes to describe, leaving them dazzled with lesser lights. From deep within this giant rift, a wide bridge of golden light extends downward, until it touches the grass of the plain. Upon the bridge thousands of figures are moving, escaping the madness beyond the rift to the serenity of the plain.
Downward they hurry, some carrying all they own on their backs, others with animals pulling wagons and sleds heaped with valuables. All press forward, fleeing a nameless horror behind.
He studies the figures, and though much is alien, he can see much that is also familiar. Many wear short robes of plain fashion, and he knows he is looking upon the seeds of the Tsurani race. Their faces are more basic, showing less of the blending with others that would take place in years to come. Most are fair, with brown or blond hair. At their feet run barking dogs, sleek and swift greyhounds and whippets.
Next to them stride proud warriors, with slanted eyes and bronze skin. These are fighting men, but not organized soldiers, for they wear robes of different cut and color one from the other. Each steps down off the bridge, some showing wounds, all hiding terror behind implacable expressions. Over their shoulders they carry long swords of fine steel, fashioned with great care. The tops of their heads are shaved, with the hair around pulled back into a knot. These bear the proud look of men unsure if they are better off for having survived the battle. Mixed among them are others, all strangers.
A race of short people carry nets that proclaim them fishers, though of what sea only they know. They have dark hair, sallow skin, and grey-green eyes. Men, women, and children all wear simple fur trousers, leaving upper bodies bare.
Behind them come a nation of tall, noble, black-skinned people. Their robes are richly fashioned of soft and subtle colors. Many have gems adorning their foreheads, and gold bands on their arms. All are weeping for a homeland never to be seen again.
Then come riders upon impossible beasts that look like flying serpents with feathered birds’ heads. Upon the riders’ faces are masks of animals and birds, brightly painted and plumed. They are covered in paint alone, for their homeworld was a hot place. They wear their nakedness like a cloak, for there is beauty in their form, as if each had been fashioned by a master sculptor, and they bear weapons of black glass. Women and children ride behind the men unmasked, revealing expressions made harsh by the cruel world they flee. The Serpent Riders turn their creatures eastward and fly away. The great flying snakes will die out in the cold highlands of the east, but will remain forever in the legends of the proud Thuril.
Thousands more come, all walking down the golden ramp to set foot upon Kelewan. When they reach the plain, some move off, traveling to other parts of the planet, but many stay and watch as thousands more come across the bridge. Time passes, night follows day, then gives way to day once more, while the hosts enter from the insane storm of chaos.
With them come twenty beings of power, also fleeing the utter destruction of a universe. The multitudes upon the plain cannot see them passing, but he can. He knows they will become the twenty gods of Kelewan, the Ten Higher and Ten Lower Beings. They fly upward, to wrest the lines of power from the ancient, feeble beings who hold station around this world. There is no struggle as the new gods take their stations, for the old beings of power know a newer order is coming into the world.
After days of watching, he sees that the stream of humanity is thinning. Hundreds of men and women pull huge boats made from some metal, shining in the sun, mounted on wheels of a black substance. They reach the plain and see the ocean beyond the narrow beach. They give a shout and pull their boats to the water and launch them. Fifty boats raise sail and set out across the ocean, heading southward, for the land that will become Tsubar, the lost nation.
The last group is composed of thousands of men in robes of many designs and colors. He knows that these are the priests and magicians of many nations. Together they stand, holding back the raging madness beyond. As he watches, many fall, their lives burning out like spent candles. At some prearranged signal, many of them, but less than one for each hundred standing at the top of the golden bridge, turn and flee downward. All are holding books, scrolls, and other tomes of knowledge. When they reach the bottom of the bridge, they turn and watch the unfolding drama at the top.
Those above, looking not at
those who have fled but at what they hold back, give forth a shout, incanting a mighty spell, wielding magic of enormous power. Those below echo their cries, and all who can hear them quail in dread at the sound. The bridge begins to dissolve, from the ground up. A flood of terror and hate comes pouring through the rift, and those who stand atop the bridge begin to crumple before its onslaught. As the bridge and the opening above disappear from sight, a single blast of fury comes through that stuns many who stand upon the plain below, felling them as if with a blow.
