As Peter watched, a dark hole appeared in the fabric of light. It grew larger, eclipsing the audience. Coming off the stage, Cross walked smack into Peter, put his arm around the doctor’s shoulder, and said, “Get me out of here.”
The singer’s clawlike hand stayed fast to the collar of the Peter’s shirt. People crushed against them. Where, Peter wondered, was Cyril? He pressed on, towing Cross behind him, the general of a retreating army. Where was Bluto? Following a fissure in the crowd, Peter headed down a set of stairs, through a hallway choked with gear and bodies.
Cyril, with his extraordinary timing, stuck his head out a doorway. “Big Man coming through,” he said.
But when Peter tried to squeeze in, Cyril’s hand found his center of gravity, freezing him.
“It’s okay,” Cross said.
Cyril pulled the doctor in, shut the door behind him.
They were back in the dressing room. The singer paused before a buffet table draped with white linen; he lifted a bottle of water from an ice bucket, then pointed it toward the bathroom. “Is he still in there?”
“The band sounded good tonight,” Cyril said. “You about tore the place down.”
Peter checked the bathroom—Allie was gone.
Cross must have read Peter’s face. “Does anyone know where he’s off to or did he just split?”
“He went out to get a bite,” Cyril said. “Wayne’s tagging along.”
Cross nodded at trays of fruit and sandwiches waiting beneath cellophane. “So I guess this isn’t food. And who the fuck is Wayne?”
“You know Wayne.”
“Are you feeling all right?” Peter asked.
“He’s okay. Aren’t you, boss?”
Cross toweled his hair, then headed into the bathroom; he didn’t bother to close the door. The sound of halting splashes hinted at an enlarged prostate, par for the course.
When Cross returned, his face appeared scrubbed. “Is Bluto avoiding me?”
“He went to fire Fletch.”
Peter heard his own voice ask, “Why?”
Cross poked at the sandwiches under the plastic. “Do we have a replacement lined up?”
“Bluto always has a plan,” Cyril said. “He won’t play chess because he knows how it ends.”
Cross picked his baggy sweatshirt off the back of a chair and threaded his head through the neck hole, tugged it on. “What about the French guy? He’s run the boards before.”
“Patrice left last summer.”
“Do either of you have any idea where Allie is?” Cross barked.
“Give me a second,” the bodyguard said, heading out the door.
“Lock it,” Cross said.
Peter went over and shot the bolt. When he turned around, Cross was pressing the palms of his hand into the tray of sandwiches, mashing them down.
“I was hoping you’d hear those songs tonight, but I guess you were down here looking at Allie.”
Peter remembered Ogata’s advice, Shut up and listen.
“The problem with a Hippocratic oath is it can be used against you.”
“How can it be against me?”
“If a person wants your attention, all they have to do is hurt themselves.”
“Luckily, people don’t do that.”
Cross lifted a bunch of green grapes. “Do you think I was the only audience Allie had in mind for his little command performance? You’re the reason he’s here.”
Someone knocked on the door, three quick knuckle raps.
“Is that Cyril?” asked Peter.
“It could be anyone. Let’s see if they go away.”
“Why am I the reason Allie’s here?”
“I mean here on Earth and here on tour.” Cross dropped the grapes back on the platter. “When I told him you were coming on tour, he caught a flight that day. He hadn’t left Paris in six years.”
“How did he know who I was?”
“You were his prototype. When I was in the studio recording Midnight at the Bazaar, the working title was Me and the Boy.”
“Are you saying I was ‘the Boy’?”
“The songs are about childhood, about getting lost in the woods and my competing desires to settle down with a family and to sleep with strangers on the road. They’re my songs, but I didn’t know I could write them before I met you.”
“How old was I when you knew me?”
“You’d just turned three the last time I saw you.”
“I was just some kid.”
“And now you’re just some doctor.”
Peter walked to the wall and rubbed his forehead against the cool concrete.
“You’re not going to throw up, too, are you?”
