Criticism:
Wallace L. Anderson, Edwin Arlington Robinson: A Critical Introduction (1967); Ellsworth Barnard, Edwin Arlington Robinson: A Critical Study (1952), (ed.), Edwin Arlington Robinson: Centenary Essays (1969); Richard Cary, ed., An Appreciation of Edwin Arlington Robinson (1969); Charles Cestre, An Introduction to Edwin Arlington Robinson (1930); Louis O. Coxe, Edwin Arlington Robinson (1962), Edwin Arlington Robinson: The Life of Poetry (1968); Hoyt C. Franchere, Edwin Arlington Robinson (1968); Edwin S. Fussell, Edwin Arlington Robinson: The Literary Background of a Traditional Poet (1954); Charles B. Hogan, A Bibliography of Edwin Arlington Robinson (1936); Francis Murphy, ed., Edwin Arlington Robinson: A Collection of Critical Essays (1970); Emery Neff, Edwin Arlington Robinson (1948); W. R. Robinson, Edwin Arlington Robinson: A Poetry of the Act (1967); William White, Edwin Arlington Robinson: A Supplementary Bibliography, 1936–1970 (1971); Yvor Winters, Edwin Arlington Robinson (1946).
THEODORE ROETHKE
Open House (1941); The Last Son (1948); Praise to the End! (1951); The Waking: Poems 1933–1953 (1953); Words for the Wind: The Collected Verse (1957); I Am! Says the Lamb (1961); Party at the Zoo (1963); The Far Field (1964); Sequence, Sometimes Metaphysical (1964); Collected Poems (1966); Selected Poems (1969).
Criticism:
J. La Belle, The Echoing Wood of Theodore Roethke (1976); R. A. Blessing, Theodore Roethke’s Dynamic Vision (1974); Gary Lane, A Concordance to the Poems of Theodore Roethke (1972); Karl Malkoff, Theodore Roethke: An Introduction to the Poetry (1966); Ralph J. Mills, Jr, Theodore Roethke (1963); Jay Parini, Theodore Roethke: An American Romantic (1979); Arnold Stein, ed., Theodore Roethke: Essays on the Poetry (1965); R. Sullivan, Theodore Roethke (1976).
SONIA SANCHEZ
Homecoming (1968); We a BaddDDD People (1970); It’s a New Day: Poems for Young Brothas and Sistuhs (1971); Adventures of Small Head, Square Head and Fat Head (1973); A Blues Book for Magical Black Women (1973); Love Poems (1974); I’ve Been A Woman: New and Selected Poems (1979); Homegirls and Handgrenades (1984); Under A Soprano Sky (1987).
CARL SANDBURG
In Reckless Ecstasy (1904); Chicago Poems (1916); Cornhuskers (1918); Smoke and Steel (1920); Slabs of the Sunburnt West (1922); Selected Poems (1926); Good Morning, America (1928); The People, Yes (1936); Complete Poems (1950, rev. 1970); Wind Song (1960).
Criticism:
Gay Wilson Allen, Carl Sandburg (1972); Richard Crowder, Carl Sandburg (1963); Harry Golden, Carl Sandburg (1961); Lucas Longo, Carl Sandburg: Poet and Historian (1972); Thomas S. Shaw, Carl Sandburg: A Bibliography (1948).
DELMORE SCHWARTZ
In Dreams Begin Responsibilities (1938); Genesis I (1943); Vaudeville far a Princess (1950); Selected Poems: Summer Knowledge (1959); What is to be Given: Selected Poems (1976); The Last and Lost Poems of Delmore Schwartz (1979).
Criticism:
James Atlas, Delmore Schwartz: The Life of an American Poet (1977); R. McDougall, Delmore Schwartz (1974).
ANNE SEXTON
To Bedlam and Part Way Back (1960); All My Pretty Ones (1962); Selected Poems (1964); Live or Die (1966); Love Poems (1969); Transformations (1971); The Book of Folly (1973); O Ye Tongues (1973); The Death Notebooks (1974); The Awful Rowing Towards God (1975); 45 Mercy Street (1976); The Heart of Anne Sexton’s Poetry (1977); Words for Doctor Y: Uncollected Poems and Three Stories (1978); Collected Poems (1981).
Criticism:
J. P. McClatchy, Anne Sexton: The Artist and her Critics (1978); Cameron Northouse and Thomas P. Walsh, Sylvia Plath and Anne Sexton: A Reference Guide (1975).
