It was on such a day in the early thirties that I found myself, all my senses wide open, on one of Fialta’s steep little streets, taking in everything at once, that marine rococo on the stand, and the coral crucifixes in a shop window, and the dejected poster of a visiting circus, one corner of its drenched paper detached from the wall, and a yellow bit of unripe orange peel on the old, slate-blue sidewalk, which retained here and there a fading memory of ancient mosaic design. I am fond of Fialta; I am fond of it because I feel in the hollow of those violaceous syllables the sweet dark dampness of the most rumpled of small flowers, and because the altolike name of a lovely Crimean town is echoed by its viola; and also because there is something in the very somnolence of its humid Lent that especially anoints one ’s soul.
So I was happy to be there again, to trudge uphill in inverse direction to the rivulet of the gutter, hatless, my head wet, my skin already suf-
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fused with warmth although I wore only a light mackintosh over my shirt.
I had come on the Capparabella express, which, with that reckless gusto peculiar to trains in mountainous country, had done its thundering best to collect throughout the night as many tunnels as possible. A day or two, just as long as a breathing spell in the midst of a business trip would allow me, was all I expected to stay. I had left my wife and children at home, and that was an island of happiness always present in the clear north of my being, always floating beside me, and even through me, I dare say, but yet keeping on the outside of me most of the time.
A pantless infant of the male sex, with a taut mud-gray little belly, jerkily stepped down from a doorstep and waddled off, bowlegged, trying to carry three oranges at once, but continuously dropping the variable third, until he fell himself, and then a girl of twelve or so, with a string of heavy beads around her dusky neck and wearing a skirt as long as that of a Gypsy, promptly took away the whole lot with her more nimble and more numerous hands. Nearby, on the wet terrace of a café, a waiter was wiping the slabs of tables; a melancholy brigand hawking local lollipops, elaborate-looking things with a lunar gloss, had placed a hopelessly full basket on the cracked balustrade, over which the two were conversing. Either the drizzle had stopped or Fialta had got so used to it that she herself did not know whether she was breathing moist air or warm rain. Thumb-filling his pipe from a rubber pouch as he walked, a plus-foured Englishman of the solid exportable sort came from under an arch and entered a pharmacy, where large pale sponges in a blue vase were dying a thirsty death behind their glass. What luscious elation I felt rippling through my veins, how gratefully my whole being responded to the flutters and effluvia of that gray day saturated with a vernal essence which itself it seemed slow in perceiving! My nerves were unusually receptive after a sleepless night; I assimilated everything: the whistling of a thrush in the almond trees beyond the chapel, the peace of the crumbling houses, the pulse of the distant sea, panting in the mist, all this together with the jealous green of bottle glass bristling along the top of a wall and the fast colors of a circus advertisement featuring a feathered Indian on a rearing horse in the act of lassoing a boldly endemic
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zebra, while some thoroughly fooled elephants sat brooding upon their star-spangled thrones.
Presently the same Englishman overtook me. As I absorbed him
along with the rest, I happened to notice the sudden side-roll of his big blue eye straining at its crimson canthus, and the way he rapidly moist-ened his lips—because of the dryness of those sponges, I thought; but then I followed the direction of his glance, and saw Nina.
Every time I had met her during the fifteen years of our—well, I fail to find the precise term for our kind of relationship—she had not seemed to recognize me at once; and this time too she remained quite still for a moment, on the opposite sidewalk, half turning toward me in sympathetic incertitude mixed with curiosity, only her yellow scarf already on the move like those dogs that recognize you before their owners do—and then she uttered a cry, her hands up, all her ten fingers dancing, and in the middle of the street, with merely the frank impul-siveness of an old friendship (just as she would rapidly make the sign of the cross over me every time we parted), she kissed me thrice with more mouth than meaning, and then walked beside me, hanging on to me, adjusting her stride to mine, hampered by her narrow brown skirt perfunctorily slit down the side.
“Oh, yes, Ferdie is here too,” she replied and immediately in her turn inquired nicely after Elena.