The knocker had returned.
“That’s Cyril. Let him in.”
Peter didn’t move.
Cross cleared his throat, then walked to the door and opened it.
Cyril said, “Allie’s bingeing on sushi a couple blocks away.”
“We need to go to the hospital tonight,” Peter said, surprising himself.
“There’s no rush,” said Cross.
Peter turned from the wall. “Did Dr. Ogata call you earlier?”
“Tony’s more concerned about his good name than he is about me.” Cross picked a napkin off the table and blew his nose. “I told him nothing can hurt me. I’m a cockroach.”
“It ain’t like cockroaches is immortal,” said Cyril, philosophically.
“I need you to come to the hospital with me,” Peter said. “It’s important.”
“Important for whom?”
Peter told the truth. “It’s important for me.”
“You think that’s a good enough reason?”
Peter waited for Cross to look at him. “If you don’t like what I’m telling you, the only person you have to blame is yourself. I wouldn’t be here if you hadn’t plotted with Ogata and your lawyer friend.”
“How about we listen to the doctor,” Cyril said.
Cross turned his head so the words seemed to spill from his mouth. “I didn’t see this coming.”
“Neither you nor Allie has the slightest idea who I am.”
“Earth to Peter,” Cross said, “you don’t know who you are either.”
61
After the show, while Rosalyn visits the lavatory, I upload the setlist, so that Cross’s fans in Brisbane, in St. Petersburg, in Seoul, and in Bangkok can find out what they missed.
As I’m finishing, Rosalyn slides up next to me.
“You ready?” I ask, double-checking to make sure the page updated.
She doesn’t answer.
I turn to her, but instead of Rosalyn, I see a skinny kid with a railroad engineer’s cap pulled down to his ears. Maybe he’s twenty. His head looks like it’s resting directly on his shoulders. “Are you Pennyman?”
The way he twitches—his mouth going flat, then jagged—bothers me. His eyes dart around, settling on my face like a fly.
He jams his hands into the pockets of his coat.
On a different night, I might see him as a kindred spirit. But in this moment, I want to be away from him. He gives me the creeps.
“Pennyman?” he repeats. He’s looking at the face of my phone.
People mill around. Where is Rosalyn?
“No,” I say.
He seems to be wondering if my divergence from our script isn’t some kind of test. His eyes narrow and then, I swear, he sort of growls at me.
Rosalyn returns, plants a kiss on my lips. I clutch her warm fingers as she pulls me away. It almost feels true, that I’m not Arthur Pennyman.
There’s a bottleneck where we have to pause to squeeze through the doors. When I look over my shoulder, the kid is still watching me. He reaches his hand out to me, then, with a twist of his wrist, gives me the bird.
It’s cold outside. I grab Rosalyn’s small shoulder to keep her close. She says, “You’re staying with me.
”
My phone chirps, notifying me that a text has come in, but I only have eyes and ears for Rosalyn. It will be eight hours before I learn that Milton Fletcher, Cross’s sound guy, after seven years of exemplary service and with fewer than a dozen dates to go on the fall leg, has been fired. By tomorrow morning the news will be all over CrossTracks and the other boards as people speculate what it might mean.
62
While Bluto and the rest of the band loaded onto the tour bus and departed for Lexington, Cross and his retinue took a van to the hospital.
Alistair rode in the front seat, next to the driver, his head hanging out the window like a dog. He threw up silently, as if pouring his guts out of a bucket.
Wayne said, “There’s a reason you never find bubble tea and salmon sashimi on the same menu.”
“Shut it,” said Cyril.
Wayne said, “You’re talking to the wrong guy.”
Sitting next to Peter, Cross asked, “How is Judith’s health?”
“She’s great.”
“What is she, about fifty-eight?”
“Fifty-three.”
Cross looked outside the van. “I guess she hasn’t retired yet.”
“No, and that’s not on the horizon.”
“If you’re not working, what are you doing?”
