by Various
‘I have never met the man. I know nothing of him.’
‘Well then, pretend. Pretend for the waiter’s sake. Say something violent in the waiter’s hearing. Break an oath. Blaspheme. Bang your fist on the table.’
‘I was not told I should have to behave like that. It is against my nature.’
‘What is your nature?’
‘I’m shy and self-effacing.’
‘You are an enemy to me. I don’t understand your sort. You have not got on in the world. You take on commissions like this. Where is your self-respect?’
‘Elsewhere in my character.’
‘You have no personality.’
‘That is a cliché. It means nothing.’
‘Sweet nothings for lovers, Mr Mileson! Remember that.’
They left the grill-room and mounted the stairs in silence. In their bedroom Mrs da Tanka unpacked a dressing-gown. ‘I shall undress in the bathroom. I shall be absent a matter of ten minutes.’
Mr Mileson slipped from his clothes into pyjamas. He brushed his teeth at the wash-basin, cleaned his nails and splashed a little water on his face. When Mrs da Tanka returned he was in bed.
To Mr Mileson she seemed a trifle bigger without her daytime clothes. He remembered corsets and other containing garments. He did not remark upon it.
Mrs da Tanka turned out the light and they lay without touching between the cold sheets of the double bed.
He would leave little behind, he thought. He would die and there would be the things in the room, rather a number of useless things with sentimental value only. Ornaments and ferns. Reproductions of paintings. A set of eggs, birds’ eggs he had collected as a boy. They would pile all the junk together and probably try to burn it. Then perhaps they would light a couple of those fumigating candles in the room, because people are insulting when other people die.
‘Why did you not get married?’ Mrs da Tanka said.
‘Because I do not greatly care for women.’ He said it, throwing caution to the winds, waiting for her attack.
‘Are you a homosexual?’
The word shocked him. ‘Of course I’m not.’
‘I only asked. They go in for this kind of thing.’
‘That does not make me one.’
‘I often thought Horace Spire was more that way than any other. For all the attention he paid to me.’
As a child she had lived in Shropshire. In those days she loved the country, though without knowing, or wishing to know, the names of flowers or plants or trees. People said she looked like Alice in Wonderland.
‘Have you ever been to Shropshire, Mr Mileson?’
‘No. I am very much a Londoner. I lived in the same house all my life. Now the house is no longer there. Flats replace it. I live in Swiss Cottage.’
‘I thought you might. I thought you might live in Swiss Cottage.’
‘Now and again I miss the garden. As a child I collected birds’ eggs on the common. I have kept them all these years.’
She had kept nothing. She cut the past off every so often, remembering it when she cared to, without the aid of physical evidence.
‘The hard facts of life have taken their toll of me,’ said Mrs da Tanka. ‘I met them first at twenty. They have been my companions since.’
‘It was a hard fact the lease coming to an end. It was hard to take at the time. I did not accept it until it was well upon me. Only the spring before I had planted new delphiniums.’
‘My father told me to marry a good man. To be happy and have children. Then he died. I did none of those things. I do not know why except that I did not care to. Then old Horry Spire put his arm around me and there we were. Life is as you make it, I suppose. I was thinking of homosexual in relation to that waiter you were interested in downstairs.’
‘I was not interested in the waiter. He was hard done by, by you, I thought. There was no more to it than that.’
Mrs da Tanka smoked and Mr Mileson was nervous; about the situation in general, about the glow of the cigarette in the darkness. What if the woman dropped off to sleep? He had heard of fires started by careless smoking. What if in her confusion she crushed the cigarette against some part of his body? Sleep was impossible: one cannot sleep with the thought of waking up in a furnace, with the bells of fire brigades clanging a death knell.
