The New Colossus
Marshall Goldberg
Copyright
Diversion Books
A Division of Diversion Publishing Corp.
443 Park Avenue South, Suite 1008
New York, NY 10016
www.DiversionBooks.com
Copyright © 2014 by Marshall Goldberg
All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever.
This is a work of fiction. Names, characters, places and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events or locales is entirely coincidental.
For more information, email [email protected]
First Diversion Books edition March 2014
ISBN: 978-1-62681-265-9
To my family and friends
who support me no end
And to Nellie and Emma
who inspire me no end
Author's Note
This is a work of historical fiction.
The term has always seemed oxymoronic to me: “historical” suggests grounded in verifiable reality, “fiction” suggests a flight of fancy. Readers of historical fiction are comfortable with this contradiction and even embrace it. Others often need to know what “really happened” and what was made up.
I was quite taken with Emma Lazarus and Nellie Bly, and wanted to learn more about them, but I kept running into blanks, even after reading dozens of books. As a fiction writer, I decided to fill in those blanks with what might have been.
Nothing in The New Colossus is a deliberate lie. I worked with the facts and honored them as if under penalty of perjury. I simply completed the story in a plausible way. Please feel free to write me at Facebook.com/MarshallGoldbergAuthor and I will tell you what is in the history books and what is not.
Prologue
The little girl couldn’t sleep.
She hadn’t slept through the night since her father died four months before. She would imagine him walking in with a big smile and a present and then sitting on her bed, telling her all about his train ride to Philadelphia or Harrisburg and promising he would never leave the house again. Then she would realize it was all in her mind and start crying and hide under the blankets so no one would hear the sobs.
Her father had adored her. She was his favorite, more than her younger sisters, certainly more than her stepbrothers and stepsisters from his first marriage. She hadn’t even met any of them. They were all grown-up and had moved away. When her father remarried, none of them came to his wedding, or so she’d been told. Then when he moved his new family into the biggest house in town, one that he built from the ground up, they stopped writing him altogether.
Now, though, it wasn’t heartache that kept the little girl awake but the sound of loud voices downstairs. Her mother was crying, and some men with heavy feet were walking around the living room giving orders. The little girl got out of bed, went out to the landing, and peered below. Half the furniture was gone. Her mother was sitting on the couch crying, her face in her hands, while a man with a badge and long coat directed two men to remove her father’s favorite desk.
“Momma. What’s going on?”
Her mother looked up with the most pained face the daughter had ever seen. The same way she looked at the funeral.
“Pink,” said her mother, her voice cracking. “You need to get dressed.”
“Where are we going?”
Her mother closed her eyes tight and shook her head. “Momma? Where are we going?”
“Just get dressed, Pink.”
It was not so much an order as the only thing her mother seemed able to say. “Should I pack a bag?”
Her mother closed her eyes even tighter and nodded. Tears streamed down her face. The little girl watched as the man with the badge and long coat tapped her mother on the shoulder and motioned for her to move away from the couch.
Chapter One
Bellevue Asylum
The elegant young woman in the emerald bustle dress shivered as the police steamer made its way up the East River toward Blackwell’s Island. The temperature hovered around freezing, and a soupy mist made the winter air feel even colder, but the real source of her trembling lay in their destination: the Bellevue Asylum, New York’s only hospital for the insane. The other nine women aboard shared her fears. One with raspberry blotches all over her face and a grayish-yellow fungus on her scalp babbled incessantly and pulled out tufts of her hair near the roots. Another with a high fever ranted incoherently. A third seemed perfectly normal and pleaded to be returned to shore, but spoke only French. The young woman tried to engage several of the women in conversation, but the policeman who kept eyeing her told her to be quiet, patting his billy club to show he meant it.
Hours earlier, at the Essex Market Court on the Lower East Side, the young woman had been unable to recall her name or anything of her past. Presiding Judge Duffy had ordered her committed to Bellevue, drawing gasps from the courtroom, and then summoned reporters from all seven of New York’s major newspapers to ask for their help in locating the young woman’s family. When the male reporters saw her rich auburn hair, mournful green eyes, and beige freckles sprinkled on a lovely face, they had wanted to comfort her and make her world right. But male stirrings and judicial entreaties aside, they also knew a good story when they saw one. And New Yorkers needed a good story. The city was still recovering from the February 1888 blizzard that had dumped forty to fifty inches of snow on the streets and produced drifts fifty feet high that still lined the Manhattan shore. People had been confined to their homes for weeks. They would be more than ready to grab on to the tale of a halting young woman with a hard-to-place accent who had no idea who she was.
But the gentlemen of the press seemed far away right now. The young woman was no longer in the relative safety of a New York courtroom. She was in a filthy police boat with at least six babbling lunatics and two sadistic policemen steaming up the East River to an insane asylum.