“Must be loafing somewhere around with Segur,” she went on in reference to her husband. “And I have some shopping to do; we leave after lunch. Wait a moment, where are you leading me, Victor dear?”
Back into the past, back into the past, as I did every time I met her, repeating the whole accumulation of the plot from the very beginning up to the last increment—thus in Russian fairy tales the already told is bunched up again at every new turn of the story. This time we had met in warm and misty Fialta, and I could not have celebrated the occasion with greater art, could not have adorned with brighter vignettes the list of fate ’s former services, even if I had known that this was to be the last one; the last one, I maintain, for I cannot imagine any heavenly firm of brokers that might consent to arrange me a meeting with her beyond the grave.
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My introductory scene with Nina had been laid in Russia quite a long time ago, around 1917 I should say, judging by certain left-wing theater rumblings backstage. It was at some birthday party at my aunt ’s on her country estate, near Luga, in the deepest folds of winter (how well I remember the first sign of nearing the place: a red barn in a white wilderness). I had just graduated from the Imperial Lyceum; Nina was already engaged: although she was of my age and of that of the century, she looked twenty at least, and this in spite or perhaps because of her neat slender build, whereas at thirty-two that very slightness of hers made her look younger. Her fiancé was a guardsman on leave from the front, a handsome heavy fellow, incredibly well bred and stolid, who weighed every word on the scales of the most exact common sense
and spoke in a velvety baritone, which grew even smoother when he addressed her; his decency and devotion probably got on her nerves; and he is now a successful if somewhat lonesome engineer in a most distant tropical country.
Windows light up and stretch their luminous lengths upon the dark billowy snow, making room for the reflection of the fan-shaped light above the front door between them. Each of the two side pillars is fluffily fringed with white, which rather spoils the lines of what might have been a perfect ex libris for the book of our two lives. I cannot recall why we had all wandered out of the sonorous hall into the still darkness, peopled only with firs, snow-swollen to twice their size; did the watchmen invite us to look at a sullen red glow in the sky, portent of nearing arson? Possibly. Did we go to admire an equestrian statue of ice sculptured near the pond by the Swiss tutor of my cousins? Quite as likely. My memory revives only on the way back to the brightly sym-metrical mansion toward which we tramped in single file along a narrow furrow between snowbanks, with that crunch-crunch-crunch which is the only comment that a taciturn winter night makes upon humans. I walked last; three singing steps ahead of me walked a small bent shape; the firs gravely showed their burdened paws. I slipped and dropped the dead flashlight someone had forced upon me; it was devilishly hard to retrieve; and instantly attracted by my curses, with an eager, low laugh in anticipation of fun, Nina dimly veered toward me. I call her Nina, but
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I could hardly have known her name yet, hardly could we have had time, she and I, for any preliminary; “Who’s that?” she asked with interest—
and I was already kissing her neck, smooth and quite fiery hot from the long fox fur of her coat collar, which kept getting into my
way until she clasped my shoulder, and with the candor so peculiar to her gently fitted her generous, dutiful lips to mine.
But suddenly parting us by its explosion of gaiety, the theme of a snowball fight started in the dark, and someone, fleeing, falling, crunching, laughing, and panting, climbed a drift, tried to run, and uttered a horrible groan: deep snow had performed the amputation of an arctic.
And soon after, we all dispersed to our respective homes, without my having talked with Nina, nor made any plans about the future, about those fifteen itinerant years that had already set out toward the dim horizon, loaded with the parts of our unassembled meetings; and as I watched her in the maze of gestures and shadows of gestures of which the rest of that evening consisted (probably parlor games—with Nina persistently in the other camp), I was astonished, I remember, not so much by her inattention to me after that warmth in the snow as by the innocent naturalness of that inattention, for I did not yet know that had I said a word it would have changed at once into a wonderful sunburst of kindness, a cheerful, compassionate attitude with all possible cooperation, as if woman’s love were springwater containing salubrious salts which at the least notice she ever so willingly gave anyone to drink.
