It was almost an hour from dark. Gwyon stared at the branches arm’s length through the study window. From beyond those lacings of yew came the sound of the sleighbells, seeming more insistent with the approaching darkness. His arm rested as though lifeless on the Egyptian Book of the Dead; and he tapped the hard closed cover of the Malleus Maleficarum with his fingertip. Hardly moving in his chair, he took the flask from its cavity in the Dark Night of the Soul, and drank down half a tumblerful of schnapps. He placed the empty glass on the level surface of a volume of the Index, and said aloud, after a few minutes had passed so, —Make full proof of thy ministry. But the book open before him was not the Bible, nor the words Saint Paul’s.
“Close to the outskirts of every big village a number of stones may be noticed stuck into the ground, apparently without order or method. These are known by the name of asong, and on them is offered the sacrifice which the Asongtata demands. The sacrifice of a goat takes place, and a month later that of a langur (Entellus monkey) or a bamboo-rat is considered necessary. The animal chosen has a rope fastened round its neck and is led by two men, one on each side of it, to every house in the village. It is taken inside each house in turn, the assembled villagers, meanwhile, beating the walls from the outside, to frighten and drive out any evil spirits which may have taken up their residence within. The round of the village having been made in this manner, the monkey or rat is led to the outskirts of the village, killed by a blow of a dao, which disembowels it, and then crucified on bamboos set up in the ground. Round the crucified animal long, sharp bamboo stakes are placed, which form chevaux de frise round about it. These commemorate the days when such defences surrounded the villages on all sides to keep off human enemies, and they are now a symbol to ward off sickness and dangers to life from the wild animals of the forest. The langur required for the purpose is hunted down some days before, but should it be found impossible to catch one, a brown monkey may take its place; a hulock may not be used.”
He walked up the stairs slowly. Wyatt slept, the sheet covering him rose to points on the bony protrusions of his body. Only faintly aware of the trouble in his mind over the apparent extreme shortness of the boy’s legs, Gwyon suddenly brought this terrible impression straight up into his consciousness and, doing so, realized that the points of the sheet were not Wyatt’s feet but his knees, so thin they stood up like feet. He moved quickly. He turned down the stairs, and walked from one room to another in the darkened parsonage, past the small butler’s pantry where Aunt May had stood weeping silently and alone that day her hawthorn tree had been found torn from the ground. He passed Olalla, her nose broken off a century before by a suppliant whose prayers had gone unheeded, her arm raised in her niche as though to stay him. For an instant fragments of his passing were reflected in the powerful clear mirrors of that cruz-con-espejos said to have been used by Sor Patrocinio, the Bleeding Nun, whose pullulating stigmata upset Spanish politics and the throne to such extent that she inclined to wear mittens. Gwyon glanced in at the low table in the dining room, mesa de los pecados mortales, —Cave, cave, Dominus videt. Abscondam faciem meam ab eis et considerabo novissima eorum, not reading those words but repeating under his breath, as though to give himself strength, words of that fourteenth-century translator of the Bible who died in bed, only to be dug up and burned, already rewarded for his labor of Divine Love with the revelation, —In this world God must serve the devil.
In the living room, he turned away from Camilla’s picture, where he had stopped, and took John H. down from the wall across. That portrait he put in a broom closet, muttering that the ancestor had probably got just what he deserved. All this time it seemed that Gwyon was putting off a decision which had already been made. He even stopped to cover a large mirror with a tablecloth. Finally he walked out to the back veranda of the house, and down onto the lawn.
Perhaps it was prospect of the white moon’s rising which had upset Heracles. The sleighbells sounded furiously, and then stopped, leaving an urgent silence. Gwyon was perspiring freely as he paced toward the arbor and back, in spite of the cool night air mounting around him. Then he stopped for a full minute to look toward the shadowed hulk of Mount Lamentation.
When he went in at the carriage-barn doors, Heracles stood still, quivering his long arms slightly, and then came up to his full height, waving a piece of bread. Gwyon took the leash from the wall, fastened it to the animal’s neck and together they walked up the lawn toward the house.
