Brock sat back, wondering if the man’s panic was genuine. He was inclined to think it was.
‘Well?’Wylie demanded.
‘I’ll need a lot of convincing. I won’t have you released, but I can move you away from here, to somewhere you’ll be safe.’
Wylie chewed his lip.‘All right. Do it straight away. My brief’ll contact you after that.’
The girl at the entrance desk of the gallery was distracted by the winding snake of school students when Kathy arrived. ‘Sorry,’ Kathy said. ‘I can see you’ve got your hands full. I want to see Mr Tait.’
‘He’s in his office, I think. Do you want me to ring . . .’
‘Don’t worry, I know where it is.’ Kathy smiled brightly and continued past the scrum in the hall down the corridor that led to Fergus Tait’s office. She knocked at the door, and Tait opened it. ‘Ah, Sergeant, what can I do for you?’
‘I’d like to have another look in Stan Dodworth’s room, if that’s all right.’
‘Again? Your people were there yesterday. They have the key.’
‘Oh, of course. I should have realised.’
‘Not to worry. If you won’t get me into trouble, I’ll confess that I have a spare.You can use that.’
‘Thanks.’
‘Are you any closer to some answers, might I ask?’
‘There’s not a lot I can tell you.’
‘Ah, only I paid a visit to Gabe this morning and he’s in a bad way. He’s worked himself up to such a pitch. I’ve never seen him so frayed, coming apart at the seams, pale as a ghost. Poppy’s very worried about him.’
‘I’ll go and see them when I’ve finished here.’
‘Today’s will be the sixteenth banner.We’re running out of space. Don’t call me a cynical businessman if I say that it would be a great relief to everyone concerned if you could wind this thing up before too long.’
‘We’re doing our best.’
‘Of course. I’ll get you that key.’
While he searched in a drawer of his desk, Kathy said, ‘I spoke to Sir Jack Beaufort just now. I believe he was in here earlier, wasn’t he? Did you manage to sell him something?’
Tait raised his eyebrows. ‘No chance of that. He was mad because I told you about selling him that painting of Betty’s. Goodness knows why he was so upset. Told me in no uncertain terms not to gossip about him. Gossip! I ask you.’
‘I don’t suppose you’ve ever come across a little oil painting that Tracey Rudd did, have you? A self-portrait.’
Tait looked at her in surprise. ‘Tracey? No, I’ve never heard of that.’
In Stan Dodworth’s room she found that the gruesome contents that would be of interest to the coroner had been removed. There seemed little chance that the searchers would have overlooked a painting of a child’s face, but Kathy searched anyway, without result. Later, she would check the inventory of items the police had removed, again without finding any reference to it.
23
‘He’s on something, no doubt about it. I’m Colin, by the way.’ The officer closed the front door behind Kathy and turned to face her, speaking with voice lowered. He was wearing a protective vest over his uniform shirt and tie, and a 9-mm Browning was holstered on his right hip, yet he looked like a boy, barely old enough to be out of school. ‘Doesn’t look as if he’s slept for days, and he’s getting to the jumpy stage, I reckon. I told the lady we should get a doctor to check him, but she said he won’t hear of it.’
‘Has he been giving you any trouble?’
‘No. He stays up on the top floor most of the time, working. At least he’s safe up there.’
They climbed up the stairs to the main living floor, where Poppy was sitting by the big windows overlooking the square. ‘Hi,’ she said. ‘I saw you coming.’ Her voice sounded distant and vague.
‘How are you?’ Kathy asked.
‘Oh . . . not bad. Bit tired.’ She gazed blankly out at the skeletal branches in the gardens silhouetted against the grey sky.
Kathy wondered if this distraction was the result of a night in bed with Gabe, but then noticed the slightly uncoordinated hand movement as the magazine on Poppy’s lap slid to the floor. ‘Have you been taking medication, Poppy?’
‘What?’ Poppy slowly turned her head. ‘Oh, Gabe gave me something to relax me, that’s all. He says I’m too wound up after what’s happened. God, you should see him! He’s on three packs of fags a day now.’