KARL SHAPIRO
Poems (1935); Person, Place and Thing (1942); The Place of Love (1943); V-Letter (1944); Essay on Rime (1943); Trial of a Poet (1957); Poems, 1940–1953 (1953); Poems of a Jew (1958); The Bourgeois Poet (1964); Selected Poems (1968); White Haired Lover (1968); Auden (1907–73) (1973); Adult Bookstore (1976); Collected Poems 1940–1978 (1978); Love and War, Art arid God (1984); Adam and Eve (1986); New and Selected Poems (1987).
Criticism:
Lee Bartlett, Karl Shapiro: A Descriptive Bibliography (1979); William White, Karl Shapiro: A Bibliography (1960).
CHARLES SIMIC
What the Grass Says (1967); Somewhere among us a Stone is taking Notes (1969); Dismantling the Silence (1971); White (1972); Return to a place Lit by a Glass of Milk (1974); Charon’s Cosmology (1977); Brooms: Selected Poems (1978); School for Dark Thoughts (1978); White: New Version (1980); Classic Ballroom Dances (1980); Austerities (1982); Weather Forecast for Utopia and Vicinity: Poems 1967–1982 (1983); Selected Poems 1963–1983 (1985); Unending Blues (1986).
W. D. SNODGRASS
Heart’s Needle (1959); After Experience (1968); Remains: Poems (1970); The F¨hrer Bunker: A Cycle of Poems in Progress (1977); Six Troubadour Poems (1978); If Birds build with your Hair (1979); The Boy Made of Meat (1983); Magda Goebbels (1983); D. D. Byrde Calling Jennie Wrenn (1984); Selected Poems 1957–1987 (1987).
Criticism:
Paul L. Gaston, W. D. Snodgrass (1978); William White, W. D. Snodgrass: A Bibliography (1960).
GARY SNYDER
Riprap (1959); Myths and Texts (1960); Riprap and Cold Mountain Poems (1965); Six Sections from Mountains and Rivers without End (1965); A Range of Poems (collected poems) (1966); The Back Country (1967); Six Sections from Mountains and Rivers Without End Plus One (1970); Regarding Wave (1970); Manzanita (1972); The Fudo Trilogy (1974); Turtle Island (1974); Axe Handles (1983); Left Out in the Rain: New Poems 1947–1985 (1986).
Criticism:
D. Kherdian, Gary Snyder: A Biographical Sketch and Descriptive Checklist (1965); Howard McCord, Some Notes to Gary Snyder’s Myths and Texts (1971); Katherine McNeill, Gary Snyder (1980); R. Steuding, Gary Snyder (1976); Kenneth White, The Tribal Dharma (1975).
WALLACE STEVENS
Harmonium (1923); Ideas of Order (1935); Owl’s Clover (1936); The Man with the Blue Guitar (1937); Transport to Summer (1947); The Auroras of Autumn (1950); Selected Poems (1953); Collected Poems (1954); Opus Posthumous (1957); The Palm at the End of the Mind (1971).
Criticism:
James Baird, The Dome and the Rock: Structure in the Poetry of Wallace Stevens (1968); Lucy Beckett, Wallace Stevens (1974); Michel Benamou, Wallace Stevens and the Symbolist Imagination (1972); Richard Blessing, Wallace Stevens, Whole Harmonium (1970); Harold Bloom, Wallace Stevens: The Poems of our Climate (1977); Marie Borroff, ed., Wallace Stevens: A Collection of Critical Essays (1963); Ashley Brown and Robert Haller, eds. The Achievement of Wallace Stevens (1962); Merle E. Brown, Wallace Stevens: The Poem as Act (1971); William Burney, Wallace Stevens (1968); Robert Buttel, Wallace Stevens: The Making of ‘Harmonium’ (1967); Frank Doggett, Stevens’ Poetry of Thought (1966); John J. Enck, Wallace Stevens: Images and Judgments (1964); Daniel Fuchs, The Comic Spirit of Wallace Stevens (1962); T. J. Hines, The Later Poetry of Wallace Stevens (1976); Frank Kermode, Wallace Stevens (1960); Edward Kessler, Images of Wallace Stevens (1972); Frank Lentricchia, The Gaiety of Language: An Essay on the Radical Poetics of Wallace Stevens (1968); A. Walton Litz, Introspecctive Voyager: The Poetic Development of Wallace Stevens (1972); A. K. Morris, Wallace Stevens: Imagination and faith (1974); Samuel French Morse, Wallace Stevens: Life as Poetry (1970), A Wallace Stevens Checklist and Bibliography of Stevens Criticism (1963); Eugene P. Nassar, Wallace Stevens: An Anatomy of Figuration (1965); William Van O’Connor, The Shaping Spirit: A Study of Wallace Stevens (1950); Roy H. Pearce and J. H. Miller, eds. The Act of the Mind: Essays on the Poetry of Wallace Stevens (1965); Alan Perils, Wallace Stevens: A World of Transforming Shapes (1976); Joseph N. Riddell, The Clairvoyant Eye: The Poetry and Poetics of Wallace Stevens (1965); Herbert J. Stern, Wallace Stevens: Art of Uncertainty (1966); Helen H. Vendler, On Extended Wings: Wallace Stevens’ Longer Poems (1969); Thomas F. Walsh, A Concordance to the Poetry of Wallace Stevens (1963); Henry Wells, Introduction to Wallace Stevens (1964); S. B. Weston, Wallace Stevens: An Introduction to the Poetry (1977).
