“I don’t need her.”
She turned away from him to say that she didn’t need him, either. But when he took hold of her arm and guided her body up to a standing position, she allowed it. He carried her duffel to the back room and opened the door for her. Every stick of cherrywood and oaken furniture and even the patchwork quilt and the heavy velvet drapes could be dated to the early 1800s. The bedding of the antique four-poster was turned down, awaiting this child of the late twentieth century.
She looked so tired and worn. Without her energy and easy confidence, she seemed to have lost some of her size, and he worried over this.
Well, perhaps with rest, she would grow.
On the Upper East Side, a priest was turning in his bed, periodically rising to lean on one elbow and stare at the phone by his bed, wondering where she was and how she was. Finally, he tired of willing the telephone to ring, and Father Brenner burrowed deep into his blankets. Then came the misstep at the border of sleep, the foot kicking out into air, prelude to the long dark free fall into dreams.
In the first gray light of an indecent hour, the telephone did ring, awakening him. He knew it was her. It had to be. No one else would do this to an elderly priest. His first feeling was relief, and then he prepared himself to be disgruntled and short with her. Eyes stuck fast with sleep glue, he reached out one blind hand to grasp the receiver and hold it to his pillowed head.
“All right, what is it now?”
The only response was a stutter of breath brushing up against his ear, soft as moth wings. In the strange twilight state between waking and sleeping, only half shaken from dreams, he truly believed he detected the sound of rolling tears.
Now a small voice whispered that ancient complaint of the lost child, “I want to go home.”
CHAPTER 7
IT WAS HENRIETTA RAMSHARAN’S DAY OFF FROM THE psychiatric clinic. Today the doctor wore a pink sweat-shirt, faded jeans and bare feet. Waves of dark hair, salted with white strands, hung down her back as she sat across the kitchen table from her landlord and friend. Charles Butler was not wearing a tie with his suit this morning, and she recognized this as his idea of casual dress.
Henrietta poured herself another cup of coffee and wondered why she had ever bothered to decorate her living room. All the important conversations of life took place in kitchens. “You should have called me right away.”
“Mallory told me she didn’t want a doctor—she didn’t want anybody. And it was very late.” Charles had the sad, distracted look of loss, as though his own house had burned and not Mallory’s.
“Charles, we’re friends, aren’t we? The next time you have a problem, call me. And I don’t care how late it is. Where is Mallory now?”
“I made her coffee this morning. She’s gone now,” he said, as though Mallory had been vaporized. “She acted as if nothing out of the ordinary had happened. But I know how important that house was to her, especially after her father died. How much can she internalize before she breaks apart? She’s taken entirely too many blows to the heart.”
Henrietta wondered if it might not be Charles who had been taking all the blows lately. Mallory would probably be just fine. Charles sometimes forgot that Mallory didn’t have a heart, and perhaps it was that which made her more resilient than the rest of them.
“Henrietta, do you think she might become more reckless now, take more chances? She really should be relieved of duty for a while.”
“Charles, I wouldn’t even suggest it to her. She’d only take it as a criticism, and you know she never takes that well.”
Henrietta leaned back in her chair and regarded his gentle face. He stared down at his plate of untouched scrambled eggs while his coffee cooled in the cup. Charles was a classic study in misery, a man in love. She had seen his counterpart in her own reflection.
“More coffee, Charles? No?” Oh, and did I ever mention that I love you?
Because he had been so straightforward, so forthcoming, she had learned a great deal about this man in the first moments of meeting him a little more than a year ago. He had left the safe, elegant aerie of an uptown high-rise to live among buildings more to human scale in SoHo. He was a warm man who genuinely liked people.
“Here,” she said, pulling a slice of bread from the toaster on the table between them. “You have to eat something.” And I’ll love you till I die.
When she had met Mallory for the first time, Henrietta understood him better. Charles loved Mallory, and Mallory loved no one. Henrietta held out no hope for any of them.
