by Victor Hugo
It was clear that, given his energetic and generous nature, this could only be a transitory state, and that at the first shock against the inevitable complications of destiny, Marius would arouse.
Meantime, although he was a lawyer, and whatever Grandfather Gillenormand might think, he was not pleading, he was not even pettifogging. Reverie had turned him away from the law. To consort with attorneys, to attend courts, to hunt up cases, was wearisome. Why should he do it? He saw no reason for changing his business. This cheap and obscure book-making had procured him sure work, work with little labour, which, as we have explained, was sufficient for him.
It was Marius’ delight to take long walks alone on the outer boulevards, or in the Champ de Mars, or in the less frequented walks of the Luxembourg Gardens. He sometimes spent half a day in looking at a vegetable garden, at the beds of salad, the fowls on the dung-heap and the horse turning the wheel of the pump. The passers-by looked at him with surprise, and some thought that he had a suspicious appearance and an ill-omened manner. He was only a poor young man, dreaming without an object.
It was in one of these walks that he had discovered the Gorbeau tenement, and its isolation and cheapness being an attraction to him, he had taken a room in it. He was only known in it by the name of Monsieur Marius.
All passions, except those of the heart, are dissipated by reverie. Marius’ political fevers were over. The revolution of 1830, by satisfying him, and soothing him, had aided in this. He remained the same, with the exception of his passionateness. He had still the same opinions. But they were softened. Properly speaking, he held opinions no longer; he had sympathies. Of what party was he? of the party of humanity. Out of humanity he chose France; out of the nation he chose the people; out of the people he chose woman. To her, above all, his pity went out. He now preferred an idea to a fact, a poet to a hero, and he admired a book like Job still more than an event like Marengo. And then, when, after a day of meditation, he returned at night along the boulevards, and saw through the branches of the trees the fathomless space, the nameless lights, the depths, the darkness, the mystery, all that which is only human seemed to him very pretty.
Marius thought he had, and he had perhaps in fact arrived at the truth of life and of human philosophy, and he had finally come hardly to look at anything but the sky, the only thing that truth can see from the bottom of her well.
This did not hinder him from multiplying plans, combinations, scaffoldings, projects for the future. In this condition of reverie, an eye which could have looked into Marius’ soul would have been dazzled by its purity. In fact, were it given to our eye of flesh to see into the consciences of others, we should judge a man much more surely from what he dreams than from what he thinks. There is will in the thought, there is none in the dream. The dream, which is completely spontaneous, takes and keeps, even in the gigantic and the ideal, the form of our mind. Nothing springs more directly and more sincerely from the very bottom of our souls than our unreflected and indefinite aspirations towards the splendours of destiny. In these aspirations, much more than in ideas which are combined, studied, and compared, we can find the true character of each man. Our chimeras are what most resemble ourselves. Each one dreams the unknown and the impossible according to his own nature.
Towards the middle of this year, 1831, the old woman who waited upon Marius told him that his neighbours, the wretched Jondrette family, were to be turned into the street. Marius, who passed almost all his days out of doors, hardly knew that he had any neighbours.
“Why are they turned out?” said he.
“Because they do not pay their rent; they owe for two terms.”
“How much is that?”
“Twenty francs,” said the old woman.
Marius had thirty francs in reserve in a drawer.
“Here,” said he to the old woman, “there are twenty-five francs. Pay for these poor people, give them five francs, and do not tell them that it is from me.”
BOOK SIX
THE CONJUNCTION OF TWO STARS
1
THE NICKNAME: MODE OF FORMATION OF FAMILY NAMEScu
MARIUS WAS now a fine-looking young man, of medium height, with heavy jet black hair, a high intelligent brow, large and passionate nostrils, a frank and calm expression, and a indescribable something beaming from every feature, which was at once lofty, thoughtful and innocent.
At the time of his most wretched poverty, he noticed that girls turned when he passed, and with a deathly feeling in his heart he fled or hid himself. He thought they looked at him on account of his old clothes, and that they were laughing at him; the truth is, that they looked at him because of his graceful appearance, and that they dreamed over it.
For more than a year Marius had noticed in a retired walk of the Luxembourg Gardens, the walk which borders the parapet of the Pépinière, a man and a girl quite young, nearly always sitting side by side, on the same bench, at the most retired end of the walk, near the Rue de l‘Ouest. Whenever that chance which controls the promenades of men whose eye is turned within, led Marius to this walk, and it was almost every day, he found this couple there. The man might be sixty years old; he seemed sad and serious; his whole person presented the robust but wearied appearance of a soldier retired from active service. Had he worn a decoration, Marius would have said: it is an old officer. His expression was kind, but it did not invite approach, and he never returned a look. He wore a blue coat and trousers, and a broad-brimmed hat, which always appeared to be new, a black cravat, and Quaker linen, that is to say, brilliantly white, but of coarse texture. A grisette passing near him one day, said: There is a very nice widower. His hair was perfectly white.