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br /> GEORGE A. STRONG
The Song of Milkanwatha (1856); Songs of the Pacific (1889).
ALLEN TATE
Mr Pope and Other Poems (1928); Poems, 1928–1931 (1932); The Mediterranean and Other Poems (1936); Selected Poems (1937); The Winter Sea (1944); Poems, 1920–1945 (1947); Poems, 1922–1947 (1948); Two Conceits for the Eye to Sing, If Possible (1950); Poems (1960); Poems (1961); The Swimmers and Other Selected Poems (1970); Collected Poems 1919–1976 (1977).
Criticism:
Willard Burdett Arnold, The Social Ideas of Allen Tate (1955); Ferman Bishop, Allen Tate (1967); George Hemphill, Allen Tate (1964); R. K.Meiners, The Last Alternatives (1963); Radclifie Squires, Allen Tate: A Literary Biography (1971), (ed.), Allen Tale and His Work: Critical Evaluations (1972).
JAMES TATE
Cages (1967); The Destination (1967); The Lost Pilot (1987); The Torches (1968); Notes of Woe (1968); Mystics in Chicago (1968); Camping in the Valley (1968); Row with Your Hair (1969); Is There Anything (1969); Shepherds of the Mist (1969); The Oblivion Ha-Ha (1970); Amnesia People (1970); Deaf Girl Playing (1970); Hints to Pilgrims (1971); Absences (1972); Apologies for eating Geoffrey Movius’ Hyacinth (1972); Viper Jazz (1976); River Doggeries (1979).
EDWARD TAYLOR
Preparatory Meditations before my Approach to the Lords Supper (1939); Gods Determinations touching his Elect: and The Elects Combat in their Conversion, and Coming up to God in Christ together with the Comfortable Ejects thereof (1939).
Standard Editions:
T. H. Johnson, ed., The Poetical Works of Edward Taylor (1939); D. E. Stanford, ed., The Poems of Edward Taylor (1960).
Criticism:
N. S. Grabo, Edward Taylor (1961); Karl Keller, The Example of Edward Taylor (1975); William J. Scheick, The Will and the Word: the Poetry of Edward Taylor (1974).
HENRY DAVID THOREAU
Poems of Nature (1895); Collected Poems (1964).
Criticism:
J. B. Atkinson, Henry Thoreau: The Cosmic Yankee (1927); Leon Bazalgette, Henry Thoreau: Bachelor of Nature (1970); R. L. Cook, Passage to Walden (1949); Frederick Garber, Thoreau’s Redemptive Imagination (1977); Walter Harding, ed., Thoreau: A Century of Criticism (1954); J. W. Krutch, Henry David Thoreau (1948); Sherman Paul, The Shores of America: Thoreau’s Inward Exploration (1958); Ethel Seybold, Thoreau: The Quest and the Classics (1951); Mark Van Doren. Henry David Thoreau: A Critical Study (1961).
