by Hilary Mante
‘Oh, that is horrible,’ Mary Shelton whispers. ‘Is that what they do?’ Anne puts her hand to her mouth, laughing.
‘And you know,’ he says, ‘that for your dinner you would prefer a lightly poached breast of chicken, sliced into a cream sauce with tarragon. And also a fine aged cheese imported by the ambassador of Spain, which he intended no doubt for the queen, but which somehow found its way to my house.’
‘How could I be better served?’ Anne asks. ‘A band of men on the highway, waylaying Katherine's cheese.’
‘Well, having staged such a coup, I must go …’ he gestures to the lute-player in the corner, ‘and leave you with your goggle-eyed lover.’
Anne darts a look at the boy Mark. ‘He does goggle. True.’
‘Shall I send him off? The place is full of musicians.’
‘Leave him,’ Mary says. ‘He's a sweet boy.’
Mary Boleyn stands up. ‘I'll just …’
‘Now Lady Carey is going to have one of her conferences with Master Cromwell,’ Mary Shelton says, in a tone of giving agreeable information.
Jane Rochford: ‘She is going to offer him her virtue again.’
‘Lady Carey, what can you not say before us all?’ But Anne nods. He may go. Mary may go. Presumably Mary is to carry messages that she, Anne, is too delicate to convey direct.
Outside: ‘Sometimes I need to breathe.’ He waits. ‘Jane and our brother George, you know they hate each other? He won't go to bed with her. If he is not with some other woman he sits up at night with Anne in her rooms. They play cards. They play Pope Julius till the dawn comes. Did you know the king pays her gambling debts? She needs more income, and a house of her own, a retreat, not too far from London, somewhere on the river –’
‘Whose house has she in mind?’
‘I don't think she means to turns anyone out.’
‘Houses tend to belong to somebody.’ Then a thought strikes him. He smiles.
She says, ‘I told you to stay away from her, once. But now we cannot do without you. Even my father and my uncle say so. Nothing is done, nothing, without the king's favour, without his constant company, and nowadays when you are not with Henry he wants to know where you are.’ She steps back, appraises him for a moment as if he were a stranger. ‘My sister, too.’
‘I want a job, Lady Carey. It isn't enough to be a councillor. I need an official place in the household.’
‘I'll tell her.’
‘I want a post in the Jewel House. Or the Exchequer.’
She nods. ‘She made Tom Wyatt a poet. She made Harry Percy a madman. I'm sure she has some ideas about what to make you.’
A few days before Parliament met, Thomas Wyatt had come to apologise for getting him out of bed before dawn on New Year's Day. ‘You have every right to be angry with me, but I've come to ask you not to be. You know how it is at New Year. Toasts are drunk, and the bowl goes round, and you must drain the bowl.’ He watches Wyatt as he walks about the room, too curious and restless and half-shy to sit down and make his amends face-to-face. He turns the painted globe of the world, and rests his forefinger on England. He stops to look at pictures, at a little altarpiece, and he turns, questioning; it was my wife's, he says, I keep it for her sake. Master Wyatt wears a jacket of a stiffened cream brocade trimmed with sables, which he probably cannot afford; he wears a doublet of tawny silk. He has tender blue eyes and a mane of golden hair, thinning now. Sometimes he puts his fingertips to his head, tentative, as if he still has his New Year headache; really, he is checking his hairline, to see if it has receded in the last five minutes. He stops and looks at himself in the mirror; he does this very often. Dear God, he says. Rolling about the streets with that crowd. I'm too old for such behaviour. But too young to lose my hair. Do you think women care about it? Much? Do you think if I grew a beard it would distract … No, probably not. But perhaps I will anyway. The king's beard looks well, does it not?
He says, ‘Didn't your father give you any advice?’
‘Oh yes. Drink off a bowl of milk before you go out. Stewed quinces in honey – do you think that works?’
He is trying not to laugh. He wants to take it seriously, his new post as Wyatt's father. He says, ‘I mean, did he never advise you to stay away from women in whom the king is interested?’
