The Long Earth

Home > Other > The Long Earth > Page 32
The Long Earth Page 32

by Terry Pratchett


  He shrugged. ‘I brought it to the square in a big backpack. I delivered it, but I don’t know where it’s stashed. I also don’t know how it was armed. Or how it can be disarmed.’

  Shit, shit. ‘Is this necessary, Rod? Do all these people have to die just so you can get back at Mommy?’

  He sneered. ‘Well, that bitch is safe.’

  That shocked Jansson. Maybe he didn’t even know that his mother, Tilda Lang Green, off in a colony on some remote Earth, was dead of a cancer. Now wasn’t the time to tell him. ‘Do you even think it’s going to do any good? I know you people have it in your heads that Madison is some kind of stepping hub. But you can’t stop up the Long Earth. Even if you flatten the whole of Wisconsin people will just keep on stepping from wherever—’

  ‘I only know one thing about the bomb.’

  She grabbed his shoulders. ‘What? Tell me, Rod.’

  ‘I know when.’ He glanced at his watch. ‘Two minutes forty-five seconds. Forty-four. Forty-three…’

  Jansson stood up and yelled at the cops, ‘Did you hear that? Report it in. And get these people out of here. Their Steppers – for God’s sake, give them back their Steppers!’

  The cops didn’t need telling twice, and their captives rose in a mob, panicked by Rod’s overheard words. But Jansson stayed by Rod’s side.

  ‘It’s all up for me,’ Rod said. ‘I can’t step. That’s why I came here. It seemed right.’

  ‘Right, hell.’ Without warning she grabbed him, picking him up under knees and shoulders like a child, and, straining, lifted him off the ground. He was too heavy for her, and she immediately fell under him, but she switched her Stepper before the two of them hit the ground.

  And she landed on her back, on green grass. Blue sky overhead, just like on the Datum today. The sirens had gone away. The scaffolding frame that had been erected here in West 1 to interface with the Capitol loomed over her.

  Rod, lying on top of her, convulsed, puked over her, and started to froth at the mouth. A paramedic in an orange jumpsuit pulled Rod aside.

  ‘He’s a phobic,’ Jansson said. ‘He needs—’

  ‘We know, ma’am.’ The paramedic took a syringe from her pack and shot him up in the neck.

  The convulsions eased. Rod looked Jansson in the eye. He said clearly, ‘Two minutes.’ Then his eyes rolled up and he was unconscious.

  Two minutes. The word went out across Madison Zero, and its nascent twins to East and West, and around a watching world.

  And the stepping began.

  Parents carried their children, and went back for their own old folk, and their elderly neighbours. In care homes, some bewildered senior citizens had Steppers slapped on them and were sent East or West for the first time in their lives. In the schools, teachers carried over their students, and big kids carried little kids. In the hospitals the staff and the healthier outpatients found ways to lift and step the heaviest, most immobilized patients, even coma victims and babies in incubators, and went back for more, and then waited as surgeons hurried to close up interrupted operations, and carried those patients over too. All across Madison, the majority of humanity who could step aided the minority who couldn’t. Even extreme phobics like Rod Green who couldn’t tolerate a single step were met by medics who did their best to stabilize them, until they could be hurried away from the danger zone and taken back to the Datum.

  In Madison West 1, Monica Jansson watched the results unfold. There were TV cameras all around the area, and eye-in-the-sky images relayed down from drone aircraft. For Jansson, it felt very odd to be safe in such a crisis, but the medics had taken away her Stepper, and there was nothing more she could do. So she watched. Somebody even brought her a cup of coffee.

  From the air, here in West 1, you could clearly see the lakes, the isthmus, the distinctive geography of the area laid out like a map, a twin of the region on the Datum, a twin that had been entirely uninhabited two decades ago. Madison West 1 had started to make its own mark in this world, with swathes of forest cleared and marsh drained, and some tracks wide and metalled well enough to be called roads, and clusters of buildings, and steam and smoke rising from the mills and forges. But today the inhabitants of West 1 were scrambling to accommodate and help the incoming, fleeing from the Datum.

  Here they came. Jansson saw them emerge, one by one or in little groups. There were even some in the lakes, steppers coming over from their boats or their surfboards. Rowboats cut across the bright blue waters to each waving speck.

  And, on land, as the steppers crossed, Jansson saw a kind of map of the Datum city emerge on the green carpet of West 1. There were the university students, a multicoloured blur that marked the location of their campus, stretching south from the shore of Mendota. There were the hospitals, St Mary’s and Meriter and the UW Hospitals and Clinics, little rectangular huddles of doctors and nurses and patients. There were the schools, teachers with their charges where their classrooms should have been. On the Monona shore the contents of the convention centre appeared, business types, in flocks, like penguins. The area around Capitol Square itself started to fill in, the diamond shape of the square, with the shoppers and diners from State and King lining up along the tracks of the streets leading off to west and east, and the office workers and residents of East and West Washington. It was indeed a map of Madison, she realized, a map made up of the people, with the buildings stripped away. She looked for Allied Drive, where a group of nuns stepped across realities from the Home, with the vulnerable children in their charge.