DIANE WAKOSKI
Coins and Coffins (1961); Discrepancies and Apparitions (1966); The George Washington Poems (1967); Greed: Parts I and II (1968); The Diamond Merchant (1968); Inside the Blood Factory (1968); Some Poems for the Buddha’s Birthday (1969); The Magellanic Clouds (1969); Greed: Parts III and IV (1969); The Moon Has a Complicated Geography (1969); Black Dream Ditty for Billy ‘The Kid’ M Seen in Dr Generosity’s Bar Recruiting for Hell’s Angels and Black Mafia (1970); Greed: Parts V–Vll (1971); The Motorcycle Betrayal Poems (1971); Smudging (1972); Dancing on the Grave of a Son of a Bitch (1973); Greed: Parts VIII, IX and XI (1973); Trilogy (1974); Looking for the King of Spain (1974); Abalone (1974); Virtuoso Literature for Two and Four Hands (1975); Waiting for the King of Spain (1976); The Man Who Shook Hands (1978); Cap of Darkness (1980); The Magician’s Feast-letters (1982).
Criticism:
R. Gemmet and P. Gerber, eds, A Terrible War: A Conversation with Diane Wakoski (1970).
ROBERT PENN WARREN
Thirty-Six Poems (1936); Eleven Poems on the Same Theme (1942); Selected Poems, 1923–1943 (1944); Brother to Dragons (1953); Promises: Poems, 1954–1956 (1957); You, Emperors and Others: Poems 1957–1960 (1960); Selected Poems: New and Old, 1923–66 (1966); Incarnations (1968); Audubon: A Vision (1969); Or Else: Poem/ Poems 1969–1974 (1974); Selected Poems 1923–1975 (1977); Now and Then: Poems 1976–78 (1978); Being Here: Poetry 1977–80 (1980); Rumor Verified: Poems 1979–1980 (1981); New and Selected Poems 1923–1985 (1985).
Criticism:
Charles H. Bohner, Robert Penn Warren (1964); Leonard Casper, Robert Penn Warren: The Dark and Bloody Ground (1960); Mary N. Huff, Robert Penn Warren, A Bibliography (1968); John Longley, ed., Robert Penn Warren (1964); Victor Strand-berg, A Colder Fire (1965), The Poetic Vision of Robert Penn Warren (1977); Paul West, Robert Penn Warren (1964).
WALT WHITMAN
Leaves of Grass (1855, rev. 1856, 1860, 1867, 1871, 1872, 1876, 1881, 1889, 1891); Drum-Taps (1865); Passage to India (1871).
Criticism:
Gay Wilson Allen, A Reader’s Guide to Walt Whitman (1970), (ed.) Walt Whitman Abroad (1955), A Walt Whitman Handbook (1962); Roger Asselineau, The Evolution of Walt Whitman: The Creation of a Book (1962); H. Azpiz, Walt Whitman and the Body Beautiful (1981); Richard Chase, Walt Whitman (1961); Edwin H. Eby, A Concordance of Wall Whitman’s Leaves of Grass and Selected Prose Writings (1949); Milton Hindus, ed., Leaves of Grass One Hundred Years After (1955); R. W. B. Lewis, ed., The Presence of Walt Whitman (1962); Edwin H. Miller, Walt Whitman’s Poetry: A Psychological Journey (1968), (ed.) A Century of Whitman Criticism (1969); James E. Miller, Jr, A Critical Guide to Leaves of Grass (1957); Walt Whitman (1962); American Quest for a Supreme Fiction: Whitman’s Legacy in the Personal Epic (1979); Sydney Musgrove, T. S. Eliot and Wall Whitman (1952); Roy H. Pearce, ed., Walt Whitman: A Collection of Critical Essays (1962);James T. Tanner, Walt Whitman: A Supplementary Bibliography 1961–1967 (1968); Carolyn Wells, A Concise Bibliography of the Works of Walt Whitman (1922).
REED WHITTEMORE
Heroes and Heroines (1947); An American Takes a Walk (1956); The Self-Made Man and Other Poems (1959); The Boy from Iowa (1962); The Fascination of the Abomination (1963); Poems New and Selected (1967); Fifty Poems Fifty (1970); The Mother’s Breast and the Father’s House (1974); The Feel of the Rock: Poems of Three Decades (1982).
JOHN GREENLEAF WHITTIER
Legends of New England in Prose and Verse (1831); Poems Written During the Progress of the Abolition Question (1837); Lays of My Home and Other Poems (1843); Voices of Freedom (1846); Songs of Labor (1850); The Chapel of the Hermits (1853); The Panorama and Other Poems (1856); Home Ballads, Poems and Lyrics (1860); In War Time and Other Poems (1864); Snow-Bound (1866); The Tent on the Beach (1867); Among the Hills (1869); Miriam and Other Poems (1871); Hazel-Blossoms (1875); The Vision of Echard (1878); St Gregory’s Guest (1886); At Sundown (1890).
