'It's Amadeus,' he announced, placing the newspaper to one side as he accepted the proffered tray. 'I know him. Or knew him, to be precise. At school. Didn't know him well, but pleasant enough. Very intense for a fourteen-year-old. Not a name you forget in a hurry.'
'You didn't enjoy school much, did you?'
'Not that school,' Goodfellowe agreed. Not any school, in truth. 'Got expelled.'
'You? Expelled?' she burbled in surprise. She perched on the edge of the bed, intent on discovering more.
'The headmaster and I suffered from fundamentally differing viewpoints.' He rallied, tore his eyes away from her body, knowing he would have to finish the story first. 'Hoare – unfortunate name for a headmaster, don't you think? Left him rather distracted, I suspect. Christened his daughter Amanda. Can you imagine her school register? Anyway, during a dull interlude in one of his lessons when perhaps my attentions were drifting, Old Hoary thought it was in order to throw his stick of chalk at me. Which is where our fundamental disagreement came into play. Because he didn't think it was appropriate for me to pick it up and throw the bloody stuff back. Caught him smack on the bridge of his spectacles. Knocked 'em clean off. Smashed. You could hear the noise all over the school.'
'So he expelled you? For throwing chalk?'
'No, not for the chalk. It was for my artwork. As he was shaking the hell out of me for breaking his glasses, one of my illustrations fell out of a textbook.'
'Illustrations?'
Goodfellowe looked reflective, painting in the air with a piece of toast as he refreshed the picture in his mind. 'An amateurish but highly annotated illustration of a woman. Entitled "Martha".'
'Naked?'
'Of course. Vividly so. Accompanied by a brief but entertaining sexual history. One which was highly accurate too, according to fourth-form rumour. To which the headmaster, even without his glasses, took great exception on the quite narrow-minded grounds that Martha was also the name of his wife. Copped merry hell for that. Not to return after the end of the term, my parents were told. Copped a packet from the old man, too.' Goodfellowe bit into a corner of the toast, trying to avoid the thick smear of butter that clung to its surface. 'Amadeus was in the year below me. Came to say goodbye when he heard I was being thrown out. Asked for a copy of the drawing. Offered me a shilling for it. Damned decent gesture, I thought.'
Goodfellowe pulled a face.
'Unpleasant memory?' she enquired, concerned.
'No, unpleasant toast. How can you ruin toast, for pity's sake?' He dribbled crumbs onto his bare chest, which she brushed tantalizingly with the tips of her fingers, tracing the fragments of scorched bread down towards his navel.
'Why do you think I own a restaurant? It's the only way a girl like me can get a decent meal. Either that or joining an escort agency. Come to think of it, an escort agency would offer much better hours. The overheads would be lower, too.'
'In my opinion, which is anything but humble, the chaotic hours of running a restaurant are ideal for you.'
'Why?'
He beamed wickedly, pulling her back towards him. 'Because they precisely match my own.'
'You selfish bastard, Goodfellowe,' she cried, picking up his newspaper and beginning to hit him around the head.
'Don't do that! I want to keep Amadeus's letter. Invite him for a drink, perhaps. When you've put your clothes on.'
She began to laugh, like wind chimes disturbed by a summer's breeze. She was remarkably unselfconscious about her naked body, and with good reason. Even in her thirty-somethings it was still finely crafted with, as Goodfellowe had once put it, 'excellent long-term potential'. She had thought it a clumsy phrase, while he thought it summed her up exactly. So they fought a lot, misunderstood each other, had to compromise. But, as they fought, he learnt, about himself, and about that other half of humanity they called Woman. He liked learning as he neared his fiftieth, almost as much as he'd done in the fourth form. As for compromise, he found it easy when he was in her bed. Elizabeth de Vries. Excellent long-term potential. A body. Brains. A superb Russian restaurant thrown in, too. What more could a man want?
Except for an uncreased copy of the Telegraph. He grabbed it back.
'Anyway, what does he say in his letter, your friend Amadeus?' Elizabeth asked, conceding.
'That the Government is crap. He's probably right.'
