The cat had emerged in midair. It landed running and lasted a minute or so. Vaggan had wanted to learn if the dogs' training to silence would hold even during the excitement of an attack. It had. They had killed the cat with no more sound than their breathing. He had also learned something useful about how they worked. The female was the leader. She struck, and then the big male went in for the kill. Instinct, probably. It hardly seemed to Vaggan that it was something animals could be taught.
Vaggan's sentiments, oddly for him, had been with the cat. For the cat was the foredoomed loser in this affair, and Vaggan had no regard for losing, or for those who did it. Vaggan, however, admired cats, respected their self-sufficient independence. He identified with that.
Often, in fact, he thought of himself as a cat. In the world that would come after the missiles and the radiation he would live as a predator, as would everyone who survived more than a week or so. Cats were first-rate predators, requiring no pack to hunt, and Vaggan found them worthy of his study.
Vaggan had started clippping wires at the bottom of the fence, wanting to be standing erect when he had cut enough to make it possible for the dogs to attack. But the dogs made no move. They waited, skittish and eager, aware that Vaggan was the enemy, wanting the wire out of the way for what was inevitable.
He clipped the last wire, holding the severed fence between him and the Dobermans. He dropped the clippers, fished his buck knife from the waders' pocket, and opened it. He held the blade upward, like a saber in his left hand, dropped the fence, and snatched up the pipe wrench in his right. The dogs stood, waiting. He studied them a moment, then stepped through the fence onto the lawn.
The male wheeled to Vaggan's left, whining eagerly, and the female took two or three steps directly backward. Then she lunged, fangs bared-a black shape catapulting at his chest. Had there been a single dog, Vaggan would have met the charge directly, to give the blow of the pipe wrench its full, killing force. But the male dog would also be coming. Vaggan wheeled to the right as he struck, taking some of the force out of the swing but putting the female's body between him and the charging male. The wrench slammed into the Doberman's skull in front of the ear, breaking jawbone, skull, and vertebrae. But the force of her lunge knocked Vaggan against the fence just as the male struck. It fastened, snarling, on the rubber leg of his waders, its weight pulling and tearing at him, jerking him off balance. Vaggan hit it across the lower back with the wrench, heard something break, and hit it again across the chest. The dog fell away from him and lay on its side on the lawn, struggled to get to its front feet, tried to crawl away from him. Vaggan walked after it and killed it with the wrench. The female, he saw, was already dead. Vaggan knelt beside the male dog's body, eyes on Leonard's house, listening. No lights came on. The Santa Ana had faded a little for the moment, as if it were listening with him. Then it howled again, bending the eucalyptus trees that shaded the swimming pool and battering the shrubbery behind him. Vaggan walked back to the hole in the fence and looked through it, up and down the moonlit street. The wind moved everything, but he could see no sign of human life.
He dragged the male dog back to the shrubbery and hung it, head dangling, in the thick limbs. He extracted a rubber ice pack from his airline bag, unscrewed its oversized cap, and cut the Doberman's throat with the buck knife. He'd bought the ice bag at a medical supply store, choosing it because of its mouth, wide enough for ice cubes or to catch a flow of blood in the dark. He collected a pint or so from the dog's severed artery and then replaced the cap. Next he took out two plastic garbage bags and unfolded them on the grass. He decapitated both dogs and amputated the left foreleg of the male. He stuffed the bodies in one bag and the heads and foreleg in the other. That done, he stripped off his heavy gauntlets, blood-soaked now, replacing them with a pair of thin rubber surgical gloves.
He stepped out of the waders. The male dog's teeth had torn through the heavy rubber at the knee, leaving multiple rips. He checked the leg of his coveralls. It, too, was torn but his skin hadn't been punctured. He put the gauntlets, wrench, and buck knife back in the airline bag. He took out his shoes, and slipped them on, and extracted a roll of adhesive tape, a small.32 caliber pistol, four pairs of nylon restraint handcuffs, a pressure spray can of foam insulation, and, finally, a pair of plier clamps and two cattle ear tags he'd purchased at a veterinarian supply store in Encino. He arranged this assortment in his pockets and stacked the waders and the bag containing the bodies under the shrubbery. If the situation allowed he would retrieve them. If not, it wouldn't matter because he'd left no fingerprints or any way of tracing anything. But having the dogs' bodies missing would add another touch of the macabre, and Vaggan was going to make it macabre to the maximum-macabre enough to make page one of the LA Times and the lead item on tomorrow's newscasts.