‘I will not sleep tonight,’ said Mrs da Tanka, a statement which frightened Mr Mileson further. For all the dark hours the awful woman would be there, twitching and puffing beside him. I am mad. I am out of my mind to have brought this upon myself. He heard the words. He saw them on paper written in his handwriting. He saw them typed, and repeated again as on a telegram. The letters jolted and lost their order. The words were confused, skulking behind a fog. ‘I am mad,’ Mr Mileson said, to establish the thought completely, to bring it into the open. It was a habit of his; for a moment he had forgotten the reason for the thought, thinking himself alone.
‘Are you telling me now you are mad?’ asked Mrs da Tanka, alarmed. ‘Gracious, are you worse than a homo? Are you some sexual pervert? Is that what you are doing here? Certainly that was not my plan, I do assure you. You have nothing to gain from me, Mr Mileson. If there is trouble I shall ring the bell.’
‘I am mad to be here. I am mad to have agreed to all this. What came over me I do not know. I have only just realized the folly of the thing.’
‘Arise then, dear Mileson, and break your agreement, your promise and your undertaking. You are an adult man, you may dress and walk from the room.’
They were all the same, she concluded: except that while others had some passing superficial recommendation, this one it seemed had none. There was something that made her sick about the thought of the stringy limbs that were stretched out beside her. What lengths a woman will go to to rid herself of a horror like da Tanka!
He had imagined it would be a simple thing. It had sounded like a simple thing: a good thing rather than a bad one. A good turn for a lady in need. That was as he had seen it. With the little fee already in his possession.
Mrs da Tanka lit another cigarette and threw the match on the floor.
‘What kind of a life have you had? You had not the nerve for marriage. Nor the brains for success. The truth is you might not have lived.’ She laughed in the darkness, determined to hurt him as he had hurt her in his implication that being with her was an act of madness.
Mr Mileson had not before done a thing like this. Never before had he not weighed the pros and cons and seen that danger was absent from an undertaking. The thought of it all made him sweat. He saw in the future further deeds: worse deeds, crimes and irresponsibilities.
Mrs da Tanka laughed again. But she was thinking of something else.
‘You have never slept with a woman, is that it? Ah, you poor thing! What a lot you have not had the courage for!’ The bed heaved with the raucous noise that was her laughter, and the bright spark of her cigarette bobbed about in the air.
She laughed, quietly now and silently, hating him as she hated da Tanka and had hated Horace Spire. Why could he not be some young man, beautiful and nicely-mannered and gay? Surely a young man would have come with her? Surely there was one amongst all the millions who would have done the chore with relish, or at least with charm?
‘You are as God made you,’ said Mr Mileson. ‘You cannot help your shortcomings, though one would think you might by now have recognized them. To others you may be all sorts of things. To me you are a frightful woman.’
‘Would you not stretch out a hand to the frightful woman? Is there no temptation for the woman’s flesh? Are you a eunuch, Mr Mileson?’
‘I have had the women I wanted. I am doing you a favour. Hearing of your predicament and pressed to help you, I agreed in a moment of generosity. Stranger though you were I did not say no.’
‘That does not make you a gentleman.’
‘And I do not claim it does. I am gentleman enough without it.’
‘You are nothing without it. This is you
r sole experience. In all your clerkly subservience you have not paused to live. You know I am right, and as for being a gentleman – well, you are of the lower middle classes. There has never been an English gentleman born of the lower middle classes.’
She was trying to remember what she looked like; what her face was like, how the wrinkles were spread, how old she looked and what she might pass for in a crowd. Would men not be cagey now and think that she must be difficult in her ways to have parted twice from husbands? Was there a third time coming up? Third time lucky, she thought. Who would have her, though, except some loveless Mileson?
‘You have had no better life than I,’ said Mr Mileson. ‘You are no more happy now. You have failed, and it is cruel to laugh at you.’
They talked and the hatred grew between them.
‘In my childhood young men flocked about me, at dances in Shropshire that my father gave to celebrate my beauty. Had the fashion been duels, duels there would have been. Men killed and maimed for life, carrying a lock of my hair on their breast.’
‘You are a creature now, with your face and your fingernails. Mutton dressed as lamb, Mrs da Tanka!’