'But it's your Government, poppet.'
She sounded the words slowly, with a smile of saccharine, as though she were lecturing a small child, but he wasn't in the mood. Nowadays he was rarely in the mood. He had developed a fundamental humour loss when it came to this Government. His Government. A Government that was deep into its menopause and now so bereft of ideas that it had all but run out of things to leak.
'That's naive,' he responded, he hoped softly enough to smother the sounds of his own imploding frustration.
'You vote for it every day of the week.'
'Like all women, you don't understand
'What's the matter, Goodfellowe, the only place you discover your balls is in bed?' She laughed, claiming victory.
'Ridiculous female logic'
'Typical male inadequacy might be closer to the mark.'
'Elizabeth, you're being emotional,' he protested, knowing already that his banners were in tatters and the field was hers.
'I know I'm nothing more than a weak and wanton woman, but you aren't. So why don't you do something about it?'
The coup de grace. A single blow. Delivered with unerring accuracy.
'Do something? Do something?' he repeated, as though the question was struggling to penetrate the wits of a drowning man. 'I can't! I wish I could but I can't. I'm a miserable backbencher with no power and a bike that's going rusty while these bloody Ministers…' He clenched the rescued newspaper in his fist as he spoke, unaware that he was crumpling it beyond redemption.
'Most of them are cock-ups scuttling around Whitehall in search of an occasion,' he continued. 'They sweep past in their Ministerial limousines, their spin doctors strewing rose petals and whisky in their way, while we are expected to stand idly by in the pouring rain and wave them onward. And, to hell with it, look what you've done to my newspaper!' he howled in the manner of some Dickensian villain.
'No, Goodfellowe, you did it. And it's my newspaper. My toast.' She picked up the tray. 'And my bed. Time to get out of it. The second shift arrives in half an hour.'
He looked at the disappearing tray with a sharp edge of hunger. Damn the diet. The toast didn't look that bleak after all. 'You know what I really want, Elizabeth?' he called after her, his imagination full of the sight and succulence of a full English from the Connaught.
She turned at the door. 'I know exactly what you want, poppet,' she said with a certainty that for a moment completely overwhelmed him. 'You want to be a Minister once again.'
For a moment he was stunned. Was it so bloody obvious?
'It would cause problems for me, of course,' she continued, her lips puckering. 'The Minister's mistress. I'd become a clichй.'
'Would that be a very great problem?'
She stared at him directly, glints of orange fire in the marmalade. 'I'd manage. If that's what you wanted. In fart, old darling, I think I'd manage rather well.'
The words hung between them, persisting. It was the first time they had admitted to each other, perhaps even to themselves, that they saw their futures together, as a team. This was not easy for either of them to admit. There was something often a little theatrical about Elizabeth, like Vivien Leigh, all extravagance and dramatic passion as though she had stepped out of 'Gone With The Wind' with high cheekbones and expressive lips that could squeeze submission from almost any man. But if so much of her life was an act, it was only because, in those secret places inside, she had spent much of her life feeling inadequate. She had first learnt the mechanics of satisfying a boy at the age of fourteen. She had also learnt of the potential consequences when, once satisfied, he had simply walked away. Abandone
d her to the sniggers of his friends. Made her feel like a slut. She had decided there and then that if anyone was going to do the walking away after that, it would be her. She had been walking away ever since, from her ill-prepared university exams, from her ill-starred marriage, from any sort of personal commitment she felt she could not control – until Goodfellowe had come along on his bloody bike. He was different, confusing, didn't run by the normal rules. He was both infuriating and fun. So maybe it would be different this time. Maybe.
Goodfellowe understood some of this, although he had never been allowed to penetrate behind all the layers of tinsel. It meant that his love for her could never be a comfortable matter but, hell, he'd had years of respectable marriage, done the comfort thing and collected the T-shirts, all of which were starched and ironed and filled the locked matrimonial closet. He needed something different, not order and contentment but a challenge that would strip away the restraints and leave the T-shirts crumpled and torn, something that would allow the man beneath to show through.