‘Has he been taking pills too?’
‘I don’t know. Probably. Can’t blame him, can you? Poor Stan. Poor Betty. Poor Tracey.’ A tear began to trickle down Poppy’s pale cheek. ‘Gabe says it’s finished now, but it isn’t, is it?’
‘Why don’t you lie down and get a bit of sleep?’
‘Yes, I might do that.’
‘Colin here will help you down the stairs while I talk to Gabe.’
‘Right . . . Don’t be cross with him about the pills, Kathy. He’s doing the best he can. He doesn’t show it much, about Trace and everything, but that’s just his act.’
‘Don’t worry.’
Kathy watched the young constable take hold of Poppy’s arm and help her to her feet. Her legs seemed rubbery and he had to support her to the stairs.
‘Can you manage there, Colin?’ Kathy asked, and he grinned and nodded. They disappeared and she took the stairs up to the studio. As she pushed open the door a cloud of cigarette smoke billowed out to meet her. Gabe was on his hands and knees on the floor. He was wearing a stained T-shirt and boxer shorts, bare feet, white curls all over his face, and looked like a shipwrecked soul crawling out of the sea. He lifted his head towards her and stared through red-rimmed eyes without a glimmer of recognition.
‘Gabe? It’s me, Kathy Kolla, from the police.’
‘Oh . . . yeah.’ He got laboriously to his feet and pushed the hair out of his eyes. His chest was heaving with quick, shallow breaths. ‘Sorry, concentrating.’
Kathy saw that he had been crawling across a long roll of plastic, scribbling red pencil marks on what looked like a draft print of another banner.
‘Yesterday’s number fifteen. Liberty and Justice, remember?’ His words were slightly slurred.
She saw the two figures dangling from a gibbet. ‘Yes, I remember. How are you feeling?’
‘On fire . . . drowning.’
‘You should get some rest. I’m going to call a doctor to look at you.’
‘NO!’ The sudden violence of his shout made her start. ‘I mean, no, please. Maybe tomorrow, but I haven’t got time just now.When I’ve finished this I’ll be able to sleep, then everything’ll be fine.’
‘You sure?’
‘Really. Absolutely.’ He reached for a mug of something and took a gulp, then for the pack of cigarettes beside it. ‘They never found Dave, you know.’ He blew smoke.
‘Dave?’
‘My little badger friend. He scarpered. Sensible bloke.’
‘Oh, yes.’
‘You think I’m paranoid, don’t you? Well, you know what they say—just ’cause you’re paranoid doesn’t mean the bastards aren’t out to get you.’ He chuckled at his own joke.
‘Why would anyone be out to get you?’
‘See! You do think I’m paranoid. They’d be out to get me because I know too much.’
‘What do you know?’
‘Ah, that’s the question.’
‘Look, why don’t I get you some food. I think you’d feel better.’
He waved a dismissive hand. ‘I’ve eaten. Mrs Fikret brought us stuff.’ He glared at an untouched plate of kebabs and vegetables on a table. ‘Look, come over here, I wanna show you something you’ll like. Come on.’
Kathy followed him over to the plastic on the floor and looked where he was pointing. Beneath the hanged figures was some text: The Fate of Justice and Liberty, as revealed by KK.
‘There, is that discreet enough for you?’
‘Yes, that’s just fine, Gabe, thanks.’
‘You see? You proved I wasn’t being paranoid. It all means something.’
‘I think I was wrong about that.’ Kathy was regretting telling Gabe her bright idea. ‘I’m sure it’s just a coincidence.’
‘No, no, no. There are no coincidences. Everything means something, if you can just figure it out.’
Later that afternoon, at Shoreditch, Brock called to speak to her.‘I’ve got a meeting arranged with Wylie’s solicitor at six, Kathy. I was wondering if you’d be free to come along too. I may need a witness.’
‘Yes, of course. I have to tell you one or two things.’
‘Right. His office is south of the river. Can it wait until we drive down there?’
‘Fine.’ She thought he sounded keyed up.