WHEN THE VAN stopped in front of the hospital, two figures emerged from a darkened kiosk, a crooked tree of a security guard and a stout woman whose short hair curled like cake frosting. Peter introduced himself. The woman, a nurse, explained that Martin’s friend, the imaging technician, was waiting for them in his lab. The security guard never lifted his eyes from the ground; he didn’t speak.
After whispering something in Cyril’s ear, Cross said, “Should we go inside?”
“Of course,” said the nurse, giving the security guard a gentle push toward the building.
WHEN THEY RECONVENED inside the lobby they were six: the nurse, the guard, Peter, Cross, Cyril, and Alistair.
“Did we lose the Asian fellow?” asked the nurse.
Cyril said, “He decided to stay with the van.”
The place felt shuttered. According to a sandwich board, visiting hours had ended at eight. A pregnant woman paused on a ramp to stretch her calves, while a slight man in cutoff shorts trailed behind her, whispering into a cell. In the middle of the lobby, like an animal gone to pasture, an enormous vacuum sat idle.
Peter approached Alistair and asked him how he felt.
“If you’re offering to help me feel better, I accept.”
“Tell me if you start to feel dizzy.”
“You mean dizzier?”
The group piled into an elevator.
Even with his folded posture, the security guard towered over Cyril.
The nurse pressed a button and the doors closed.
“So what’s this movie about anyway?” Alistair asked.
Nobody took the bait. The nurse stared at the digital readout above the door. “Almost there,” she said.
When the doors opened, the group poured out.
Peter turned to make sure Cross was following. What he saw surprised him. Cross had seized his son about the shoulders. The younger man, his arms pinned to his sides, looked stricken. Father and son stood rooted in the threshold.
“Where are we headed?” asked Cyril, his voice a hammer, striking everyone.
The group resumed their journey. Around the next corner, the ceiling dropped down more than a foot to display, in brushed-steel institutional lettering, David L. Ward Center for Imaging. Peter wondered if the hall’s design wasn’t intentional, a nod to the looming claustrophobia of the MRA machine.
THE GROUP PASSED through two more double doors without any sense that they might be nearing their destination. Then, miraculously, they stood staring at the scanner.
“What a fastidious meat grinder,” Cross said.
The machine suggested an artifact from an alien world.
Cyril, whose vocation involved transporting and insuring the irreplaceable, asked, “How’d they get it in here?”
“It’s modular,” the nurse said. “It was assembled on site.”
“It’s a sugar cube,” said Alistair.
A man appeared from behind the machine. He had a close-trimmed white beard and a face as pink as bubble gum. “Bill Winchester, sir,” he said, sticking his hand out to Cross. “Always been a big admirer.”
Cyril tapped Peter’s arm. “We waiting for anyone else?”
Winchester clapped his hands. “Let’s rock and roll. Ha ha.”
“Do you need me to put on a gown or something?” asked Cross.
Winchester set the blade of his hand level with the singer’s collarbone. “We’re only looking from here up, the prime real estate.”
“Only,” Cross repeated.
“You ready?”
Cross looked at Peter. “Am I ready?”
Peter nodded his head.
Winchester helped Cross sit on the machine’s bed. He put a hand at the base of the singer’s neck and lowered him with a gentle grace.
Once he was situated, Cross said, “The rest of you going to mill around while they zap me?”
Winchester explained that, for safety reasons, everyone needed to wait in the control room. He said, “There’s a camera and a microphone inside the tube, Mr. Cross, so we’ll be able to monitor you.”
A motor whirred and the bed lifted the singer, until his body aligned with the hollowed center of the device. The toes of his boots tapped together: click, click, click.
Winchester touched Cross’s shin. “Please, try to keep as still as possible.”
Cross cleared his throat. Swallowed.
THE NURSE LED the rest of them around a corner into an annex. A row of molded-plastic chairs faced a little control center with stacked computer displays. A large rectangular window set into the wall allowed them to see where Cross’s torso extended from the machine.