As he listened to her words about Ministerial office and advancement, an uneasy sensation scoured his stomach. At first he hoped it might be nothing more than the echo of an unfinished breakfast, but quickly it overwhelmed him. A sensation he hadn't felt in so very long.
Excitement.
Twisting inside him once more.
He had Elizabeth. And now, with her encouragement, once again he had that other inspiration missing from his life.
He had ambition.
– =OO=OOO=OO-= The hour is late, well beyond evening. A solitary shaft of light cuts across the prep school lawn. The turf is immaculate, which is much more than can be said for Boris, the caretaker's cat, a ginger-walnut tom with missing ear and the look of battles past, many of which he appears to have lost. He pauses, cautious, sniffing the air in suspicion before padding across the river of light.
The old clock above the quad takes its time about striking ten, disturbing the screech owl that had found a perch on the weather vane. There is no disguising the fact that the bell is badly cracked, and getting worse. The entire clock tower is a disgrace, so dilapidated it will soon need replacing if Amadeus can find the money, or silencing if not. Another tedious battle which as bursar he will have to fight with the governors, hand to hand, a tussle that will soak up as much of his energy as did the recapture of 'Full Back' on Mount Longdon, and maybe leave as many scars.
He turns up the volume of his CD player until the voices make his office vibrate. Not a problem, since there is no one left to disturb, apart from the cat and the owls. Mozart's Requiem. The work of a dying man that was destined to be left behind, uncompleted. Amadeus has revisited this music many times recently, feeling its power, beginning to understand how wrathful the composer must have felt in his frustration, and sensing his fear. So much unfinished business.
'… fac benigne ne perenni cremer igne,' the chorus sang. 'Grant that I burn not in everlasting fire.'
How Amadeus loathes his job. A travesty of his talents. Surrounded by children who have no respect and teaching staff who show no interest, parading in their crumpled jackets and tatty liberalism. When he was interviewed for the post, the headmaster suggested he had no management experience. Sure, he didn't know how many paper clips he had in his desk drawer. But he had planned a Para battle group assault with eight hundred men and heavy drop kit, all loaded onto twenty Hercules that were then flown five hundred miles and dropped on precisely the right bloody spot at exactly the right bloody time so that no one drowned or broke his fucking back. That wasn't management, of course, not in Civvy Street. He'd just have to get used to such subtle distinctions. 'Look, it's an income,' the Officers Association had encouraged when they pushed the bursar's position at him. Yeah, but so was mugging grandmothers.
He took the job because there was nothing else on offer at the time, apart from the still greater humiliation of his wife's incessant nagging. And when he sat down and considered all the options, beneath all the doubts there was the bedrock of his pride. Amazing what a man's pride could make him do.
Amadeus turns from his post at the window and wanders back to his desk, a route he has crossed and recrossed at least a dozen times during the evening, restless, like a refugee. From beneath the puddle of light thrown by the solitary lamp upon his desk he retrieves the copy of the Telegraph, tightly folded to the letter page, which contains the reply that has been printed to his own. It comes from the Minister for Defence, Gerald Earwick. He reads it again, and still his soul burns.
'… distortion of the truth… time for the country to decide, arms or Accident amp; Emergency wards… our duty to defend our hospitals and schools, our old and infirm… an end to feather-bedding in the armed forces.'
On that night in the black snow on Mount Longdon, he had watched the youthful Argentinian conscript die, Scully's bayonet stuck in an inch below his twelfth rib, the young man scrabbling uncomprehending at his emptying stomach while hope drained away between his fingers. Somehow it hadn't seemed like a feather bed.
'We should not allow the argument to be distorted,' Earwick's riposte continues, 'by the self-interested pleading of a small number of disgruntled former officers. The truth of the matter is simple. The nation's security remains safe in this Government's hands.'
He reads it yet again, even though every word has already dripped like acid across his heart. The music of the Day of Judgement echoes in his head.
'Dies irae, dies illa, solvet saeclum in favilla… Nil inultum remanebit,' they chant. 'O, day of wrath, that day will dissolve the earth in ashes… Nothing will remain unavenged!'
