by Jax Miller
“Luke!” she shouts across the house.
“What,” Luke whines from the kitchen.
“Grab me my hair spray off the dresser here.” The yells cause her to be out of breath.
“Get Peter to do it. He’s closer to you.”
“Peter can’t do it. Peter’s retarded.” Peter eyeballs his mother’s grotesqueness from his wheelchair. Lynn continues, “Just get me the fucking hair spray, goddamn it.”
“Fuck sake, Ma.” Luke storms up the hall to her bedroom and tosses the hair spray that was sitting only three feet away from her.
The fat under her arms jiggles as she uses the ol’ Aqua Net, the lighter fluid with a shelf life of ten thousand years, in her nappy gray curls. From the kitchen, John and Luke scream together at the Yankees game, the cracking of Heineken cans from the freezer. Peter smells the fish off his two brothers after they had spent the day down at Cranberry Dock.
It wasn’t uncommon: grown men living with their mothers in these parts. Could be blamed on a shitty economy, but it’s usually overbearing mothers who need house funding and/or lazy men, and there was a shortage of neither in Mastic Beach.
“Ungrateful little bastard,” Lynn says behind Luke’s back.
“Hey, Ma, Matthew’s pulling up!” John screams.
“I’m fucking coming.” She pumps the last of the generic wine from the box and sifts through a pillowcase full of prescription pills until she finds a Xanax to chew on. She plucks the clumps of mascara from her blue eyes, rubs her lavender nightgown straight, and burps as she turns off one of her reality judge shows.
She totters and flounders to climb aboard Mr. Mobility, the poor scooter that carries her overflowing body down the hall. Peter follows in his wheelchair. She rolls down, past the crucifixes and photos of the boys when they were actually still boys. At the end of the hall next to the entrance of the living room, a small table that serves as a shrine to her dead son, Mark: a framed photo of him in his NYPD blues, smiling around burned-out tea-light candles. She kisses her hand and touches the picture of his face. She worships the dead. Many in that dirty town do. They pour the first sips of all their drinks to the ground, they get married with speeches of the greatness of lost loved ones, even if they were scum. That’s just the way it is. Praise the dead, turn the scumbags into heroes. Beside Mark’s photo are three red candles, one for each of Lynn’s miscarriages. And though she lost them before their genders could be determined, she knew, she just knew, they were all daughters and named each one, respectively, Catherine, Mary, and Josephine.
An Irish Catholic, Lynn’s made a lucrative living abusing the welfare system and five sons with as many different fathers who took her name instead of Uncle Sam’s. Delaney, a name attached to trouble and whiskey tolerance. It’s a joke around the neighborhood that even the mailman gives the Delaneys’ mail to the cops, since they’re bound to be there sooner or later. As the car pulls in the driveway, Peter watches Lynn inspect her sons lined up by the front door.
First is the youngest brother, Luke, the most charming and promiscuous of the Delaneys. Even when all the girls knew he was responsible for spreading chlamydia to some of the locals, he was still irresistible to them. With blond hair and green eyes that can pierce holes into yours, and rumors of having a porn-star-size cock, he toyed with the idea of becoming a model a few years back. But he never went anywhere with it and opted to hang drywall for a living instead and spread his seed all over Long Island. Six kids that he knows of, at least. Peter curls his upper lip at the overwhelming stench of his cologne attempting unsuccessfully to cover the smell of fluke fish and sweat.
Next is John, a stout man with all the recessive genes: green eyes, red hair, and a temper that can make the streets shake. He has a silver cap for a front tooth and a face full of red hair. He speaks very little, always has, and always seems to dress in heavy clothes, even flannels in the summer. Known as Mastic’s loan shark, John goes nowhere without his baseball bat. If you can pay him back, he’s the best there is. And if you can’t, just change your name and skip town. While everyone knows that he’s not a mute, not one person outside of his family can recall one time they ever heard him speak. Lynn scratches his beard. “Why must you always hide this pretty face?”