‘I did stay away. You remember I went to Italy? After that I was in Calais for a year. How much staying away can a man do?’
A question from his own life; he recognises it. Wyatt sits down on a small stool. He props his elbows on his knees. He holds his head, fingertips on his temples. He is listening to his own heartbeat; he is thinking; perhaps he is composing a verse? He looks up. ‘My father says that now Wolsey is dead you're the cleverest man in England. So can you understand this, if I say it just once? If Anne is not a virgin, that's none of my doing.’
He pours him a glass of wine. ‘Strong,’ Wyatt says, after he has downed it. He looks into the depth of the glass, at his own fingers holding it. ‘I must say more, I think.’
‘If you must, say it here, and just once.’
‘Is anyone hiding behind the arras? Somebody told me there are servants at Chelsea who report to you. No one's servants are safe, these days, there are spies everywhere.’
‘Tell me in what day there were not spies,’ he says. ‘There was a child in More's house, Dick Purser, More took him in out of guilt after he was orphaned – I cannot say More killed the father outright, but he had him in the pillory and in the Tower, and it broke his health. Dick told the other boys he did not believe God was in the Communion host, so More had him whipped before the whole household. Now I have brought him here. What else could I do? I will take in any others he ill-treats.’
Smiling, Wyatt passes his hand over the Queen of Sheba: that is to say, over Anselma. The king has given him Wolsey's fine tapestry. Early in the year, when he went in to speak to him at Greenwich, the king had seen him raise his eyes to her in greeting, and had said, with a sideways smile, do you know this woman? I used to, he said, explaining himself, excusing himself; the king said, no matter, we all have our follies in youth, and you can't marry everyone, can you … He had said in a low voice, I have in mind that this belonged to the Cardinal of York, and then, more briskly, when you go home make a place for her; I think she should come to live with you.
He gives himself a glass of wine, and another to Wyatt; says, ‘Gardiner has people outside the gate, watching who comes and goes. This is a city house, it is not a fortress – but if anybody's here who shouldn't be, my household does enjoy kicking them out. We quite like fighting. I'd prefer to put my past behind me, but I'm not allowed to. Uncle Norfolk keeps reminding me I was a common soldier, and not even in his army.’
‘You call him that?’ Wyatt laughs. ‘Uncle Norfolk?’
‘Between ourselves. But I don't need to remind you of what the Howards think is due to them. And you've grown up Thomas Boleyn's neighbour, so you know not to cross him, whatever you feel about his daughter. I hope you don't feel anything – do you?’
‘For two years,’ Wyatt says, ‘I was sick to my soul to think of any other man touching her. But what could I offer? I am a married man, and not the duke or prince she was fishing for, either. She liked me, I think, or she liked to have me in thrall to her, it amused her. We would be alone, she would let me kiss her, and I always thought … but that is Anne's tactic, you see, she says yes, yes, yes, then she says no.’
‘And of course, you are such a gentleman.’
‘What, I should have raped her? If she says stop she means it – Henry knows that. But then another day would come and again she would let me kiss her. Yes, yes, yes, no. The worst of it is her hinting, her boasting almost, that she says no to me but yes to others –’
‘Who are?’
‘Oh, names, names would spoil her pastime. It must be so arranged that every man you see, at court or down in Kent, you think, is he the one? Is it him, or him? So you are continually asking yourself why you've fa
llen short, why you can never please her, why you never get the chance.’
‘I should think you write the best poems. You can comfort yourself there. His Majesty's verses can be a little repetitive, not to say self-centred.’
‘That song of his, “Pastime With Good Company.” When I hear it there is something inside me, like a little dog, that wants to howl.’
‘True, the king is past forty. It is melancholy to hear him sing of the days when he was young and stupid.’ He watches Wyatt. The young man looks dazed, as if he has a persistent pain between his eyes. He is claiming that Anne no longer torments him, but that's not how it looks. He says, brutal as a butcher, ‘So how many lovers do you think she has had?’