Nothing will remain unavenged. Eternal words that reach out across the ages. At last Amadeus stops his pacing. He pours himself a large whisky, a Talisker, neat, the colour of amber, sits at his desk and lights a cigarette. He drinks and inhales, both deeply. His mind reaches out to places far away but not so long ago. The slopes of Longdon with its stench of rotting fish. The drive through Sniper's Alley in Mostar, and the ridge above Konjic where death jumped out of the virgin snow. Kigali, with its piles of bodies strewn like yesterday's newspapers along the fetid roads, bloating in the sun. Places, and times, when he had been needed.
The music has stopped. The only sound in the room is that of his breathing, which is deep, as though he has been running, or is about to start. Perhaps he should put it all behind him, bury his anger and wait for salvation in the life hereafter. But he can't. Forgiving the enemy is for saints, or politicians, or oil companies. Not for him. For Amadeus, every dark corner hides an injustice, every breath grows into a sigh of protest.
And while he breathes, he will not let it go.
He sucks at his cigarette until it glows brightly, like a star shell hanging in the sky, illuminating the field of battle. Then one more drag before he grinds it out. He uses Earwick's reply as an ashtray.
As the paper curls in protest and the acrid smell of burning stings his nostrils, Amadeus makes three vows. He is not a man who takes vows lightly.
The first is that this cigarette will be the last he ever smokes.
The second vow, more difficult, is that he will drink less. Pity, but this will be the last bottle of whisky. From this point, only an occasional glass of wine or beer.
The third, however, gives him great pleasure.
He has been trained all his life to deal with difficulty, not to turn his back and bow his head. Earwick, that bag of shit, wants a fight, so that's precisely what he'll get. But not the fight he might expect, not a gentlemanly duel in the letters column adjudicated by the editor of the Telegraph. This will be a different contest, on grounds that Amadeus will choose. 'Safe in this Government's hands'? We'll see. From this point on, he vows, Mr Earwick is going to be a desperately busy man.
Amadeus is back.
From within the locked drawer of his desk Amadeus retrieves a thick bundle of letters, mostly from military men, many of them old comrades, which have arrived from all corners of the country in the la
st few days in support of his protest in the newspaper. He reads a dozen of them yet again, and then once more, reading slowly as he tries to assess not only their wealth of support but also the strength of the passions behind them.
Letters, letters, letters! Letters have been the greatest burden of his life. Letters with his wife's overdue bills, letters of protest, of accusation, of incitement. Letters of redundancy. He hates letters, has treated them as enemies, ever since his mother thrust that first alphabet book into his hands. He tore it up, and she beat him with the book's empty covers, not understanding his problem with letters.
From another drawer within his desk he takes a few sheets of personal notepaper, sits before his word processor, gives thanks to IBM and the Almighty for voice recognition and spell-check software, and dictates three more. These are letters of invitation.
The printer gives out its strange pattern of binary bleeps and, like messages from an alien world, the letters tumble forth. He signs, stamps and with great care seals the final envelope, then runs the tip of his tongue around his lips. They feel coarse from the glue, his mouth is dry. Needs a drink. He picks up the tumbler and holds it to the light. Liquid peat. Rich. Soothing.
Oh, and as steady as sunlight!
For the first time since his discharge from the Army, his hands are still. The trembling has disappeared. As the last mouthful of whisky trickles down his throat in long farewell, he rejoices.
The music beats out. Resurrection is at hand!
THREE
'George, this is all you ever do. I watch you, your lips move as though you're talking to me, I listen, I even concentrate, but all I hear is gobbledegook. Incomprehensible nonsense about PPPs and PSBRs and OEICs and PESC rounds. Like you're still on some acid trip at Oxford. Can't you come down to earth for once? Say what you mean?'
George Vertue, the Chancellor of the Exchequer, a man noted for his East Anglian reticence and who at university had experimented with nothing more lethal than an occasional mutton biryani, winced and sought time by smoothing out some invisible flaw in the nap of the brown baize tablecloth. 'I'm trying. Prime Minister,' he replied. 'Believe me, I'm trying.'
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