There was panic in the plaza. The last French had gone, escaping north, but the people of Badajoz had not gone with them. Those that were not in their houses were here, struggling up the cathedral steps, crowding its doors, hoping for sanctuary. They ran past Knowles, barging into him, ignoring him, and he looked wildly around him. There were so many streets! And then he saw, dark behind the cathedral, a small alley with balconied houses and he ran, staring up at the buildings and then he stopped, turned, and he saw two trees, a recessed frontage, and he pounded on the closed door. Teresa! Teresa!
Hakeswill had taken the right-hand street that led up from the small plaza and, sure enough, the women had run ahead of him to the Cathedral. He slowed to a walk, chuckling to himself, and then he heard the shouts, very close, and his first instinct was that Sharpe had reached the house first.
'Teresa! Teresa! That was not Sharpe's voice! An officer, by the sound of it, but not Sharpe, and Hakeswill flattened himself against the opposite wall and watched the dark shape pounding at the door. 'Teresa! It's me! Robert Knowles!
A shutter opened on the first floor, seeping dim candlelight, and Hakeswill saw a woman's shape, slim and longhaired. It must be her! He felt the excitement inside him, shifting restlessly, uncoiling, and then she called down. 'Who's that?
'Robert! Robert Knowles!
'Robert?
'Yes! Open up!
'Where's Richard?
'I don't know. I wasn't with him. Knowles was standing back, staring up at the narrow balcony. The screams were coming nearer, the musket shots, and Teresa looked down the hill at the first flickerings of burning houses. 'Wait! I'll open up! She banged the shutters close, latched them, and opposite, in deep shadow, Hakeswill grinned to himself. He could rush the door as she opened it, but the officer, he could see, was carrying a drawn sabre and he remembered that the bitch herself carried weapons. He looked up to the balcony. It was not high and, beneath it, the groundfloor window was barred with a lattice of black iron. He waited.
The front door opened, creaking on hinges, and he saw the girl silhouetted in the gap for the brief instant it took for Knowles to enter. The door shut and Hakeswill moved, surprisingly fast and soft for such a man, straight to the barred window that gave such easy footholds, up till he could reach back to the balcony's base and then the strength was all in his arms. He paused briefly, his face suddenly twitching, but then the spasm passed and he pulled, the powerful arms making it easy, hand over hand till his feet caught on the balcony and he climbed over the rail. The shutter was wooden, gapped for the night air and he could see the empty room. He pushed at the shutter. It was locked, but he pushed again, increasing the pressure, and the wood creaked, bent, and then splintered inwards. He froze, but the noise of the city's sack was covering his own noise, and he moved again, into the room, and the bayonet whispered from the scabbard.
A cry: he turned, and there, in a wooden cot, was a baby. Sharpe's bastard. He cackled to himself, crossed the room and stared down. The child had cried in its sleep. He took off his hat and held the hat over the baby and talked to the hat. 'Do you see? There it is. Like I was once? Is that right, Mother? Like me. The child moved and Hakeswill crooned. 'Sleepibubber, sleepibubber. You remember saying that, Mother, to your Obadiah?
A footstep on the stairs, another, the creak of wood, and voices outside. He could hear the girl and the officer and he dropped the hat, on to the baby, and pulled the pistol from within his jacket. He was still, listening to her voice, the bayonet in his left hand, pistol in his right, and the baby cried again, in her sleep, and Teresa opened the door and spoke to it in gentle Spanish.
And stopped.
'Hello, missy! The face twitched, yellow in the candlelight, the mouth grinning, black teeth showing on rotten gums, and the raw scar on the ungainly neck, twitching with the head. Hakeswill laughed. 'Hello! Remember me?
Teresa looked at her child and the bayonet was just above Antonia's cot and she gasped. Knowles pushed her aside, brought up the sabre, and the pistol flared, waking the child, and the bullet threw Knowles backward, backward through the door to fall with Hakeswill's cackle the last sound in his life.
Hakeswill kept the bayonet above the baby and pushed the pistol, still smoking, back into his jacket. The blue eyes turned to Teresa, her own gaze fixed on the bayonet, and he grinned at her. 'Didn't need him, missy, did we? Only takes two to do what we're going to do. He cackled, a mad sound, but his eyes were level and his bayonet steady. 'Shut the door, missy.