The first time the young girl that accompanied him sat down on the bench which they seemed to have adopted, she looked like a girl of about thirteen or fourteen, thin to the extent of being almost ugly, awkward, insignificant, yet promising, perhaps, to have rather fine eyes. But they were always looking about with a disagreeable assurance. She wore the dress at once aged and childish, peculiar to the convent school-girl, an ill-fitting garment of coarse black wool. They appeared to be father and daughter.
For two or three days Marius scrutinised this old man, who was not yet an aged man, and this little girl, not yet a woman; then he paid no more attention to them. For their part they did not even seem to see him. They talked with each other peacefully, and with indifference to all else. The girl chatted incessantly and gaily. The old man spoke little, and at times looked upon her with an unutterable expression of fatherliness.
Marius had acquired a sort of mechanical habit of strolling on this walk. He always found them there.
It was usually thus:
Marius would generally reach the walk at the end opposite their bench, stroll the whole length of it, passing before them, then return to the end by which he entered, and so on. He performed this turn five or six times in his promenade, and this promenade five or six times a week, but they and he had never come to exchange bows.
2
A LIGHT DAWNS
THE SECOND YEAR, at the precise point of this history to which the reader has arrived, it so happened that Marius broke off this habit of going to the Luxembourg Gardens, without really knowing why himself, and there were nearly six months during which he did not set foot in his walk. At last he went back there again one day; it was a serene summer morning, Marius was as happy as one always is when the weather is fine. It seemed to him as if he had in his heart all the bird songs which he heard, and all the bits of blue sky which he saw through the trees.
He went straight to “his walk,” and as soon as he reached it, he saw, still on the same bench, this well known pair. When he came near them, however, he saw that it was indeed the same man, but it seemed to him that it was no longer the same girl. The woman whom he now saw was a tall, beautiful creature, with all the most bewitching outlines of woman, at the precise moment at which they are yet combined with all the most charming graces of childhood,—that p
ure and fleeting moment which can only be translated by these two words: sweet fifteen. Beautiful chestnut hair, shaded with veins of gold, a brow which seemed chiselled marble, cheeks which seemed made of roses, a pale incarnadine, a flushed whiteness, an exquisite mouth, whence came a smile like a gleam of sunshine, and a voice like music, a head which Raphael would have given to Mary, on a neck which Jean Goujon would have given to Venus.cv And that nothing might be wanting to this ravishing form, the nose was not beautiful, it was pretty; neither straight nor curved, neither Italian nor Greek; it was the Parisian nose; that is, something sprightly, fine, irregular, and pure, the despair of painters and the charm of poets.
When Marius passed near her, he could not see her eyes, which were always cast down. He saw only her long chestnut lashes, eloquent of mystery and modesty.
But that did not prevent the beautiful girl from smiling as she listened to the white-haired man who was speaking to her, and nothing was so transporting as this maidenly smile with these downcast eyes.
At the first instant Marius thought it was another daughter of the same man, a sister doubtless of her whom he had seen before. But when the invariable habit of his stroll led him for the second time near the bench, and he had looked at her attentively, he recognised that she was the same. In six months the little girl had become a young woman; that was all. Nothing is more frequent than this phenomenon. There is a moment when girls bloom out in a twinkling and become roses all at once. Yesterday we left them children, to-day we find them dangerous.
She had not only grown; she had become idealised. As three April days are enough for certain trees to put on a covering of flowers, so six months had been enough for her to put on a mantle of beauty.
We sometimes see people, poor and stingy, who seem to awaken, pass suddenly from indigence to luxury, incur expenses of all sorts, and become all at once splendid, prodigal, and magnificent. That comes from interest received; yesterday the quarterly statement had arrived. The young girl had received her dividend.
And then she was no longer the school-girl with her plush hat, her wool dress, her shapeless shoes, and her red hands; taste had come to her with beauty. She was a woman well dressed, with a sort of simple and rich elegance without any particular style. She wore a dress of black damask, a mantle of the same, and a white crape hat. Her white gloves showed the delicacy of her hand which played with the Chinese ivory handle of her parasol, and her silk boot betrayed the smallness of her foot. When you passed near her, her whole toilet exhaled the penetrating fragrance of youth.
As to the man, he was still the same.
The second time that Marius came near her, the young girl raised her eyes; they were of a deep celestial blue, but in this veiled azure was nothing yet beyond the look of a child. She looked at Marius with indifference, as she would have looked at any little monkey playing under the sycamores, or the marble vase which cast its shadow over the bench; and Marius also continued his stroll thinking of something else.
He passed four or five times more by the bench where the young girl was, without even turning his eyes towards her.
On the following days he came as usual to the Luxembourg Gardens, as usual he found “the father and daughter” there, but he paid no attention to them. He thought no more of this girl now that she was handsome than he had thought of her when she was homely. He passed very near the bench on which she sat, because that was his habit.
3
AN EFFECT OF SPRING
ONE DAY the air was mild, the Luxembourg Gardens were flooded with sunshine and shadow, the sky was as clear as if the angels had washed it that morning, the sparrows were twittering in the depths of the chestnut trees, Marius had opened his whole soul to nature, he was thinking of nothing, he was living and breathing, he passed near this bench, the young girl raised her eyes, their glances met.
