And with this thought, the dream reshaped itself. The maps dissolved into a kind of mist; the desk before me became something else, an altar of coarse stone, and the two lamps upon it flared up to reveal a strange object now positioned between them. So many visions in the dream were piercingly clear, but this dark object was not. My impression was that it was conglomerate in form, suggesting a monstrous whole. At the same time these outlines which alluded to both man and beast, flower and insect, reptiles, stones, and countless things I could not even name, all seemed to be changing, mingling in a thousand ways that prevented any sensible image of the idol.
With the upsurge in illumination offered by the lamps, I could see that the room was truly of unusual dimensions. The four enormous walls slanted toward one another and joined at a point high above the floor, giving the space around me the shape of a perfect pyramid. But I now saw things from an oddly remote perspective: the altar with its idol stood in the middle of the room and I was some distance away, or perhaps not even in the scene. Then, from a dark corner or secret door, there emerged a file of figures walking slowly toward the altar and finally congregating in a half-circle before it. I could see that they were all quite skeletal in shape, for each of them was identically dressed in a black material which clung tightly to their bodies and made them look like skinny shadows. They seemed to be actually bound in blackness from head to foot, with only their faces exposed. But they were not, in fact, faces—they were pale, expressionless, and identical masks. The masks were without openings and bestowed upon their wearers a terrible anonymity, an ancient anonymity. Behind these smooth and barely contoured faces were spirits beyond all hope or consolation except in the evil to which they would willingly abandon themselves. Yet this abandonment was a highly selective process, a ceremony of the chosen.
One of the white-faced shadows stepped forward from the group, seemingly drawn forth into the proximity of the idol. The figure stood motionless, while from within its dark body something began to drift out like luminous smoke. It floated, swirling gently, toward the idol and there was absorbed. And I knew—for was this not my own dream?—that the idol and its sacrifice were becoming one within each other. This spectacle continued until nothing of the glowing, ectoplasmic haze remained to be extracted, and the figure—now shrunken to the size of a marionette—collapsed. But soon it was being lifted, rather tenderly, by another from the group who placed the dwarfish form upon the altar and, taking up a knife, carved deep into the body, making no sound. Then something oozed upon the altar, something thick and oily and strangely colored, darkly colored though not with any of the shades of blood. Although the strangeness of this color was more an idea than a matter of vision, it began to fill the dream and to determine the final stage of its development.
Quite abruptly, that closed, cavernous room dissolved into a stretch of land that was cluttered with a bric-a-brac topography whose crazed shapes were of that single and sinister color, as if everything were covered with an ancient, darkened mold. It was a landscape that might once have been of stone and earth and trees (such was my impression) but had been transformed entirely into something like petrified lichen. Spreading before me, twisting in the way of wrought iron tracery or great overgrown gardens of writhing coral, was an intricate latticework whose surface was overrun with a chaos of little carvings, scabby designs that suggested a world of demonic faces and forms. And their complexion was so much like all else I have described that I felt there was nowhere I could turn, not even to my own flesh, to escape its aspect. It was then I sensed that peculiar panic welling up within me that often precedes one’s emergence from a nightmare. Yet before I broke free of my dream, I beheld one further occurrence of the ubiquitous color of that island. As if to heighten the horror of my oneiric visions, it was also the color of the inkish waters washing upon the island’s shores and trending into the far distance.
As I wrote a few pages ago, I have been awake for some hours now. What I did not mention was the state in which I found myself after waking. Throughout the dream, and particularly in those last moments when I positively identified that foul place, there was an unseen presence, something I could feel was circulating within all things and unifying them in an infinitely extensive body of evil. I suppose it is nothing unusual that I continued to be under this visionary spell even after I left my bed. I tried to invoke the gods of the ordinary world—calling them with the whistle of a coffee pot and praying before their icon of the electric light—but they were too weak to deliver me from that other whose name I can no longer bring myself to write. It seemed to be in possession of my house, of every common object inside and the whole of the dark world outside. Yes—lurking among the watchful winds of this and the several worlds. Everything seemed to be a manifestation of this evil and to my eyes was taking on its aspect. I could feel it also emerging in myself, growing stronger behind this living face that I am afraid to confront in the mirror.
Nevertheless, these dream-induced illusions now seem to be abating, perhaps driven off by my writing about them. Like someone who has had too much to drink the night before and swears off liquor for life, I have forsworn any further indulgence in weird reading matter. No doubt this is only a temporary vow, and soon enough my old habits will return. But certainly not before morning!
The Puppets in the Park
Some days later, and quite late at night.
