TITLES BY WILLIAM GIBSON
Neuromancer
Count Zero
Burning Chrome
Mona Lisa Overdrive
Virtual Light
Idoru
All Tomorrow’s Parties
Pattern Recognition
Spook Country
Zero History
Distrust That Particular Flavor
The Peripheral
Agency
BERKLEY
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Copyright © 2020 by William Gibson
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Library of Congress Cataloging-in-Publication Data
Names: Gibson, William, 1948– author.
Title: Agency / William Gibson.
Description: First Edition. | New York: Berkley, 2020. | Sequel to: The Peripheral.
Identifiers: LCCN 2019023019 (print) | LCCN 2019023020 (ebook) | ISBN 9781101986936 (hardcover) | ISBN 9781101986950 (ebook)
Subjects: GSAFD: Science fiction. | Suspense fiction.
Classification: LCC PS3557.I2264 A34 2020 (print) | LCC PS3557.I2264 (ebook) | DDC 813/.54—dc23
LC record available at https://lccn.loc.gov/2019023019
LC ebook record available at https://lccn.loc.gov/2019023020
International edition ISBN: 9780451490988
First Edition: January 2020
Cover design by gray318
Cover photo by AND-ONE / Getty Images
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
Version_1
To Martha Millard, my excellent literary agent for thirty-five years, with many thanks
CONTENTS
Titles by William Gibson
Title Page
Copyright
Dedication
1: The Unboxing
2: Our Hobbyist of Hellworlds
3: App Whisperer
4: The Sandwiches
5: Situational Awareness
6: Dalston
7: Franklins
8: Joyous Victory
9: Unobtainium
10: Rio
11: Relationship Tree
12: Alfred Mews
13: Stets
14: Qamishli
15: Area 51 Shit
16: COTS
17: MiG
18: Pandaform, Tripartite
19: Images of the Aftermath
20: Baker-Miller Pink
21: Bad Quality Control in Shenzhen
22: Absolutely Horrible
23: Not Trusting in the Glitch
24: Porch
25: Branch Plants of Me
26: Denisovan Embassy
27: Mother-Daughter
28: Sim
29: Legion
30: Tottenham Court Road
31: Why Would You Be Gone?
32: Churchill’s Waistcoat Pocket
33: Clarion Alley
34: Working from Home
35: Fabricant Fang
36: Gone
37: Top-Heavy
38: The Handshake
39: Stumpy
40: Baby Steps
41: Open-Plan Anxiety
42: Wifely Advice
43: Still Life with Lawyers
44: A Money Launderer
45: Luggage
46: Emotional Support
47: Phonelessness
48: Corridor
49: Suite
50: From Floral Street
51: Construals
52: Posture and Gait
53: Over London
54: Systems Checks
55: Micro-Expressions
56: That Non-Posthuman Touch
57: And Back
58: Charmed Circle
59: None of Me Knows
60: Regard of the Adjustor
61: Continental Breakfast
62: Shoe-Button Eyes
63: Users
64: Minimum of Drama
65: One-Shot
66: Nonneural
67: Collage Minus Glue
68: Dogpatch
69: Heathkit
70: A Bit of Cosplay
71: Catching Up
72: Don’t Dawdle
73: Singularity
74: Old Klept
75: Jackpot
76: Came a Coachman
77: Event Horizon
78: Morning After
79: Valley Oak
80: The Square Mile
81: Backward, Wearing Heels
82: Wetmark
83: Personality Test
84: Looking Quite Chipper
85: Multitasking
86: Empty Chair
87: Lane-Splitting
88: Denmark Street
89: Kinda Sorta
90: The Work
91: Followr
92: Tennessee Street
93: Winch
94: Improv
95: Volunteer
96: Junior Here
97: Speed Lines
98: Black Shark
99: A Budget for Illegalities
100: Apertures
101: Hammock Ride
102: Nothing but Turgenev
103: Marlene
104: Green Room
105: Heritage Human
106: 34th Floor
107: Prom Night
108: Mercy on the Stairs
109: After the After-Party
110: The Sandwiches (II)
Thanks
About the Author
1
THE UNBOXING
Very recent hiredness was its own liminal state, Verity reminded herself, on the crowded Montgomery BART platform, waiting for a train to Sixteenth and Mission.
Twenty minutes earlier, having signed an employment contract with Tulpagenics, a start-up she knew little about, followed by a wordy nondisclosure agreement, she’d shaken hands with Gavin Eames, their CTO, said goodbye, and stepped into an elevator, feeling only relief as the doors closed and the twenty-six-floor descent began.
