With the casting problem solved, preparations for the play went on so well that it almost seemed as if there was a blessing on the whole plan. Tommy was, of course, in ecstasy at being able to play Bottom. Not only were the servants charmed by the idea of being an audience for such a thing, but the local vicar got wind of the scheme, and asked if they would be part of the church fête, which was also to be Midsummer’s Day. Now that was something of a surprise for all of them, but a welcome one, at least for those who, like Nan and Tommy, felt no fear at performing before larger audiences. So far as both of them were concerned, they’d get right up on stage at Covent Garden without a qualm.
With the new venue in mind, further touches were made on props and costumes. Permission was granted to rummage through selected attics and use whatever they could find there; a happy discovery was that at some point in the past, the inhabitants of the manor had engaged in amateur theatrics and had held many fancy-dress parties. While much of the costuming was sized for adults, there was enough for children, or that could be cut down to fit children, to make vast improvements in the wardrobe.
Mem’sab commented on none of this, but Nan had the shrewd notion that they were the benefactors of someone’s subtle Magics. Not that she cared. She and Sarah were the beneficiaries of this bounty, for Grecian garments (or at least, Grecian-inspired costumes) were the sorts of things easily adapted to child size, and they were now the proud wearers of something that looked entirely professional, rather than something cobbled up from old dust sheets.
Sarah looked utterly adorable, to tell the truth, like something off a Wedgewood vase, with her draped gown and a wreath of wax orange blossoms in her hair. Most spectacular though, were Mary Dowland and Henry Tailor, as Titania and Oberon, respectively; the most amazing, fantastical costumes had been found for them, and if they looked a bit over the top by daylight, in evening rehearsals under dimmer light they looked very magical indeed and nothing like a pair of schoolchildren.
There were enough bumps in the road of production to ease Nan’s fears that things were going entirely too well. There were plenty of forgotten lines, fumbled speeches, and places where it was all too apparent just how amateur this amateur production was. But the closer they got to The Day, the more excited Nan became, and so was everyone else, right down to the servants, who fell over themselves to help.
Rather than cart everything to the church grounds, permission was granted for the audience to come to them. That meant that there would be no need to move anything so far as the players were concerned.
The performance for the servants was set in and around the folly, which would serve partly as stage setting and partly as prop room and changing room, since children able to remember several parts were taking several minor roles at once. The semiclassical structure suited itself well to the purpose, and it was surrounded by picturesque faux “ruins” that removed most of the need for scenery.
The day before the performance, since the weather bid to stay fine (more of Puck’s magic at work?) most of the preparations were done in advance. On Midsummer’s Day the fête was held at the church, and the servants got half days off to attend in shifts. The children also had leave to go, but since it was not a true fair, and the entertainments were entirely home grown, no one really wanted to do anything but final walkthroughs and a full rehearsal. So the fête went on without their attendance.
The final rehearsal was—a disaster. Dropped lines abounded, nerves were everywhere, and even Sarah was reduced to frustrated tears at least once.
At the end of it, Nan was exhausted and discouraged. She felt wrung out—and their Puck had not appeared, so Mem’sab had once again read his lines. She poked at her dinner without any real appetite, until Mem’sab noticed and had it taken away in favor of cucumber soup and buttered bread. That went down easier, getting past a throat tight with nerves.
After dinner, Mem’sab drew her aside before they all got into costume again. “Don’t worry,” she said, with a hug. “The tradition in the theater is that the worse the final rehearsal is, the better the performance will be.”
“But what about our Puck?” Nan asked, forlornly.