The boat docked in front of an enormous white concrete warehouse more than two hundred yards wide and four stories tall, surrounded by a wrought iron fence with jutting spears. This was the Bellevue Hospital Asylum, and upon visiting it forty years earlier, Charles Dickens had described his reaction as “deep disgust and measureless contempt.” A half-dozen female guards, steel-eyed and gruff-looking, stood by idly and made no effort to help with the landing or unloading. One of the policemen muttered that they were inmates from the women’s prison up the road—convicted prostitutes, thieves, even a murderer. The chief female guard—tall, broad-shouldered, and mannish-looking in her late thirties—signed the receiving papers and bantered with a police guard. None of the other female guards bothered to make conversation or smile hello.
The chief female guard signed the last document and handed it to the policeman, who hopped back on board. The steamer shoved off. The young woman watched it head downriver toward Battery Park, taking with it her last connection to the outside world.
The chief guard turned to the new arrivals. Her smile disappeared.
“My name is Grady. Miss Grady. You are now on Blackwell’s Island. I hope you plan on staying here awhile because you will not be leaving anytime soon. Do as I say, and we will get along nicely. Question me or disobey me, and your life here will be unpleasant. That I promise. Now follow me inside.”
She walked toward the main entrance to the building. The other guards surrounded the women like cowboys herding cattle and prodded them along. The young woman looked around to get her bearings.
“Move along,” snapped a guard and gave her a firm p
ush.
The young woman clenched a fist and shot her an angry look but nevertheless trudged inside with the others to a large, brick room. It was damp and cold, with a dirt floor and high windows that shed little light. In the center of the room was a cast iron bathtub that resembled a horse trough, a wooden barrel of water, and some oaken buckets.
“Take off all your clothes,” Miss Grady ordered the group. The women balked.
“Do it now or we will do it for you,” snapped Miss Grady.
The guards held out their hands for the clothes. The women reluctantly began undressing, but the young woman wanted no part of this. She didn’t like the idea of taking off her clothes in front of strangers, and certainly not when she was shivering from cold.
“It’s freezing!” she protested.
“And it’s going to get colder,” snorted Miss Grady. She motioned for one of the guards to start undressing the young woman.
“I’ll do it,” said the young woman, and she took off her shawl, bodice, and skirt.
“Underskirts, too,” said Miss Grady.
The young woman recognized the inevitable and reluctantly took off her underskirts. She stood there in only a slip, covering up against the damp chill.
Miss Grady smiled approvingly. “Now your slips,” she ordered.
The women didn’t move. None of them had ever been naked in front of another woman.
“Now!”
The guards took a menacing step forward, and the women compliantly took off their slips, each of them now standing naked, pointlessly trying to cover up in the freezing cold.
“You!” Miss Grady motioned to the woman with the terrible skin disease, who had pulled out clumps of her hair. “Get in the tub!”
The woman submissively stepped into the empty tub and slowly sank down. One of the guards filled a bucket with water from the barrel and poured it on her. The woman gasped.
“It’s cold!”
“Of course it’s cold,” said Miss Grady. “Now be still.”
They poured two more buckets on her. The woman cried out from the cold. One of the guards grabbed her by the hair and scrubbed her with some soap and a brush that made deep, red scratches on her head and back.
“Stop! Please!” screamed the woman.
“Quiet!” barked Miss Grady. “It’s just a bath!”
The guard kept scrubbing, drawing blood on the woman’s back and scalp while she cried and whimpered and begged her to stop.
“No more! Please, no more!”
Finally, mercifully, the guard lost patience.
“All right. Done!” said the guard and stood up. Two other guards filled buckets from the water barrel and flung the contents at the woman, rinsing her off. The woman sputtered and fought for air.
“You’re clean. Get out!” shouted Miss Grady.
Dripping wet with cold water and crying from the shock and humiliation, the woman stepped out onto the dirt floor. One of the guards handed her a towel. The woman dried herself furiously, trying to warm up and yanking tufts of hair from her scalp onto the towel. One of the guards tossed her a ratty slip, motioned for her to put it on, and grabbed the towel back. The woman stood there in the moth-eaten slip, her hair still wet, rubbing her body to try and get warm.
“You!” said Miss Grady to the woman who spoke no English, pointing to the tub.
The woman hesitated. “Pardon?”
“Get in!”
The woman waited for the guards to drain the tub. But nobody moved.
“Now!” Miss Grady shoved her forward.
The woman looked at the dirty water with revulsion, but as the guards menacingly stepped toward her, she got in the tub, cringing and trembling with fear.
“Sit down!” Miss Grady motioned for her to sit, and the woman willed herself to sit in the cold, dirty water. The woman shut her eyes, hoping to block out all sensation. The same guard as before began scrubbing her with the same harsh brush and soap. The Frenchwoman tried to maintain her dignity and suffer in silence, but she sobbed from the pain and humiliation, her shoulders heaving with shame.
Finally the scrubbing guard stood up. “Done.”
“Up!” snapped Miss Grady.
The Frenchwoman stood up. The two guards once again filled their buckets from the barrel and tossed cold water on her. She gasped as if lashed by a whip.
One of the guards handed her the same towel the woman with the skin disease had used, the tufts of hair and fungus still on it. The Frenchwoman shook her head adamantly.
“Use it, or stand there and freeze!” said Miss Grady. But the Frenchwoman just shook her head.
“Suit yourself.”
