Yes, a man and a woman arguing. She didn't recognize the man, but the woman was Patty Rose; she had never heard Patty so angry. Impatiently Kit pushed against the screen. The way the echoes bounced and fell, she thought they were on the stairwell down to the garage, their words deflected by the inn's plastered walls. Patty's tone was hot and accusing, but the way the man was snapping back, Kit could make no sense of their words. She was pawing at the screen's latch when three sharp reports barked between the walls, echoing and reverberating across the patio. Slashing hard down the screen, she ripped a jagged hole.
Behind her she heard Lucinda thump out of bed. Before the agile old lady could stop her, Kit forced through the screen tearing out hanks of her fur and dropped to the second-floor balcony. Below her, doors banged open, people were running and shouting. She heard a tiny click as Lucinda snatched up the bedside phone, heard Lucinda alert the dispatcher as, likely, a dozen people were trying to do.
"Three shots, that's all I know," Lucinda said as Kit slipped beneath the rail. "Yes, shots, my dear," the old woman said testily. "That was not a backfire. I know gunshots when I hear them. And there was no smallest sound of a car engine."
Kit dropped onto the back of a bench and into a bed of cyclamens. Racing across the brick walk and through the taller flowers, she listened for the shooter running, but all she heard was her own fur brushing through the foliage. As she skirted a bed of geraniums, her nose tingled at the flowers' smell where she crushed them.
Strange, the stairwell that led down to the parking garage was dark, the little lights along the steps had been turned off. As she reached the top of the stairs, she heard running below, the faintest footsteps fast descending: soft shoes heading for the parking basement. She caught a whiff of geranium mixed with the sharp iron smell of blood, heard the squeak of rubber soles on concrete.
On the dark stairs, a body lay sprawled head down. Staring at the mutilated woman, Kit glimpsed, far below, a running shadow disappear through blackness into the garage. But Kit's attention, her whole being, was centered on the dead woman.
Patty Rose lay tumbled, unnaturally twisted down the concrete steps, her white silk dressing gown slick with blood. Her face was turned away but was reflected in the steel hood of the recessed light: bloody, distorted. The smell of blood filled Kit's nose; she could taste the heavy smell. Sirens screamed closer, muffled by the wind and by the walls of the buildings. Heart pounding, she crept down the steps to Patty. The sirens grew louder, coming fast. Trying not to look at Patty's poor torn face, Kit reached out her nose searching for breath. And knowing there would be none. Police cars careened around the building, slamming on their brakes. Then silence. Car doors slammed and the night was filled with the static of police radios, with the dispatcher's voice, with footsteps pounding across the patio above her, cops running down the stairs; and Kit ran, pelting down into darkness.
Crouched far down the steps in blackness, she smelled Patty's blood as strong as if it was on her own whiskers. Her tail was between her legs, her whole being felt shrunken.
Patty Rose had held Kit on her lap and loved and petted her, Patty had shared tea with her and fed her bits of shortbread all buttery warm, Patty had talked so softly to her. This kind woman had talked and talked to her and had never known that Kit could have answered her.
That seemed terrible now, that Patty had never known. Patty Rose would have been thrilled. Kit wished she could talk to her now, that she could tell Patty she loved her.
Below her she heard another scuffle of footsteps near the door to the parking garage, a faint squeak as of rubber soles on concrete, and then, from the far side of the garage, the cops surging down the two ramps and inside. Kit stood on the dark steps alone, heartbroken and shivering.
Oh, she longed for Joe Grey and Dulcie to be there with her, for the strength of the big gray tomcat and for tabby Dulcie's mothering. She knew she was nearly a full-grown cat, but right now all she wanted was to push close between the two bigger cats, like a lost kitten.
Joe Grey and Dulcie, and their human friends, had cared for Kit ever since she left the wild bunch she had run with. Always picked on, she hadn't had the courage to leave until she met Joe and Dulcie, and Lucinda and Pedric. Oh, then her life had so changed. To find two speaking cats like herself, and to find humans who understood-that had been an amazing time.