Afterwards Wyatt could not distinguish reality in these days, and the nights of the weeks just past. Deliria embraced in his memory, and refused to discriminate themselves from one another, from what had happened, and what might have happened. Memories of pain were lost between waking and sleep, and but for the merciless stabbing in his feet that night, no longer identified themselves with definite parts of his body. Prolonged hours of wakefulness, when all he sought was sleep, might turn out to have been sleep when he waked: but most insupportable was the sensational affair which went something like this: consciousness, it seemed, was a succession of separate particles, being carried along on the surface of the deep and steady unconscious flow of life, of time itself, and in fainting, the particles of consciousness simply stopped, and the rest flowed on, until they were restored: but this was the stoppage, the entire disappearance of that deeper flow which left the particles of consciousness suspended, piling up, ready any instant to shatter with nothing to support them. Still, at such times everything was in order, of shape and color to mass and distance, of minutes accomplishing hours by accumulation just as the clock itself stayed on the table where it was if only because it had been accumulating there for so long: that was the reassurance of weight. But had a voice, even his own, quoted, —“With regard to Saint Joseph of Copertino Rapture was accompanied by Levitation”? The grating cry of Janet rang in his ears still: had he chased her down the brick wall of someone’s garden, where she turned on him transformed into a black man, and escaped? Had his father come in with Heracles, shaken him in his bed and pounded the walls saying words he could not understand, and turned to drive the animal out before him and down the stairs? And then a faint cry from the carriage barn below: had he leapt from his bed toward the pale casement of the window, forgetting that he had been so long off his feet that they were useless, their function totally forgotten, so that he fell screaming at the pain in them? For he woke on the floor with his father beside him, holding him up by the shoulders, his father whom he did not recognize, wild-eyed in that dim light. Then he broke open sobbing at the memory of the pain which had just torn up through his body. —In my feet, he cried, —it was like nails being driven up through my feet, as he was laid back on the bed blood-spotted at the shoulders, by this shaking man who could hardly walk from the room.
A few days later, Wyatt began to recover. He regained the weight of his body by meticulous ounces. That fever had passed; but for the rest of his life it never left his eyes.
The Town Carpenter came to call, and stood looking round the room at the wallpaper. The convalescent’s bed had been moved to the sewing room, since its windows faced east and south and those of his own smaller room to north and west, away from the sun. Her sewing cabinet, with its long drawer still full of a thousand buttons, stood to one side of a window, and over it a shelf with a few books she had never opened since leaving school. There was nothing else of Camilla in the room, though here it was she had come at the moment of death, seeking something. —What was it? he whispered sometimes, looking up and around as though he expected her again, though her presence had always been one silent and expectant, often even while she was in the room it had seemed empty.
Camilla had chosen the wallpaper. It was pink, with beaded bands of light blue running to the ceiling and rows of roses between them. Her father had papered the room, and behaved very professionally about it though his pleasure showed through at the privilege of doing it for them: showed through so well that he had got the paper on upside down. And only now,
as he lay on his back and followed its lines up the wall, did Wyatt realize that the roses were roses, not the pink dogs’ faces with green hats he had taken them for as a child, and never questioned since. When she stepped into the room that first time, Camilla could not see what had gone wrong. Then she did; but there stood her father with a smile of pride beside her, and she threw her arms over his crooked shoulders and thanked him, and never told him. It was the way things had of working out for her from the start.
—It looks fine, it still looks fine, the Town Carpenter said now, backing into a chair stacked with paintings and sketches and knocking the whole thing over, which immediately put him at his ease by giving him something to do. He admired each piece separately as he picked them up. —The detail! The detail! he said over and over, of these souvenirs of Wyatt’s illness by now become permanent fixtures in his life. Of these fragments of intricate work most were copies. Only those which were copies were finished. The original works left off at that moment where the pattern is conceived but not executed, the forms known to the author but their place daunted, still unfound in the dignity of the design.