He walked quietly across the lawn, carrying his burden. Dogs out of the way, the next step was the burglar alarm.
Vaggan knew a lot about the alarm. The second time he'd scouted the house, he'd noticed a burglars beware sticker the alarm company had pasted on the side-entrance window. He'd examined the sticker through his binoculars, looked up the company's name in the phone book, and spent an afternoon as a potential customer, learning how the system worked. Jay Leonard was big in Los Angeles, a television talk show host people were proud to have as a customer. As he had with the dog trainer, Vaggan implied that Leonard was a friend. He mentioned that Leonard was well pleased with his alarm system and had suggested he get one like it. The salesman had shown him the model and explained how it worked, and Vaggan had bought one, saying he'd install it himself.
He found the control box about where the salesman had said it should be put, mounted on an inside wall of the open carport near both a power source and a telephone line. It was equipped with an anti-tamper device that set off the alarm inside the house and flashed a signal to the Beverly Hills police if the power was cut off. Vaggan fished the aerosol can from his jacket pocket, shook it vigorously, and inserted the nozzle into the heat/moisture vent on the side of the metal box. He depressed the button and listened to the hiss of the foam insulation gushing in. The label specified a drying time of thirty minutes but, when Vaggan had checked it, it had been solid in eighteen minutes-solid and expanded to congeal all the alarm's relay switches and circuits into useless immobility. But he waited the full thirty minutes to be safe, leaning against the carport wall, coming down from the high he'd experienced in dealing with the dogs.
There was no reason to think about what he'd do next. That was carefully planned. Instead he thought about the Navajo Project. The message from his answering service had said simply, Call Mac. That meant call McNair, which in turn meant that something must have come unglued again. Not surprising. In Vaggan's experience, jobs that started sloppily tended to continue to screw up. But it was no skin off his ass. He didn't even know what the operation involved. Something, he guessed, to do with getting rid of witnesses. McNair was under indictment, with some of his people. McNair was fairly big, and certainly very senior, in the West Coast car-stealing business, and fairly big in cocaine too, from what Vaggan had heard. And he had Koreans, and Indians, and Filipinos, and Mexicans, and such people doing his stealing. In Vaggan's estimation, that was asking for trouble, since such people were poor stock. Some of them would surely screw up and get caught and talk. Had talked, already, to the grand jury, from what he'd heard, and would be ready to nail McNair in court. Which is what you should expect when you deal with such people. Losers. All of them, except maybe the Navajos.
Something about the Navajos appealed to Vaggan. Since he'd gotten into this business, he'd been reading about them. They, too, were survivors. It was because, he was sure, of their philosophy of staying in harmony with conditions, being in tune with whatever was coming down. That made sense. He did it himself. The people who refused to believe the missiles were coming and tried to turn it off by denying it, they would die. He'd gotten in harmony with that inevitable truth, accepted it,
prepared for it. He would survive. And he'd gotten in harmony with this Santa Ana wind. It didn't bother him. In fact, he'd made it a part of his cover, like the quills on a porcupine. He listened to the wind, battering and shaking things, and smiled slightly. He glanced at his watch and pushed the tip of his little finger against the foam insulation in the vent. It was stiff. Time for the final phase. Time for the rent-a-cop.
Vaggan used his glass cutter on the window, removing a pane and reaching inside to unfasten the lock and then closing it behind him quickly, as soon as he had himself and his supplies inside, to shut out the wind sound. He stood listening, giving his eyes time to adjust to this deeper darkness. He'd made no sound himself. Vaggan could be quiet as the cats he admired. But opening the window would have changed the sound level of the storm for anyone awake inside. If that had alerted anyone it was better to know it now. So he waited, stock still, using up a full five minutes.