Wyatt looks down at his feet. He looks at the ceiling. He says, ‘A dozen? Or none? Or a hundred? Brandon tried to tell Henry she was soiled goods. But he sent Brandon away from court. Imagine if I tried. I doubt I'd get out of the room alive. Brandon forced himself to speak, because he thinks, come the day she gives in to Henry, what then? Will he not know?’
‘Give her credit. She must have thought of that. Besides, the king is no judge of maidenheads. He admits as much. With Katherine, it took him twenty years to puzzle out his brother had been there before him.’
Wyatt laughs. ‘When the day comes, or the night, Anne can hardly say that to him.’
‘Listen. This is my view of the case. Anne does not concern herself with her wedding night because there is no cause for concern.’ He wants to say, because Anne is not a carnal being, she is a calculating being, with a cold slick brain at work behind her hungry black eyes. ‘I believe any woman who can say no to the King of England and keep on saying it, has the wit to say no to any number of men, including you, including Harry Percy, including anyone else she may choose to torment for her own sport while she is arranging her career in the way it suits her. So I think, yes, you've been made into a fool, but not quite in the way you thought.’
‘That is meant as consolation?’
‘It should console you. If you'd really been her lover I would fear for you. Henry believes in her virginity. What else can he believe? But he will prove jealous, once they're married.’
‘As they will be? Married?’
‘I am working hard with Parliament, believe me, and I think I can break the bishops. And after that, God knows … Thomas More says that in the reign of King John when England was placed under an interdict by the Pope, the cattle didn't breed, the corn ceased to ripen, the grass stopped growing and birds fell out of the air. But if that starts to happens,’ he smiles, ‘I'm sure we can reverse our policy.’
‘Anne has asked me: Cromwell, what does he really believe?’
‘So you have conversations? And about me? Not just yes, yes, yes, no? I'm flattered.’
Wyatt looks unhappy. ‘You couldn't be wrong? About Anne?’
‘It's possible. For the moment I take her at her own valuation. It suits me. It suits us both.’
As Wyatt is leaving: ‘You must come back soon. My girls have heard how handsome you are. You can keep your hat on, if you think they might be disillusioned.’
Wyatt is the king's regular tennis partner. Therefore he knows about humbled pride. He fetches up a smile.
‘Your father told us all about the lion. The boys have made a play out of it. Perhaps you would like to come one day and take your own role?’
‘Oh, the lion. Nowadays, I think back on it, and it doesn't seem to me like a thing I would do. Stand still, in the open, and draw it on.’ He pauses. ‘More like something you would do, Master Cromwell.’
Thomas More comes to Austin Friars. He refuses food, he refuses drink, though he looks in need of both.
The cardinal would not have taken no for an answer. He would have made him sit down and eat syllabub. Or, if it were the season, given him a large plate of strawberries and a very small spoon.
More says, ‘In these last ten years the Turks have taken Belgrade. They have lit their campfires in the great library at Buda. It is only two years since they were at the gates of Vienna. Why would you want to make another breach in the walls of Christendom?’
‘The King of England is not an infidel. Nor am I.’
‘Are you not? I hardly know whether you pray to the god of Luther and the Germans, or some heathen god you met with on your travels, or some English deity of your own invention. Perhaps your faith is for purchase. You would serve the Sultan if the price was right.’
Erasmus says, did nature ever create anything kinder, sweeter or more harmonious than the character of Thomas More?
He is silent. He sits at his desk – More has caught him at work – with his chin propped on his fists. It is a pose that shows him, probably, to some combative advantage.
The Lord Chancellor looks as if he might rend his garments: which could only improve them. One could pity him, but he decides not to. ‘Master Cromwell, you think because you are a councillor you can negotiate with heretics, behind the king's back. You are wrong. I know about your letters that come and go to Stephen Vaughan, I know he has met with Tyndale.’
‘Are you threatening me? I'm just interested.’
‘Yes,’ More says sadly. ‘Yes, that is precisely what I am doing.’