—Look! said the Town Carpenter, waving a book from the floor. —Balloons! . . . Then he added, —Damn them, the French. Someone’s written it in the French language. He stood turning the pages, muttering, —They do that to confuse people, of course. The French covet a truth when they come upon it, you know . . . He stayed an hour or so, talking himself most of the time, a proclivity he’d developed since he started to become hard of hearing and people tired of the effort of talking to him. Now, he gave a rough précis of the Odyssey (Gwyon had sent him off one day with Chapman’s translation), and as though the voyage had suddenly grown too short, had just introduced Odysseus to Prester John at Ogygia, when Janet came in with Wyatt’s supper. The Town Carpenter behaved with all the courtly grumbling of a shy hero, retiring before her, waving from the door to the boy on the bed and calling out, as though across a chasm, —And they’ve made me the sexton at the church, you know. The Reverend your father made me the sexton, over their dead bodies if you follow me . . . And he escaped with both volumes of Tissandier’s Histoire des ballons.
Thus the bells ringing in the morning hours were usually right on time; but after eleven in the morning they commenced to fall off a bit, for it was a good fifteen-minute walk from the Depot Tavern to the church.
Waking in this room of roses upside-down was a new experience, the dawn red from the roses of Eden (as one of those books at his bedside had it from the Talmud), after the days’ ends in his own room red from the fires of Hell. Here, after the throbbing flow of the night was broken by the first particles of light in the sky, he often pulled a blanket from the bed and crept to the window, to sit there unmoving for the full time it took until the sun itself rose, the unmeasured hours of darkness slowly shattered, rendered into a succession of particles passing separately, even as the landscape separated into tangible identities each appraising itself in a static withdrawal until everything stood out separate from the silent appraisals around it.
He passed the months of convalescence painting, and with increasing frequency broke his gaze at the window to get to work. He was most clear-headed, least feverish, in these early hours when, as unsympathetically as the daylight, his own hand could delineate the reasonable crowded conceits of separation.
Only once, going to the window before it was light, he was stopped in his tracks by the horned hulk of the old moon hung alone in the sky, and this seemed to upset him a good deal, for he shivered and tried to leave it but could not, tried to see the time on the clock but could not, listened, and heard nothing, finally there was nothing for it but to sit bound in this intimacy which refused him, waiting, until the light came at last and obliterated it.
Then, mornings just before sunrise he could hear his father’s steps on the east porch below. And though he heard the voice speaking sometimes, he never made out a word.
Wyatt missed the sound of sleighbells. On his first attempt at a long walk outside, he went down to the carriage barn and found it locked and silent.
—Yes, his . . . his time came, Gwyon said, clearing his throat and pulling at one hand with the other behind him.
—But you . . . no one told me.
—Well, we . . . you were sick, while you were sick I didn’t want to upset you.
—But, then what did you do?
—Yes, I . . . I buried him, down there, down behind the barn there.
—How did it happen, did he just . . . It’s funny, some of the things I . . . sometimes I think I remember things that are . . . that couldn’t . . . like . . . He looked up earnestly, pausing now as though he expected to be prompted, to see his father watching him with eyes which, had he known it, blazed with the same wild intensity as his own in fever. —It’s . . . sometimes it’s bewildering . . . , he faltered, looking down as Gwyon looked away, turned his back and showed his twisting hands behind him. But only for a moment. Gwyon swung round, looking very different, reassured, and tried to smile with,
—You’re well? You’re well now, almost well? Yes, it’s bewildering, bewildering . . . He changed the subject clumsily. —Like the bulls. Yes, people say they’re kept in a dark cell before they’re let into the arena, into the bright sun, to confuse them, but that . . . that . . . you should see their confidence, their grandeur when they come in, a great moment, that, when they come in, they . . . their heads up, tossing their heads when they come in . . . He paused to look up and see if he’d relaxed Wyatt’s attention, then went on enthusiastically, —It’s after that, after they stick those . . . the banderillas in the shoulders, you can hear them rattling in the bull’s shoulders, a regular dance of fury, it’s after that their legs start to cave outward, after that they just stand, bewildered, looking around . . . before the sword, the . . . they say you don’t kill with the sword but with the cape, the art of the cape . . . He relaxed himself as he spoke, moving about the room until he got near the door, talking as though in a hurry to be gone, but he paused there to finish with, —The sword, when the sword is in and the bull won’t drop, why, they use the cape then, to spin him around in a tight circle so the sword will cut him to pieces inside and drop him. His legs stiffen right out when they stab him in the brain. Do you want anything? But you’re up, you’re up now. Do you want anything? I’ll send Janet up, Gwyon finished and got out to the stairs.