She swore at him, and he laughed. She was more beautiful than he remembered, the dark hair framing the fine face, and he bent down and put his right hand beneath the baby. It was crying. She moved towards it, but the bayonet flickered, and she stopped. Hakeswill picked the child up, bedclothes bundled, and he held it awkwardly in his right arm and his left was held out and bent back so that the needle-pointed bayonet was at the tiny, soft throat. 'I said shut the door. His voice was low, very low, and he saw the fear on her face and his desire was heavy, so heavy.
She shut the door, slamming it on Knowles's dead feet, and Hakeswill nodded at it. 'Bolt it. The bolt slammed home.
The hat was still in the cot and Hakeswill regretted it because he would like his mother, whose likeness was in the crown, to see this, but it could not be helped. He walked slowly towards Teresa, who backed away, back towards the bed where her rifle was laid, and he grinned at her, twitched, and the triumph was in his voice. 'Just you and me, missy. Just you and Obadiah.
CHAPTER 29
'Which way?
'God knows! Sharpe searched frantically for a main street. The central breach faced a tangle of alleys. He chose an opening at random and started running. 'This way!
There were screams ahead, shots, and bodies lying in the alleyway. It was too dark to tell if the corpses were French or Spanish. The alley stank of blood, death, and the night soil thrown earlier from the upper windows, and the two men slipped in their haste. Light came from a cross-alley and Sharpe turned instinctively, still running, with a huge bloodied sword held like a lance.
A door opened ahead and spilt men into the alley, blocking it, and after them came wine barrels, huge tins, that they hammered with their musket-butts until the staves burst and the wine cascaded on to the cobbles. The men dropped, put mouths to the gushing liquid, scooped at it, and Sharpe and Harper kicked them aside, pushed past, and came out into the small plaza. One house burned, throwing the light that had attracted them, and in the blaze they could see a mediaeval depiction of hell. The people of Badajoz suffered the torments of red-jacketed devils. A naked woman wandered, sobbing and bloodied, in the plaza's centre. She was too hurt to feel any more, too abused to care, and when new men, fresh from the breach, grabbed her and threw her down she made no protest, but sobbed on, and all around it was the same. Some women struggled, some had died, others had watched their children die, and around them the victors capered, half dressed, half drunk, lit by the fire and festooned with their loot.
Some of the devils fought, squabbling over women or wine, and Sharpe saw two Portuguese soldiers bayonet a British Sergeant, seize the woman beneath him, and drag her into a house. Her child, screaming hysterically, toddled after, but the door was slammed and the child left. Harper's face showed a terrible fury. He kicked the door, bursting it open, and plunged into the house. A shot was fired, splintering the lintel, and then the Portuguese came out, one after the other, thrown with a bone-crunching force and the Irishman picked up the child, handed it in, and shut the door as best he could. He shrugged at Sharpe. 'Others will get her.’
Which way? Two roads led uphill, the larger to the left, and Sharpe took it, pushing through the riot, the scenes from hell. Once, inexplicably, the pavement seemed to be running with silver coins that no one touched. One by one the doors were shot open, the houses ripped apart, a whole city at an army's mercy, and the army had little. A few men showed decency, protecting a woman or a family, but the decent men were too often shot down. Office
rs who tried to stop the carnage were shot, discipline was dead, the mob ruled Badajoz.
Screams deafened the two men, and they were thrown back on to a wall by a horde of women, stark naked, who, slobbering and spitting, had erupted from an unbarred door. A nun screamed at them from the doorway, but more women came from inside and Sharpe knew a madhouse was emptying itself into the streets. There was no point in locking up the mad in Badajoz this night and there were whoops from behind and cheers as the soldiers charged up and into the lunatics. One pulled at the nun, while another leaped on to a huge, naked woman's back, gripped her wild, grey hair as reins, and all the soldiers tried to ride a lunatic.
'There, sir! Harper pointed. Above them and ahead was the cathedral tower, its square, crenellated outline obvious in the sky, and from its arched openings the bells jangled a cacophony because drunken men were dangling on the ropes, signaling a victory.