To his right a click, a low hum. The thermostat turning on the refrigerator motor. Vaggan smelled something astringent-a cleanser, perhaps-and coffee, and dust. Behind the purr of the refrigerator, the sound of distant music. Perhaps a radio playing, or a tape. In a bedroom somewhere. Then the sound of the Santa Ana rose again, pounding against the windows, rattling limbs across the roof, screeching at the corners. It subsided. The music was replaced by a male voice, inaudibly low, and then became music again. Vaggan strained to hear. It was "Daniel," the Elton John tune. Vaggan folded his handkerchief over the lens of his penlight, pointed it at the floor, and turned it on. His eyes had adjusted now, and the glow was adequate-illuminating a modern kitchen and reflecting into an expansive living area beyond.
Vaggan crept through the open archway, his crepe soles moving from the sibilance of the kitchen tile to the total silence of a thick gold carpet. He stopped and listened again, light off. The music was a bit louder now, coming from the hallway that led from the living area into what must be a bedroom wing. He removed the handkerchief, dropped it back into his pocket, and turned on the flash. A second hallway to the left led into what seemed to be some sort of atrium-greenhouse and beyond that into darkness. Vaggan moved down the carpeted hall of the bedroom wing. He stopped at the first door, listening with an ear pressed to a wooden panel. Hearing nothing, he turned off the flash, tried the knob, turned it slowly, eased the door open. He smelled deodorant, an air freshener, soap, bathroom aromas. A flick of the flash confirmed it. Guest bathroom. Vaggan closed the door and moved to the next one. Silence again, knob turning easily, door easing open. Vaggan aimed the flash at the floor, flicked it on. The reflected light showed him an empty bed, a neat, unused bedroom. He backed out, pausing to examine the door's locking mechanism under the light. A typical bedroom lock. In the hallway again, he noticed the music was loud enough now to make out an occasional word. "Daniel," the voice sang, "my brother." Vaggan pressed an ear against the next door. Heard nothing. The knob wouldn't turn. He tried it again to confirm it was locked, then extracted a credit card from his wallet and knelt. The lock was new, and the tongue slid back easily without a sound. Vaggan stood and pulled the door open a half inch. He replaced the credit card, fished a section of nylon stocking from his pocket, and spent a moment adjusting the holes he'd cut into it over his eyes. He inhaled, feeling the same exhilaration he'd felt facing the dogs at the fence. Adrenaline. Strength. Power. Vaggan took the.32 from his pocket, held it briefly in his palm, then returned it to the pocket. He eased the door open and looked into a room lit by moonlight reflecting through translucent drapes.
The rent-a-cop had hung his clothing across a chair beside the bed, with his belt and holster dangling from the chairback. Easy to reach, Vaggan thought, when the guard heard the dogs or heard the alarm. A careful man. He extracted a revolver from the holster, dropped it in the pocket of his jacket. The cop was sleeping in shorts and undershirt, on his side, face to the wall, breathing lightly.
Vaggan switched on the flash and shined it on the man. He was young, maybe thirty, with curly black hair and a mustache. He slept on, snoring lightly. Vaggan extracted his.32, leaned forward, touched him.
The man jerked, stiffened.
"No sound," Vaggan said. He moved the light back so it illuminated the pistol. "No reason in the world for you to get hurt. They don't pay you enough for that."
The guard rolled on his back, eyes wide, staring at the gun barrel. The light reflected from dilated pupils.
"What?" the guard said. He said it in a whisper, back pressed against the mattress. "Who.?"
"You and I have no problem," Vaggan said. "But I've got to talk to Leonard, so I got to tie you up."
"What?" the guard said again.
"You make any trouble, I kill you," Vaggan said. "Noise or trouble and you're dead. Otherwise, no harm done. You just stay tied up for a while. Okay? I'll look in now and then, and if you've tried to get loose, then I have to kill you. You understand that? Do you?"
"Yes," the guard said. He stared at the pistol, and into the light that illuminated it, and above the light, looking for the source of Vaggan's voice.