For some time those who escaped the nameless terror behind the rift stand mute. Then slowly they start to disperse. Groups break away and move off. He knows that, in years to come, these ragged refugees will conquer this world, for they are the seeds of the nations that populate Kelewan.
He knows he has seen the beginning of the nations, and their flight from the Enemy, the nameless terror that destroyed the homes of the races of mankind, dispersing them to other universes.
Again the cloak of time is drawn over him, creating darkness.
Followed by light.
On the plain that had been empty, a great city stands. Its white towers ascend to the skies. Its people are industrious, and the city prospers. Caravans of trade goods come overland, and great ships call from across the sea. Years speed by, bringing war and famine, peace and bounty.
One day a ship pulls into the harbor, as scarred and ill as its crew. A great battle has been fought, and this ship is one of the few to survive. Those across the water will come soon, and the City of the Plains will fall if help is not forthcoming. Runners are sent north to the cities along the great river, for should the white city fall, nothing will prevent the invaders from striking northward. Runners return, carrying the news. The armies of the other cities will come. He watches as they gather and meet the invaders near the sea. The invaders are repulsed, but the cost is great, for the battle rages twelve days. A hundred thousand men die, and the sands are red for months. A thousand ships burn, and the sky is filled with black smoke, and for days it falls upon the land, covering miles about with a fine, powdery ash. The city of white becomes the city of grey. The sea is called Blood from that day forward, and the great bay is called Battle. But out of the battle an alliance is formed, and the seeds of the great Empire are planted, the world-spanning Empire of Tsuranuanm.
Like silence descending, darkness comes.
As a clarion sounding, light returns.
He stands atop a temple, in the heart of the central city of the Empire. Below, thousands of people stand. Shoulder to shoulder they fill the streets, chanting while thousands of upraised hands pass along great wooden platforms overhead. Upon the platforms stand the nobles of the Empire, Lords of the Five Great Families. Upon the last platform, largest of all, rests a golden throne, fashioned from the rarest of metals of this mineral-poor world. Upon this throne sits a young boy. When the platform reaches the Great Square of the Twenty Higher and Lower Gods, it is placed upon the ground, and the throne is carried on the backs of the citizens to the top of the highest temple.
The throne is lowered, facing southeast, from where the nations had come in the beginning. From deep within the temple, a dozen black-clad priestesses rush forth, red-clad priests at their side. The Priestesses of Sibi, the Death Goddess, point out one or another citizen in the crowd, and the red-clad Priests of the Killing God grab them. They seize men, women, and occasionally children. All are dragged to the top of the temple, where waiting priests of the Red God cut their hearts from their bodies, while the priests and priestesses of the other eighteen orders look on silently. When hundreds have been sacrificed, and the temple steps are bathed in blood, the Chief Priestess of the Death Goddess judges the gods satisfied. They place a silver ring upon the boy’s hand, and a golden circlet upon his brow, and proclaim him the Light of Heaven, Minjochka, eleven times Emperor. The boy plays with a wooden toy given to him at the start of the day, for he grows bored easily, while the throng presses forward to dip their hands in the blood of their countrymen, counting it lucky to do so. In the east, the sky darkens as night approaches.
As the sun rises, he stands near a magician who has worked the night through. The man grows alarmed at what his calculations have shown, and he incants a spell that takes him to another place. The watcher follows. In a small hall, several more magicians react with expressions of dread to the news the first magician brings. A messenger is dispatched to the Warlord, ruler of the Empire in the Emperor’s name. The Warlord summons the magicians. The watcher follows. The magicians explain the news. The signs in the stars, along with ancient writings, herald the coming of a great disaster. A star, a wanderer in the heavens sighted where none has been seen before, stands motionless but grows brighter. It will bring destruction to the nations. The Warlord is skeptical, but of late more and more nobles have come to heed the words of magicians. There have always been legends of magicians saving the nations from the Enemy, but few think them likely. Still, there is now this new convocation of magicians, who have formed something called the Assembly, toward what ends only the magicians know. So, with the changing times in mind, the Warlord agrees to take the news to the Emperor. After a time an order is sent to the Assembly by the Emperor. His demand: bring proof. The magicians shake their heads and return to their modest halls.