Oh, Christ! It’s in bed with me!
Andrew Bliss sat bolt upright, eyes wide and frightened. As he fought with his quilts, his panicked heart pounded on the inside wall of his chest. The brown rat slithered out from under the bedding and scurried across the roof.
Andrew fell back on his pillow, exhausted and sweating, until his breathing was normal again. His hand fluttered over his head to chase the bugs out of his hair.
Perhaps the rat had taken him for dead, and thus, fair leavings. Well, was he not? He hadn’t bathed or brushed his teeth in nearly a week. Would road kill smell as sweet?
Oh, sweeter, surely.
And while he was in the revulsion mode, he had one particularly vile act to perform, and he might as well get it over with. He walked to the most distant corner of the roof, squatted down and dumped his bowels with the shame of a fanatically housebroken dog, unable to hold back anymore. This shame was the cost of the loaves of bread which dropped from the sky.
And now, of all the hours of the day, now the damn traffic-watch helicopter flew overhead. As it hovered above the roof, the wind of the whirling blades sent every loose thing flying, and stirred up funnel clouds of dust. The distressed canopy of Armani raincoats swung back and forth on its armature of ropes and wildly waved its sleeves.
Andrew pulled his robe closed and stood up as the woman in the helicopter addressed him from a bullhorn.
“How are you this morning, Mr. Bliss?”
Andrew was moving slowly as he crossed the roof against the stiff wind of the helicopter blades. He picked up his own bullhorn and turned it skyward. The woman had put away her loudspeaker to shoot him with a video camera, to take his portrait with matted hair and a scraggle of beard. He made the appropriate obscene hand gesture, and then released a golden arch of piss.
She lowered the camera.
“That blue jumpsuit is more pathetic than the last one, my love!” yelled Andrew, sinking down to a tired cross-legged sit. “Were you raised in a discount store? Do you want God to strike your helicopter down? Get a long-line girdle from Intimate Apparel on the fourth floor! And now, would you like to discuss that brassy, bimbo-blond hair while there’s still time to repent?”
Apparently not, for the helicopter was veering off. The bullhorn fell from his hand and rolled off to one side as his head sank to his chest. His chin lifted slightly as he tracked a quirky movement across the roof out of the corner of one eye.
The rat was back.
The animal was getting bolder, coming out in the broad daylight. It trotted up to his splayed hand and sniffed it, checking the fingertips for signs of life. Andrew snatched his hand back to his chest, but the rat didn’t run away. It only sat there, watching him. The creature seemed to grow in size as it walked around his knees and stood in front of him, slowly lowering itself on its haunches.
Perhaps this was the devil come to sit with him awhile. If the being who left his bread and flew from the roof was his Sunday school angel, replete with moon-gold hair, then there must be a devil, too. And didn’t the devil also have a long switching tail?
Oh, where was his guardian angel now? He looked up to the heavens, and the sun seared his eyes, but he felt no pain anymore.
Where was the angel?
Mallory stood just outside the ring of television cameras, boom mikes and round, bright lights on stalks of steel. A technician was attached to each piece of equipment. Other workers milled around inside thi
s loop of machinery, while the pedestrian watchers stood behind the ropes which cordoned off the East Village gallery. Oren Watt’s head made furtive, jerky turns as he looked Mallory’s way from time to time, perhaps not believing she was still there, still doing this to him.
The man acting the role of Oren Watt wore clothes soaked in Technicolor blood. On cue from the director, the actor burst out the door of the old East Village gallery and ran down the street.
“You’re a lousy technical advisor, Oren.” Her voice was just behind him. Only a second ago, she had been at the edge of the crowd. “Everybody knows a junkie can’t run that fast. And you only had blood on your shoes when you left the gallery—that’s another mistake. How did you get rid of the rest of the blood, Oren?”
Watt was rigid now, never acknowledging her, but reflecting every verbal blow in some stiff movement of the head or shoulder. She looked down to his hands in spasms of clenching and unclenching.