But right now this minute, she ached just to feel Dulcie's nose against her ear, to hear Dulcie and Joe Grey tell her that everything would be all right-she longed, most of all, for this terrible thing to have never happened, for Patty Rose to be alive and unharmed.
Above her, two medics knelt over Patty's poor bloody body. Kit's nose was sour with the smell of death. Far below, she could hear the faint scuffs and voices as the officers searched. Strange, she'd heard no car screeching out to escape. Was the killer hidden among the parked cars or under them? Or ducked down in a car, thinking the cops would miss him? She imagined him creeping out later through the confusion of police cars and rescue vehicles and somehow eluding them. Was that possible? Oh, the officers would find him, they must find him!
But if they didn't catch him, Kit thought… she knew something about that man that the law didn't know.
Racing down, she hit the bottom step and fled into the garage dodging a confusion of swinging spotlights, the officers' torches burning leaping paths through the blackness. Crouching in shadow under a small black car, she listened, paws slick with sweat.
At last she began to creep along between the cars, scenting the concrete, seeking the smell of crushed geranium-and listening for the sound of softer shoes slipping away accompanied by that telltale little squeak, that chirp of rubber against concrete.
2
When sirens careening through the night woke the village, the most curious or adventuresome residents threw on whatever clothes were handy and followed, running through the streets to form an unwanted crowd, so many unruly onlookers that they had to be forcibly kept in check by half a dozen busy officers; the more considerate folk sat by their open windows tuning their radios to the local station, or stood in their miniscule front gardens asking their neighbors what was happening.
In the village library, which should have been empty at two in the morning, the racket jerked a little girl sharply from her troubled sleep. She sat up flinging herself off her thin mattress and against the cement wall, scrambling like a terrified animal. The sirens screamed overhead nearly above her, heavy vehicles thundering down the street as if they were right on top the basement. Sounded like the rumbling engines were coming down at her. In the tiny, hidden basement, she wondered if she would die crushed by trucks and by fallen concrete.
She didn't flick on her little flashlight, she was afraid to.
There was no window into her hiding place, no one could see her, but still she was afraid. Was there a fire somewhere near? She pulled the thin blanket tighter around her. The basement was always cold. A damp cold, Mama would say. She missed Mama terrible bad.
She hadn't run away until Pa boarded up the kitchen window, long after he'd nailed plywood over the other windows and locked the doors with key bolts that she couldn't open. When he covered the kitchen window, too, she knew she couldn't stay there anymore. He'd nailed that plywood on after the neighbor saw her looking out, a big, bony, nosy woman, saw her at the window and came over to ask him if she was sick and why wasn't she in school. That's when Pa found her footprint on the tile counter where she'd climbed up to see if she could unlock the window, where she forgot to wipe away the waffle mark of her jogging shoes. He told the neighbor she was home with the flu but afterward when the neighbor was gone, he was white and silent, and he locked her in the bathroom all night. She didn't know what was wrong with Pa except he didn't love her anymore and wasn't like that when she was little.
She was six when he'd started yelling at her and locking her in the house and wouldn't listen to Mama, and that was when Mama packed a suitcase and the two of them slipped away aft
er he went to work and drove clear across the country to North Carolina to live. Where Pa wouldn't never think to look. They'd lived in Greenville for five years.
After Mama died and the social workers put her in foster homes one after another and she kept running away, that was when she told them she had a father in California, and they sent her back.
She'd thought he'd be different, anyway better than foster homes. But then she was sorry. Pa didn't hurt her like some of the kids had told her about, but he kept her like an animal in a cage, and the cage seemed smaller every day. She was afraid to call the social worker, though, call the number they gave her, she didn't like social workers.