“Don’t worry,” was all Mem’sab said. And Nan had to leave it at that, because it was time to climb into their costumes and troop down to the folly, where the servants were already stringing up fairy lights and improvised stage lights, laying out rugs and cushions to sit on for themselves. Wagonloads of people had been arriving since before supper, and people had been picnicking on the lawn in anticipation of the performance to come. There was a steady buzz of talk audible even from the manor itself, and the sound of all those people made Nan’s stomach knot up. It didn’t get better when she heard the couple of hired musicians playing to entertain the crowd—a fiddler, a flute player, and a fellow with a guitar. They had been making dance music for the Morris dancers at the fête, and vicar had arranged that they would also be providing incidental music during the play. They were good. It seemed impossible that even with the desire of the audience to be pleased, the children could pull off a performance to compare favorably with the musicians.
And yet—
Suddenly, between one breath and the next, all of that changed.
The moment Nan set foot in the folly, she felt a change come over her. A curious calm overtook her, curious because she felt tingly and alive as well as calm, nor was she the only one. A quick glance around showed her that everyone had settled. The nerves and restlessness were gone from the rest of the cast; the edge they all had was of anticipation rather than anxiety—
And not one of them mentioned the lack of the promised Puck.
And at the moment when they were all milling about “backstage,” waiting for Mem’sab to announce the play, Nan felt a tug on her tunic and turned to find herself staring into those strange, merry green eyes again. This time the boy was wearing a fantastic garment that was a match for those Titania and Oberon were wearing, a rough sleeveless tunic of green stuff and goatskin trousers, with a trail of vine leaves wound carelessly through his tousled red hair.
“How now, pretty maiden, did you doubt me?” he said slyly. “Nay, answer me not, I can scarce blame you. All’s well! Now, mind your cue!”
With a little shove, he sent her in the direction of her entrance mark, and as she stepped out into the mellow light of lanterns and candles, she forgot everything except her lines and how she wanted to say them.
Now, Nan was not exactly an expert when it came to plays. The most she had ever seen was a few snatches of this or that—a Punch and Judy show, a bit of something as she snuck into a music hall, and the one Shakespeare play Mem’sab had taken them all to in London.
But the moment they all got “onstage,” it was clear there was real magic involved. All of them seemed, and sounded, older and a great deal more practiced. Not so much so that it would have been alarming but—certainly—as if they were all well into their teens, rather than being children still. Everything looked convincing, even the papier-mâché donkey’s head. Lines were spoken clearly, with conviction, and the right inflection. Nan and Sarah even made people laugh in all the right places.
And as for Puck—well, he quite stole the show. From the moment he set foot on “stage” it was clear that the play was, in the end, about him.
Yet no one seemed to be in the least put out that he took the play over. Not even Tommy. And perhaps that was the most magical thing of all.
Lovers human and faerie quarreled and reconciled; the rustics put on their silly play with a great deal of shouting and bumbling about. Puck made mischief, then made all right again. The stage lights somehow put out far more illumination than they should have, and the twinkling little fairy lights looked genuinely magical. In fact, there seemed to be a kind of golden, magical haze over it all.
It ended all too soon, with the cast being applauded wildly by an audience on its feet, and all of them—except Puck—carried back bodily by the servants to be treated to a late-evening
treat of cakes and ices and tea.
Somewhere, between the folly and the manor, he had vanished again. And no one said a word about his going.
Oh, they remembered him, all right, but no one seemed to find it at all strange that he wasn’t here, sharing in the triumphal treat, basking in the admiration of the servants. As Nan devoured lemon ice and cake with the single-minded hunger of someone who did not eat nearly enough dinner, she found herself in awe of that—
Because it was one thing to work a bit of magic on a couple of people. But Puck had worked a very subtle magic on a great many people; he’d done it flawlessly and invisibly, and in such a way that, as she listened, she realized he had somehow managed to implant in everyone’s mind that the boy who had played Puck was always somewhere on the premises, but in a place other than where the person talking about him was him or herself at that moment.
Out of sheer curiosity, she finally asked Tommy as she got another helping of lemon ice, “Hoy, seen that lad Robin?”
“Went to change out of his costume,” Tommy said around a mouthful of cake. “Said the leaves itched.”