“Let me see, where did we last meet,” I began (addressing the Fialta version of Nina) in order to bring to her small face with prominent cheekbones and dark-red lips a certain expression I knew; and sure enough, the shake of her head and the puckered brow seemed less to imply forgetfulness than to deplore the flatness of an old joke; or to be more exact, it was as if all those cities where fate had fixed our various rendezvous without ever attending them personally, all those platforms and stairs and three-walled rooms and dark back alleys, were trite settings remaining after some other lives all brought to a close long before and were so little related to the acting out of our own aimless destiny that it was almost bad taste to mention them.
I accompanied her into a shop under the arcades; there, in the twilight
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beyond a beaded curtain, she fingered some red leather purses stuffed with tissue paper, peering at the price tags, as if wishing to learn their museum names. She wanted, she said, exactly that shape but in fawn, and when after ten minutes of frantic rustling the old Dalmatian found such a freak by a miracle that has puzzled me ever since, Nina, who was about to pick some money out of my hand, changed her mind and went through the streaming beads without having bought anything.
Outside it was just as milky dull as before; the same smell of burning, stirring my Tartar memories, drifted from the bare windows of the pale houses; a small swarm of gnats was busy darning the air above a mimosa, which bloomed listlessly, her sleeves trailing to the very ground; two workmen in broad-brimmed hats were lunching on cheese and garlic, their backs against a circus billboard, which depicted a red hussar and an orange tiger of sorts; curious—in his effort to make the beast as ferocious as possible, the artist had gone so far that he had come back from the other side, for the tiger’s face looked positively human.
“Au fond, I wanted a comb,” said Nina with belated regret.
How familiar to me were her hesitations, second thoughts, third
thoughts mirroring first ones, ephemeral worries between trains. She had always either just arrived or was about to leave, and of this I find it hard to think without feeling humiliated by the variety of intricate routes one feverishly follows in order to keep that final appointment which the most confirmed dawdler knows to be unavoidable. Had I to submit before judges of our earthly existence a specimen of her average pose, I would have perhaps placed her leaning upon a counter at Cook’s, left calf crossing right shin, left toe tapping floor, sharp elbows and coin-spilling bag on the counter, while the employee, pencil in hand, pondered with her over the plan of an eternal sleeping car.
After the exodus from Russia, I saw her—and that was the second
time—in Berlin at the house of some friends. I was about to get married; she had just broken with her fiancé. As I entered that room I caught sight of her at once and, having glanced at the other guests, I instinctively determined which of the men knew more about her than I. She was sitting in the corner of a couch, her feet pulled up, her small comfortable body folded in the form of a Z; an ashtray stood aslant on the
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couch near one of her heels; and, having squinted at me and listened to my name, she removed her stalklike cigarette holder from her lips and proceeded to utter slowly and joyfully, “Well, of all people—” and at once it became clear to everyone, beginning with her, that we had long been on intimate terms: unquestionably, she had forgotten all about the actual kiss, but somehow because of that trivial occurrence she found herself recollecting a vague sketch of warm, pleasant friendship, which in reality had never existed between us. Thus the whole cast of our relationship was fraudulently based upon an imaginary amity—which had nothing to do with her random good will. Our meeting proved quite insignificant in regard to the words we said, but already no barriers divided us; and when that night I happened to be seated beside her at supper, I shamelessly tested the extent of her secret patience.