He sees that the balance of power has shifted between them: not as officers of state, but as men.
When More leaves, Richard says to him, ‘He ought not. Threaten you, I mean. Today, because of his office, he walks away, but tomorrow, who knows?’
He thinks, I was a child, nine or so, I ran off into London and saw an old woman suffer for her faith. The memory floods into his body and he walks away as if he sails on its tide, saying over his shoulder, ‘Richard, see if the Lord Chancellor has his proper escort. If not, give him one, and try to put him on a boat back to Chelsea. We cannot have him wandering about London, haranguing anyone at whose gate he may arrive.’
He says the last bit in French, he does not know why. He thinks of Anne, her hand outstretched, drawing him towards her: Maître Cremuel, à moi.
He cannot remember the year but he remembers the late April weather, fat raindrops dappling the pale new leaves. He cannot remember the reason for Walter's temper, but he can remember the fear he felt in the pith of his being, and his heart banging against his ribs. In those days if he couldn't hide out with his uncle John at Lambeth he would get himself into the town and see who he could pick up with – see if he could earn a penny by running errands up and down to the quays, by carrying baskets or loading barrows. If you whistled for him, he came; lucky, he knows now, not to have got in with low-lifes who would lead him to be branded or whipped, or to be one of the small corpses fished out of the river. At that age you have no judgement. If somebody said, good sport over there, he followed the pointing finger. He had nothing against the old woman, but he had never seen a burning.
What's her crime? he said, and they said, she is a Loller. That's one who says the God on the altar is a piece of bread. What, he said, bread like the baker bakes? Let this child forward, they said. Let him be instructed, it will do him good to see up close, so he always goes to Mass after this and obeys his priest. They pushed him to the front of the crowd. Come here, sweetheart, stand with me, a woman said. She had a broad smile and wore a clean white cap. You get a pardon for your sins just for watching it, she said. Any that bring faggots to the burning, they get forty days' release from Purgatory.
When the Loller was led out between the officers the people jeered and shouted. He saw that she was a grandmother, perhaps the oldest person he had ever seen. The officers were nearly carrying her. She had no cap or veil. Her hair seemed to be torn out of her head in patches. People behind him said, no doubt she did that herself, in desperation at her sin. Behind the Loller came two monks, parading like fat grey rats, crosses in their pink paws. The woman in the clean cap squeezed his shoulder: like a mother might do, if you had one. Look at her, she said, eighty years old, and steeped in wickedness. A man said, not much fat on her bones, it
won't take long unless the wind changes.
But what's her sin? he said.
I told you. She says the saints are but wooden posts.
Like that post they're chaining her to?
Aye, just like that.
The post will burn too.
They can get another next time, the woman said. She took her hand from his shoulder. She balled her two hands into fists and punched them in the air, and from the depth of her belly she let loose a scream, a halloo, in a shrill voice like a demon. The press of people took up the cry. They seethed and pushed forward for a view, they catcalled and whistled and stamped their feet. At the thought of the horrible thing he would see he felt hot and cold. He twisted to look up into the face of the woman who was his mother in this crowd. You watch, she said. With the gentlest brush of her fingers she turned his face to the spectacle. Pay attention now. The officers took chains and bound the old person to the stake.
The stake was on top of a pile of stones, and some gentlemen came, and priests, bishops perhaps, he did not know. They called out to the Loller to put off her heresies. He was close enough to see her lips moving but he could not hear what she said. What if she changes her mind now, will they let her go? Not they, the woman chuckled. Look, she is calling on Satan to help her. The gentlemen withdrew. The officers banked up wood and bales of straw around the Loller. The woman tapped him on the shoulder; let's hope it's damp, eh? This is a good view, last time I was at the back. The rain had stopped, the sun broken through. When the executioner came with a torch, it was pale in the sunshine, barely more than a slick movement, like the movement of eels in a bag. The monks were chanting and holding up a cross to the Loller, and it was only when they skipped backwards, at the first billow of smoke, that the crowd knew the fire was set.