When Janet arrived, Wyatt had her help him out and down the stairs, but he left her in the house when he went down the lawn with his cane. A large stone had been pushed into place against the hole in the hillside, among thorn bushes now bearing early blackberries. The place had been the kitchen midden for as long as he could remember. In his weakness he could not move the stone from its place, for it was very great; and when he started back for the house he tripped against a row of small stakes, driven into the ground there without evident purpose. He climbed unsteadily to his feet from the blemished earth and stones and walked as quickly as he could manage back up the open lawn. There was something defiled about that place which frightened him.
From her window above, Janet watched him stagger back into the open, and was down to help him climb to the porch and in, without a word between them. He went upstairs and got to work without a pause.
Every week or so he would begin something original. It would last for a few days, but before any lines of completion had been drawn he abandoned it. Still the copies continued to perfection, that perfection to which only counterfeit can attain, reproducing every aspect of inadequacy, every blemish on Perfection in the original. He found a panel of very old wood, nearly paper-thin in places but almost of exact size, and on this he started the Seven Deadly Sins: Superbia, Ira, Luxuria, Avaritia, Invidia . . . one by one they reached completion unbroken by any blemish of originality. Secrecy was not difficult in that house, and he made his copy in secret.
His father seemed less than ever interested in what passed around him, once assured Wyatt’s illness was
done. Except for the Sunday sermon, public activities in the town concerned him less than ever. Like Pliny, retiring to his Laurentine villa when Saturnalia approached, the Reverend Gwyon avoided the bleak festivities of his congregation whenever they occurred, by retiring to his study. But his disinterest was no longer a dark mantle of preoccupation. A sort of hazardous assurance had taken its place. He approached his Sunday sermons with complaisant audacity, introducing, for instance, druidical reverence for the oak tree as divinely favored because so often singled out to be struck by lightning. Through all of this, even to the sermon on the Aurora Borealis, the Dark Day of May in 1790 whose night moon turned to blood, and the great falling of stars in November 1833, as signs of the Second Advent, Aunt May might well have noted the persistent nonappearance of what she, from that same pulpit, had been shown as the body of Christ. Certainly the present members of the Use-Me Society found many of his references “unnecessary.” It did not seem quite necessary, for instance, to note that Moses had been accused of witchcraft in the Koran; that the hundred thousand converts to Christianity in the first two or three centuries in Rome were “slaves and disreputable people,” that in a town on the Nile there were ten thousand “shaggy monks” and twice that number of “god-dedicated virgins”; that Charlemagne mass-baptized Saxons by driving them through a river being blessed upstream by his bishops, while Saint Olaf made his subjects choose between baptism and death. No soberly tolerated feast day came round, but that Reverend Gwyon managed to herald its grim observation by allusion to some pagan ceremony which sounded uncomfortably like having a good time. Still the gray faces kept peace, precarious though it might be. They had never been treated this way from the pulpit. True, many stirred with indignant discomfort after listening to the familiar story of virgin birth on December twenty-fifth, mutilation and resurrection, to find they had been attending, not Christ, but Bacchus, Osiris, Krishna, Buddha, Adonis, Marduk, Balder, Attis, Amphion, or Quetzalcoatl. They recalled the sad day the sun was darkened; but they did not remember the occasion as being the death of Julius Caesar. And many hurried home to closet themselves with their Bibles after the sermon on the Trinity, which proved to be Brahma, Vishnu, and Siva; as they did after the recital of the Immaculate Conception, where the seed entered in spiritual form, bringing forth, in virginal modesty, Romulus and Remus.
The Recognitions (Dalkey Archive edition) Page 9