New-job unease hadn’t yet found her, there, nor out on Montgomery as she’d walk
ed to the station, texting her order for pad thai to the Valencia branch of Osha. By the time she’d reached this platform, though, three flights down, it was entirely with her, as much as the black trade-show bag slung beneath her arm, silk-screened with the logo of Cursion, her new employer’s parent firm, about which she knew very little, other than that they were in gaming.
It was with her now as her train arrived. Almost two years since she’d felt this, she thought, as she boarded. She’d been unemployed for half of that, which she supposed might account for its intensity now.
She reached for a hang-strap as the car filled.
Surfacing at Sixteenth, she went straight to Osha, picked up her pad thai, and started for Joe-Eddy’s.
She’d eat, then start getting to know their product. This wasn’t just a new job, but a possible end to sleeping on Joe-Eddy’s curb-rescue porn couch.
The early November sky looked almost normal, Napa-Sonoma particulates having mostly blown inland, though the light still held a hint of that scorched edge. She no longer started awake to the smell of burning, only to remember what it was. She’d kept the kitchen window closed, this past week, the only one Joe-Eddy ever opened. She’d give the place a good airing soon, maybe try cracking one of the windows overlooking Valencia.
Once back at his apartment, she ate hungrily from the black plastic take-out tray, ignoring the lingering reek of the uncut Mr. Clean she’d used to scour the wooden tabletop, prior to Gavin’s call. If Joe-Eddy’s Frankfurt job lasted, she remembered having thought as she’d wielded a medium-grit 3M foam sanding block, she might scrub the kitchen floor as well, for the second time in a little under a year. Now, though, with Tulpagenics’ contract signed, she might be giving notice to the couple renting her condo, middle managers at Twitter, who hadn’t reported a paparazzi sighting for over three months. In the meantime, for however many more nights on white pleather, she had her silk mummy-bag liner, its thread-count proof against the porn-cooties of persistent imagination.
Covering what remained of her order with its admirably compostable translucent lid, she stood, took her leftovers to the fridge, rinsed her couch-surfing chopsticks at the sink, and returned to the table.
When Gavin had been packing the bag, the glasses were all she’d paid any real attention to. They’d involved a personal style decision: tortoiseshell plastic, with gold-tone trim, or an aspirationally Scandinavian gray. Now she took their generic black case from the bag, opened it, removed them, and spread the pale gray minimalist temples. The lenses were untinted. She looked for a trademark, country of origin, model number. Finding none, she placed them on the table.
Next, a flat white cardboard box, in which a flimsy vacuum-formed tray, also white, hugged a nondescript black phone. Likewise no-name, she found, having freed it from the tray. She turned it on and placed it beside the glasses. A smaller white box revealed a generic-looking black headset with a single earbud. In another, three black chargers, one each for the glasses, phone, and headset, commonest of consumer fruit, their thin black cables still factory-coiled, secured with miniature black twist-ties. All of it, according to Gavin, plug and play.
Picking up the headset and switching it on, she hung it from her right ear, settling the earbud. She put the glasses on, pressing their low-profile power-stud. The headset pinged, a cursor appearing. A white arrow, centered in her field of vision. Then moving down, of its own accord, to the empty boxes, the chargers, the black phone.
“Here we go,” said a woman’s husky voice in Verity’s ear. Glancing to her right, toward what would have been the voice’s source had anyone been there, Verity inadvertently gave whoever was controlling the cursor a view of the living room. “Got a hoarding issue, Gavin?” the voice asked, the cursor having settled on the miniature junkyard of semi-disassembled vintage electronics on Joe-Eddy’s workbench.
“I’m not Gavin,” Verity said.
“No shit,” said the voice, neutrally.
“Verity Jane.”
“Ain’t the office, is it, Verity Jane?”
“Friend’s place.”
The cursor traversed the living room, to the closed curtains. “What’s outside?”
“Valencia Street,” Verity said. “What should I call you?”
“Eunice.”
“Hi, Eunice.”
“Hi yourself.” The cursor moved to Joe-Eddy’s Japanese faux Fender Jazzmaster. “Play?”
“Friend does. You?”
“Good question.”
“You don’t know?”
“Thing-shaped hole.”
“Excuse me?”
“I got one, in that department. Want to show me what you look like?”
“How?”
“Mirror. Or take the glasses off. Point ’em at your face.”
“Will I be able to see you?”
“No.”
“Why not?”
“No there there.”