She turned away from him to scan the crowd of pedestrians behind the ropes, wondering who else might have been attracted to the reenactment of New York’s most famous crime. Her eyes fixed on an old woman in layers of shabby clothes. The woman cradled a tea tin in her arms, rocking it like a baby. Now the gray head bowed down to speak to the tin as she tied it to the top of her wire cart with a bungee cord.
Very crazy, very old.
Or maybe this woman was not so ancient as she seemed. Life on the streets of New York was a rapid aging process. The average homeless person could expect to die in twelve years.
Mallory stripped the woman with her eyes, taking years off the bent body, looking beyond the matted strands of gray hair to see what lay beneath the deep-etched lines of the face. The gray head turned toward her, and Mallory was staring into familiar eyes, large and expressive.
Sabra?
The woman dragged her cart backward into the crowd. A path was made for her by those who dreaded head lice and the stench of the homeless. Mallory moved forward, crossing the space between the television crew and their audience. Her long legs easily swung over the restraining rope, and she was pushing her way through the crush of people.
A man grabbed her by the arm. “Who do you think you’re shoving, sister?”
She stopped to open her blazer and retrieve her shield and ID. The man let go of her arm. It was the exposed gun that spoke to him, not the badge. It was a very large gun.
Mallory pressed on and broke through to the other side of the crowd. Sabra was turning a corner at the end of the block and disappearing down a side street. Mallory followed from a distance as they moved south across Houston.
On Essex Street, Sabra settled her cart by the wall of a boarded-up building. Mallory watched as the woman pulled wood slats from a basement-level window. With no hesitation, Sabra lowered her cart through an exposed black hole and followed after it with the ease and confidence of long practice.
So this was home. Well, good.
It was best to meet on Sabra’s own turf. From what she’d been told of this woman, intimidation would not work. They had to talk on Sabra’s terms, or she would get nothing.
Sabra’s hands reappeared at the hole between the boards. She reached out to retrieve the slats she had removed, and now she was pulling them into place, fitting them back into the nail holes.
Mallory gave her a four-minute lead. Then she knelt on the ground and gently, soundlessly pried one board away from the basement window. She looked in on a shallow, dark space, accented by one blurred rectangle of bad light streaming in from the street. She pulled away the rest of the boards and eased herself through the opening.
Her running shoes touched down on a surface too high to be the basement floor. Her eye adapted, but there was little to see. She was standing on a large wooden shipping crate. Directly before her was a plywood wall. On her right was a crude staircase made of smaller crates in staggered sizes. It led down to the basement level and turned a corner into perfect blackness.
Mallory reached outside the window and pulled the boards back in place, fitting the wood to the window frame in the manner of politely closing a door behind her. When the last pinhole of light was gone, the space had become so dark, her eyes had lost their purpose—she was blind.
Welcome home, said the darkness as it closed in all around her in the suffocating embrace of old acquaintance, and where have you been all these years, Kathy Mallory?
One hand drifted to the gun in her holster, to the touch of something real and solid. As her hand dropped away, her mind was in free fall again, no up nor down, no compass point. She made her way down the short flight of crates which passed for stairs. Her fingers grazed the wall and trailed along its rough surface. When the wall ended, the floor became even and cement solid. She entered a space which might have been a closet or a football stadium. Picking her steps with great care, she walked forward with the sense of something looming in front of her. Her hand reached out and connected with a solid wall. Her fingertips walked along the wall, guiding her until she touched on a cluster of living, squirming things, and now one of them was crawling up her hand. She flicked her wrist and shook it off.
The nest of roaches was not the worst thing she had ever touched in the dark. Once, on a moonless night by the river, under the piers, a ten-year-old Kathy Mallory had encountered a soft obstacle in her path. Night blind and curious, she had made out the shape of the thing on the ground by running her hands over the long hair and the cold dead face of another child. Stunned by this discovery, she had sat down beside the girl’s body and not moved for hours. But before the dawn could shape the corpse and prove its reality to the child’s eyes, young Kathy had crept away in the dark to tell herself lies: that it had not happened; it was in the dark, and so it did not count, this evidence of a child’s mortality; that it could never be herself laid out like that, killed and thrown away.
