“I understand,” Glee told him, not recording these particulars. Changing her line of questioning, she asked, “Would I be correct, Bruno, in telling my readers that you’re the world’s most renowned craftsman of miniature period furniture?”
“But of course.” His attitude was not smug; he was being flatly objective. Then he raised a finger. “To be accurate, chère Glee, you might refer to me as a renowned ‘artisan.’ That is the term often applied to those of us who craft the miniature furniture of highest quality.”
“Wonderful. Thank you,” she said, making note of the distinction. “And the reason you’re here for the convention of the Midwest Miniatures Society—is it in order to exhibit your pieces or to sell them?”
“Both. I shall conduct workshops as well. There are many who are eager to learn my methods, my ‘tricks that click,’ as you say.” He chortled.
Glee leaned forward in thought, fingers to chin. “I have no idea, Bruno, and I’m curious: What is the price range of your furniture?”
“Ah”—he tossed his hands in the air—“that depends. It depends upon whether the piece is a simple side chair or an intricate cylinder-top desk, either of which would fit into the palm of your hand.”
I asked, “What’s a cylinder-top desk?”
Glee turned and explained to me, “It’s a type of rolltop desk. The sliding hardwood cover is a solid cylinder instead of slatted.”
Bruno continued, “The price further depends upon who is selling it, whether it is I… or… or Cantrell!” His eyes bugged and he became suddenly animated as he invoked the name of the king of miniatures.
“For instance,” Glee persisted, “what is the price of one of your marvelous cylinder-top desks in the Louis Quinze style?”
Bruno fidgeted, converting francs on his fingers. “I would charge some six thousand dollars. His majesty Cantrell, however, would sell it for twelve, perhaps as high as fifteen.”
“Thousand?” asked Glee, dropping her pen.
“Dollars?” I blurted.
“It is the truth,” he told us calmly, sitting back in his chair, resting his case.
“I had no idea…,” Glee muttered as she retrieved her pen and scratched the numbers on her pad.
I joked, “You could buy a damned nice full-size desk for much less.”
“Yes,” he conceded, “but it would not be one of my desks.” Harrumph.
Glee asked him, “Are these markups—a hundred percent or more—typical of Carrol Cantrell’s profits?”
“Always.” He sniffed.
I was tempted to comment, Good for King Carrol—whatever the market will bear. But I kept these thoughts to myself.
Bruno continued, “Cantrell, who cannot himself construct even the most simple miniature… box, is but a merchant, a ‘middleman.’ His arrogance is matched only by his lack of talent—unless, of course, one considers it a talent to merely sell the work of others. He has profited more from my labors than I myself have. His profits are obscene!”
I wondered wryly whether obscene profits fell under the purview of Dumont County’s obscenity ordinance. Our hot-dog DA could make headlines by raiding the miniatures convention and hauling a group of shackled artisans into court for trafficking in obscenely priced toy desks. As I struggled to compose a clever caption to accompany the page-one photo developing in my mind’s eye, Bruno verbalized his own concluding thoughts:
“Cantrell is not the king of miniatures, no! He is in fact the reigning parasite of our precious little world. The time has arrived to expose him”—he smashed his clenched fist once, thunderously upon the table—“to topple him!”
Glee and I glanced at each other, restraining our reaction to this outburst. With perfect composure, she studied her notes while asking, “In what sense, Bruno, do you wish to ‘topple’ your rival?”
“In the professional sense, of course.” He smiled, instantly more calm, realizing that he had overplayed his position. “I do intend to vanquish Cantrell—in the marketplace.” His smile turned devious. He rumbled, “And I have a plan.”
Glee mirrored his smug grin. With lowered voice, she asked, “Care to share your plan?” The twitch of her pen betrayed that she now sniffed a real story. She leaned toward him, curling her red lips into a pretty-please pout.
He leaned back into his chair, now fully at ease, aware that he had tantalized her. Pausing for effect, he fluffed the knot of his silk scarf. “I would not have come to see you, chère Glee, had it not been my intent to speak openly. I thought you might appreciate—how do you call it?—a scoop.”
