by Sax Rohmer
This, Denise Ryland fully realized, but critics had grown so used to treating the work of Olaf van Noord as a joke, that "Our Lady of the Poppies" in all probability would never be judged seriously.
"What does it mean, Mr. van Noord?" asked Helen Cumberly, leaving the group of worshipers standing hushed in rapture before the canvas and approaching the painter. "Is there some occult significance in the title?"
"It is a priestess," replied the artist, in his dreamy fashion… .
"A priestess?"
"A priestess of the temple."…
Helen Cumberly glanced again at the astonishing picture.
"Do you mean," she began, "that there is a living original?"
Olaf van Noord bowed absently, and left her side to greet one who at that moment entered the studio. Something magnetic in the personality of the newcomer drew all eyes from the canvas to the figure on the threshold. The artist was removing garish tiger skin furs from the shoulders of the girl—for the new arrival was a girl, a Eurasian girl.
She wore a tiger skin motor-coat, and a little, close-fitting, turban-like cap of the same. The coat removed, she stood revealed in a clinging gown of silk; and her feet were shod in little amber colored slippers with green buckles. The bodice of her dress opened in a surprising V, displaying the satin texture of her neck and shoulders, and enhancing the barbaric character of her appearance. Her jet black hair was confined by no band or comb, but protruded Bishareen-like around the shapely head. Without doubt, this was the Lady of the Poppies—the original of the picture.
"Dear friends," said Olaf van Noord, taking the girl's hand, and walking into the studio, "permit me to present my model!"
Following, came a slightly built man who carried himself with a stoop; an olive faced man, who squinted frightfully, and who dressed immaculately.
"What a most… EXTRAORDINARY-looking creature!" whispered Denise Ryland to Helen. "She has undoubted attractions of… a hellish sort… if I may use… the term."
"She is the strangest looking girl I have ever seen in my life," replied Helen, who found herself unable to turn her eyes away from Olaf van Noord's model. "Surely she is not a professional model!"
The chatty reporter (his name was Crockett) confided to Helen Cumberly:
"She is not exactly a professional model, I think, Miss Cumberly, but she is one of the van Noord set, and is often to be seen in the more exclusive restaurants, and sometimes in the Cafe Royal."
"She is possibly a member of the theatrical profession?"
"I think not. She is the only really strange figure (if we exclude Olaf) in this group of poseurs. She is half Burmese, I believe, and a native of Moulmein."
"Most EXTRAORDINARY creature!" muttered Denise Ryland, focussing upon the Eurasian her gold rimmed glasses—"MOST extraordinary." She glanced around at the company in general. "I really begin to feel… more and more as though I were… in a private lunatic… asylum. That picture… beyond doubt is the work … of a madman… a perfect… madman!"
"I, also, begin to be conscious of an uncomfortable sensation," said Helen, glancing about her almost apprehensively. "Am I dreaming, or did SOME ONE ELSE enter the studio, immediately behind that girl?"
"A squinting man… yes!"
"But a THIRD person?"
"No, my dear… look for yourself. As you say… you are … dreaming. It's not to be wondered… at!"
Helen laughed, but very uneasily. Evidently it had been an illusion, but an unpleasant illusion; for she should have been prepared to swear that not two, but THREE people had entered! Moreover, although she was unable to detect the presence of any third stranger in the studio, the persuasion that this third person actually was present remained with her, unaccountably, and uncannily.
The lady of the tiger skins was surrounded by an admiring group of unusuals, and Helen, who had turned again to the big canvas, suddenly became aware that the little cross-eyed man was bowing and beaming radiantly before her.
"May I be allowed," said Olaf van Noord who stood beside him, "to present my friend Mr. Gianapolis, my dear Miss Cumberly?"…
Helen Cumberly found herself compelled to acknowledge the introduction, although she formed an immediate, instinctive distaste for Mr. Gianapolis. But he made such obvious attempts to please, and was so really entertaining a talker, that she unbent towards him a little. His admiration, too, was unconcealed; and no pretty woman, however great her common sense, is entirely admiration-proof.
