by Hilary Mante
Thomas thinks, he was being unnecessarily Welsh.
‘Meanwhile her women had put the little creature into bed; or said they had, for they thought that in bed she would be safe against him. Not a bit. King Henry strode through the rooms, looking as if he had in mind to tear back the bedclothes. The women bundled her into some decency. He burst into the chamber. At the sight of her, he forgot his Latin. He stammered and backed out like a tongue-tied boy.’ The cardinal chuckled. ‘And then when she first danced at court – our poor prince Arthur sat smiling on the dais, but the little girl could hardly sit still in her chair – no one knew the Spanish dances, so she took to the floor with one of her ladies. I will never forget that turn of her head, that moment when her beautiful red hair slid over one shoulder … There was no man who saw it who didn't imagine – though the dance was in fact very sedate … Ah dear. She was sixteen.’
The cardinal looks into space and Thomas says, ‘God forgive you?’
‘God forgive us all. The old king was constantly taking his lust to confession. Prince Arthur died, then soon after the queen died, and when the old king found himself a widower he thought he might marry Katherine himself. But then …’ He lifts his princely shoulders. ‘They couldn't agree over the dowry, you know. The old fox, Ferdinand, her father. He would fox you out of any payment due. But our present Majesty was a boy of ten when he danced at his brother's wedding, and, in my belief, it was there and then that he set his heart on the bride.’
They sit and think for a bit. It's sad, they both know it's sad. The old king freezing her out, keeping her in the kingdom and keeping her poor, unwilling to miss the part of the dowry he said was still owing, and equally unwilling to pay her widow's portion and let her go. But then it's interesting too, the extensive diplomatic contacts the little girl picked up during those years, the expertise in playing off one interest against another. When Henry married her he was eighteen, guileless. His father was no sooner dead than he claimed Katherine for his own. She was older than he was, and years of anxiety had sobered her and taken something from her looks. But the real woman was less vivid than the vision in his mind; he was greedy for what his older brother had owned. He felt again the little tremor of her hand, as she had rested it on his arm when he was a boy of ten. It was as if she had trusted him, as if – he told his intimates – she had recognised that she was never meant to be Arthur's wife, except in name; her body was reserved for him, the second son, upon whom she turned her beautiful blue-grey eyes, her compliant smile. She always loved me, the king would say. Seven years or so of diplomacy, if you can call it that, kept me from her side. But now I need fear no one. Rome has dispensed. The papers are in order. The alliances are set in place. I have married a virgin, since my poor brother did not touch her; I have married an alliance, her Spanish relatives; but, above all, I have married for love.
And now? Gone. Or as good as gone: half a lifetime waiting to be expunged, eased from the record.
‘Ah, well,’ the cardinal says. ‘What will be the outcome? The king expects his own way, but she, she will be hard to move.’
There is another story about Katherine, a different story. Henry went to France to have a little war; he left Katherine as regent. Down came the Scots; they were well beaten, and at Flodden the head of their king cut off. It was Katherine, that pink-and-white angel, who proposed to send the head in a bag by the first crossing, to cheer up her husband in his camp. They dissuaded her; told her it was, as a gesture, un-English. She sent, instead, a letter. And with it, the surcoat in which the Scottish king had died, which was stiffened, black and crackling with his pumped-out blood.
The fire dies, an ashy log subsiding; the cardinal, wrapped in his dreams, rises from his chair and personally kicks it. He stands looking down, twisting the rings on his fingers, lost in thought. He shakes himself and says, ‘Long day. Go home. Don't dream of Yorkshiremen.’
Thomas Cromwell is now a little over forty years old. He is a man of strong build, not tall. Various expressions are available to his face, and one is readable: an expression of stifled amusement. His hair is dark, heavy and waving, and his small eyes, which are of very strong sight, light up in conversation: so the Spanish ambassador will tell us, quite soon. It is said he knows by heart the entire New Testament in Latin, and so as a servant of the cardinal is apt – ready with a text if abbots flounder. His speech is low and rapid, his manner assured; he is at home in courtroom or waterfront, bishop's palace or inn yard. He can draft a contract, train a falcon, draw a map, stop a street fight, furnish a house and fix a jury. He will quote you a nice point in the old authors, from Plato to Plautus and back again. He knows new poetry, and can say it in Italian. He works all hours, first up and last to bed. He makes money and he spends it. He will take a bet on anything.