“Why me?” she asked through a purr. The sound of her voice was underlaid by the scratch of her pen. “The trade press will be arriving in Dumont any day. I’m sure the Nutshell Digest would be eager to print your exclusive.”
“I’m sure.” He smiled. “But I prefer to speak to you.” His tone insinuated an interest in Glee outside the realm of journalism.
“I’m all ears, Bruno.” Her sensual tone echoed his; if she was faking it, Oscars have been given for shoddier performances. I suddenly felt like a voyeur and was tempted to leave the room. I stayed though—we were sitting in my own office. The rasp of her pen stopped as she waited.
Bruno cleared his throat. “I am prepared to announce the imminent opening of my own American workshop, showroom, and museum, the Petite Galerie Hérisson, which will eclipse the Hall of Miniatures—King Cantrell’s monopolistic enterprise—in the grandeur of its scale and the scope of its offerings.”
Glee got busy with her notes. “Where will this be located?” she asked, though we could both guess the answer.
“Los Angeles, naturally—not a block away from Cantrell. Negotiations on the property are all but finished. Installation will begin when the papers are signed.”
Glee’s tone was all business now. “You mentioned the ‘scope of offerings’ of your showroom. Can you be more specific?”
“Galerie Hérisson will be, most certainly, the exclusive purveyor of my own work to the American market—Cantrell will not reap another sou from the sweat of my labors. In the eyes of many, that alone would be enough to secure the superior reputation of my showroom. But there is more, far more. I have already secured agreements from many of the world’s most noted artisans to represent them through my Petite Galerie. Cantrell will lose his most prestigious suppliers.”
Glee and I looked at each other again, each with arched brows, acknowledging the volatile situation that had landed in Dumont. As Glee seemed at a temporary loss for words, I asked the next logical question: “Does Carrol Cantrell know of your plans yet?”
Offhandedly Bruno told us, “I intended to discuss my plans with him during our drive from the airport yesterday, but his majesty was more interested in a running critique of my road manners.” He smiled as a thought occurred to him. “Perhaps it may not be necessary for me to broach this—perhaps he will read of it in your journal.”
“It would really be better if he heard it from you,” Glee suggested. “Telling him directly would be the polite thing to do.”
“Ah, yes.” He mulled the situation. “Politesse.”
At that moment, the discussion was interrupted by a rap on the glass wall to the newsroom. Standing at attention outside the closed door was my managing editor, Lucille Haring—there could be no mistaking that bright shock of short-cropped red hair, which stood in such stark contrast to her drab-colored outfit, one of several mannish suits she always wore. I waved her in.
As she entered, Bruno stood, waiting to be introduced. I stood to take charge of the formalities. I did a respectable job of the Frenchman’s name this time, briefly reviewing his background. Then I said, “Bruno, this is Lucille Haring, the Register’s managing editor.” He seemed unsure of this title, so I explained, “Lucy is my second-in-command,” which he absorbed with a flash of understanding.
I was the only person alive who called her Lucy to her face, and she didn’t seem to mind. Nonetheless, everyone else addressed her as
Lucille or Miss Haring, with the exception of a few older newsroom veterans who simply called her Haring. The reason for these name games, for my staff’s reticence to get chummy with Lucy, was that she was easily the stiffest woman ever to spike a story.
“Enchanté” said Bruno with a bow of his head. I could tell by his expression that he was trying to size her up, wondering her age, perhaps. She wore no makeup, complicating the puzzle. As her employer, I’d seen her files, and I could recall that she was thirty-something, but to be more specific would be guesswork.
“My pleasure,” Lucy responded without inflection, extending her hand and pumping his once, briskly. She may have snapped her heels.
Bruno seemed stunned by her military manner, but I had come to view it as unremarkable. I’d first met the woman some fifteen months earlier, while working on the biggest story of my career at the Chicago Journal. True to her bearing, she did in fact have connections to the Pentagon, and she was assigned by an army crony of the paper’s esteemed publisher to direct a massive computer upgrade at JournalCorp. She turned out to be a key ally of mine in breaking my story that summer, demonstrating impeccable research skills and an innate nose for news. When I moved up to Dumont as publisher of the Register, she surprised me by applying for the editor’s position. After some initial hesitation (I didn’t like raiding the Journal’s staff, and her lack of “people skills” was disquieting at best), circumstances convinced me that she was in fact the right person for the job. I have never once regretted that decision.