  And in the very last second, she saw, in a view from ground level, that where the high-rise buildings of downtown stood, people started appearing in mid-air. Many were in business suits. They just stepped over from the upper floors because there was no time left to get to the elevator or the stairs, or do anything else. Three-dimensional ghosts of the doomed buildings coalesced, ghosts composed of people who seemed to hang in the air, just for an instant, before falling to the ground.

  Somewhere near Jansson, a Geiger counter started clicking.

  52

  JOSHUA AND SALLY hurried through the last few Madisons, West 10, 9, 8… Joshua wasn’t interested in these crowded worlds; all he wanted now was to get home. 6, 5, 4… In one Low Earth they had taken the time to cross geographically, from Humptulips to Madison, flying the airship on the one engine Franklin Tallyman, boy genius of Reboot, had managed to fix up for them. 3, 2, 1… There were barriers in the last few worlds, some kind of system of warning signs; they hurried on—

  Zero.

  Madison was gone.

  Joshua stood in shock, gasping. Sally clutched his arm. They stood in a plain of rubble. Gaunt shapes, fragments of wall sticking out of the ground. A few twisted tangles that must be the remains of reinforced-concrete structures. Dust, dry as hell, choked him immediately. The battered airship hung blindly over these ruins.

  Somebody was standing before them. Some guy in a coverall suit, no, a woman, Joshua realized, seeing her face through a dusty visor.

  ‘We’re here to meet steppers,’ she said, her voice a relay from a speaker. ‘Get out of here. Go straight back.’

  Alarmed, shocked, Joshua and Sally stepped hand in hand back to West 1, taking the airship with them. Here, in the bright sunlight, another young woman in a FEMA uniform approached them with a clipboard and data pad. She looked up at the airship, shook her head in disbelief, and said reproachfully, ‘You’re going to have to go through decon. We do post warnings in the neighbouring worlds. Hey, you can’t catch everybody. Don’t worry, you’ve broken no law. I’ll need your names and social security numbers…’ She started to peck at her pad.

  Joshua began to take in the surroundings. This parallel Madison was crowded, compared with the last time he was here. Tent cities, feeding hospitals, feeding stations. A refugee camp.

  Sally said bitterly, ‘Here we are in the land of plenty, with everything anybody could ever want, multiplied a million times over. Nevertheless somebody wants to st
art a war. What a piece of work is a man.’

  ‘But,’ Joshua said, ‘you can’t start a war if nobody turns up. Listen, I need to get to the Home. Or where the Home would be…’

  The FEMA official’s phone rang, at her waist. She looked at the screen, seemed puzzled, and glanced at Joshua. ‘Are you Joshua Valienté?’

  ‘Yes.’

  ‘It’s for you.’ She handed him the phone. ‘Go ahead, Mr Lobsang.’

  Acknowledgments

  We chose to use Madison, Wisconsin, as a location in this novel partly because as we were developing the book it occurred to us that in July 2011 the second North American Discworld convention was to be held there, and we could get a hell of a lot of research done, as we authors like to say, on the cheap. That convention became in part a kind of mass workshop on the Long Earth. We’re grateful to all the contributors to that discussion, who really are far too numerous to list here, but particularly to Dr Christopher Pagel, owner of the Companion Animal Hospital in Madison, and his wife, Juliet Pagel, who gave up an unreasonable amount of their time to show your authors Madison both primeval and modern, from the Arboretum to Willy Street, and on top of that made an incredibly helpful read-through of a draft of this book. Thank you, Madisonians, and we hereby apologize for what we have done to your lovely city. All errors and inaccuracies are of course our sole responsibility. Our thanks also to Charles Manson, the Tibetan Subject Librarian at the Bodleian Library, Oxford, for helping us build Lobsang’s world.

  T. P.

  S.B.

  December 2011, Datum Earth

  ABOUT THE AUTHORS

  TERRY PRATCHETT is one of the world’s most popular authors. His acclaimed novels have sold more than 75 million copies worldwide and have been translated into nearly forty languages. In 2009 Queen Elizabeth II knighted Pratchett in recognition of his “services to literature.” Sir Terry lives in England.

  STEPHEN BAXTER is an acclaimed, multiple award-winning author whose many books include the Xeelee sequence, the Time Odyssey trilogy (written with Arthur C. Clarke), and The Time Ships, a sequel to H. G. Wells’s classic The Time Machine. He lives in England.

  Visit www.terrypratchett.co.uk to discover everything you need to know about Terry Pratchett and his writing, plus all manner of other things you may find interesting, such as videos, competitions, character profiles and games.

  www.facebook.com/pratchett

  www.twitter.com/terryandrob

  www.youtube.com/terrypratchettbooks

  More details of Stephen Baxter’s works can be found at www.stephen-baxter.com.

  Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins authors.

  BOOKS BY TERRY PRATCHETT

  The Dark Side of the Sun

  Strata

  The Unadulterated Cat (illustrated by Gray Jolliffe)

  Good Omens (with Neil Gaiman)

  FOR YOUNG ADULTS

  The Carpet People

  Nation

  The Bromilead Trilogy

  Truckers

  Diggers

  Wings

  The Johnny Maxwell Trilogy

  Only You Can Save Mankind

  Johnny and the Dead

  Johnny and the Bomb

  THE DISCWORLD® BOOKS

  The Color of Magic

  The Light Fantastic

  Equal Rites

  Mort

  Sourcery

  Wyrd Sisters

  Pyramids

  Guards! Guards!

  Eric (illustrated by Josh Kirby)

  Moving Pictures

  Reaper Man

  Witches Abroad

  Small Gods

  Lords and Ladies

  Men at Arms

  Soul Music

  Feet of Clay

  Interesting Times

  Maskerade

  Hogfather

  Jingo

  The Last Continent

  Carpe Jugulum

  The Fifth Elephant

  The Truth

  Thief of Time

  Night Watch

  Monstrous Regiment

  Going Postal

  Thud

  Where’s My Cow? (illustrated by Melvyn Grant)

  Making Money

  Unseen Academicals

  Snuff

  The Last Hero (illustrated by Paul Kidby)

  The Art of Discworld (with Paul Kidby)

  The Streets of Ankh-Morpork (with Stephen Briggs)

  The Discworld Companion (with Stephen Briggs)

  The Discworld Mapp (with Stephen Briggs)

  The Wit and Wisdom of

  Discworld (with by Stephen Briggs)

  The Discworld Graphic Novels

  The Color of Magic

  The Light Fantastic

  DISCWORLD FOR YOUNG ADULTS

  The Amazing Maurice & His Educated Rodents

  The Wee Free Men

  A Hat Full of Sky

  Wintersmith

  I Shall Wear Midnight

  The Illustrated Wee Free Men (illustrated by Stephen Player)

  BOOKS BY STEPHEN BAXTER

  Anti-Ice

  The Time Ships

  Traces

  The Light of Other Days (with Arthur C. Clarke)

  Evolution

  The H-Bomb Girl

  NORTHLAND

  Stone Spring

  Bronze Summer

  Iron Winter

  FLOOD

  Flood

  Ark

  Firstborn (with Arthur C. Clarke)

  MANIFOLD

  Manifold 1: Time

  Manifold 2: Space

  Manifold 3: Origin

  Phase Space

  MAMMOTH

  Silverhair

  Longtusk

  Icebones

  Behemoth

  THE NASA TRILOGY

  Voyage

  Titan

  Moonseed

  TIME’S TAPESTRY

  Emperor

  Conqueror

  Navigator

  Weaver

  DESTINY’S CHILDREN

  Coalescent

  Exultant

  Transcendent

  Resplendent

  A TIME ODYSSEY

  Time’s Eye (with Arthur C. Clarke)

  Sunstorm (with Arthur C. Clarke)

  THE XEELEE SEQUENCE

  Raft

  Timelike Infinity

  Flux

  Ring

  Xeelee: An Omnibus: Raft,

  Timelike Infinity, Flux, Ring

  Vacuum Diagrams

  THE WEB

  The Web: Gulliverzone

  The Web: Webcrash

  NONFICTION

  Deep Future

  Omegatropic

  Revolutions in the Earth: James Hutton and the True Age of the World

  CREDITS

  Cover photo montage © Getty Images

  Diagram of the Stepper by Richard Shailer

  The extract in Chapter 43 from “Keep Right On to the End of the Road” by Harry Lauder (Sir Henry Lauder) is reproduced with the kind permission of Gregory Lauder-Frost (Sir Harry’s great-nephew).

  COPYRIGHT

  THE LONG EARTH. Copyright © 2012 by Terry and Lyn Pratchett and Stephen Baxter. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

  Terry Prattchett® and Discworld® are registered trademarks.

  This is a work of fiction. Names, characters, places, and incidents either are the products of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales
, organizations, or persons, living or dead, is entirely coincidental and beyond the intent of either the author or the publisher.

  Published simultaneously in Great Britain by Doubleday, an imprint of Transworld Publishers, a division of Random House Group, Ltd.

  FIRST U.S. EDITION

  Library of Congress Cataloging-in-Publication Data has been applied for.

  ISBN 978-0-06-206775-3

  EPub Edition © MAY 2012 ISBN 9780062067760

  12 13 14 15 16 DIX/RRD 10 9 8 7 6 5 4 3 2 1

  ABOUT THE PUBLISHER

  Australia

 

‹ Prev