He rises to leave, says, ‘If you did have a word with God and the sun came out, then the king could ride out with his gentlemen, and if he were not so fretted and confined then his spirits would rise, and he might not be thinking about Leviticus, and your life would be easier.’
‘You only partly understand him. He enjoys theology, almost as much as he enjoys riding out.’
He is at the door. Wolsey says, ‘By the way, the talk at court … His Grace the Duke of Norfolk is complaining that I have raised an evil spirit, and directed it to follow him about. If anyone mentions it to you … just deny it.’
He stands in the doorway, smiling slowly. The cardinal smiles too, as if to say, I have saved the good wine till last. Don't I know how to make you happy? Then the cardinal drops his head over his papers. He is a man who, in England's service, scarcely needs to sleep; four hours will refresh him, and he will be up when Westminster's bells have rung in another wet, smoky, lightless April day. ‘Good night,’ he says. ‘God bless you, Tom.’
Outside his people are waiting with lights to take him home. He has a house in Stepney but tonight he is going to his town house. A hand on his arm: Rafe Sadler, a slight young man with pale eyes. ‘How was Yorkshire?’
Rafe's smile flickers, the wind pulls the torch flame into a rainy blur.
‘I haven't to speak of it; the cardinal fears it will give us bad dreams.’
Rafe frowns. In all his twenty-one years he has never had bad dreams; sleeping securely under the Cromwell roof since he was seven, first at Fenchurch Street and now at the Austin Friars, he has grown up with a tidy mind, and his night-time worries are all rational ones: thieves, loose dogs, sudden holes in the road.
‘The Duke of Norfolk …’ he says, then, ‘no, never mind. Who's been asking for me while I've been away?’
The damp streets are deserted; the mist is creeping from the river. The stars are stifled in damp and cloud. Over the city lies the sweet, rotting odour of yesterday's unrecollected sins. Norfolk kneels, teeth chattering, beside his bed; the cardinal's late-night pen scratches, scratches, like a rat beneath his mattress. While Rafe, by his side, gives him a digest of the office news, he formulates his denial, for whom it may concern: ‘His Grace the cardinal wholly rejects any imputation that he has sent an evil spirit to wait upon the Duke of Norfolk. He deprecates the suggestion in the strongest possible terms. No headless calf, no fallen angel in the shape of loll-tongued dog, no crawling pre-used winding sheet, no Lazarus nor animated cadaver has been sent by His Grace to pursue His Grace: nor is any such pursuit pending.’
Someone is screaming, down by the quays. The boatmen are singing. There is a faint, faraway splashing; perhaps they are drowning someone. ‘My lord cardinal makes this statement without prejudice to his right to harass and distress my lord of Norfolk by means of any fantasma which he may in his wisdom elect: at any future date, and without notice given: subject only to the lord cardinal's views in the matter.’
This weather makes old scars ache. But he walks into his house as if it were midday: smiling, and imagining the trembling duke. It is one o'clock. Norfolk, in his mind, is still kneeling. A black-faced imp with a trident is pricking his callouse
d heels.
Chapter III.
At Austin Friars.
1527
Lizzie is still up. When she hears the servants let him in, she comes out with his little dog under her arm, fighting and squealing.
‘Forget where you lived?’
He sighs.
‘How was Yorkshire?’
He shrugs.
‘The cardinal?’
He nods.
‘Eaten?’
‘Yes.’
‘Tired?’
‘Not really.’
‘Drink?’
‘Yes.’
‘Rhenish?’
‘Why not.’
The panelling has been painted. He walks into the subdued green and golden glow. ‘Gregory –’
‘Letter?’
‘Of sorts.’
She gives him the letter and the dog, while she fetches the wine. She sits down, taking a cup herself.
‘He greets us. As if there were only one of us. Bad Latin.’
‘Ah, well,’ she says.