"On your stomach, now," Vaggan whispered. "Wrists behind you."
Vaggan fished two sets of nylon handcuffs from the jacket. He secured the guard's wrists behind him, then pulled him down the bed by his ankles. He cuffed the ankles together, one foot on each side of the metal bedpost.
The man was shaking, and his skin was wet with perspiration under Vaggan's hand. Vaggan grimaced and wiped his palm against the sheet. This one would never survive, and should never survive. When the missiles came, he would be one of the creeping, crawling multitude of weaklings purged from the living.
"Lift your face," Vaggan whispered. He taped the guard's mouth, winding the adhesive around and around, in quick movements. "My business will take an hour," Vaggan said. "I can tolerate no sound from this room for one hour. If I hear you moving in here, I will simply step inside and kill you. Like this." He pressed the muzzle of the pistol against the skin above the guard's ear. "One shot."
The guard breathed noisily through his nostrils, shuddering. He closed his eyes and turned his face away from the pistol. Vaggan felt an overwhelming sense of repugnance. He wiped his palm against his trouser leg.
Back in the hallway he used up another full minute listening. He could hear the guard breathing, almost gasping, through the door behind him and, from the door at the end of the hall, music. Elton John had been replaced by a feminine voice singing of betrayal and loneliness. He moved to the door and pressed his ear against it. He could hear only the song. He tried the knob. Locked. He extracted the credit card, slid it through the slit, pressed back the tongue, and eased the door a half inch open. His heart was beating hard now, his breathing quick, the sound of blood in his ears. He made sure the pistol was cocked. Then he opened the door.
This room was also lit by moonlight. It shone directly on thin, translucent drapes pulled across a wall of glass-making the drapes luminescent and illuminating a pale carpet and a huge bed. On it two people slept. Jay Leonard lay on his back, right hand dangling, left arm across his face, legs spread. He wore a pajama top, unbuttoned. The other person was a woman, much younger-a brunette curled on her side away from Leonard, the filtered moonlight giving the smooth, bare skin of her buttocks the look of ivory. Vaggan smelled perfume, human sweat, the inevitable dust of the Santa Ana, and the sweet smell of marijuana. The music ended and became the muted voice of the disc jockey, talking about dog food. The radio tuner was built into the headboard of the bed, its dial a bright yellow slit in the dimness. Vaggan wondered how anyone could sleep with a radio on.
In his pocket, he touched the sharp interlocking serrations forming the teeth of the ear tags and found the plier-clamp that would crimp them together. Outside, the Santa Ana rose again, screaming in the moonlight. Vaggan glanced at his watch. Three eighteen. He'd planned for three twenty, and he waited for three twenty.
"Leonard," Vaggan said. "Wake up. I've come to get the money."
Wh
en Vaggan got back to his van it was a little after 4 a.m. He stored the plastic garbage bag with the bodies of the dogs in the back, put away his other gear, and then let the van roll quietly back down the street before starting the engine. He ticked off all he'd done, making sure that nothing had been overlooked. After finishing with Leonard, he'd taken the dog's leg and used it and the ice bag of blood to make a crazy pattern of paw prints across the living room carpet and down the hall to Leonard's bedroom. He'd put the dogs' heads, side by side, on the mantel and poured the remainder of the blood over them. He'd called the hospital emergency room to tell them Jay Leonard, the TV talk show host, was on his way and would need attention. Finally he called the city desk of the Times and the night shift of the newsrooms of the three network TV stations. At each place someone was waiting for a call "about three forty-five," just as Vaggan had told them to be.
"I'm the man who called earlier," Vaggan said. "The celebrity I told you about who was going to get hurt tonight is Jay Leonard. He's on his way right now to the emergency room, just like I told you he would be. His girlfriend is driving him. He's got cattle ear tags clamped through both ears, and he'll need a little surgery to get them removed. If you sent a crew there, like I suggested, you should get some good stuff."
Tony Hillerman - Leaphorn & Chee 06 - The Ghostway Page 9