“I need to use the bathroom,” Verity said, standing. “I’ll leave the glasses here.”
“You don’t mind, maybe open the drapes.”
Verity crossed to the window, hauled both layers of dusty blackout curtain aside.
“You put the glasses down,” the voice said, “I can look out the window.”
She took them off, positioning them, temples open, lenses overlooking the street, on a white Ikea stool, its round seat branded with soldering-iron stigmata. Then added, for what she judged to be needed elevation, the German-language making-of volume of a Brazilian telenovela. Removing the headset, she put it down on the book, beside the glasses, went to the kitchen, retrieving her own phone from her purse, then down the narrow corridor to the bathroom. Closing the door behind her, she phoned Gavin Eames.
“Verity,” he answered instantly, “hello.”
“Is this for real?”
“You haven’t read the nondisclosure agreement?”
“More clauses than I’m used to.”
“You agreed not to discuss anything of substance on a non-company device.”
“Just tell me there’s not someone somewhere doing Eunice, for my benefit?”
“Not in the sense I take you to mean, no.”
“You’re saying it’s real.”
“Determining that to your own satisfaction is part of what you’re expected to be doing for us.”
“Should I call back on the company phone?”
“No. We’ll discuss this in person. This isn’t the time.”
“You’re saying she’s—”
“Goodbye.”
“Software,” she finished, looking from the phone to her reflection in the mirror over the sink, its age-mottled silver backing suggesting a submarine grotto. She turned then, opened the door, and walked back into the living room, to the window. Picked up the glasses. Put them on. Late-afternoon traffic strobed behind transparent vertical planes of something resembling bar code. “Whoa . . .”
Then she remembered the headset. Put it on.
“Hey,” the voice said.
The bar code vanished, leaving the cursor riding level with the windows of passing cars. “What was that?” Verity asked.
“DMV. I was reading plates.”
“Where are you, Eunice?”
“With you,” said the voice, “looking out the window.”
Whatever this was, she knew she didn’t want her first substantial conversation with it to take place in Joe-Eddy’s living room. Briefly considering the dive bar on Van Ness, not that she felt like a drink, she remembered having recently been recognized there. There was Wolven + Loaves, a few doors up the street, but it was usually busy, the acoustics harsh even when it wasn’t. Then she remembered 3.7-sigma, Joe-Eddy’s semi-ironic caffeination-point of choice, a few blocks away, on the opposite side of Valencia.
2
OUR HOBBYIST OF HELLW
ORLDS
Vespasian,” Detective Inspector Ainsley Lowbeer said, peering sidewise at Netherton over her greatcoat’s upraised collar, “our hobbyist of hellworlds. Recall him?”
You had him killed in Rotterdam, Netherton thought. Not that she’d ever said as much, or that he’d asked. “The one who made such horrific stubs? All war, all the time?”
“I’d wondered how he so quickly rendered them nightmares,” she said, pacing briskly on, beneath Victoria Embankment’s gray morning and the canopy of dripping trees. “Eventually, I looked into it.”
He lengthened his stride, keeping up. “How did he?” He hadn’t seen her since before Thomas’s birth, at the start of his parental leave. Now, he’d already gathered, that was coming to an end.
“I dislike calling them stubs,” she said. “They’re short because we’ve only just initiated them, by reaching into the past and making that first contact. We should call them branches, as they literally are. Vespasian discovered a simple way of exaggerating the butterfly effect, or so it seems. That even the smallest perturbation may yield large and unforeseen consequences. On making contact, he’d immediately withdraw. Then return, months later, study the results, and very deliberately and forcefully intervene. He achieved remarkable if terrible results, and very quickly. Investigating his method, I happened on another of his so-called stubs, one in which he’d initiated contact in 2015, several years before the earliest previously known contact. We’ve no idea how he managed the extra reach, but we now have access to that stub.” They were climbing shallow steps now, toward the river, to an overlook. “We may have a chance, there, of achieving radically better outcomes than previously.” They reached the top. “I need you back for that. Contact has necessarily been oblique, so far, due to technological asymmetry, but we think we’ve managed a workaround. Your experience in dealing with contactees may soon be very much in need.”
“Contact’s been oblique, you say?”
“The aunties, for instance”—her pet name for her office’s coven of semisentient security algorithms—“are of relatively little use.” Netherton grimaced at the very thought of them.
A dappled Thames chimera broke the surface then, red and white. It rolled, four meters head to tail, lamplike eyes clustered above cartoonish feeding palps. Diving, it left a shallow wake of beige foam.
Agency Page 1