They stopped at the street's end, in front of the cathedral, and to their left was a great plaza, the rape beneath its trees lit by a huge fire, and to their right a dark alley. Sharpe started towards it, but his arm was pulled, and he turned to see a girl, short and weeping, clinging to his sleeve. She had been roused from a house, chased, and her pursuers came after as she held on to the tall man whose face had looked untouched by the madness. 'Senor! Senor!
Her tormentors, in the white facings of the 43rd, reached for the girl and Sharpe swept the sword at them, cutting one man's arm, and he watched their bayonets drop for the attack and the girl was hampering him. He swung again, being forced back by British bayonets, but then Harper came between him and his attackers, the seven-barreled gun whirled as a club, and they went back.
'This way! Sharpe shouted and, with the girl still clinging to him, he pushed into the alley. Harper came behind, threatening the men of the 43rd with the giant gun until they gave up and went for easier spoils, and then the Sergeant turned after Sharpe to find the alley was a dead end. Sharpe swore.
Harper seized the girl, who shrank away, but his touch was gentle and his voice urgent. 'Donde esta la Casa Moreno? It was the limit of his Spanish, and the girl shook her head. He tried again, letting his voice reassure her. 'Listen, Miss. Casa Moreno. Comprendo? Donde esta la Casa Moreno?
She spoke in fast, excited Spanish, and pointed to the cathedral. Sharpe swore again in exasperation. 'She doesn't know. We'll go back. He started forward, but Harper put out a hand.
'No, look! There were steps leading to a side-door and the Irishman pushed Sharpe towards it. 'She means through the cathedral. It's a short cut!
The girl stumbled on her dress, but Harper caught her and she clung to his hand as he pushed open the huge, studded door. Sharpe heard the Irishman draw in a breath.
The cathedral had been a refuge, a sanctuary, but no longer. Troops had invaded it, had chased the women, caught them, and now, under the myriad votive candles, the women were being raped. A nun, her habit ripped apart, was spread-eagled on the high altar while an Irishman of the 88th, down from the casde assault, tried vainly to climb up to her. He was too drunk. The girl gasped, began to scream, but Harper held her firm. 'Casa Moreno? Si?
She nodded, too appalled to speak, and led them across the great floor of the transept, between the altar and the transcoro, and round the huge chandelier that had been cut from its moorings and had crashed down on to the flagstones, crushing a Corporal from the 7th who still twitched under its weight. Dead lay on the floor while the wounded, sobbing in their misery, crawled towards the obscuring shadows of the nave. Be with us now and in the hour of our need.
A priest, who had tried to stop the soldiers, lay by the north door and Sharpe and Harper stepped over the body, into the great plaza, and the girl pointed again, to her right, and they ran until she pulled Harper right again, into a dark alleyway seething with troops who beat at shut doors and, in their frustration, fired shots at upper, barred windows. Harper protected the girl, held her close, as they pushed through the men, Sharpe's sword their passport, and then the girl shouted at them, pointed, and Sharpe saw the dark shapes of two trees and knew he had arrived.
There were cheers from the doorway, a creaking, a great crash, and a mass of men in front of them melted away as they streamed into Moreno's courtyard. Barrels waited for them, thick barrels, full barrels, and the men fell on the wine, forgetting everything else, and in his counting house, praying next to his wife who had returned home at midnight, Rafael Moreno prayed and hoped he had provided enough wine for the soldiers and thick enough bolts for his counting house door.
Hakeswill cursed. He heard the commotion below, the crashing of the great doors, and he spat at Teresa. 'Hurry!
A bullet splintered the shutter and buried itself in the ceiling and he turned, fearing Sharpe, but it was only a stray shot from the street. The baby was awkward in his arm, but it was his best threat and he did not want to kill it yet. The bayonet was still at Antonia's throat, her crying reduced to heaving, breathless sobs, and Hakeswill twitched the blade, ground his teeth as the twitching caught him, and bellowed again. 'Hurry!