“Sorry to interrupt,” she told the group. “Mark, something’s up. Thought you’d want to know.” She stopped, glancing about the room with jerky little bird-twists of her head, as if she wanted to be alone with me.
Bruno decoded this signal with ease, offering, “I must be on my way, my friends. Besides, I have finished—I have told you of my plans.”
Glee rose from her chair, flipping her notebook closed, her interview abruptly ended. She asked Bruno, “Can I reach you at your motel if I need a few more quotes for my story?”
“But of course, chère Glee.” He edged toward the doorway, nodding a farewell to each of us. Then he stopped, remembering. “This weekend, however, I shall drive to Milwaukee—with regard to the matter we discussed. But you can reach me on Monday.” And he left the office to retrace his path through the newsroom.
Crossing to the doorway, Glee called after him, “Travel safe, Bruno. Good luck.” She waved.
I muttered, “He’ll need all the luck he can get.” Judging from the driving technique I’d witnessed the previous morning when he’d roared up to Grace Lord’s house, I wouldn’t want to share the same road with him.
Glee commented to Lucy and me, “He’s quite a character.”
I laughed at the understatement.
Lucy wondered aloud, “But is he ‘news’?”
“Absolutely,” said Glee with mock gravity. “He and Carrol Cantrell are the two biggest figures in the small world of miniatures, at least according to the experts at Nutshell Digest.”
Lucy looked at Glee as if she were joking.
From the papers that Glee carried with her notes, she pulled a copy of the magazine in question, displaying its cover. The headline under the Nutshell Digest masthead read, DUMONT PREVIEW: MIDWEST MINIATURES SOCIETY TO CONVENE.
The trace of a grin twisted Lucy’s mouth. She cracked, “It’s aptly named.” The comment was dry, but from Lucy it was the equivalent of a knee-slapper.
Watching this exchange, I couldn’t help but notice how strikingly different these women were from each other. Glee Savage: fifty-two, still man-hungry, flashy dresser, glib talker, features editor (soft news). Lucille Haring: some twenty years younger, no interest in men (lesbian, in fact, but no active love life to my knowledge), not much of a dresser, not much of a talker, managing editor (hard news, hard as nails). In so many ways, they were polar opposites, and yet, their working relationship was comfortable and cordial, each respecting the other’s talents, each admiring the other’s success in a profession once dominated by men.
Continuing the discussion of Nutshell Digest, Glee nudged her glasses into reading position and flipped to a magazine page she had dog-eared, telling us, “The lead story details a history of bad blood between Carrol and Bruno. Apparently they’ve managed to keep out of each other’s way for years, even though their success has been mutually dependent. The story closes by posing an unanswered question: ‘Come September, when these feuding titans cross paths, will there be fireworks in Dumont?’”
“Tempest in a teapot,” said Lucy, dismissing the petty dispute. She turned to me. “There’s a real controversy brewing with the County Plan Commission, and it may well lead to fireworks.”
That caught my attention. I had an inkling I was about to hear about Dr. Benjamin Tenelli for the second time that morning—not two hours earlier, at breakfast, Sheriff Pierce had told me about the retired obstetrician turned civic crusader. I asked my editor, “Their porn report?”
“Just issued. The Commission’s report, authored by a Dr. Tenelli, concludes that the adult bookstores on the edge of town impede commercial development along the highway. What’s more”—she snorted—“the porn shops are thought to ‘scare away tourists.’”
Glee cracked, “Silly me—I always thought it was the brutal winters.”
I added, “Not to mention Dumont’s lack of casinos and discount malls.”
Lucy said, “The report makes no specific recommendation regarding enforcement of the obscenity ordinance, but the implication is clear: Dumont County would be well served by a crackdown on smut.”
I thought for a moment. “Is tomorrow’s editorial page locked up yet?”
Lucy reminded me, “Not if you say it’s not.”
I paused again. “Ladies, if you’ll excuse me, I’ve got some writing to do.”