“You’re the doctor?” the woman asked Peter.
Nurses were like Congress; they saw themselves as a check and balance to the physician’s executive powers.
“I am,” Peter said.
She pulled out a seat close to the technician’s chair.
That done, her attention drifted to Alistair. “I recognize you. You’re his son.”
Alistair said, “You think you could get me a Coke with a leetle bit of rum?”
THROUGH THE WINDOW, the men watched Winchester make final adjustments to Cross’s posture. Even people who weren’t susceptible to claustrophobia had an issue with being stuffed in a tube. It wasn’t simply the enclosed space that bothered folks—they didn’t appreciate knowing that the machine would turn the walls of their skulls into windowpanes. Peter had offered Cross a Xanax, but the singer had turned it down. On the bed, Cross kept his hands clasped over his sternum; one thumbnail sliced beneath the other as regularly as a metronome.
Winchester popped into the control room. Squeezing past Cyril, he took his place behind the machine’s display.
“This place remind you guys of anything?”
“It could almost be a recording studio,” said Alistair.
“In a way, it is a recording studio,” said Peter.
Winchester said, “I need to find a leather sofa and some old magazines.”
“Maybe a potted palm,” said Cyril.
Peter asked, “Do you play any instruments?”
Winchester hunched his shoulders together, as though he were buttoning a coat. “A little mandolin.”
“Is there another kind?” asked Alistair.
The nurse announced she was heading downstairs.
One of the monitors blinked on: it offered a fish-eye-lens view of Cross’s head as he was fed into the tube. Winchester scrolled through a few screens, inputting codes from a binder propped open on the table before him.
Cross spoke to them from a speaker on the wall. “You guys
watching me on the TV?”
Winchester reached a hand out, toggled a button. “You doing okay in there?”
Cross didn’t respond right away.
“You still with us?”
“I’ve never been a torpedo before.”
“Remember what I told you: relaxed breaths.”
“Allie, could you sing something?”
Winchester pulled an auxiliary microphone from a cubby and passed it to Cross’s son.
Allie pressed a red button marked talk: “You want to make a request?”
“Knock me out.”
“I could recite my sins?”
Cross shook his head.
Winchester said, “Please try not to move, Mr. Cross.”
“Distract me,” Cross said.
Alistair dropped his voice into a sweet purr:
Well, the doves are in their beds.
Dogs chase rabbits in their dreams.
Rest your head, old man,
I’ll take care of anything.
The torpedo tube is loaded
The gunpowder smartly stacked
Agents for the government
Will take your money back.
Shut your eyes, old man,
And settle in your gurney.
Don’t worry ’bout a thing
I’ll have power of attorney.
See, I’ve been blessed with bad ideas,
Plus cash enough to see them through.
I’ll father lots of kids and name them after you.
Cyril pointed to Cross’s face on the screen. “You got him to smile.”
“I’ll be here all week, ladies and gentlemen,” Alistair said, “playing your favorite golden oldies as well as topical songs with timely messages.”
“That wasn’t off your album, was it?” asked Winchester.
“It’s a new number.”
“Call it ‘Torpedo Tube,’” said Cyril.
Alistair leaned into the mic. “I hope you enjoyed the world premiere of ‘Torpedo Tube.’”
Cross cleared his voice. “‘Vexation Lullaby.’”
“That’s better,” said Winchester.
“I still like ‘Torpedo Tube,’” said Cyril.
Leaning back in his chair, Alistair said, “When I was a kid, he set up a studio in this castle near Prague. Two important things happened: I taught myself how to play guitar on an abandoned Martin Dreadnought, and I reached the erotic summit of my life, when these twin Czech girls in yellow tights pulled me into the pantry and the two of them sucked on my middle fingers at the same time. I didn’t tell anyone about the guitar because it seemed like insubordination. And I didn’t tell anyone about the finger-sucking, because it had nothing to do with me and everything to do with my old man.
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