The rumbling had stopped, the sirens were fainter. Lying in the dark listening to them move away, she hugged herself. She wished she had another blanket. She imagined growing old in this basement, living her whole life here and no one knowing. She thought that over the years everyone must have forgotten this small space behind the library's basement workroom, the way it had been walled off to itself. It was just a cubbyhole with rough concrete calls, not smooth walls like the workroom, and it wasn't as big as their little bathroom at home. She'd known about it since she was six, though. She'd found it when Mama worked in the library; she'd used to come in here to play, slip in behind the bookcase and no one knew.
Now it wasn't play anymore.
She only had enough food for another week. The welfare woman took her money, that Mama gave her. The welfare woman in Greenville, with the big nose, said she'd keep it for her but she never gave it back. Twenty dollars Mama gave her, and Pa never gave her even a nickel.
Now when she ran out of cans to open she'd have to go out in the dark and steal food from the back of restaurants like the homeless did.
Well, she guessed she was homeless now, too.
Or in a kind of prison.
Except, Mama would say, This isn't a prison, you're here by your own choosing, Lori. You can leave when you want, no one is making you stay here.
But where would she go?
Mama wouldn't tell her to go back to Pa; Mama hadn't stayed, had she? But Mama wasn't here to tell her where to go, where to hide.
Well, she was done with the welfare people and the foster homes. The other kids said the homes were out for blood, took in kids just to make money. The more kids the foster homes got, the more money they made. Didn't matter to them if you had to sleep on the floor, ten to a room, what did they care? She'd heard plenty from the older kids. She wondered where those sirens were going, wondered what those cops were like, out in the night with their sticks and guns, wondered what they'd do with a runaway child.
Call child welfare? Call Pa? No, she wasn't going to the cops. She curled up shivering on the thin mat, pulled the blanket tighter, and snuggled into the old, stained pillow. As hard as she hugged herself she couldn't get warm and she couldn't go back to sleep.
Joe Grey and Dulcie crouched out of the way among a tangle of ferns as officers' feet raced past them, the cops' hard black shoes thundering on the brick walk. Within the lacy foliage, Dulcie's dark tabby stripes rendered her nearly invisible. Joe Grey's pewter coat was the color of the shadows; his white markings among the lacy fronds might be mistaken for bits of blown paper. Both cats' eyes burned with interest-though there was an unusual unease between them. They were not snuggled close. They sat apart, and they had not, as was usual, raced onto the patio together. Joe had been hunting. Dulcie had been home in bed with Wilma as her housemate read aloud. Neither cat was in the best mood. As the officers crowded around the stairs to the garage, Joe glanced at Dulcie, stiff and wary.
For nearly two weeks, they had hardly spoken. Joe didn't know what was wrong with Dulcie, and he certainly wasn't asking. If she didn't want to talk, that was her problem. When, among the village rooftops or gardens, he happened on her by accident, he remained as aloof as she. Tonight, racing onto the inn's patio from different directions, they had eyed each other like strangers, Dulcie's stance defensive, Joe swallowing back a hiss.
Yet now as officers moved down the stairwell toward an objective the cats couldn't see, both slipped quickly through the garden to look, glancing shyly at each other. Beyond them across the patio two uniforms guarded the inn's front gate, and two more strung the traditional yellow tape against the gawking crowd that had gathered even on this rainy night. Dulcie glanced at Joe. Padding closer, she gently touched her nose to his. "Where's Kit?" she said softly. "Is she down here in the middle already?"
Joe glanced, scowling, up at Kit's third-floor window. The lights were on but Kit was not in sight. The side window was open and he could see a rip in the screen. He turned to study the shadows around the stairwell, but he saw no gleam of yellow eyes. Dulcie, rearing up, scanned the windows, too. "The screen's torn. Maybe Lucinda tried to keep her in."
Fat chance, Joe thought.
When Dulcie nuzzled him, he didn't respond. She gave him a sideways look. She could imagine Kit leaping down the roof to the balcony, down again-at the sirens' call, she thought, amused. She slipped closer to Joe, who had shifted away, and this time he didn't move. He was watching Ryan and Clyde, who had come in before the tape was strung, and watching Lucinda and Pedric hurrying down the stairs from their penthouse, the tall elderly couple pulling on their jackets. Softly, Lucinda was calling the kit. Both she and Pedric looked worried.