As they left my outer office, I retreated to my desk.
PART TWO
To Serve and Protect
OUR ENDORSEMENT
The Register backs Douglas Pierce for sheriff of Dumont County
by MARK MANNING Publisher, Dumont Daily Register
SEPT. 16, DUMONT WI—SHERIFF DOUGLAS PIERCE, DUMONT COUNTY’S CHIEF LAW-ENFORCEMENT OFFICER, HAS DEMONSTRATED DURING HIS FIRST TERM OF SERVICE THAT HE IS A DEDICATED, ABLE, AND EFFECTIVE PUBLIC SERVANT. BY ANY OBJECTIVE STANDARD OF JUDGING HIS PERFORMANCE AS SHERIFF, HE DESERVES TO BE RETURNED TO THAT OFFICE.
Mr. Pierce (45) points out that during his tenure, crime rates have fallen some 14 percent in our community. Department expenses have remained consistently within budget, and he has presented a responsible plan for the long-overdue modernization of the county’s jail facilities. He has proven himself a skilled administrator—as well as a good cop.
Daniel Ken (35), Mr. Pierce’s opponent in this election, is a deputy lieutenant within the sheriff’s department, having risen through the ranks as a detective in the footsteps of his mentor, Mr. Pierce. Interviewing Lieutenant Kerr at the Register’s editorial offices, we found him to be affable, intelligent, and committed to public service. If given the opportunity, he could doubtless dispatch effectively the duties of the office he seeks, and we applaud his eagerness to serve the community in this broader capacity.
We disagree, however, with Mr. Kerr’s position that the sheriff’s department should play a more aggressive role in enforcement of the county’s obscenity ordinance, a wrongheaded bit of lawmaking that runs contrary to every journalistic principle as well as to the First Amendment.
We fear that Mr. Kerr’s position, coupled with the curious findings of the County Plan Commission (reported elsewhere on these pages), neither serves nor protects the liberties of Dumont’s citizenry. In our view, this issue alone disqualifies Mr. Kerr as a tenable candidate.
On November 7, Dumont’s voters will be best served by returning Sheriff Douglas Pierce to office. We offer him our enthusiastic endorsement.
Saturday, September 16
NAM
ING NAMES IS PART of my business. During my career as a reporter, I quickly learned that the name in the first sentence was the most crucial detail of the story: Who did it? As publisher of my own paper, I direct my staff in the reporting of news, but my own writing is generally limited to the occasional editorial. When a column appears under my byline in Dumont, readers know that my words are not restricted to the objective transmission of facts. Rather, I now tread boldly into the realm of opinion—and I’m still naming names.
As a publisher, I view election endorsements as one of my most serious responsibilities. They are also among my greatest risks. Even in a smallish town like Dumont, where the stakes aren’t seemingly all that high, the election of public officials provides the thrust and rhythm of grassroots democracy; for most people, participation in government begins and ends in the voting booth. And in local elections, voters are far more likely to feel some connection, whether real or imagined, to the names on the ballot. Chances are, when I urge my readers to elect so-and-so, half of them will be miffed.
“Why so early?” asked Neil at breakfast that Saturday. He set the morning paper on the kitchen table, folding the editorial page to face out. “I support Doug too, but the election is nearly two months away. Tactically”—he tapped my endorsement with his finger—“wouldn’t this have more impact in November?”
He’d raised a good point. Standing at the counter, waiting for the toaster to pop, I explained, “The report from the County Plan Commission needed a quick rebuttal, so I decided to rush ahead with Doug’s endorsement, since the election could now be riding on the porn issue. Doug deserves to be reelected, and everyone knows it—why let the public be diverted by this censorship campaign?”
Neil raised a brow. “Censorship?”
The toast popped. “In the final analysis, that’s what this porn battle really is. Regardless of whatever lofty motive is invoked to justify it—whether it’s public decency or political correctness or economic expediency—it’s still a case of using governmental force to restrict adult access to materials deemed offensive. In my book, that’s censorship.” I was buttering toast so vigorously, it broke, leaving my palm covered with greasy crumbs. Though agitated by the topic and by the minor mess, I couldn’t help laughing.
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