Nan listened with astonishment to the talk going on. No one doubted that it had been him at all those rehearsals, rather than Mem’sab reading his part; memory had been altered, clearly, in everyone except Mem’sab and Nan and Sarah. There were even stories about how he had done this or that in rehearsal! And later that evening, as the servants cheerfully collected costumes and the children prepared for bed, she asked one of the maids where Robin had gone, and was not greatly surprised to hear that, allegedly, his parents had come to collect him at some point while the rest were finishing off the treats.
“Taking the last train back to London,” the maid said cheerfully. “I suppose, a big boy like that, he’s used to staying up late—but it is a pity he couldn’t stay. Still! Your Mem’sab said she didn’t like inviting them to stay without permission of the Master, and that’s only right and proper, since he don’t know them.”
And that seemed to be that.
***
Mem’sab made it a point to come say good night to every child, every night. Sometimes Nan was already asleep by the time Mem’sab got to them, but not tonight. As their mentor entered their little room, Nan was sitting up in bed hugging her knees, Sarah was beside her, and even both birds were still awake and waiting.
Mem’sab held up a hand, forestalling the volley of questions Nan wanted to fire off before they could be launched.
“No, he, didn’t give me any message for you. Yes, that was his ‘glamorie’ at work, and no, I have never seen anything quite like that in my life.” She shook her head. “It was quite amazing. I stood there and watched as peoples’ memories changed, and I could not for a moment tell you how it was done. All I can think is that this is how his kind have protected themselves over the centuries.”
“I thought you said it was wrong to meddle with peoples’ thoughts,” Sarah said, her eyes narrowed.
Mem’sab pursed her lips, and sat down on the bed beside them. “I still think it is wrong—but it would be a greater wrong, and very dangerous for Robin, to have left their memories alone.” She grimaced. “Even I have meddled, now and again. Sometimes you have to balance wrong against wrong and choose the one that does the least harm.” She patted Sarah’s hand, as Sarah looked very troubled. “It’s a hard lesson that you learn, growing up, that you can’t always answer ‘yes’ or ’no,‘ that something is entirely right or entirely wrong. Most of the time the answer is somewhere in the middle.”
“You think we’ll see ‘im again, Mem’sab?” Nan asked softly, hoping that the answer was going to be “yes.”
“I don’t know,” came the reply.
And with that unsatisfying answer, she had to be content. That—and their own, unchanged memories.
10
DAVID Alderscroft had no intention of having any more to do with the Harton School or Frederick Harton. While the man did have a high level of native intelligence, and while he did not have the advantages of a public school education and had clearly worked hard to rise above his plebian origins, he was still, when it came down to the matter, common. He was certainly not in David’s social set. While David considered himself to be free of snobbery, he also regarded himself as a practical man, and practically speaking there was nothing that a man like Frederick Harton and one such as himself could possibly have as mutual interests.
Nevertheless, he decided that it behooved him to do some investigation of the man. After all, frauds abounded in psychical circles, and it was wise to make sure that Harton was not of that ilk. The man’s insinuations that someone among the Elemental Mages of London could be ultimately responsible for the attacks on his charges had been subtle, but exceedingly unwelcome, especially since such insinuations implied that David did not know enough about the Elemental Mages around him to be able to completely refute such a charge. And since when was he supposed to be responsible for the actions of all the Elemental Mages in this part of the world anyway? Wasn’t that like implying that Frederick Harton was equally responsible for the actions of all the psychical Talents in the city?
Yes, whispered a tiny voice inside, but you are the Lodge Master of the Master’s Circle here. You were the one who organized it and runs it. Doesn’t that make you responsible?
As if it wasn’t perfectly obvious that it must have been someone in Harton’s own circles who was responsible. Who else would have had the knowledge and the motivation?
Today he had the results of his investigation on his desk, from the private agent he had employed to delve into the Hartons and their school and small importation business. He should have been pleased to discover that both Hartons had a sterling reputation, but somehow this only irritated him. He knew this irritation was irrational, and that irritated him even more, as he turned the closely-written pages over and read them with care.