"Do you not think 'Our Lady of the Poppies' remarkable?" said Gianapolis, pleasantly.
"I think," replied Denise Ryland,—to whom, also, the Greek had been presented by Olaf van Noord, "that it indicates… a disordered… imagination on the part of… its creator."
"It is a technical masterpiece," replied the Greek, smiling, "but hardly a work of imagination; for you have seen the original of the principal figure, and"—he turned to Helen Cumberly—"one need not go very far East for such an interior as that depicted."
"What!" Helen knitted her brows, prettily—"you do not suggest that such an apartment actually exists either East or West?"
Gianapolis beamed radiantly.
"You would, perhaps, like to see such an apartment?" he suggested.
"I should, certainly," replied Helen Cumberly. "Not even in a stage setting have I seen anything like it."
"You have never been to the East?"
"Never, unfortunately. I have desired to go for years, and hope to go some day."
"In Smyrna you may see such rooms; possibly in Port Said—certainly in Cairo. In Constantinople—yes! But perhaps in Paris; and—who knows?—Sir Richard Burton explored Mecca, but who has explored London?"
Helen Cumberly watched him curiously.
"You excite my curiosity," she said. "Don't you think"—turning to Denise Ryland—"he is most tantalizing?"
Denise Ryland distended her nostrils scornfully.
"He is telling… fairy tales," she declared. "He thinks… we are… silly!"
"On the contrary," declared Gianapolis; "I flatter myself that I am too good a judge of character to make that mistake."
Helen Cumberly absorbed his entire attention; in everything he sought to claim her interest; and when, ere taking their departure, the girl and her friend walked around the studio to view the other pictures, Gianapolis was the attendant cavalier, and so well as one might judge, in his case, his glance rarely strayed from the piquant beauty of Helen.
When they departed, it was Gianapolis, and not Olaf van Noord, who escorted them to the door and downstairs to the street. The red lips of the Eurasian smiled upon her circle of adulators, but her eyes—her unfathomable eyes—followed every movement of the Greek.
Chapter 27 GROVE OF A MILLION APES
Four men sauntered up the grand staircase and entered the huge smoking-room of the Radical Club as Big Ben was chiming the hour of eleven o'clock. Any curious observer who had cared to consult the visitor's book in the hall, wherein the two lines last written were not yet dry, would have found the following entries:
VISITOR, RESIDENCE, INTROD'ING MEMBER
Dr. Bruce Cumberly, London, John Exel
M. Gaston, Paris, Brian Malpas
The smoking-room was fairly full, but a corner near the big open grate had just been vacated, and here, about a round table, the four disposed themselves. Our French acquaintance being in evening dress had perforce confined himself in his sartorial eccentricities to a flowing silk knot in place of the more conventional, neat bow. He was already upon delightfully friendly terms with the frigid Exel and the aristocratic Sir Brian Malpas. Few natures were proof against the geniality of the brilliant Frenchman.
Conversation drifted, derelict, from one topic to another, now seized by this current of thought, now by that; and M. Gaston Max made no perceptible attempt to steer it in any given direction. But presently:
"I was reading a very entertaining article," said Exel, turning his monocle upon the physician, "in the Planet to-day, from the
pen of Miss Cumberly; Ah! dealing with Olaf van Noord."
Sir Brian Malpas suddenly became keenly interested.
"You mean in reference to his new picture, 'Our Lady of the Poppies'?" he said.
"Yes," replied Exel, "but I was unaware that you knew van Noord?"
"I do not know him," said Sir Brian, "I should very much like to meet him. But directly the picture is on view to the public I shall certainly subscribe my half-crown."
"My own idea," drawled Exel, "was that Miss Cumberly's article probably was more interesting than the picture or the painter. Her description of the canvas was certainly most vivid; and I, myself, for a moment, experienced an inclination to see the thing. I feel sure, however, that I should be disappointed."
"I think you are wrong," interposed Cumberly. "Helen is enthusiastic about the picture, and even Miss Ryland, whom you have met and who is a somewhat severe critic, admits that it is out of the ordinary."