‘So, listen. He hopes you are well. Hopes I am well. Hopes his lovely sisters Anne and little Grace are well. He himself is well. And now no more for lack of time, your dutiful son, Gregory Cromwell.’
‘Dutiful?’ she says. ‘Just that?’
‘It's what they teach them.’
The dog Bella nibbles his fingertips, her round innocent eyes shining at him like alien moons. Liz looks well, if worn by her long day; wax tapers stand tall and straight behind her. She is wearing the string of pearls and garnets that he gave her at New Year.
‘You're sweeter to look at than the cardinal,’ he says.
‘That's the smallest compliment a woman ever received.’
‘And I've been working on it all the way from Yorkshire.’ He shakes his head. ‘Ah well!’ He holds Bella up in the air; she kicks her legs in glee. ‘How's business?’
Liz does a bit of silk-work. Tags for the seals on documents; fine net cauls for ladies at court. She has two girl apprentices in the house, and an eye on fashion; but she complains, as always, about the middlemen, and the price of thread. ‘We should go to Genoa,’ he says. ‘I'll teach you to look the suppliers in the eye.’
‘I'd like that. But you'll never get away from the cardinal.’
‘He tried to persuade me tonight that I should get to know people in the queen's household. The Spanish-speakers.’
‘Oh?’
‘I told him my Spanish wasn't so good.’
‘Not good?’ She laughs. ‘You weasel.’
‘He doesn't have to know everything I know.’
‘I've been visiting in Cheapside,’ she says. She names one of her old friends, a master jeweller's wife. ‘Would you like the news? A big emerald was ordered and a setting commissioned, for a ring, a woman's ring.’ She shows him the emerald, big as her thumbnail.
‘Which arrived, after a few anxious weeks, and they were cutting it in Antwerp.’ Her fingers flick outwards. ‘Shattered!’
‘So who bears the loss?’
‘The cutter says he was swindled and it was a hidden flaw in the base. The importer says, if it was so hidden, how could I be expected to know? The cutter says, so collect damages from your supplier …’
‘They'll be at law for years. Can they get another?’
‘They're trying. It must be the king, so we think. Nobody else in London would be in the market for a stone of that size. So who's it for? It isn't for the queen.’
The tiny Bella now lies back along his arm, her eyes blinking, her tail gently stirring. He thinks, I shall be curious to see if and when an emerald ring appears. The cardinal will tell me. The cardinal says, it's all very well, this business of holding the king off and angling after presents, but he will have her in his bed this summer, for sure, and by the autumn he'll be tired of her, and pension her off; if he doesn't, I will. If Wolsey's going to import a fertile French princess, he doesn't want her first weeks spoiled by scenes of spite with superseded concubines. The king, Wolsey thinks, ought to be more ruthless about his women.
Liz waits for a moment, till she knows she isn't going to get a hint. ‘Now, about Gregory,’ she says. ‘Summer coming. Here, or away?’
Gregory is coming up thirteen. He's at Cambridge, with his tutor. He's sent his nephews, his sister Bet's sons, to school with him; it's something he is glad to do for the family. The summer is for their recreation; what would they do in the city? Gregory has little interest in his books so far, though he likes to be told stories, dragon stories, stories of green people who live in the woods; you can drag him squealing through a passage of Latin if you persuade him that over the page there's a sea serpent or a ghost. He likes to be in the woods and fields and he likes to hunt. He has plenty of growing to do, and we hope he will grow tall.
The king's maternal grandfather, as all old men will tell you, stood six foot four. (His father, however, was more the size of Morgan Williams.) The king stands six foot two, and the cardinal can look him in the eye. Henry likes to have about him men like his brother-in-law Charles Brandon, of a similar impressive height and breadth of padded shoulder. Height is not the fashion in the back alleys; and, obviously, not in Yorkshire.