Well, it seems this letter has mutated into a chronicle of my adventures Nethescurialian. See, I can now write that unique nomen with ease; furthermore, I feel almost no apprehension in stepping up to my mirror. Soon I may even be able to sleep in the way I once did, without visionary intrusions of any kind. No denying that my experiences of late have tipped the scales of the strange. I found myself just walking restlessly about—impossible to work, you know—and always carrying with me this heavy dread in my solar plexus, as if I had feasted at a banquet of fear and the meal would not digest. Most strange, since I have been loath to take nourishment during this time. How could I ingest even the least morsel when everything looked the way it did? Hard enough to touch a doorknob or a pair of shoes, even with the protection of gloves. I could feel every damn thing squirming, not excluding my own flesh. And I could also see what was squirming beneath every surface, my vision penetrating through the usual armor of objects and discerning the same gushing stuff inside whatever I looked upon. It was that dark color from the dream, I could identify it clearly now. Dark and greenish. How could I possibly feed myself? How could I even bring myself to settle very long in one spot? So I kept on the move. And I tried not to look too closely at how everything, everything was crawling within itself and making all kinds of shapes inside there, making all kinds of faces at me. (Yet it was really all the same face, everything gorged with that same creeping stuff.) There were also sounds that I heard, voices speaking vague words, voices that came not from the mouths of the people I passed on the street but from the very bottom of their brains, garbled whisperings at first and then so clear, so eloquent.
This rising wave of chaos reached its culmination tonight and then came crashing down. But my timely maneuvering, I trust, has put everything right again.
Here, now, are the terminal events of this nightmare as they occurred. (And how I wish I were not speaking figuratively, that I was in fact only in the world of dreams or back in the pages of books and old manuscripts.) This conclusion had its beginning in the park, a place that is actually some distance from my home, so far had I wandered. It was already late at night, but I was still walking about, treading the narrow asphalt path that winds through that island of grass and trees in the middle of the city. (And somehow it seemed I had already walked in this same place on this same night, that this had all happened to me before.) The path was lit by globes of light balanced upon slim metal poles; another glowing orb was set in the great blackness above. Off the path the grass was darkened by shadows, and the trees swishing overhead were the same color of muddied green.
After w
alking some indefinite time along some indefinite route, I came upon a clearing where an audience had assembled for a late-night entertainment. Strings of colored lights had been hung around the perimeter of this area and rows of benches had been set up. The people seated on these benches were all watching a tall, illuminated booth. It was the kind of booth used for puppet shows, with wild designs painted across the lower part and a curtained opening at the top. The curtains were now drawn back and two clownish creatures were twisting about in a glary light which emanated from inside the booth. They leaned and squawked and awkwardly batted each other with soft paddles they were hugging in their little arms. Suddenly they froze at the height of their battle; slowly they turned about and faced the audience. It seemed the puppets were looking directly at the place I was standing behind the last row of benches. Their misshapen heads tilted, and their glassy eyes stared straight into mine.
Then I noticed that the others were doing the same: all of them had turned around on the benches and, with expressionless faces and dead puppet eyes, held me to the spot. Although their mouths didn’t move, they were not silent. But the voices I heard were far more numerous than was the gathering before me. These were the voices I had been hearing as they chanted confused words in the depths of everyone’s thoughts, fathoms below the level of their awareness. The words still sounded hushed and slow, monotonous phrases mingling like the sequences of a fugue. But now I could understand these words, even as more voices picked up the chant at different points and overlapped one another, saying, “Amid the rooms of our houses—across moonlit skies—throughout all souls and spirits—behind the faces of the living and the dead.”
I find it impossible to say how long it was before I was able to move, before I backed up toward the path, all those multitudinous voices chanting everywhere around me and all those many-colored lights bobbing in the wind-blown trees. Yet it now seemed to be only a single voice I heard, and a single color I saw, as I found my way home, stumbling through the greenish darkness of the night.
I knew what needed to be done. Gathering up some old boards from my basement, I piled them into the fireplace and opened the flue. As soon as they were burning brightly, I added one more thing to the fire: a manuscript whose ink was of a certain color. Blessed with a saving vision, I could now see whose signature was on that manuscript, whose hand had really written those pages and had been hiding in them for a hundred years. The author of that narrative had broken up the idol and drowned it in deep waters, but the stain of its ancient patina had stayed upon him. It had invaded the author’s crabbed script of blackish green and survived there, waiting to crawl into another lost soul who failed to see what dark places he was wandering into. How I knew this to be true! And has this not been proved by the color of the smoke that rose from the burning manuscript, and keeps rising from it?