But what was there now in the glance of the young girl? Marius could not have told. There was nothing, and there was everything. It was a strange flash.
She cast down her eyes, and he continued on his way.
What he had seen was not the simple, artless eye of a child; it was a mysterious abyss, half-opened, then suddenly closed.
There is a time when every young girl looks thus. Woe to him upon whom she looks!
This first glance of a soul which does not yet know itself is like the dawn in the sky. It is the awakening of something radiant and unknown. Nothing can express the dangerous chasm of this unlooked-for gleam which suddenly suffuses adorable mysteries, and which is made up of all the innocence of the present, and of all the passion of the future. It is a kind of irresolute lovingness which is revealed by chance, and which is waiting. It is a snare which Innocence unconsciously spreads, and in which she catches hearts without intending to, and without knowing it. It is a maiden glancing like a woman.
It is rare that deep reverie is not born of this glance wherever it may fall. All that is pure, and all that is vestal, is concentrated in this celestial and mortal glance, which more than the most studied ogling of the coquette, has the magic power of suddenly forcing into bloom in the depths of a heart this flower of the shade full of perfumes and poisons, which is called love.
At night, on returning to his garret, Marius cast a look upon his dress, and for the first time perceived that he had the slovenliness, the indecency, and the unheard-of stupidity, to stroll in the Luxembourg Gardens with his “every-day” suit, a hat broken near the band, coarse teamsters’ boots, black trousers shiny at the knees, and a black coat threadbare at the elbows.
4
COMMENCEMENT OF A SERIOUS ILLNESS
THE NEXT DAY, at the usual hour, Marius took from his closet his new coat, his new trousers, his new hat, and his new boots; he dressed himself in this panoply complete, put on his gloves, prodigious prodigality, and went to the Luxembourg Gardens.
On the way, he met Courfeyrac, and pretended not to see him. Courfeyrac, on his return home, said to his friends:
“I have just met Marius’ new hat and coat, with Marius inside. Probably he was going to an examination. He looked stupid enough.”
On reaching the Luxembourg Gardens, Marius took a turn round the fountain and looked at the swans; then he remained for a long time in contemplation before a statue, the head of which was black with moss, and which was minus a hip. Near the fountain was a big-bellied bourgeois of forty, holding a little boy of five by the hand, to whom he was saying: “Beware of extremes, my son. Keep thyself equally distant from despotism and from anarchy.” Marius listened to this good bourgeois. Then he took another turn around the fountain. Finally, he went towards “his walk;” slowly, and as if with regret. One would have said that he was at once compelled to go and prevented from going. He was unconscious of all this, and thought he was doing as he did every day.
When he entered the walk he saw M. Leblanc and the young girl at the other end “on their bench.” He buttoned his coat, stretched it down that there might be no wrinkles, noticed with some complaisance the lustre of his trousers, and marched upon the bench. There was something of attack in this march, and certainly a desire of conquest. I say, then, he marched upon the bench, as I would say: Hannibal marched upon Rome.
Beyond this there was nothing which was not mechanical in all his movements, and he had in no wise interrupted the customary preoccupations of his mind and his labour. He was thinking at that moment that the Manual du Baccalauréat was a stupid book, and that it must have been compiled by rare old fools, to give an analysis, as of masterpieces of the human mind, of three tragedies of Racine and only one of Molière’s comedies. He had a sharp whistling sound in his ear. While approaching the bench, he was smoothing the wrinkles out of his coat, and his eyes were fixed on the young girl. It seemed to him as though she filled the whole extremity of the walk with a pale, bluish light.cw
As he drew nearer, his step became slower and slower. At some distance from the bench, long before he had reached the end of the walk, he stopped, and he did not know
himself how it happened, but he turned back. He did not even say to himself that he would not go to the end. It was doubtful if the young girl could see him so far off, and notice his fine appearance in his new suit. However, he held himself very straight, so that he might look well, in case anybody who was behind should happen to notice him.
He reached the opposite end and then returned, and this time he approached a little nearer to the bench. He even came to within about three trees of it, but there he felt an indescribable lack of power to go further, and he hesitated. He thought he had seen the young girl’s face bent towards him. Still he made a great and manly effort, conquered his hesitation, and continued his advance. In a few seconds, he was passing before the bench, erect and firm, blushing to his ears, without daring to cast a look to the right or the left, and with his hand in his coat like a statesman. At the moment he passed under the guns of the fortress, he felt a frightful palpitation of the heart. She wore, as on the previous day, her damask dress and her crape hat. He heard the sound of an ineffable voice, which might be “her voice.” She was talking quietly. She was very pretty. He felt it, though he made no effort to see her. “She could not, however,” thought he, “but have some esteem and consideration for me, if she knew that I was the real author of the dissertation on Marcos Obregon de la Ronda, which Monsieur François de Neufchâteau has put, as his own, at the beginning of his edition of Gil Blas!”cx