Then she vanished again; and a year later my wife and I were see-
ing my brother off to Posen, and when the train had gone, and we were moving toward the exit along the other side of the platform, suddenly near a car of the Paris express I saw Nina, her face buried in the bouquet she held, in the midst of a group of people whom she had befriended without my knowledge and who stood in a circle gaping at her as idlers gape at a street row, a lost child, or the victim of an accident. Brightly she signaled to me with her flowers; I introduced her to Elena, and in that life-quickening atmosphere of a big railway station where everything is something trembling on the brink of something else, thus to be clutched and cherished, the exchange of a few words was enough to enable two totally dissimilar women to start calling each other by their pet names the very next time they met. That day, in the blue shade of the Paris car, Ferdinand was first mentioned; I learned with a ridiculous pang that she was about to marry him. Doors were beginning to slam; she quickly but piously kissed her friends, climbed into the vestibule, disappeared; and then I saw her through the glass settling herself in her compartment, having suddenly forgotten about us or passed into another world, and we all, our hands in our pockets, seemed to be spying upon an utterly unsuspecting life moving in that aquarium dimness, until she grew aware of us and drummed on the windowpane, then raised her
eyes, fumbling at the frame as if hanging a picture, but nothing hap-
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pened; some fellow passenger helped her, and she leaned out, audible and real, beaming with pleasure; one of us, keeping up with the stealth-ily gliding car, handed her a magazine and a Tauchnitz (she read English only when traveling); all was slipping away with beautiful smoothness, and I held a platform ticket crumpled beyond recognition, while a song of the last century (connected, it has been rumored, with some Parisian drama of love) kept ringing and ringing in my head, having emerged, God knows why, from the music box of memory, a sobbing ballad which often used to be sung by an old maiden aunt of mine, with a face as yellow as Russian church wax, but whom nature had given such a powerful, ecstatically full voice that it seemed to swallow her up in the glory of a fiery cloud as soon as she would begin:
On dit que tu te maries,
tu sais que j’en vais mourir
and that melody, the pain, the offense, the link between hymen and death evoked by the rhythm, and the voice itself of the dead singer, which accompanied the recollection as the sole owner of the song, gave me no rest for several hours after Nina’s departure and even later arose at increasing intervals like the last flat little waves sent to the beach by a passing ship, lapping ever more infrequently and dreamily, or like the bronze agony of a vibrating belfry af
ter the bell ringer has already reseated himself in the cheerful circle of his family. And another year or two later, I was in Paris on business; and one morning on the landing of a hotel, where I had been looking up a film actor fellow, there she was again, clad in a gray tailored suit, waiting for the elevator to take her down, a key dangling from her fingers. “Ferdinand has gone fencing,”
she said conversationally; her eyes rested on the lower part of my face as if she were lip reading, and after a moment of reflection (her ama-tory comprehension was matchless), she turned and rapidly swaying on slender ankles led me along the sea-blue carpeted passage. A chair at the door of her room supported a tray with the remains of breakfast—a honey-stained knife, crumbs on the gray porcelain; but the room had already been done, and because of our sudden draft a wave of mus-
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lin embroidered with white dahlias got sucked in, with a shudder and knock, between the responsive halves of the French window, and only when the door had been locked did they let go that curtain with something like a blissful sigh; and a little later I stepped out on the diminutive cast-iron balcony beyond to inhale a combined smell of dry maple leaves and gasoline—the dregs of the hazy blue morning street; and as I did not yet realize the presence of that growing morbid pathos which was to embitter so my subsequent meetings with Nina, I was probably quite as collected and carefree as she was, when from the hotel I accompanied her to some office or other to trace a suitcase she had lost, and thence to the café where her husband was holding session with his court of the moment.
I will not mention the name (and what bits of it I happen to give here appear in decorous disguise) of that man, that Franco-Hungarian writer. . . . I would rather not dwell upon him at all, but I cannot help it—he is surging up from under my pen. Today one does not hear much about him; and this is good, for it proves that I was right in resisting his evil spell, right in experiencing a creepy chill down my spine whenever this or that new book of his touched my hand. The fame of his likes circulates briskly but soon grows heavy and stale; and as for history it will limit his life story to the dash between two dates. Lean and arrogant, with some poisonous pun ever ready to fork out and quiver at you, and with a strange look of expectancy in his dull brown veiled eyes, this false wag had, I daresay, an irresistible effect on small rodents. Having mastered the art of verbal invention to perfection, he particularly prided himself on being a weaver of words, a title he valued higher than that of a writer; personally, I never could understand what was the good of thinking up books, of penning things that had not really happened in some way or other; and I remember once saying to him as I braved the mockery of his encouraging nods that, were I a writer, I should allow only my heart to have imagination, and for the rest rely upon memory, that long-drawn sunset shadow of one ’s personal truth.
My Mistress's Sparrow Is Dead: Great Love Stories, From Chekhov to Munro Page 29