I am writing these words as I sit before the fireplace. The flames have gone out but still the smoke from the charred paper hovers within the hearth, refusing to ascend the chimney and disperse itself into the night. Perhaps the chimney has become blocked. Yes, this must be the case, this must be true. Those other things are lies, illusions. That mold-colored smoke has not taken on the shape of the idol, the shape that cannot be seen steadily and whole but keeps turning out so many arms and heads, so many eyes, then pulls them back in and brings them out again in other configurations. That shape is not drawing something out of me and putting something else in its place, something that seems to be bleeding into the words as I write. And my pen is not growing bigger in my hand, nor is my hand growing smaller, smaller…
See, there is no shape in the fireplace. The smoke is gone, gone up the chimney and out into the sky. And there is nothing in the sky, nothing I can see through the window. There is the moon, of course, high and round. But no shadow falls across the moon, no churning chaos of smoke that chokes the frail order of the earth. It is not a squirming, creeping, smearing shape I see upon the moon, not the shape of a great deformed crab scuttling out of the black oceans of infinity and invading the island of the moon, crawling with its innumerable bodies upon all the spinning islands of space. That shape is not the cancerous totality of all creatures, not the oozing ichor that flows within all things. Nethescurial is not the secret name of the creation. It is not amid the rooms of our houses and beyond their walls—beneath dark waters and across moonlit skies—below earth mound and above mountain peak—in northern leaf and southern flower—inside each star and the voids between them—within blood and bone—throughout all souls and spirits—upon the watchful winds of this and the several worlds—behind the faces of the living and the dead.
I am not dying in a nightmare.
* * *
* except for the concluding lines, which reveal the somewhat extravagant, but not entirely uninteresting, conclusion of the narrator himself. [back]
The Voice
of the
DEMON
The Dreaming in Nortown
There are those who require witnesses to their doom. Not content with a solitary perdition, they seek an audience worthy of the spectacle—a mind to remember the stages of their downfall or perhaps only a mirror to multiply their abject glory. Of course, other motives may figure in this scheme, ones far too tenuous and strange for mortal reminiscence. Yet there exists a memoir of dreams in which I may recollect an erstwhile acquaintance whose name I shall give as Jack Quinn. For it was he who sensed my peculiar powers of sympathy and, employing a rather contrary stratagem, engaged them. This all began, according to my perspective, late one night in the decaying and spacious apartment which Quinn and I shared and which was located in that city—or, more precisely, in a certain region within it—where we attended the same university.
I was asleep. In the darkness a voice was calling me away from my ill-mapped world of dreams. Then something heavy weighed down the edge of the mattress and a slightly infernal aroma filled the room, an acrid combination of tobacco and autumn nights. A small red glow wandered in an arc toward the apex of the seated figure and there glowed even brighter, faintly lighting the lower part of a face. Quinn was smiling, the cigar in his mouth smoking in the darkness. He remained silent for a moment and crossed his legs beneath his long threadbare overcoat, an ancient thing that was wrapped loosely around him like a skin about to be sloughed. So many pungent Octobers were collected in that coat. It is the events of this month that I am remembering.
I assumed he was drunk, or perhaps still in the remote heights or depths of the artificial paradise he had been exploring that night. When Quinn finally spoke, it was definitely with the stumbling words of a returning explorer, a stuporous and vaguely awed voice. But he seemed more than simply drug-entranced.
He had attended a meeting, he said, speaking the word in an odd way which seemed to expand its significance. Of course there were others at this gathering, people who to me remained simply “those others.” It was a kind of philosophical society, he told me. The group sounded colorful enough: midnight assemblies, the probable use of drugs, and participants in the grip of strange mystical ecstasies.
I got out of bed and switched on the light. Quinn was a chaotic sight, his clothes more crumpled than usual, his face flushed, and his long red hair intricately tangled.
“And exactly where did you go tonight?” I asked with the measure of true curiosity he seemed to be seeking. I had the distinct idea that Quinn’s activities of that evening had occurred in the vicinity of Nortown (another pseudonym, of course, as are all the names in this narrative), where the apartment we shared was located. I asked him if they had.
“And perhaps in other places,” he answered, laughing a little to himself as he meditated upon the gray end of his cigar. “But you might not understand. Excuse me, I have to go to bed.”
“As you wish,” I replied, leaving aside all complaints about this nocturnal intrusion. He puffed on his cigar and went to his room, closing the door behind him.
This, then, was the beginning of Quinn’s ultim
ate phase of esoteric development. And until the final night, I actually saw very little of him during that most decisive episode of his life. We were pursuing different courses of study in our graduate school days—I in anthropology and he in … it troubles me to say I was never entirely sure of his academic program. In any case, our respective timetables seldom intersected. Nonetheless, Quinn’s daily movements, at least the few I was aware of, did invite curiosity. There was a general tenor of chaos that I perceived in his behavior, a quality which may or may not make for good company but which always offers promise of the extraordinary.
Grimscribe: His Lives and Works Page 9