On the journey she told him about her abortive search for Tracey’s self-portrait. ‘I just thought, if Stan stole it from Betty’s house and I could have found it among his possessions, it would have given us a firmer link from him to the killing.’ She saw that Brock wasn’t convinced, but when she mentioned the call to meet with Beaufort he immediately became interested.
‘What did he want?’
‘To warn us to be careful, I think.’
‘Everybody’s doing that,’Brock growled under his breath.
‘He seemed to want me to pass on to you the idea that Wylie might try to sow suspicion in your mind about him. Is that possible?’
‘Could be,’ Brock said. ‘We’ll find out tonight.’ Then he gave her an outline of his session with Wylie in the prison. Kathy thought Wylie’s claims about the judge were preposterous, and said so.
‘Let’s wait and see, Kathy,’ Brock said. ‘Let’s just wait and see.’
They stopped on the high street outside a Chinese takeaway. Half a dozen customers stood inside under a blaze of light, waiting for their orders. A nameplate on the doorway next to the shop said, Russell Clifford, Solicitor. They went inside and climbed a threadbare stair-carpet to the office above. Clifford’s staff, if there were any, had apparently left for the night. He emerged from his room in shirtsleeves, looking as preoccupied as ever, and showed them to an interview room at the back. On the table lay a single large yellow envelope and a notepad.
‘I’m acting on my client’s instructions, of course,’ he said. ‘He’s asked me to allow you to view the contents of this envelope, but not remove them.’
Brock stared at the envelope. It had a handwritten note on it: Mr Wylie, Deposit A.
‘Do you know what it contains?’ Brock asked.
‘No.’
Brock reached for the envelope, unfastened the flap and looked inside. There were a number of photographs, which he shook carefully onto the table without touching. Kathy caught her breath as she made out the first—a picture of Tracey in her school uniform, standing in sunlight in a street. A tall man, Beaufort certainly, was bending to offer her something in his hand. Kathy recognised the corner of The Daughters of Albion in the background. Brock took out his pen and used it to slide the picture aside.
The second photograph showed Beaufort seated in a room. Tracey was sitting on his knee, an arm around his neck, face close to his cheek as if she’d just kissed it or whispered something in his ear. He looked rather surprised, but pleased, too. The light was very bright and clear and there was no mistaking the two of them, although the background was out of focus. Tracey was wearing what looked like a dressing gown, too large for her, and one leg was exposed to the hip.
Kathy didn’t want to see any more. She looked up at the lawyer who was staring fixedly at his framed certificate on the wall, as if using all his willpower to prevent his eyes dropping to the photos.
The third picture seemed to be taken in the same place, but now Tracey was naked. She was kneeling on a table with a fixed, faintly puzzled expression on her face and Beaufort, fully clothed as in the previous picture, was stroking her shoulder. The fourth was shot in a bedroom in poor light. A small naked girl lay beneath a large naked man. Again, Tracey and Beaufort.
Brock peered closely at each in turn for some time before speaking.
‘You say you haven’t seen these before, Mr Clifford?’
‘That’s right,’ he said, eyes still fixed above their heads. ‘Mr Wylie specifically asked me not to. I am simply instructed to make sure you don’t remove any. There are four photographs, I understand.’
‘No, that won’t do. These appear to be material evidence relating to a major crime. I’ll have to retain them.’
‘But . . .’ Clifford started to object, but Brock went on.
‘And I want you to look at them so that you can identify them later in court, if asked.’
For a moment it seemed as if Clifford was debating trying to physically retrieve the pictures, then he subsided in his seat and allowed his eyes to drop. Brock turned the photos round, one by one, so that he could see them. With each, the solicitor’s worried frown intensified.
‘My God,’ he whispered. ‘That’s Sir Jack Beaufort, isn’t it?’
‘And that’s the missing girl, Tracey Rudd. You see why I have to have these, don’t you?’
‘Mm.’ Clifford was chewing his bottom lip. Brock watched him, thinking how different he was to Virginia Ashe. The public prosecutor worked for the state, had a steady flow of work, lots of backup and a regular pay check, and could afford a wry air of clinical detachment. The defence solicitor, on the other hand, had a client who wasn’t confiding in him, had a dodgy record and might not pay his bill at the end of the day. And there would be other calculations going through his head: his own legal position, his reputation within the profession.