Beyond the curtained windows the light of dawn broke into the night. A glimpse of it crept into the room, noticed and welcomed by its occupants.
‘You should write your memoirs, Mr Mileson. To have seen the changes in your time and never to know a thing about them! You are like an occasional table. Or a coat-rack in the hall of a boarding-house. Who shall mourn at your grave, Mr Mileson?’
He felt her eyes upon him; and the mockery of the words sank into his heart with intended precision. He turned to her and touched her, his hands groping about her shoulders. He had meant to grasp her neck, to feel the muscles struggle beneath his fingers, to terrify the life out of her. But she, thinking the gesture was the beginning of an embrace, pushed him away, swearing at him and laughing. Surprised by the misunderstanding, he left her alone.
The train was slow. The stations crawled by, similar and ugly. She fixed her glance on him, her eyes sharpened; cold and powerful.
She had won the battle, though technically the victory was his. Long before the time arranged for their breakfast Mr Mileson had leaped from bed. He dressed and breakfasted alone in the dining-room. Shortly afterwards, after sending to the bedroom for his suitcase, he left the hotel, informing the receptionist that the lady would pay the bill. Which in time she had done, and afterwards pursued him to the train, where now, to disconcert him, she sat in the facing seat of an empty compartment.
‘Well,’ said Mrs da Tanka, ‘you have shot your bolt. You have taken the only miserable action you could. You have put the frightful woman in her place. Have we a right,’ she added, ‘to expect anything better of the English lower classes?’
Mr Mileson had foolishly left his weekly magazines and the daily paper at the hotel. He was obliged to sit barefaced before her, pretending to observe the drifting landscape. In spite of everything, guilt gnawed him a bit. When he was back in his room he would borrow the vacuum cleaner and give it a good going over: the exercise would calm him. A glass of beer in the pub before lunch; lunch in the ABC; perhaps an afternoon cinema. It was Saturday today: this, more or less, was how he usually spent Saturday. Probably from lack of sleep he would doze off in the cinema. People would nudge him to draw attention to his snoring; that had happened before, and was not pleasant.
‘To give you birth,’ she said, ‘your mother had long hours of pain. Have you thought of that, Mr Mileson? Have you thought of that poor woman crying out, clenching her hands and twisting the sheets? Was it worth it, Mr Mileson? You tell me now, was it worth it?’
He could leave the compartment and sit with other people. But that would be too great a satisfaction for Mrs da Tanka. She would laugh loudly at his going, might even pursue him to mock in public.
‘What you say about me, Mrs da Tanka, can equally be said of you.’
‘Are we two peas in a pod? It’s an explosive pod in that case.’
‘I did not imply that. I would not wish to find myself sharing a pod with you.’
‘Yet you shared a bed. And were not man enough to stick to your word. You are a worthless coward, Mr Mileson. I expect you know it.’
‘I know myself, which is more than can be said in your case. Do you not think occasionally to see yourself as others see you? An ageing woman, faded and ugly, dubious in morals and personal habits. What misery you must have caused those husbands!’
‘They married me, and got good value. You know that, yet dare not admit it.’
‘I will scarcely lose sleep worrying the matter out.’
It was a cold morning, sunny with a clear sky. Passengers stepping from the train at the intermediate stations, muffled up against the temperature, finding it too much after the warm fug within. Women with baskets. Youths. Men with children, with dogs collected from the guard’s van.
Da Tanka, she had heard, was living with another woman. Yet he refused to admit being the guilty party. It would not do for someone like da Tanka to be a public adulterer. So he had said. Pompously. Crossly. Horace Spire, to give him his due, hadn’t given a damn one way or the other.
‘When you die, Mr Mileson, have you a preference for the flowers on your coffin? It is a question I ask because I might send you off a wreath. That lonely wreath. From ugly, frightful Mrs da Tanka.’
‘What?’ said Mr Mileson, and she repeated the question.