Peter is the one in the wheelchair with cerebral palsy, who everyone assumes is mentally retarded, even his own mother sometimes. Peter is Lynn’s excuse to collect a disability check from social services. Unlike his brothers, Peter prefers to stay in his room with pirated movies and books online, staying out of trouble, so to speak. Peter hates his mother. She talks to him like he’s a child, makes him eat the things she knows he can’t stand, and always steals the money he’s entitled to from the government, instead opting to spend it on stuffing her own face while Peter gets the scraps like a junkyard dog. And the term junkyard is fitting, given that the home is kept like a hoarder’s paradise.
His mother smooths out his loose Spider-Man tee, uses her spit to fix his black hair, and pretends not to notice when he jerks away from her. He tells her to fuck off, but no one hears him, or they don’t want to.
In one uniform motion, as if the dam breaks, they all go out to the porch to meet with Matthew. Matthew screams with a smile into his brothers’ arms as he steps out of an old Buick, a clear plastic “personal belongings” bag trailing him. Headlocks and punches in the arms and thighs are the traditional greeting of the Delaneys. And, of course, what kind of reunion would this be without the stares of the nosy neighbors, the same ones who call the police every time the Delaney household gets a little too loud in the middle of the night? Luke is the first to break out the beer.
“Let’s take it in the house,” Lynn shouts from the doorway.
Matthew holds the beer up against the light of an overcast sky. “Christ, eighteen years in the joint, this is certainly overdue.”
“What’s it like not getting laid for eighteen years?” Luke jokes on the way into the house. Lynn smacks him on the arm.
“Almost worth it, after tonight.” Matthew laughs. “Sorry, Ma.”
Inside, Metallica plays in the background as they spend the morning catching up. But the time’s come to talk about the very topic that has brought such a cloud over the family for so long: Nessa Delaney.
Find her.
Find her kids.
Bring them home.
Make the family complete once again.
—
The spines of the other Delaney brothers surge with currents of electricity when around Matthew and their mother. With the back doors open, leading to a small backyard, the kitchen smells of wet autumn leaves and marijuana. It’s impossible to tell where the October fog begins and the smoke ends.
“Eighteen years is a lot of time to think. To collect. To dream,” says Matthew, between sips of his Heineken. He tilts his head to the side. “I’d be lying if I said I didn’t want the cunt dead,” his voice always smooth and velvety, like a song at a funeral. As he says the words, he swears he can detect Nessa’s scent. How could he possibly explain his love for her to his family? Who would understand? And despite being caged like an animal for nearly half his life, his eyes always smile, like he’s dying to tell the world all the secrets of the universe. The rest of the guys fidget in their seats around the kitchen table. They nod and pretend to understand, out of fear.
“She murders Mark. Your brother. My son,” Lynn begins, stoned on her Xanax-and-cabernet cocktail. “She takes my grandchildren and hides them away so that we can never see them. The children of Mark.” She absently picks the red nail polish from her fingernails. She feels the blood in her body start to curdle. She feels her feet start to swell, start to retain water from not being back in bed, decides it’s because she needs sugar and proceeds to stuff an orange Hostess cupcake into her cheek. “And then she frames you, my innocent Matthew, and sends you to prison for eighteen motherfucking years.” Lynn shakes her head with a smile, citrusy crumbs falling in the folds of her neck. She crosses her hands,
those fat little sausages with red tips like she’s ripped through someone’s flesh. “Nessa Delaney.” She sticks her tongue out and cringes, resents the fact that they once shared the same last name. “The audacity of the cunt. She must pay.” Lynn begins to sweat with the efforts of chewing and swallowing. “And we must find her children. After all, isn’t that what family’s all about?” Her sons recognize that gleam, the flames behind her eyes starting to ignite with ingenious plotting, often seen right before she shoplifts or rips a guy off from Craigslist or sends her sons to get something she wants but can’t have. “I wish we did this twenty years ago.”
“Yes, Ma, but it’s my revenge too,” Matthew says as he puts his hands on hers. “As much mine as yours.”
“They should make a saint out of me for waiting so fucking long.”
“Yes, Ma. And you waiting for me to get out so this revenge could be mine means more to me than you’ll ever know.” Lynn bats her eyes at his appreciation.
Peter starts to object but stutters over his own words. Matthew shoots him a glare so ferocious and hateful that it paralyzes him in his own wheelchair. With a flat, soulless tone he says, “And we’re all in this together.”