‘What exactly are your client’s instructions, may I ask?’ Brock prompted.
‘I’m to seek your written guarantee that his and Patrick Abbott’s email accounts will not be accessed, now or in the future. I am also to seek your assurance that you will support the dropping of all charges against Mr Wylie and his immediate release from detention. In return, he’ll provide you with these pictures and other evidence he has relating to the same matter.’
‘Do you know what form this other evidence takes?’
‘No.’
‘I assume you’re holding it for him. Deposit B, presumably?’
‘I really couldn’t say.’
‘When did he deposit these with you?’
‘I . . . couldn’t say.’
Brock rubbed a hand wearily across his eyes. ‘Do you know whether your client took these pictures himself, or witnessed them being taken?’
The solicitor shook his head.
‘Or what kind of camera was used?’
‘No, I don’t.’
Brock gathered the pictures, scooped them into the envelope and handed it to Kathy.‘I can’t agree to anything on the basis of these. They’re useless.’
‘What do you mean?’
‘They look to me like digital pictures. The courts won’t accept them as evidence.’
‘You think they’ve been fabricated?’
‘I don’t know. That’s why your client will have to give us more, much more, before I can help him.’
The lawyer now looked very worried.‘There may be a problem. He mentioned to me that he had no faith in the police. He said—his phrase—that you were all in each other’s pockets, and you might try to suppress his evidence and maintain his guilt in order to protect your friends. In which case, he said, he would have to find other ways to make use of it.’
‘What do you think he meant by that?’
Clifford shrugged unhappily. ‘Go public, perhaps?’
‘There are other copies of these?’
‘I don’t know, but Mr Wylie is a very cautious man.’
‘I think you’d better try to persuade him to give me what I need.’
‘Yes, but he doesn’t always take my advice.’
They bought takeaway downstairs and ate it in the car, still parked at the kerb. While they were eating the lights went off in the solicitor’s office. A few secon
ds later they saw him exit the building and walk off into the night, stooped by the prospect of another visit to the gaol.
‘What have you got on tonight?’ Brock asked.
Kathy wiped her fingers and started the car. ‘I thought I might do a spot of babysitting. Our artists, Gabe and Poppy, are in a pretty disturbed state, and I feel they know more than they’ve told us, but I couldn’t get any sense out of them this afternoon.’
‘Back to Northcote Square, eh? That place is getting to you, Kathy. They’ve got a minder, haven’t they? Take a break. Have a night off. Catch a movie or something. Something light.’
‘Yes . . . soon.’
She drove back by way of the Forensic Science Laboratories, where they dropped off the envelope with a note for someone Brock knew in the Photography Unit.
24
PC McLeod peered around the edge of the door, then released the chain and let Kathy in.
‘Hi, Colin. You still here?’
‘Yeah, my relief hasn’t come yet.’
‘How are the artists?’
‘They ordered a pizza a couple of hours ago, but hardly touched it. Then they went up to the studio together. I heard them moving around and a bit of chat. Then he called down that they were having an early night and didn’t want to be disturbed. That would be over half an hour ago.’ He gave a yawn and led the way upstairs.
‘Yes, I noticed there wasn’t a light on in the studio.’ Kathy smelled the pizza before she saw it, almost finished, on the coffee table with a can of soft drink. PC McLeod blushed. ‘They said they didn’t want it.’
Kathy smiled. ‘So you’re reading about art?’ She nodded at a couple of books lying open on the seat.
‘Yeah, it’s interesting. I don’t like to watch telly when I’m working in case I don’t hear something. I was reading about Van Gogh. He only sold one painting in his whole life. How would that make you feel, eh? It’d be like being a copper and only making one arrest.’ He eased his shoulders under the body armour.
‘Heavy?’
‘Yeah. By the end of the day you really feel it. I have to keep it on, even though there doesn’t seem a lot of point, sitting in here.’
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