The stairwell was mobbed now with uniforms, the flash of police torches reflecting up from below projecting gigantic shadows up along the stucco walls. The lights beside the descending steps, which marched down to the garage, and the garage lights below, had been extinguished. Joe wondered if the killer had disconnected them, or if perhaps a gunshot had shorted them out.
Was Kit down there in the stairwell, below the crowd of officers? Or maybe above them, peering over from the deep shadows of the balcony that ran above the stairs? Looking along the balcony, Joe searched for her but saw no gleam of yellow eyes. He glanced at Dulcie, and his look softened. For a moment the two cats were close again, of one mind, their noses filled with the smell of death. Sliding into the bushes at the top of the steps, staring down among the flashing torch lights, both cats froze.
Patty Rose lay below them, her white satin robe bloodstained, her face brutally torn. Dulcie was so shocked she felt her supper come up, her mouth fill with bile. Joe's ears were back flat to his head, his whiskers laid flat, his eyes burning like yellow fire.
Detective Garza knelt beside Patty, feeling for a pulse. The cats knew there could be no pulse. When at last Garza rose and backed off, the medics knelt over her trying for a pulse, too, trying to stop the bleeding, trying to start her heart beating again. They worked for a long time before they rose and turned away. Beside Dulcie, Joe's face seemed suddenly thinner, his whole body smaller and limp. Shivering, the tomcat nosed at her. She looked at him helplessly, read in his eyes exactly what he felt- as if all that was good in life had vanished, as if the negative forces of the world had suddenly won. Never had either cat imagined Patty Rose murdered. Such wanton violence to someone so good, so innocent of malice, filled them with defeat. Crouching with Joe above the stairs, Dulcie watched Detective Garza unpack his cameras.
Peering from behind several uniforms' dark trouser legs, shuttering their eyes against the bright strobe lights, the two cats watched Dallas Garza begin to shoot the scene. The big, square-faced Latino was dressed in soft jeans and a wrinkled blue T-shirt, as if he had grabbed the first clothes at hand. He wore scuffed tennis shoes but no socks. His short, dark hair was uncombed. His tanned jaw was darkened by a day's growth of shadowy whiskers, and set with a cop's controlled anger at this death of a good friend. As he stood above the body, Garza's dark, solemn eyes searched every inch of the stairwell as he decided where to shoot, making sure he missed nothing. Some of his close-ups were made more difficult by the steep flight of steps, some were assisted by the dropping angles. When he had shot a roll of film, he began to set up additional lights to eliminate shadows, to do it all aga
in. The two cats fled to the concrete walkway above the stairwell.
Crouching there on the cold cement, tasting the smell of death, they tried not to look down directly at Patty, but the lights brutally illuminated her. Sickened, Dulcie couldn't help but imagine a grisly film shoot, macabre and shocking. A horrifying farewell for a great star, a surreal and disgusting final drama too much like the sickest of human culture.
She watched Captain Harper and the coroner approach the stairs through the crowd of officers. At the top of the steps, the two men paused, waiting for Garza to finish so Dr. Bern could examine the body before taking it to the morgue. There, the final bits of fiber and debris would be removed from Patty's clothes and body. She would be examined for all manner of trauma and of course for bullets. Samples would be taken before her body was tagged and locked away in a cold metal drawer. The cats knew the drill. They had attended more murder scenes than some of the rookies present. But that didn't make this death easier.
Certainly Captain Harper looked sick, so stricken that Joe wanted to put out a paw to him. The tall, thin chief watched the procedures in silence, his lined face pale and grim. Watched Garza finish photographing the body and surroundings and wind back the film of the old, reliable Rolleiflex camera, then shoot a few minutes of video, moving up and down the stairs. When he started toward the walkway above, the cats melted into the deepest shadows, Joe hiding his face and chest and paws by curling into a furry ball.
Cat Cross Their Graves Page 2