Max, who covertly had been watching the face of Sir Brian Malpas, said at this point:
"I would not miss it for anything, after reading Miss Cumberly's account of it. When are you thinking of going to see it, Sir Brian? I might arrange to join you."
"Directly the exhibition is opened," replied the baronet, lapsing again into his dreamy manner. "Ring me up when you are going, and I will join you."
"But you might be otherwise engaged?"
"I never permit business," said Sir Brian, "to interfere with pleasure."
The words sounded absurd, but, singularly, the statement was true. Sir Brian had won his political position by sheer brilliancy. He was utterly unreliable and totally indifferent to that code of social obligations which ordinarily binds his class. He held his place by force of intellect, and it was said of him that had he possessed the faintest conception of his duties toward his fellow men, nothing could have prevented him from becoming Prime Minister. He was a puzzle to all who knew him. Following a most brilliant speech in the House, which would win admiration and applause from end to end of the Empire, he would, perhaps on the following day, exhibit something very like stupidity in debate. He would rise to address the House and take his seat again without having uttered a word. He was eccentric, said his admirers, but there were others who looked deeper for an explanation, yet failed to find one, and were thrown back upon theories.
M. Max, by strategy, masterful because it was simple, so arranged matters that at about twelve o'clock he found himself strolling with Sir Brian Malpas toward the latter's chambers in Piccadilly.
A man who wore a raincoat with the collar turned up and buttoned tightly about his throat, and whose peculiar bowler hat seemed to be so tightly pressed upon his head that it might have been glued there, detached himself from the shadows of the neighboring cab rank as M. Gaston Max and Sir Brian Malpas quitted the Club, and followed them at a discreet distance.
It was a clear, fine night, and both gentlemen formed conspicuous figures, Sir Brian because of his unusual height and upright military bearing, and the Frenchman by reason of his picturesque cloak and hat. Up Northumberland Avenue, across Trafalgar Square and so on up to Piccadilly Circus went the two, deep in conversation; with the tireless man in the raincoat always dogging their footsteps. So the procession proceeded on, along Piccadilly. Then Sir Brian and M. Max turned into the door of a block of chambers, and a constable, who chanced to be passing at the moment, touched his helmet to the baronet.
As the two were entering the lift, the follower came up level with the doorway and abreast of the constable; the top portion of a very red face showed between the collar of the raincoat and the brim of the hat, together with a pair of inquiring blue eyes.
"Reeves!" said the follower, addressing the constable.
The latter turned and stared for a moment at the speaker; then saluted hurriedly.
"Don't do that!" snapped the proprietor of the bowler; "you should know better! Who was that gentleman?"
"Sir Brian Malpas, sir."
"Sir Brian Malpas?"
"Yes, sir."
"And the other?"
"I don't know, sir. I have never seen him before."
"H'm!" grunted Detective-Sergeant Sowerby, walking across the road toward the Park with his hands thrust deep in his pockets; "I have! What the deuce is Max up to? I wonder if Dunbar knows about this move?"
He propped himself up against the railings, scarcely knowing what he expected to gain by remaining there, but finding the place as well suited to reflection as any other. He shared with Dunbar a dread that the famous Frenchman would bring the case to a successful conclusion unaided by Scotland Yard, thus casting professional discredit upon Dunbar and himself.
His presence at that spot was largely due to accident. He had chanced to be passing the Club when Sir Brian and M. Max had come out, and, fearful that the presence of the tall stranger portended some new move on the Frenchman's part, Sowerby had followed, hoping to glean something by persistency when clues were unobtainable by other means. He had had no time to make inquiries of the porter of the Club respecting the identity of M. Max's companion, and thus, as has appeared, he did not obtain the desired information until his arrival in Piccadilly.
Turning over these matters in his mind, Sowerby stood watching the block of buildings across the road. He saw a light spring into being in a room overlooking Piccadilly, a room boasting a handsome balcony. This took place some two minutes after the departure of the lift bearing Sir Brian and his guest upward; so that Sowerby permitted himself to conclude that the room with the balcony belonged to Sir Brian Malpas.