Criticism:
R. Burton, John Greenleaf Whittier (1975); W. H. Hudson. Whittier and his Poetry (1976); Lewis G. Leary, John Greenleaf Whittier (1961); John P. Pickard, John Greenleaf Whittier: An Introduction and Interpretation (1961).
MICHAEL WIGGLESWORTH
The Day of Doom (1662); Meat Out of the Eater (1670).
Criticism:
Richard Crowder, No Featherbed to Heaven: A Biography of Michael Wigglesworth 1631–1705 (1962); John W. Dean, Sketch of the Life of the Rev. Michael Wiggles-worth (1863).
RICHARD WILBUR
The Beautiful Changes (1947); Ceremony (1950); Things of This World (1956); Poems 1943–56 (1957): Advice to a Prophet (1961); Poems of Richard Wilbur (1963); Walking to Sleep: New Poems and Translations (1969); Digging for China (1970); Opposites (1973); Seed Leaves (1974); The Mind Reader (1976); Verses on the Times (with W. J. Smith) (1978); Seven Poems (1981); New and Collected Poems (1988).
Criticism:
P. F. Cummins, Richard Wilbur (1971); John P. Field, Richard Wilbur. A Bibliographical Checklist (1971); Donald L. Hill. Richard Wilbur (1967).
WILLIAM CARLOS WILLIAMS
Poems (1909); The Tempers (1913); Al Que Quiere! (1917); Kara in Hell (1920), Sour Grapes (1921); Spring and All (1923); Collected Poems, 1921–1931 (1934); An Early Martyr (1935); Adam and Eve and the City (1936); The Complete Collected Poems, 1906–1938 (1938); The Wedge (1944); Paterson, Book I (1946); Paterson, Book II (1948); The Clouds (1948); Selected Poems (1949); Paterson, Book III (1949); The Collected Later Poems (1950, rev. 1963); The Collected Earlier Poems (1951); Paterson, Book IV (1951); The Desert Music (1954);
Journey to Love (1955); Paterson, Book V (1958); Pictures from Brueghel (1962); Paterson (1963); Imaginations (1970); Selected Poems (1976).
Criticism:
James Breslin, William Carlos Williams: An American Artist (1970); John Malcom Brinnin, William Carlos Williams (1963); Robert Coles, William Carlos Williams: The Knack of Survival in America (1975); Joel Conarroe, William Carlos Williams’ Paterson: Language and Landscape (1970); Bram Dijkstra, The Hieroglyphics of a New Speech: Cubism, Stieglitz, and the Early Poetry of William Carlos Williams (1968), A Recognizable Image. William Carlos Williams on Art and Artists (1978); Charles Doyle, ed., William Carlos Williams: The Critical Heritage (1980); John Engels, Checklist of William Carlos Williams (1969); James Guimond, The Art of William Carlos Williams: A Discovery and Possession of America (1968); Margaret Glynne Lloyd, William Carlos Williams’ ‘Paterson’ (1981); Paul L. Mariani, William Carlos Williams: The Poet and his Critics (1975); Jerome Mazzaro, ed., Profile of William Carlos Williams (1971), William Carlos Williams: the Later Poems (1973); J. Hillis Miller, ed., William Carlos Williams: A Collection of Critical Essays (1966); Sherman Paul, The Music of Survival (1968); Walter Scott Peterson, An Approach to Paterson (1967); Joseph N. Riddel, The Inverted Bell: Modernism and the Counter-Poetics of William Carlos Williams (1974); Benjamin Sankey, A Companion to William Carlos Williams’s Paterson (1971); D. Tashjran, William Carlos Williams and the American Scene 1920–1940 (1978); R. Townley, The Early Poetry of William Carlos Williams (1975); Linda W. Wagner, The Poems of William Carlos Williams: A Critical Study (1964), William Carlos Williams: A Reference Guide (1978); Emily Mitchell Wallace, A Bibliography of William Carlos Williams (1968); M. Weaver. William Carlos Williams: The American Background (1977); Thomas Whitaker, William Carlos Williams (1968); R. Whittemore, William Carlos Williams: Poet from Jersey (1975).
The Penguin Book of American Verse Page 51