Drat them both.
I will forget about this, he vowed. It is a dead issue. Neither of them will trouble me again.
He decided to take refuge from unwelcome thoughts by immersing himself in the round of summer entertainments organized by Lady Cordelia, arranged to introduce him gradually into political circles. Tennis-parties, afternoon teas, dinners—all were designed to make him visible, but not intrusive. Lady Cordelia took a Thames-side summer home for the purpose; something where a wide, spacious lawn suitable for croquet and picnicking al fresco, and the proximity to London were the most important features. Ministers who lived in London had no difficulty in getting to these entertainments, and yet the contrast between the bucolic suburb and the hot, noisy city could not have been greater. In such pleasant surroundings, in an atmosphere in which Lady Cordelia laughingly forbade all talk of politics, it was possible to make a good impression without ever actually saying anything.
Though truth be told, he was finding his acquaintance with these lions of Parliament a bit disappointing. If he had followed his inclinations, they were not the folk he would have been spending these pleasant summer hours with. None of them had much in the way of interests outside of politics. All were devoted, more or less, to the arts of manipulation. They were façades, like stage scenery, implying a substance and solidity that was in reality nothing more than paint on canvas. They did not read; they did not think much past the needs of themselves and their select circle. When they attended plays or concerts, it was not to pay attention to the performance, but to be seen attending the performance. Their wives were pleasant nonentities, chosen for their ability to adorn a dinner table and play gracious hostess—and for the ability to smile and meekly accept whatever their lord and master decreed. Outwardly respectable, the pillars of society, they stood four-square for Moral Behavior, Propriety, Virtue, and Values, and there wasn’t one of them that did not have a mistress tucked away in Mayfair, shared the attentions of a London courtesan, had at least one maidservant who did a bit more for her master than dust, or visited a discreet brothel on a regular basis. And that
was merely the tip of the proverbial iceberg.
That they were venial was not what bothered him so much; it was the hypocrisy. All men had their failings, and he was no more a bastion of personal rectitude than the next fellow, that he should go casting stones. The problem was that these men set themselves up as the models of rectitude while secretly and deliberately choosing the opposite path.
He knew these things—and other personal failings—because Lady Cordelia kept him informed of them. Not that he was supposed to do anything with the information, no, nothing like that. He was supposed to hold it close against the day when a subtle hint would convey a tacit warning that cooperation was better than opposition. And that bothered him, too. It felt somehow wrong.
It was a chess game on a grand scale, hunting for weaknesses, not exploiting them yet, but having the knowledge ready if it needed to be used. He liked chess. He wished he could take the same pleasure in this game. Certainly, the major pieces on the board were as bloodless as the white-and-black marble pieces of his favorite set.
The trouble was, it was always the pawns that were sacrificed, and the pawns were anything but bloodless. Wives, children, associates—people who would probably suffer more than the major players if everything went badly. You thought about these things, the innocent bystanders, when you were the Chief Huntsman of a Master’s Circle. You had to. In Magic, things were different; when you did something knowingly wrong, when you hurt people who did not deserve hurt, it came back on you later. The scales were evened a great deal faster for a Mage than for an ordinary man, who might wait until the day he was called before the Almighty to answer for what he had done.
He consulted his calendar to discover that this evening’s excursion would be a concert on the lawn of Lady Cordelia’s summer residence beneath the stars—taking the cue from the much-less-genteel church fêtes and outdoor entertainments of London, and making it acceptable for the set to which she and David belonged. As usual, the word “concert” was something of a misnomer. Yes, there would be music—tonight it would be a string quartet on the terrace—but the number of people actually listening to the music would be low. Most would be there to be seen—to display new frocks and jewels, to be seen speaking to the “right” people, to make one’s presence known or reinforce one’s standing in this particular group. Miss too many of these social outings without an adequate excuse and people began to talk, to question if you had been invited at all, and if not, why not—
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