He watched the lighted window aimlessly and speculated upon the nature of the conversation then taking place up there above him. Had he possessed the attributes of a sparrow, he thought, he might have flown up to that balcony and have "got level" with this infernally clever Frenchman who was almost certainly going to pull off the case under the very nose of Scotland Yard.
In short, his reflections were becoming somewhat bitter; and persuaded that he had nothing to gain by remaining there any longer he was about to walk off, when his really remarkable persistency received a trivial reward.
One of the windows communicating with the balcony was suddenly thrown open, so that Sowerby had a distant view of the corner of a picture, of the extreme top of a book-case, and of a patch of white ceiling in the room above; furthermore he had a clear sight of the man who had opened the window, and who now turned and reentered the room. The man was Sir Brian Malpas.
Heedless of the roaring traffic stream, upon the brink of which he stood, heedless of all who passed him by, Sowerby gazed aloft, seeking to project himself, as it were, into that lighted room. Not being an accomplished clairvoyant, he remained in all his component parts upon the pavement of Piccadilly; but ours is the privilege to succeed where Sowerby failed, and the comedy being enacted in the room above should prove well deserving of study.
To the tactful diplomacy of M. Gaston Max, the task of securing from Sir Brian an invitation to step up into his chambers in order to smoke a final cigar was no heavy one. He seated himself in a deep armchair, at the baronet's invitation, and accepted a very fine cigar, contentedly, sniffing at the old cognac with the appreciation of a connoisseur, ere holding it under the syphon.
He glanced around the room, noting the character of the ornaments, and looked up at the big bookshelf which was near to him; these rapid inquiries dictated the following remark: "You have lived in China, Sir Brian?"
Sir Brian surveyed him with mild surprise.
"Yes," he replied; "I was for some time at the Embassy in Pekin."
His guest nodded, blowing a ring of smoke from his lips and tracing its hazy outline with the lighted end of his cigar.
"I, too, have been in China," he said slowly.
"What, really! I had no idea."
"Yes—I have been in China… I"…
M. Gaston grew suddenly deathly pale and his fingers began to twitch alarmingly. He stared before him with wide-opened eyes and beg
an to cough and to choke as if suffocating—dying.
Sir Brian Malpas leapt to his feet with an exclamation of concern. His visitor weakly waved him away, gasping: "It is nothing… it will… pass off. Oh! mon dieu!"…
Sir Brian ran and opened one of the windows to admit more air to the apartment. He turned and looked back anxiously at the man in the armchair.
M. Gaston, twitching in a pitiful manner and still frightfully pale, was clutching the chair-arms and glaring straight in front of him. Sir Brian started slightly and advanced again to his visitor's side.
The burning cigar lay upon the carpet beside the chair, and Sir Brian took it up and tossed it into the grate. As he did so he looked searchingly into the eyes of M. Gaston. The pupils were extraordinary dilated… .
"Do you feel better?" asked Sir Brian.
"Much better," muttered M. Gaston, his face twitching nervously—"much better."
"Are you subject to these attacks?"
"Since—I was in China—yes, unfortunately."
Sir Brian tugged at his fair mustache and seemed about to speak, then turned aside, and, walking to the table, poured out a peg of brandy and offered it to his guest.
"Thanks," said M. Gaston; "many thanks indeed, but already I recover. There is only one thing that would hasten my recovery, and that, I fear, is not available."
"What is that?"
He looked again at M. Gaston's eyes with their very dilated pupils.
"Opium!" whispered M. Gaston.
"What! you… you"…
"I acquired the custom in China," replied the Frenchman, his voice gradually growing stronger; "and for many years, now, I have regarded opium, as essential to my well-being. Unfortunately business has detained me in London, and I have been forced to fast for an unusually long time. My outraged constitution is protesting—that is all."
He shrugged his shoulders and glanced up at his host with an odd smile.
"You have my sympathy," said Sir Brian… .
"In Paris," continued the visitor, "I am a member of a select and cozy little club; near the Boulevard Beaumarchais… ."