Decades pass, and the magicians conduct a campaign of propaganda, seeking to influence any noble of the Empire who will listen. The day arrives when the news is proclaimed that the Emperor is dead and his son now reigns. The magicians gather with all who can travel to the Holy City for the coronation of the new Emperor.
Thousands of people line the streets, while slaves bear the nobles of the land in litters to the great temples. The new Emperor rides the ancient golden throne, born by a hundred husky slaves. He is crowned, while a slave is sacrificed deep within the halls of the temple of the Death God, Turakamu, as a petition to the gods to allow the old Emperor’s soul to rest in heaven.
The crowd cheers, for Sudkahanchoza, thirty-four times Emperor, is well loved, and this will be the last time they will ever look upon him.
He will now retire to the Holy Palace, where his soul will stand forever vigilant on behalf of his subjects, while the Warlord and the High Council conduct the business of governing the Empire. The new Emperor will live a contemplative life, reading, painting, studying the great books of the temples, seeking to purify his soul for this arduous life.
This Emperor is unlike his father and, after hearing the grave news from the Assembly, orders the building of a great castle upon an island in the center of the giant lake in the midst of the mountains of Ambolina.
Time . . .
. . . passes.
Hundreds of black-clad magicians stand atop towers that rise from the city of the island, not yet the magnificent single entity of the future. Two hundred years have passed, and now two suns burn in the sky, one warm and yellow-green, the other small, white, and angry. The watcher sees the men work their magic, the greatest spell cast in the history of the nations. Even the legendary bridge from the outside, the beginning of time, was not so great a feat, for then they had only moved between worlds, now they would move a star. Below he can feel the presence of hundreds of other magicians, adding their power to those above. The spell has been wrought over the last few years, each step taken with the greatest care, as the Stranger approaches. Though powerful beyond compare, this enchantment is also delicate in the extreme. Any misstep and its work will be undone. He looks up and sees the Stranger, its course marked toward the path of this world. It will not strike Kelewan, but there is little doubt that its heat added to Kelewan’s already hot star will render the planet lifeless. Kelewan will hang for over a year between its own primary and the Stranger, in constant daylight, and all magicians agree that only a few might survive in deep caves, to emerge to a burned-out planet. Now they must act, before it is too late to try again should the enchantment fail.
Now they do act, all in concert, incanting t
he last piece of the great arcane work. The world seems to stand still for a moment, reverberating with the final word of the spell. Slowly that reverberation grows louder, picking up resonance, developing new harmonies, new overtones, a character of its own. Soon it is loud enough to deafen those in the towers, who cover their ears. Below, those on the ground stand in mute wonder, looking to the sky where a blaze of color begins to form. Ragged bolts of energy flash, and the light from the two stars is dimmed in momentarily blinding displays that will leave some who viewed them sightless for the rest of their lives. He is not affected by the sound or light, as if some agency has taken care to protect him from their effects. A great rift appears in the sky, much like the one the golden bridge came through ages ago. He watches without emotion, his strongest feeling being detached fascination. It grows in the sky, between the Stranger and Kelewan, and begins to move away from the planet, toward the invading star.
But something else occurs. From the heart of the rift, more violent than at the time of the golden bridge, an unprecedented display of erupting energies comes forth. The chaotic scene is matched with an overwhelming wave of hatred. The Enemy, the evil power that drove the nations to Kelewan, still abides in the other universe, and it has not forgotten those who escaped it ages ago. It cannot pierce the barrier of the rift, for it needs more time to move between universes than the life span of the rift, but it reaches forth and warps it, sending it away from the Stranger. The rift grows larger, and those on the ground see it is going to engulf Kelewan, bringing the planet back into the dominion of the Enemy.
The watcher looks on impassively, unlike those around him, for he knows that this is not the end of the world. The rift rushes toward the planet, and one magician comes forth.
He is somehow familiar to the one who watches. The man, unlike those around him, wears a brown robe, fastened round with a whipcord belt, and holds a staff of wood. He raises the staff above his head and incants. The rift changes, from colors impossible to describe to inky black, and it strikes the planet.
Magician (10th Aniversary Edition) Page 55