‘Oh well – cowparsley, I suppose.’ He said it, taken off his guard by the image she created; because it was an image he often saw and thought about. Hearse and coffin and he within. It would not be like that probably. Anticipation was not in Mr Mileson’s life. Remembering, looking back, considering events and emotions that had been at the time mundane perhaps – this kind of thing was more to his liking. For by hindsight there was pleasure in the stream of time. He could not establish his funeral in his mind; he tried often but ended up always with a funeral he had known: a repetition of his parents’ passing and the accompanying convention.
‘Cowparsley?’ said Mrs da Tanka. Why did the man say cowparsley? Why not roses or lilies or something in a pot? There had been cowparsley in Shropshire; cowparsley on the verges of dusty lanes; cowparsley in hot fields buzzing with bees; great white swards rolling down to the river. She had sat among it on a picnic with dolls. She had lain on it, laughing at the beautiful anaemic blue of the sky. She had walked through it by night, loving it.
‘Why did you say cowparsley?’
He did not know, except that once on a rare family outing to the country he had seen it and remembered it. Yet in his garden he had grown delphiniums and wallflowers and asters and sweet-pea.
She could smell it again: a smell that was almost nothing: fields and the heat of the sun on her face, laziness and summer. There was a red door somewhere, faded and blistered, and she sat against it, crouched on a warm step, a child dressed in the fashion of the time.
‘Why did you say cowparsley?’
He remembered, that day, asking the name of the white powdery growth. He had picked some and carried it home; and had often since thought of it, though he had not come across a field of cowparsley for years.
She tried to speak again, but after the night there were no words she could find that would fit. The silence stuck between them, and Mr Mileson knew by instinct all that it contained. She saw an image of herself and him, strolling together from the hotel, in this same sunshine, at this very moment, lingering on the pavement to decide their direction and agreeing to walk to the promenade. She mouthed and grimaced and the sweat broke on her body, and she looked at him once and saw words die on his lips, lost in his suspicion of her.
The train stopped for the last time. Doors banged; the throng of people passed them by on the platform outside. They collected their belongings and left the train together. A porter, interested in her legs, watched them walk down the platform. They passed through the barrier and parted, moving in their part
icular directions. She to her new flat where milk and mail, she hoped, awaited her. He to his room; to the two unwashed plates on the draining board and the forks with egg on the prongs; and the little fee propped up on the mantelpiece, a pink cheque for five pounds, peeping out from behind a china cat.
* * *
EDNA O’BRIEN
* * *
IN THE HOURS OF DARKNESS
On a stretch of road from London and not yet in sight of Cambridge, Lena suddenly remarked that it was like Australia. There was more than one reason for this: the physical loneliness was exactly like that she had experienced in the countryside above Sydney one warm intoxicating Saturday and the road itself, devoid of houses or tillage, suggested a depopulated land. Also the high grass on either side was tawny, bleached no doubt by the long phenomenal English summer. The bridges too that flanked the motorways were ugly and graceless and reminded her of that other time.
Her son Iain said that any minute they would see the spires of Cambridge and already her mind ran on to her first view of the old historic town, the various university complexes, the stout walls, the stained-glass windows and the overall atmosphere of studiousness. She was intrigued. She envisaged going into the hotel bedroom and drawing curtains – they would be dark red and once drawn she would click on a light and sit in an armchair to read some of Jane Austen in order to re-discover through that woman reserve and perseverance.
Her youngest son was going up to Cambridge and she was facing the predicament she had read about in novels – that of a divorced woman, bereft of her children, having to grow old without these beloved props, having in some indescribable way to take the first steps into loneliness as if she were a toddler again.
Two signposts read the same mileage for Cambridge even though they were miles apart and she said that was typical, then instantly decided that she was becoming a shrew. Soon maybe she would be questioning bills, talking to herself and finding fault with any services that were to be done to her house. To save face she remarked on the beauty of a fairly ordinary little village in which she noticed a post office, an ale house, whimsy-looking cottages and an antique shop.