Peter gets his first good look at Matthew. He notices the thin threads of white at the edges of his black hair only make him look more monstrous than before, like a mane beginning to ice over. His blue eyes are still too light to match the rest of his face, those eyes that nearly turn to white when he’s doing something evil. He looks more like Lynn than ever, except he’s lean and hard. Prison hard.
“But how the hell are we supposed to find her and the kids? We know she’s been a protected witness since she killed Mark,” says Luke as he rolls another joint.
“O ye of little faith. In prison, everything is accessible for a price. Information is no exception.” Matthew taps his finger on his temple. “Everything you need to know about Nessa Delaney is in here.” He looks over to Lynn and smiles.
Lynn Delaney has never been prouder of her sons in all her years. At the sight of Matthew, the long wait almost seems worth it. In this way, her Matthew can guide the rest, be Lynn’s eyes and ears on their journey to kill her ex-daughter-in-law. “I only ask that you do things to Nessa that no mother would want to hear about until she begs to die. And I don’t need to tell you to be sure none of it gets back to this family, do I?” She sighs. “And as for your niece and your nephew, just…break the news slowly to them. Show them love. Tell them Grandmother has waited patiently for twenty years and looks forward to hugging them.” She takes a cigarette from Luke and puffs away. Her teeth are burned.
“She goes by Freedom Oliver these days,” says Matthew.
“Freedom?” Lynn scoffs. “Fucking clever.”
“Let’s leave in the morning, then.” Luke smiles at the thought of bloodshed.
“Fuck that.” Lynn kicks the bottom of the refrigerator from the motor scooter. “I’m not waiting any longer.” The steam seems to rise from her, liable to ignite the Aqua Net if she gets too angry. She brushes black cat hair from her sleeves, composes herself with a wheezing from the throat, and puts her cigarette out on the kitchen counter, no ashtray or anything. “My boys, my boys…” From her sleeve, she pulls out two fifty-dollar bags of cocaine and cuts five lines with her driver’s license in front of them, a driver’s license long expired since she hasn’t left the house in more than three years. The boys’ spines become a little more erect. When she’s done, she licks the edge of the card before turning a twenty-dollar bill into a straw. Peter can’t help but wonder how a habitual coke addict could be such a morbid size. “You don’t want to keep your mother waiting, do you?” She inhales a line through her left nostril before handing the twenty-dollar bill to Matthew. Her jaw sways back and forth, her pinkies twitch with the mechanical taste.
Matthew stares straight ahead before he snorts the next line. “No, you never have to wait for us, Mother.” The others nod, agreeing with anything to get a turn at the coke. They watch as her nose starts to bleed, as it usually does, down her face and landing on the remaining orange cupcake, the white drizzle of frosting now spotted with crimson. But Lynn doesn’t mind her warm blood falling down on her dessert, and she stuffs it in her gob anyway. She stares each one of her sons in the eyes. “Let John drive.” Lynn throws a set of keys on the table. “The plates are fake and the E-ZPass is stolen, so tolls for the bridges and turnpikes are free. You guys better head off to avoid rush hour.”
With their hearts racing with drugs, anticipation, and obedience, they leave.
Lynn watches Matthew, Luke, and John take off from the window. This is payback for Mark, you stupid bitch, she says to her reflection. She is a queen, releasing her wolves into the wild, on the hunt. As the car leaves the driveway, she sees the next-door neighbor. An old man from Puerto Rico, he paces in circles in an old and ragged green dress with black polka dots. His daughter’s mentioned before that he was showing signs of dementia. Is anyone normal anymore?
She licks the blood from her lips, hears the creak of Peter’s wheelchair turning toward her. He stammers, as if his vocal cords are trying to disconnect from his body.
“Yu, yu, you’re…a…f-f-fucking ba-ba-bitch,” Peter says.
Lynn uses the back of her hand to wipe the blood across her face, up her cheeks like war paint. She leers and says, “And here I was thinking you my-my-my-might want to eat ta-ta-ta-today…”
TODAY
My name is Freedom and I hate this woman’s looks. Yeah, it’s an antipsychotic, just give it here so I can go. Walkers Pharmacy, the Botox bitch, I call her. Too much collagen in the lips. Maybe she’s not giving me a dirty look after all. That might just be her face.