She was still dressed, damn her, and he wanted this business done! Two shoes off, that was all, and he twitched the bayonet again, drawing a trickle of blood, and he saw her arms go up to the fastening of her dress. 'That's right, missy, don't want baby to die, do we? He cackled, and the cackling became a racking cough, and Teresa watched the blade at her child's throat. She dared not attack him, dared not, and then the coughing stopped and the eyes opened again. 'Get on with it, missy. We've got time to make up, remember?
Teresa slowly undid the knot at her throat, pretending to fumble with the material, and she saw the excitement in his face and then he began to swallow rapidly so that his Adam's apple pulled at the scar. 'Hurry, missy, hurry! Hakeswill could feel the excitement. She had humiliated him, this bitch, and now it was her turn. She would die, and so would her bastard, but he would have his enjoyment first and he began to work out in his head the problem of holding the baby while he took her, and then he knew she was taking her time. 'I'll slit its throat, missy, then yours. But if you want this little bastard to live, you'd better take them clothes off, and fast!
The door bulged under Harper's boot, the crash spinning Hakeswill round, and then the bolt sheared, the door shook on its hinges, and Hakeswill held the bayonet vertically above Antonia's throat. 'Stop!
Teresa had reached for the rifle. She froze. Harper was through the door and his momentum drove him on to the cot and then he, too, was utterly motionless as he sprawled, on all fours, and stared at the seventeen inch bayonet. Sharpe, the girl behind him, stopped in the doorway and his sword, which had been reaching towards Hakeswill, was suspended in mid lunge so that its blood-thickened tip quivered in the room’s centre.
Hakeswill laughed. 'Bit late, aren't you, Sharpy. They called you that, didn't they, Sharpy? Or Dick. Lucky Sharpe. I remember. Clever little Sharpy, but it didn't stop you being flogged, did it?
Sharpe looked to Harper, Teresa, then back to Hakeswill. He gestured slowly at Knowles's body. 'Did you do this?
Hakeswill cackled and his shoulders heaved. 'Clever little bastard, aren't you, Sharpy? Of course I bloody did it. The little bastard came to protect your lady. He sneered at Teresa. 'My lady, now. Her dress was open at the neck and Hakeswill could see a slim gold cross against her brown skin. He wanted her, he wanted that skin beneath his hands, and he would have her! And kill her! And Sharpe could watch, because none of them would dare touch him while he still threatened the baby.
The girl behind Sharpe moaned and Hakeswill's head twitched towards the door. 'You got a whore there, Sharpy? You have! Bring her in! The girl stepped over Knowles's body and into the room. She moved slowly, terrified of the yellow-skinned, belly-paunched man who held the heaving, sob-racked baby. She went to stand by Harper, her foot kicking Hakeswill's shako mat had fallen from the upset cot. The hat rolled to a stop, upended, by Harper's hand. Hakeswill watched her. 'Very nice. Pretty little missy. He cackled. '
You like the Irishman, do you, dearie? She was shaking at the sight of him, and Hakeswill laughed. 'He's a pig. They all are, the bloody Irish, dirty great pigs. You're better off with me, missy. The blue eyes went back to Sharpe. 'Shut the door, Sharpy. Gently now.
Sharpe shut the door, careful not to alarm the twitching man who held his baby. He could not see Antonia's face, just the great saw-backed bayonet that was above the bundle of bed-clothes. Hakeswill laughed at him. 'Very good. You can watch now, Sharpy. He looked at Harper, frozen grotesquely where he had tripped. 'And you, pig. You can watch. Stand up.
Hakeswill was not sure how he would do this, but he would work something out because he knew that, as long as the child was in his power, then all these people were in it, too. He liked the new girl, Harper's girl by the look of it, and he could take her with him, out into the city, but he would have to kill Sharpe and Harper first because they knew he had killed
Knowles. He shook his head. He would kill them because he hated them! He laughed, then saw that Harper had not moved. 'I told you to stand up, you Irish bastard! Stand!
Harper stood up, his heart beating at the risk, and in his hands he held the shako. He had seen the picture in the crown and he had no real idea who it was, but he stood up, one hand holding the hat, the other reaching inside it. He saw Hakeswill's face show alarm. The bayonet quivered. 'Give it to me. The voice had become whining. 'Give it to me!
Sharpe's Company s-13 Page 25