She would survive. She would.
And then Markowitz had found her, and she had gone to live with him and Helen in the old house in Brooklyn. From then on, it had been a life lived largely in the light.
Stone blind now, guided only by the flat wall under her fingertips, she crept forward into black space, along a floor which might, at any footstep, turn into a great yawning hole. Her other senses were adapting to the loss of her eyes. The smell of roaches and dust mingled with urine and rotted food. She knew the crumbling sounds inside the walls were made by tiny feet, and something rat-size was slithering across the floor. Now there were high-pitched sounds, whistles and squeals—the conversations of vermin.
And what of Sabra?
Mallory could not put one sound to a human being. Had the woman found her way out of the cellar? Mallory stood dead still in the pure blackness until she lost the sense of her own body. She reached out with her hands and encountered another wall. On again, moving slowly, listening to the rats’ feet and the sound of water dripping from a leaking pipe. Her fingers found a wet stream with the rank smell of rusted plumbing.
The wall turned a corner, and the next panel was made of something less substantial, she guessed plywood. Reaching out with the other hand, she discovered another partition of the same flimsy material. She was in a narrow passage. Exploring hands found the seam of a door, and farther down, the knob. She pressed her ear to the wood and knew there was nothing living on the other side of it, nothing larger than the cockroaches. The musty odor of their pollution was everywhere. She found another door on the other side of the small passage. No one home there, either.
She stopped to listen for the larger creature, as if believing she could detect the heartbeat of a human apart from the collective life signs of rats and insects.
But the woman was here. Mallory could feel the presence, the tension of one who waited and listened. It was guarded intuition, the awareness of a nearby animal set to spring. Mallory wandered farther down the passage, passing other doors. She guessed this basement had once been rented out for storage rooms. A good guess. She turned another corner and found her
self in an identical row of facing doors.
“Tell me what you want with me,” commanded a woman’s voice, floating free in the black space.
There was no way to orient the sound except by the distance, which was neither near nor far. Mallory revolved slowly in the dark.
“Tell me what you want,” said the voice.
This time, the voice came from behind her. She turned around. “My name is Mallory.”
“I know who you are, Detective. I asked you what you wanted.”
The position had changed.
“I only want to talk to you,” said Mallory. And I wonder, do you read the papers, Sabra? Or did someone tell you my name and rank?
She had a vague direction now, and she moved toward it. A rat ran over her foot and squealed in terror as she kicked it.
“Stay where you are, Mallory. Don’t come any closer. I wouldn’t like that. You may be younger, but I know the terrain and you don’t.”
“All right, Sabra, we’ll do it your way,” she called into the void, moving forward with softer footfalls than any of the other creatures in the basement.
“You have no children, do you, Detective Mallory?”
“No, Sabra. No children, no family.”
“You can’t know what it’s like to have your child slaughtered.”
“I’ve seen the crime-scene photographs.” And what had Sabra seen? The real thing?
“Photographs won’t show you the half of it, not the pain she was in, not any of the terror. Is there anything in your experience that can tell you what that was like?”
You and the priest and the rabbi. You all want a piece of me. All right, I’ll play.
“I saw my mother slaughtered before I was seven years old. I know exactly what it’s like.”
She stopped moving in the silence and waited for the voice to begin again, to give her bearings and direction.
“I’m sorry. So sorry.” The voice softened now, a mother’s voice. “It’s incomprehensible, isn’t it? You can’t quite believe that you’ll never see the one you love again. How could it be possible that this person could just cease to be? Detective Mallory, how did you feel when you finally understood that you would never kiss your mother again?”
Killing Critics Page 26