She motioned for the guards to remove her from the tub. Two of them grabbed her and pulled her out, her leg smacking hard against the side, and deposited her on the dirt floor. The woman sat there in the freezing air, soaked, shivering, and dirty. A guard tossed her a ragged slip. She put it on. It became wet immediately, but at least she had covered herself. The guards lifted her again and moved her away from the tub.
Miss Grady pointed at the elegant young woman.
“No, thank you,” said the young woman. “I don’t need a bath.”
“A funny one, eh?” Miss Grady nodded, and two guards grabbed the young woman by the arms. She tried to resist, but the guards were stronger and lifted her harshly into the tub. The water was brown from the two other baths.
“Sit down!” snapped Miss Grady. “Now!”
The young woman looked at Miss Grady with pure hatred and sat. The water was so cold that it burned, but the young woman masked any reaction except loathing and didn’t say a word. As the scrub guard grabbed her arm, however, the young woman made a request.
“Please don’t touch my hair.” She loved her hair. As a child, she had always brushed her hair a hundred times on each side before going to sleep.
“I won’t,” said the guard quietly. The two guards poured the buckets of cold water on the young woman.
The young woman had gone swimming in cold water as a child but never in something like this. She bit her lip, hoping that would help the pain pass.
Suddenly the guard grabbed her hair and started scrubbing.
“I said not my hair!”
“Yes. You did, didn’t you?” said the guard and laughed. She scrubbed the hair with the same brush she had used on the other two women, but with even more intensity. The young woman tried to break free, but the guard had her by the hair and yanked it to get her under control.
“Stop!” cried the young woman. She despised them. She wished they were all dead. But the guard seemed to savor the humiliation and scrubbed the hair extra slowly.
“Do her back!” barked Miss Grady.
The guard, still holding on to the hair like the mane of a horse, began scrubbing the young woman’s back, who felt wire tearing at her skin. She tried to block out the pain and humiliation with thoughts of revenge, a vow to remember every single moment of the suffering and make these people pay.
Finally the scrubber backed away. “Done!”
The young woman opened her eyes. A moment later, she was drenched in two buckets of cold water that took her breath away.
“Get out!” said Miss Grady.
The young woman stood up. As the water fell off her, she saw the guards appraising her lustily. She grabbed the used towel and covered up her breasts and genitals, but she thought of the blotches on the first woman’s face and saw the clumps of hair still on the towel, and could not bring herself to use it. One of the guards tossed her a ragged slip, and she put it on before she bothered to dry herself. She stood there shivering, her teeth chattering. It was the coldest she had ever been in her life. But the cold did not temper her fury.
And so it went with the rest of the women: a scrub bath in the freezing, filthy water; drying off with the same damp, contaminated towel; then putting on a ragged slip and standing on the dirt floor in the bitter cold while waiti
ng for the others.
After the baths, the women were herded to a large hall for their first Bellevue Hospital Asylum meal: spoiled, fatty meat and molded toast, with tea that was essentially undrinkable. The young woman cried silently in frustration. She had not eaten in two days, yet she could not bring herself to eat the putrid meat or molded bread. She wondered how long she could survive this ordeal. And she was one of the stronger ones. Most of the other women, she realized, would not last a month.
Following the meal, the women were ordered to sit on stiff-backed chairs outside the dining hall in complete silence. After four hours, the women were taken to a dark room with thirty beds, no windows, and no heat. The mattresses were wafer-thin and lumpy, resting on uneven planks, and the pillows were stuffed with straw. The women were each assigned a bed. There were no lockers, of course; the clothes the women wore upon their arrival had been confiscated. The new arrivals sat on their beds, trying desperately to get warm with the thin cotton blankets. But even with comfortable bedding and thick blankets, extended sleep at Bellevue would be impossible—a half-dozen women in the room screamed continuously from delusion or fever.
The young woman felt completely alone and abandoned as she lay in bed that night, but she was wrong about one thing: the outside world had not forgotten about her.
The Sun had placed the story in the lead right-hand column, under the banner headline, “WHO IS THIS INSANE GIRL?” The more cerebral New York Herald approached it as a medical mystery: “WHAT AILS THE POOR DARLING?” To The Evening Telegram, she was “undoubtedly, hopelessly, sadly insane.” The Times wrote movingly of the “mysterious waif” with the “wild, hunted look in her eyes and despairing cry, ‘I can’t remember! I can’t remember!’ ”
The public became obsessed with the story, as they had been with Jay Gould cornering the Gold Market twenty years before, with Reverend Henry Ward Beecher facing adultery charges a decade ago, and with the bachelor President Grover Cleveland siring a child out of wedlock three years past. Who was this pitiful young woman, and what would become of her? Her plight was the talk of supper clubs, train stations, streetcars, hansom stables, and afternoon teas. Yet none of the stories mentioned the abominable conditions at New York’s main asylum for women because none of the reporters had ever been inside Bellevue Hospital Asylum nor interviewed former patients. None of them, in point of fact, ever thought to question the assurance from Bellevue’s warden, which they repeated verbatim in their papers, that New York’s mentally ill were being cared for in a “most humane and generous way, for which the city fathers should be exceedingly proud.”
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