Seeing a psychiatrist is not my idea. Whippersnappers make me do it. Every week for the past eighteen years. That’s 936 hours. What good has it done? I grab my prescription and leave.
—
My name is Freedom and I’ll be happy the day I never have to hear ZZ Top again. As always, I leave myself about half an hour to hang out in the back before my shift starts. I sit in the office where we keep the safes, computers, security cameras, accounting and inventory records, cluttered manuals, and magazines. It’s where I take advantage of the Internet, being that I don’t actually own a computer and the service on my cell phone sucks like an eager Vietnamese prostitute.
Carrie stands behind me, but she isn’t the nosy type at all, just eyeballs the office.
“What are you doing?” I ask. I already know the answer and say it with her: I’m moving things with my mind. She’s always rearranging something. Carrie’s my boss, but a good boss. A husky lesbian, she’s one of my only friends here in Oregon. She’s rough around the edges but has a huge heart and never makes a pass at me, aside from the occasional “If you were a lesbian, my God!” She’s the gay pride–ish type, too, with tats of rainbows and naked pinup girls all over her thick arms.
I return to the computer screen and open three windows after I log in to Facebook. On one page is Mason Paul, attorney-at-law. On the second is Rebekah Paul. The third is a young girl named Louisa Horn, but I suspect it’s a fake profile: one friend, and the only activity is random posts on Rebekah’s wall. My money is on Mason, since he and his sister aren’t Facebook friends. On Facebook maps, Louisa’s locations match Mason’s. And by the looks of things, Mason has little, if any, connection anymore with his adoptive family, with the church.
I look up Galatians 5:19–21 in another tab. Above it, from yesterday, is a post from Louisa Horn that reads: “My sister in Christ, where have you been? I miss you.” It’s been a couple days since she’s posted anything or there’s been any activity from her account. It’s unlike her. “She hasn’t posted anything in a while,” I say to Carrie. I’m not supposed to talk to anyone of my past life, my life before I was Freedom Oliver. But I do. She knows who I am, who I was, who I’m looking at. I trust her. Nothing I disclose to her goes anywhere else. She even knows the things I can’t disclose to
the whippersnappers.
“You know how those young’uns are.” Carrie arranges magazines that don’t need to be arranged in the first place.
“No, something’s wrong.” I don’t look away from the computer.
“You don’t know that, Freedom.” She focuses on me.
“I can feel it.” It’s true, something just isn’t right. “I hate that name, Rebekah.” I tap my nail on the screen. “Her fucking Amish Walton parents.”
“They’re not Amish.”
“No, but they might as well be.” We both smile a little as she leaves for her shift.
I browse through her photos. There’s a certain purity about Rebekah, and I don’t think this just because she’s my biological daughter. And while I’ll throw a heap of sarcasm at how she was brought up, I’m happy with her upbringing. She was raised by a good family, raised in the church. I sift through her photos: long, curly hair of ginger with spots of rust across the bridge of her nose. She has a million-dollar smile that stretches between those cute dimples, the only radiance from very conservative attire: long denim skirts over old white Keds, frilly long-sleeved button-downs.
As for Mason, it’s clear he’d found his own way, beyond the graces of God. Girls, bars, smoking, a form of rebellion that wouldn’t do too much harm, typical youth crap. With a full head of brown hair, Mason is incredibly handsome, as seen in the photos tagged to his page through Violet. Trips to Gatlinburg’s Smoky Mountains, tequila sunrises, washboard abs. Christ Almighty, he’s the spitting image of his father, that piece of shit.
Mason and Rebekah were raised by an esteemed reverend in Goshen, Kentucky, Virgil Paul and his ever-so-obedient wife, Carol. I’ve seen him preach via the Internet: a very charismatic man with a smile that makes it look like he’s in excruciating pain. He always sweats and huffs his way through his sermons in his deep southern drawl. He’s average-sized, with black hair and a square head. Tan compared to the pale children and wife he stands with after the service, to bid farewell to the born-agains and thankfuls and the newly restored. But goddamn it, it beats the hell out of the life they’d have had with me, had I tried to get them back. Then again, I don’t think I’d be in this state if I hadn’t had them in the first place.