He smiles. What he says about Gregory is, at least he isn't like I was, when I was his age; and when people say, what were you like? he says, oh, I used to stick knives in people. Gregory would never do that; so he doesn't mind – or minds less than people think – if he doesn't really get to grips with declensions and conjugations. When people tell him what Gregory has failed to do, he says, ‘He's busy growing.’ He understands his need to sleep; he never got much sleep himself, with Walter stamping around, and after he ran away he was always on the ship or on the road, and then he found himself in an army. The thing people don't understand about an army is its great, unpunctuated wastes of inaction: you have to scavenge for food, you are camped out somewhere with a rising water level because your mad capitaine says so, you are shifted abruptly in the middle of the night into some indefensible position, so you never really sleep, your equipment is defective, the gunners keep causing small unwanted explosions, the crossbow-men are either drunk or praying, the arrows are ordered up but not here yet, and your whole mind is occupied by a seething anxiety that things are going to go badly because il principe, or whatever little worshipfulness is in charge today, is not very good at the basic business of thinking. It didn't take him many winters to get out of fighting and into supply. In Italy, you could always fight in the summer, if you felt like it. If you wanted to go out.
‘Asleep?’ Liz says.
‘No. But dreaming.’
‘The Castile soap came. And your book from Germany. It was packaged as something else. I almost sent the boy away.’
In Yorkshire, which smelled of unwashed men, wearing sheepskins and sweating with anger, he had dreams about the Castile soap.
Later she says, ‘So who is the lady?’
His hand, resting on her familiar but lovely left breast, removes itself in bewilderment. ‘What?’ Does she think he has taken up with some woman in Yorkshire? He falls on to his back and wonders how to persuade her this is not so; if necessary he'll take her there, and then she'll see.
‘The emerald lady?’ she says. ‘I only ask because people say the king is wanting to do something very strange, and I can't really believe it. But that is the word in the city.’
Really? Rumour has advanced, in the fortnight while he has been north among the slope-heads.
‘If he tries this,’ she says, ‘then half the people in the world will be against it.’
He had only thought, and Wolsey had only thought, that the Emperor and Spain would be against it. Only the Emperor. He smiles in the dark, hands behind his head. He doesn't say, which people, but waits for Liz to tell him. ‘All women,’ she says. ‘All women everywhere in England. All women who have a daughter but no son. All women who have lost a child. All women who have lost any hope of having a child. All women who
are forty.’
She puts her head on his shoulder. Too tired to speak, they lie side by side, in sheets of fine linen, under a quilt of yellow turkey satin. Their bodies breathe out the faint borrowed scent of sun and herbs. In Castilian, he remembers, he can insult people.
‘Are you asleep now?’
‘No. Thinking.’
‘Thomas,’ she says, sounding shocked, ‘it's three o'clock.’
And then it is six. He dreams that all the women of England are in bed, jostling and pushing him out of it. So he gets up, to read his German book, before Liz can do anything about it.
It's not that she says anything; or only, when provoked, she says, ‘My prayer book is good reading for me.’ And indeed she does read her prayer book, taking it in her hand absently in the middle of the day – but only half stopping what she's doing – interspersing her murmured litany with household instructions; it was a wedding present, a book of hours, from her first husband, and he wrote her new married name in it, Elizabeth Williams. Sometimes, feeling jealous, he would like to write other things, contrarian sentiments: he knew Liz's first husband, but that doesn't mean he liked him. He has said, Liz, there's Tyndale's book, his New Testament, in the locked chest there, read it, here's the key; she says, you read it to me if you're so keen, and he says, it's in English, read it for yourself: that's the point, Lizzie. You read it, you'll be surprised what's not in it.
He'd thought this hint would draw her: seemingly not. He can't imagine himself reading to his household; he's not, like Thomas More, some sort of failed priest, a frustrated preacher. He never sees More – a star in another firmament, who acknowledges him with a grim nod – without wanting to ask him, what's wrong with you? Or what's wrong with me? Why does everything you know, and everything you've learned, confirm you in what you believed before? Whereas in my case, what I grew up with, and what I thought I believed, is chipped away a little and a little, a fragment then a piece and then a piece more. With every month that passes, the corners are knocked off the certainties of this world: and the next world too. Show me where it says, in the Bible, ‘Purgatory’. Show me where it says relics, monks, nuns. Show me where it says ‘Pope’.
